so if we go to this image just here we hit Auto it's going to only look at everything inside the tone section and it's going to put an auto edit on it I would not recommend doing this inside Lightroom it usually over exposes images although this one it did really well so basically if you look at your histogram up here you move the exposure and it's going to be moving the entire thing here it's focusing on the middle section the highlights is going to be moving the far right hand side and the blacks is going to be moving the far left hand side and you can move those sliders around editing everything which is inside your image if you ever want to look at where you came from in an image hit backslash which is just underneath the delete button on your keyboard and you can look at the before and the after massively helpful so let's just bring this image back here let's do a quick edit for what I think would work as lift those shadows okay this looks nice now I don't know about you but I think that we need to take just a -second break because I'm completely out of breath Before we jump back in my name is Edward Gregory thank you so much for watching please subscribe to my channel and definitely head over to photos in color comm and sign up for my email list because I have a huge product launch coming out in just days let's also quickly use her teeth to set the white balance it's gone a little too blue so we'll warm her back up nice the next thing that we have down here is our presence now basically this if you were to look at your clarity a lot of new users use this a lot because <a href="www.idltechnologies.com/">digital signature provider company in kanpur</a> it has a lot of pop to your image in my opinion it actually ruins an image but if you go if you reduce clarity it's gonna make the image very soft do not use this for skin softening as it will ruin your image in my opinion then we have vibrance and saturation vibrance is basically going to be looking at changing the colors in the mid-tones and the saturation is the overall color a great tip here lift the vibrance and reduce the saturation rather than lifting the saturation it's going to give you a far more natural feel within that okay so let's now look at the tone curve the next thing down here really powerful this is looking at all things including the colors anyways independently of the top section so the way that the tone curve works the bottom section we are looking at the shadows in fact let me just click on this but this is what yours probably looks like you got your highlights which is the top section and the shadows which is the bottom section in everything in between this is not affecting any color at all but check this out click the bottom button down here and now you can go through and add all of your own points onto the tone curve and make more specific edits and what's even more powerful is the bottom button here you can select each one inside of its own color our G B and if I want to get rid of any of these points all I have to do is that goes right click and hit delete control point now let's look at HSL hue saturation and luminance for this we're gonna look at this image just here let me just lighten it up so we can actually take a look at the image like so bring those highlights back and those shadows up great so hue saturation and luminance hue that changes the actual color so let's look at the oranges here I can move the oranges towards the Reds or the yellows you can see change the color same with the blue skys go into turquoise or purple so that is the Heuer the saturation what that does it changes the intensity of the color so let's look at the blue in the sky make it more blue make it less blue really simple and the luminance is how much light is going through that so if I take the the light out of the blue it's gonna make it darker I'd like to it's gonna make that color lighter but it doesn't affect the actual intensity of the color itself this is massively powerful to spend a lot of time learning your HSL now if you select B&W; up here it turns it black and white and it will allow you to edit each of these elements that the luminance within the color although it's now in black and white so again really powerful there okay split toning let's take a quick look at that this we're gonna look at the highlights and the shadows so he adds color to it highlights let's add some yellow to the highlights anything which isn't highlights is now yellow and let's add some blue to the shadows we're basically gonna add blue to anything shadows this is a split toning or cross processing effect and the middle slight slider moves the balance from the highlights to the shadows really really powerful and backslash their before and after now let's go down to the next section which is detail this obviously is looking at the sharpening so let's have a look at the tree here we're just going to zoom in by clicking on the image and we can have a look what the sharpening is doing the more you sharpen the more it seems to give it more detail now if I hold down option while option or alt while doing this it turns it to black and white because it's easier to see the effects and masking means that if it ignores the edges or it only looks at the edges for example so anything which is white it is affecting anything in black it is not so there we go we have now only added sharpening to the tree not to the sky I know that because I've got massive amounts of masking on this and I know that by holding alt and option be careful pushing this around too much you can quickly ruin an image and that brings me on to the next section which is noise reduction ever got an image with loads of noise well you're going to probably want to reduce it so we have an image here lots of noise we can use noise reduction on this but be careful you can very quickly smudge an image and make it look really really bad okay the next thing is lens Corrections Lightroom is amazing at looking at what camera it was shot on so if we take this image here it's a raw image enable profile Corrections in new shot on a Canon and millimeter so it will do a lens correction for me very quickly okay so let's look at some really important things that everybody always wants to know how to do how to do an HDR basically you take three images which are different exposures you select all three you're going to right click photo merge and you're gonna hit HDR the amazing thing about this is it does all of the work for you it's like so you hit merge and it's going to do a wonderful job of actually building and HDR image now if you want to make a panorama you select all of the images that what you want to make into a panorama you go right click photo merge and click panorama and it is going to very quickly stitch your image together and create a wonderful panorama one thing that Alex I would do is use boundary wall it's actually going to stretch the image and it is going to make it nice and level for you now once you've got all of your edits done and you know you want to export the image that is one of the most important things to do inside Lightroom all you have to do is come back to the library module you can select an image and hit export and then you have a number of settings that you can do I'm gonna export it to my desktop I'm going to call it a text test image and I'm going to make the image a total of pixels wide there you go and if I export on this image we're gonna see it is going to appear very quickly on my desktop at pixels okay so that is absolutely everything inside Lightroom that I think you should know in just minutes now remember I have a full white room training course available on my channel go and check it out learn everything there is to know about Lightroom this program is amazing and I am absolutely exhausted from doing that thank you so much for watching this was Ed Gregory for photos in color calm and breathe oh hi this is ed Greg - there is no way I can get to it in minutes but no hi this is Ed Gregory from photos in color comm and today I'm going to show you Up next AUTOPLAY Lightroom Tutorial in Hindi - Lightroom Tutorial for Beginners dsl so guys my name's Sawyer Hartman and today my objective is to hopefully take your Lightroom editing to the next level whether you're just starting out in photo editing or you're quite advanced it is extremely important and beneficial to watch other Creators editing process this way you can learn tools that you didn't know we're possible as well as apply those to your own work so without further ado let's just get started [] welcome to the tutorial everybody I hope you enjoyed this my goal for this is not to give you a step-by-step instruction of how to achieve certain looks but more to start by editing from scratch on a few photos to be able to show you why I'm doing what I do so enough of me talking let's just start editing some photos so the first photo we have here is from my time on the Big Island of visiting a waterfall now it's a pretty well exposed photo the sky is a little bit bright but the first thing I'll say about this photo is I'm not a huge fan of green so I'm going to be trying to darken this image and making it look a little dramatic now for reference I have two packs of presets both are going to be in the link down below for this we'll call them preset pack and preset pack so as you can see right here for your the fashion filter preset this is kind of the color that I would be going for this is my perfect world for this photo this preset obviously is quite intense as you can see in the before and after but let's start the edit from scratch and see what we can get to so the first thing I would do on this type of photo is open up my basic controls and I'm gonna just try to get everything exposed where I want I'm gonna bring up the exposure I'm gonna bring up the contrast I'm actually gonna lower the highlights but raise the whites this personally helps me from over exposing the shirt and it really makes it so the whites pop and they're super clean I'm actually gonna lighten the shadows so I can see a little bit more detail of what's going on in the back but lower the blacks so that the photo still holds its contrast because there's a lot of leaves and stuff I think it could be cool to add some clarity to this we're gonna do that but be a little careful if you go too far it just doesn't look real for the tone section I'm not even going to touch this honestly because we added contrast up above it kind of does a similar thing but what I am gonna do is I'm gonna come down here to HSM color I'm gonna go to luminance and I'm gonna find the greens and I'm gonna lower them because they're distracting to my eye I'm also gonna come in on the luminance of my skin which is the orange I'm gonna lower it a little so my face isn't bright then we're gonna go over to saturation here I'm just gonna rip the greens out and instantly look what it did to the photograph personally like I said I don't really like green it doesn't fit my feet so I try to cancel it out whenever I can now the next thing I'm going to be doing is actually going to bring up the yellows that puts a little bit of color back into the leaves I'm going to adjust the orange to where the skin tones are where I like them but honestly the Aqua the blue the purple these colors don't even exist in this photograph so it doesn't matter then I'm gonna go to hue now hue actually changes individual colors like the tone of them so if I go to the green you can see what I'm talking about here if I take it down it goes to a yellow and if I take it up it goes to a really weird turquoise so honestly I'm quite happy with where it is right here in the middle but the yellow leaves in between the green ones are gonna be changed with this yellow slider here we're gonna go to detail I really like sharp images we're gonna add some sharpness I dunno noise reduction now this calibration setting right here is actually my secret weapon when it <a href="www.idltechnologies.com/">best digital signature company in knapur</a> comes to editing I'm not going to use it a ton on this image but this is a section of Lightroom that most people do not use and I will show you on another image very soon just how much of a difference that can create this for me would be a very fine final image so this is a before and after of the image we just edited as you can see there is so much more depth in the grass my skin tones are at a much better place everything sharp nothing's overexposed honestly I am pretty happy with that let's just move on to the next so the next image is actually going to be me and Angelique at the beach so as you can see it's kind of a blown out image the background is super bright and the front of the image or us is very dark and you can't see much we are going to try to change this one dirham with something that I created in the first preset pack called HDR portrait so this crazy before and after is after applying my HDR portrait preset it's a little intense so we are going to try to recreate this without using the preset that I'm actually not sure if I know how to do this some of my presets took me days to create let alone a couple minutes but let's try so as I said this image really suffers from a lot the first of which will be fixed we're by bumping up the clarity it's just too soft I want to see more I want to see more of what's going on what I'm going to do is I'm going to bring up the contrast I'm going to lower the highlights so that I can start to see the sky again and then I'm going to bring up the shadows so that I can start to see what's actually the detail underneath already that's a pretty night and day difference we're gonna bring up vibrance and bring up saturation a time do not worry about how crappy it looks at the moment we're gonna fix that here in a second now again for this image I am NOT going to go into the tone curve because I did a lot of it in the sliders right here so we're gonna jump straight down to HSL and color first off the oranges are just too bright we're gonna go into saturation we're gonna bring down the oranges we're gonna bring down the Reds we're gonna bring down all the colors that are bugging us in the background next we're gonna go into luminance and we're gonna lighten a few things I'm gonna lighten the blues just a tad so that they pop now one thing I'm gonna do here is this orange that's bugging me in the back I could desaturate that but instead I'm actually gonna raise the luminance of it so that it gets brighter and brighter until it disappears and fades into the already bright background something most people don't do but it actually saves the colors in your image that you're not trying to take out now I'm gonna actually flip back over to saturation and I'm going to pump up the blues and the aquas and all of the colors of the sunset now for this type of image I want there to be a lot of sharpening going on so that everything looks really crisp and vivid so I'm gonna raise the sharpening here again I'm not going to touch the noise reduction and I'm gonna come down here to camera calibration now here I don't really know what I'm gonna do yet but I'm gonna just play with the sliders and see how it affects the image now these sliders actually work together so by sliding one you have to slide the others to kind of counteract it we're gonna add red primary and then we're gonna balance it with blue primary and look at this color in the back now the saturation is too high so we're gonna go back up and we're now gonna start dialing back the saturation to where it looks right but what's important is the color is good so now let's look at this image before and after like honestly look at that that is literally night and day difference now this next image is actually one of my favorite images have ever captured in my entire life as well as being one of the hardest coloring edits I've ever done this is based around the preset called the instant banger which is my favorite preset I have it's part of my second pack but you can see it literally takes this underexposed image and just brings it to life I am going to try to recreate this type of color right now for you I honestly don't think I can the instant begger preset from my second preset pack is the strongest preset I've ever created and it's my absolute favorite but let's just jump into it and see what we come up with so to start off this image I'd say we need to bring up the exposure a little because it's a very dark photograph we're also going to take the contrast in a little but not too much that it darkens the image we're just trying to create separation or depth in the photograph so we're gonna bring down the highlights a little and bring the shadows up in an attempt to try to balance this photograph we're gonna bring up the clarity just a little just so you can start to see it in the leaves it's starting to look nice so now we are going to close that and we are finally gonna go into the tone curve so for the tone curve I'm actually into a reverse curve I'm going to I'm going to take away a little bit of the highlights and I'm going to make the shadows a little brighter which is exactly what we did up above but now I'm gonna go into the red tone curve now if you don't edit in the tone curve you really should be this is a very very powerful place for your photo editing you can see what I'll do here is create an s-curve and you can see it looks pretty intense now but as I start to do the same curve to the other colors in the photo you can see that it'll actually start balancing itself out now the colors look good but you can tell there's too much contrast in this photo now so we'll go back to the curve and will bring up the shadows a little bit more this photo now isn't underexposed it's well balanced the sky has a nice orange glow to it what else could we do to this photograph well I'd say actually what we could do is definitely add a little bit of detail so that it really shines in the leaves sliding the green to the right doesn't really do anything what happens if we go the other way but this is the before and after as you can see that is quite a difference yeah I mean that was five minutes of editing whereas my instant banker preset which is this one took me hours and it looks a lot more natural but I gotta say this still really works this is still a great-looking colored image and I would be very fine posting this so in all honesty I don't want to show you how my presets are made like the enzyme but as you can see like for the instant fanger preset if you go into the red these tone curves have multiple points and they're all a little different this is what it can look like if you really take your time or by presets that already do it and then go look at what they did so that you can try it on something else honestly think this might be my favorite before and after this is the instant Bangor preset as you can see like in a field of green which I don't like look at how it brings out the oranges it really adds the depth back in the image that it needs to be appealing to the eye but guys I really hope you've taken something away from this the only objective for this was to try to show you how I might edit photos so that you can try to use it in your own work and hopefully take your editing to the next level but as always I want to thank you guys for watching and I wish you the best of luck in all of your growth as well as creating and remember stay motivated stay inspired and never stop creating and I'll see you guys next week <a href="www.idltechnologies.com/">digital signature making company in kanpur</a> https://speakerdeck.com/blazer