Family Guy - "Quagmire and Meg"

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Scene 1_1 Panel A Action Notes EXT./ESTAB. GRIFFINS' HOUSE - NIGHT Scene 1_1 Panel B Scene 1_1 Panel C Action Notes The Griffins' car pulls into the driveway. Page 1

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Scene 1_1 Panel D Scene 1_1 Panel E Scene 1_1 Panel F Page 2

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Scene 1_1 Panel G Action Notes They all get out. Scene 1_1 Panel H Scene 1_1 Panel I Page 3

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Scene 2_1 Panel A Dialogue 18 LOIS Well, that was Scene 2_1 Panel B Dialogue unfortunate. NO PANEL Page 4

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Scene 2_1 Panel C Dialogue 19 MEG Hey, what's with Scene 2_1 Panel D Dialogue all the cars on the street? Page 5

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Scene 2_1 Panel E Action Notes ANGLE TO REVEAL lots of parked cars on the street. NO PANEL Page 6

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Scene 3_1 Panel A Scene 3_1 Panel B Dialogue 20 PETER Oh, they're all here for your surprise party, Meg. Scene 3_1 Panel C Dialogue 21 LOIS Peter, for god's sake, you idiot! Page 7

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Scene 3_1 Panel D Dialogue We were supposed to open the door so everyone could yell "surprise!" NO PANEL NO PANEL Page 8

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Scene 4_1 Panel A Scene 4_1 Panel B Dialogue 22 STEWIE I heard Lois Scene 4_1 Panel C Dialogue say Page 9

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Scene 4_1 Panel D Dialogue I can stay up late for the party Scene 4_1 Panel E Dialogue because there's going to be so much noise anyway. Scene 4_1 Panel F Dialogue 23 BRIAN That's great. Page 10

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Scene 4_1 Panel G Dialogue 24 STEWIE Yeah. I just have to remind myself that it's Scene 4_1 Panel H Dialogue Meg's party and not steal her thunder. Scene 4_1 Panel I Dialogue 25 BRIAN That's very thoughtful. Page 11

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Scene 4_1 Panel J Dialogue 26 STEWIE Yeah. I think I'm maturing at a nice pace. NO PANEL NO PANEL Page 12

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Scene 5_3 Panel A Action Notes INT. GRIFFINS' LIVING ROOM - CONTINUOUS ANGLE CLOSE ON the door, Scene 5_3 Panel B Action Notes which swings open. Scene 5_3 Panel C Page 13

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Scene 5_3 Panel D Action Notes Peter and Lois are on either side. Meg is between them. Scene 5_3 Panel E NO PANEL Page 14

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Scene 5_3 Panel F Dialogue 27 PETER/LOIS (EACH WITH AN ARM FLOURISH) Surprise! Action Notes We PULL OUT to reveal the living room is decorated for Meg's birthday party, Scene 5_3 Panel G Action Notes but there is no one there. Page 15

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Scene 5_3 Panel H Dialogue 28 LOIS Oh. Scene 5_3 Panel I Dialogue Oh, dear. Scene 5_3 Panel J Page 16

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Scene 5_3 Panel K Scene 5_3 Panel L Scene 5_3 Panel M Page 17

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Scene 6 Panel A Dialogue 29 MEG Mom, Scene 6 Panel B Dialogue if it's a surprise party, Scene 6 Panel C Dialogue where is everybody? Page 18

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Scene 6_1 Panel A Scene 6_1 Panel B Dialogue 30 LOIS (ASIDE TO CHRIS) Chris, Scene 6_1 Panel C Dialogue what the hell?! Page 19

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Scene 6_1 Panel D Dialogue I thought you were gonna pay the kids from school Scene 6_1 Panel E Dialogue to show up! Scene 6_1 Panel F Dialogue I gave you three hundred dollars! Page 20

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Scene 6_1 Panel G Dialogue 31 CHRIS That secured one "maybe." Scene 6_1 Panel H Dialogue (BEAT) Scene 6_1 Panel I Dialogue I was the "maybe." Page 21

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Scene 7_1 Panel A Dialogue 32 MEG Well then, Scene 7_1 Panel B Dialogue (LOOKING OUT WINDOW) what are all Page 22

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Scene 7_1 Panel C Dialogue the cars doing out there? Scene 7_1 Panel D Dialogue 33 PETER Oh, they must be for Mort's party. NO PANEL Page 23

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Scene 8 Panel A Action Notes INT. MORT'S LIVING ROOM - NIGHT (CUTAWAY) The room is filled with people with a party in full swing. Scene 8 Panel B Scene 8 Panel C Action Notes MORT enters carrying a tray. Page 24

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Scene 8 Panel D NO PANEL NO PANEL Page 25

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Scene 9 Panel A Scene 9 Panel B Dialogue 34 MAN Hey, Mort, Action Notes A MAN approaches. Scene 9 Panel C Dialogue you got a Page 26

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Scene 9 Panel D Dialogue a dead hooker in your Scene 9 Panel E Dialogue bedroom. Scene 9 Panel F Dialogue 35 MORT There better be. I paid good money for one. Page 27

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Scene 9 Panel G Dialogue (THEN, TO EVERYONE) Did everyone get Scene 9 Panel H Dialogue enough cocaine? NO PANEL Page 28

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Scene 9_1 Panel A Dialogue 36 LOIS I'm really sorry about this, honey. Action Notes INT. GRIFFINS' LIVING ROOM - NIGHT (BACK TO SCENE) Scene 9_1 Panel B Dialogue It looks like nobody's comin'. Scene 9_1 Panel C Dialogue But we had fun at the Teen Choice Awards, right? Page 29

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Scene 9_1 Panel D Dialogue 37 MEG (WEAKLY) I guess. Scene 9_1 Panel E Dialogue 38 LOIS And it was a legitimate awards show, right? Scene 9_1 Panel F Dialogue Not a crass and cynical charade? Page 30

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Scene 9_1 Panel G Dialogue 39 MEG (WEAKLY) Yeah. Scene 9_1 Panel H Dialogue 40 LOIS There you go, that's the spirit. NO PANEL Page 31

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Scene 9_2 Panel A Scene 9_2 Panel B Dialogue Well, I guess we oughta Scene 9_2 Panel C Dialogue call it a night. Page 32

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Scene 9_2 Panel D Dialogue Come on, Scene 9_2 Panel E Dialogue Stewie. (PICKING HIM UP) Scene 9_2 Panel F Dialogue Up to bed. Page 33

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Scene 10AAAA Panel A Dialogue 41 STEWIE No party? Scene 10AAAA Panel B Dialogue Oh, come on, I was gonna show a slide show of all those silly photos I took of Meg. NO PANEL Page 34

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Scene 11 Panel A Action Notes We CUT TO a series of photos of Meg sleeping. In one, Stewie makes a face and sticks his tongue out at her. Scene 11 Panel B Action Notes NOTE: Add SFX of a slide show projector mechanism as the frames change from pic to pic. Scene 11 Panel C Page 35

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Scene 11 Panel D Scene 11 Panel E Action Notes In another, he stands on top of her, mooning her, bare-assed. Scene 11 Panel F Page 36

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Scene 11 Panel G Scene 11 Panel H Scene 11 Panel I Action Notes In the next one, Stewie holds a knife to her throat (there is just a little bit of blood at the point, where he's pierced the skin.) Page 37

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Scene 11 Panel J Scene 11 Panel K Scene 11 Panel L Page 38

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Scene 11 Panel M Action Notes In another, he rubs a hot dog on her lips. Scene 11 Panel N Scene 11 Panel O Page 39

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Scene 11 Panel P Scene 11 Panel Q Action Notes In the last photo, he holds a speech bubble above her head that reads: "Stewie is awesome. I am lame." NO PANEL Page 40

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Scene 9_3 Panel A Dialogue 42 LOIS Well, happy birthday anyway, Meg. See you in the morning. Action Notes INT. GRIFFINS' LIVING ROOM - NIGHT (BACK TO SCENE) Scene 9_3 Panel B Dialogue Scene 9_3 Panel C Dialogue Page 41

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Scene 9_3 Panel D Dialogue Action Notes Lois exits with Stewie upstairs. Chris follows them. Scene 9_3 Panel E Dialogue Action Notes The doorbell rings. NO PANEL Page 42

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Scene 13_2 Panel A Action Notes Scene 13_2 Panel B Action Notes Scene 13_2 Panel C Action Notes Page 43

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Scene 13_2 Panel D Action Notes Scene 13_2 Panel E Action Notes Peter opens the door, revealing QUAGMIRE. Scene 13_2 Panel F Dialogue 43 PETER Hey, Quagmire. What's goin' on? Action Notes Page 44

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Scene 13_1 Panel A Dialogue 44 QUAGMIRE Well, Peter, Action Notes Scene 13_1 Panel B Dialogue a little birdie told me that today is Meg's birthday. Action Notes Scene 13_1 Panel C Action Notes A HUMMINGBIRD flits into the doorway, Page 45

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Scene 13_1 Panel D Action Notes Scene 13_1 Panel E Dialogue 45 HUMMINGBIRD You givin' Action Notes hovering just over Quagmire's shoulder. Scene 13_1 Panel F Dialogue me credit? Action Notes Page 46

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Scene 13_1 Panel G Dialogue 46 QUAGMIRE Yeah, I just told him. Action Notes Scene 13_1 Panel H Action Notes Scene 13_1 Panel I Dialogue 47 HUMMINGBIRD (to peter) I'm the one Action Notes Page 47

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Scene 13_1 Panel J Dialogue who told him. Action Notes Scene 13_1 Panel K Action Notes The hummingbird hovers in place, for a moment, his pupils looking back and forth between Quagmire and Peter, Scene 13_1 Panel L Action Notes Page 48

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Scene 13_1 Panel M Action Notes Scene 13_1 Panel N Action Notes Scene 13_1 Panel O Action Notes Page 49

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Scene 13_1 Panel P Action Notes Scene 13_1 Panel Q Action Notes Scene 13_1 Panel R Action Notes Page 50

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Scene 13_1 Panel S Action Notes Scene 13_1 Panel T Action Notes Scene 13_1 Panel U Action Notes Page 51

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Scene 13_1 Panel V Action Notes then zips away. Scene 13_1 Panel W Action Notes Scene 13_1 Panel X Dialogue 48 QUAGMIRE (ENTERING) So Action Notes Page 52

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Scene 13_1 Panel Y Dialogue where is the Action Notes Scene 13_1 Panel Z Dialogue birthday girl? Action Notes Scene 13_1 Panel AA Action Notes Page 53

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Scene 14_1 Panel A Scene 14_1 Panel B Action Notes Meg looks up. Scene 14_1 Panel C Dialogue 49 MEG Oh, hi, Mr. Quagmire. Page 54

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Scene 14_1 Panel D Dialogue 50 QUAGMIRE (CHUCKLES) Scene 14_1 Panel E Dialogue Scene 14_1 Panel F Dialogue Page 55

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Scene 14_1 Panel G Dialogue Please, Scene 14_1 Panel H Dialogue my father is Mr. Quagmire-- Scene 14_1 Panel I Dialogue (REALIZING, sad) Oh. Okay, well, he used to be Mr. Quagmire. Now he's just Ida Davis. Page 56

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Scene 14_1 Panel J Dialogue NO PANEL NO PANEL Page 57

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Scene 14_2 Panel A Scene 14_2 Panel B Dialogue Anyway, NO PANEL Page 58

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Scene 14_2 Panel C Dialogue this is a special day for you, young lady. Action Notes Quagmire sits down next to Meg Scene 14_2 Panel D Dialogue Here's Page 59

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Scene 14_2 Panel E Dialogue a gift for you. Action Notes and hands her a wrapped gift. Scene 14_2 Panel F Scene 14_2 Panel G Action Notes Page 60

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Scene 14_2 Panel H Action Notes She opens it. Scene 14_2 Panel I Scene 14_2 Panel J Page 61

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Scene 14_2 Panel K Dialogue 51 MEG A scented candle? Scene 14_2 Panel L Dialogue As a girl, I love this! Scene 14_2 Panel M Dialogue 52 QUAGMIRE That was originally thirty dollars. Page 62

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Scene 14_2 Panel N Dialogue 53 MEG Thanks, Mr. Quagmire. Scene 14_2 Panel O Dialogue 54 QUAGMIRE Well, Scene 14_2 Panel P Dialogue it's your Action Notes Page 63

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Scene 14_2 Panel Q Dialogue eighteenth birthday, Meg. Scene 14_2 Panel R Dialogue That's a very important milestone in a young girl's-- Scene 14_2 Panel S Dialogue I mean, Page 64

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Scene 14_2 Panel T Dialogue a young Scene 14_2 Panel U Dialogue woman's life. Scene 14_2 Panel V Dialogue Hey, welcome to the adult club, huh? Page 65

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Scene 14_2 Panel W Dialogue And you know what? Scene 14_2 Panel X Dialogue You got another member right next door Scene 14_2 Panel Y Dialogue if you ever wanna talk and stuff. Page 66

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Scene 14_2 Panel Z Dialogue Happy Action Notes Quagmire gives Meg a pat on the knee, Scene 14_2 Panel AA Dialogue birthday. Scene 14_2 Panel AB Dialogue Page 67

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Scene 14_2 Panel AC Dialogue Action Notes but his hand stays there afterwards. Scene 14_2 Panel AD Dialogue Scene 14_2 Panel AE Dialogue Action Notes His pinky slowly strikes out on its own up her thigh. Page 68

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Scene 14_2 Panel AF Dialogue Action Notes Scene 14_2 Panel AG Dialogue 55 QUAGMIRE Hey. Scene 14_2 Panel AH Dialogue Hey, where's that pinky going, huh? Page 69

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Scene 14_2 Panel AI Dialogue Where's he going? Scene 14_2 Panel AJ Dialogue What's he doing? Scene 14_2 Panel AK Dialogue Get back here. Page 70

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Scene 14_2 Panel AL Dialogue (THE PINKY GOES BACK) Scene 14_2 Panel AM Dialogue There you go. Scene 14_2 Panel AN Dialogue Action Notes Page 71

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Scene 14_2 Panel AO Dialogue Scene 14_2 Panel AP Action Notes ANGLE on Peter and Brian, watching. Page 72

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Scene 14_2 Panel AQ NO PANEL NO PANEL Page 73

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Scene 17 Panel A Scene 17 Panel B Dialogue 56 PETER (LAUGHING) Scene 17 Panel C Dialogue (LAUGHING) Page 74

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Scene 17 Panel D Dialogue (LAUGHING) Scene 17 Panel E Dialogue (LAUGHING) Scene 17 Panel F Dialogue Look at Quagmire hitting on that skank. Page 75

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Scene 17 Panel G Dialogue You know he's gonna close the deal. Scene 17 Panel H Dialogue 57 BRIAN Peter, that skank Scene 17 Panel I Dialogue is your daughter. Page 76

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Scene 17 Panel J Dialogue 58 PETER Sounds like I'm gonna be furious if I find out about this. Action Notes End of act one NO PANEL NO PANEL Page 77

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Scene 17_1 Panel A NO PANEL NO PANEL Page 78

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Scene 1 Panel A NO PANEL NO PANEL Page 79

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Scene 601 Panel A Action Notes EXT./ESTAB. GRIFFINS' HOUSE - DAY NO PANEL NO PANEL Page 80

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Scene 19_1 Panel A Dialogue 59 QUAGMIRE So anyway, I'm on approach into Lambert Field Action Notes INT. GRIFFINS' LIVING ROOM - SAME Quagmire still sits next to Meg. Peter and Brian look on from across the room. Scene 19_1 Panel B Dialogue in some of the worst turbulence I've ever flown through. NO PANEL Page 81

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Scene 20_1f Panel A Dialogue I mean, Scene 20_1f Panel B Dialogue I've never seen anything like it. Scene 20_1f Panel C Dialogue Everyone in the cabin was like Page 82

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Scene 20_1f Panel D Dialogue (FLAILS ARMS AND LEGS) "AAAAAAAA!" Scene 20_1f Panel E Page 83

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Scene 20_1f Panel F Scene 20_1f Panel G Scene 20_1f Panel H Page 84

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Scene 20_1f Panel I Scene 20_1f Panel J Scene 20_1f Panel K Page 85

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Scene 20_1f Panel L Scene 20_1f Panel M Scene 20_1f Panel N Dialogue (THEN) But I kept my cool, trusted my training, and brought Action Notes Over the previous line, when Quagmire is done with his pantomimed flailing, he drapes the leg that is closest to Meg down over her leg so his calf is between her legs. Page 86

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Scene 20_1f Panel O Dialogue brought the plane in safely, Scene 20_1f Panel P Dialogue and in fact, it turned out, ironically, to be one of the smoothest landings Scene 20_1f Panel Q Dialogue I've ever made. Page 87

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Scene 20_1f Panel R Dialogue 60 PETER Well, gosh, Scene 20_1f Panel S Dialogue Quagmire, Page 88

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Scene 20_1f Panel T Dialogue this has been Scene 20_1f Panel U Dialogue a fun night, Scene 20_1f Panel V Dialogue but I guess you better be gettin' home now, huh? Page 89

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Scene 20_1f Panel W Dialogue 61 QUAGMIRE Yeah, it is gettin' late. Scene 20_1f Panel X Dialogue I guess I'll go home and rub out a "giggity." Take it easy, you guys. Scene 20_1f Panel Y Dialogue See ya later, Meg. Page 90

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Scene 20_1f Panel Z Dialogue (WINKS AND GIVES HER A COUPLE OF TONGUE CLICKS) Scene 20_1f Panel AA Dialogue 62 MEG Bye. Action Notes Quagmire exits. Scene 20_1f Panel AB Page 91

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Scene 20_1f_2 Panel A Dialogue 63 PETER Okay, that was weird. Action Notes ANGLE ON Peter and Brian. Scene 20_1f_2 Panel B Dialogue 64 BRIAN That was weird. Scene 20_1f_2 Panel C Dialogue 65 PETER Right? Page 92

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Scene 20_1f_2 Panel D Dialogue 66 BRIAN Oh my god, so weird. Scene 20_1f_2 Panel E Dialogue 67 PETER I'll tell you something, Scene 20_1f_2 Panel F Dialogue If he touches my daughter, I'm gonna be kickin' butts and takin' names. And then givin' those names to other people whose butts I kick. Page 93

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Scene 19_4 Panel A Action Notes EXT. STREET - DAY (CUTAWAY) CUT TO Peter standing facing a GUY. Scene 19_4 Panel B Action Notes Peter beats him up. NO PANEL Page 94

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Scene 19_4 Panel C Scene 19_4 Panel D Page 95

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Scene 19_4 Panel E Dialogue 68 PETER What's your name? Scene 19_4 Panel F Dialogue 69 GUY Derek. NO PANEL Page 96

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Scene 19_4 Panel G Action Notes Derek. Peter turns to ANOTHER GUY Scene 19_4 Panel H Action Notes Derek. Peter turns to ANOTHER GUY Page 97

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Scene 19_4 Panel I Action Notes beats him up. Scene 19_4 Panel J Page 98

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Scene 19_4 Panel K Scene 19_4 Panel L Dialogue 70 PETER What's your name? Scene 19_4 Panel M Dialogue 71 OTHER GUY Michael. Page 99

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Scene 19_4 Panel N Dialogue 72 PETER You're Derek now! NO PANEL NO PANEL Page 100

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Scene 19_5 Panel A Action Notes EXT./ESTAB. GRIFFINS' HOUSE - NIGHT NO PANEL NO PANEL Page 101

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Scene 19_6 Panel A Action Notes INT. MEG'S BEDROOM - SAME Meg lies on her bed. Scene 19_6 Panel B Action Notes We hear the sound of her phone getting a text. Scene 19_6 Panel C Page 102

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Scene 19_6 Panel D Action Notes She looks at it, NO PANEL NO PANEL Page 103

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Scene 19_17 Panel A Scene 19_17 Panel B Scene 19_17 Panel C Page 104

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Scene 19_17 Panel D Action Notes it reads: "Had a gr8 time seeing u 2nite. --Glenn." NO PANEL NO PANEL Page 105

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Scene 19_5_B Panel A Action Notes INT. QUAGMIRE'S BEDROOM - SAME TIME Quagmire lies on his stomach with his feet crossed in the air on the bed. We hear his phone get a text. Scene 19_5_B Panel B Dialogue 73 QUAGMIRE (GIGGLES) NO PANEL Page 106

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Scene 19_5_C Panel A Action Notes ANGLE on Quagmire's cell phone which reads: "Nice 2 c u 2." NO PANEL NO PANEL Page 107

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Scene 19_7 Panel A Action Notes WE INTERCUT BETWEEN THE TWO: Meg gets a text from Quagmire. NO PANEL NO PANEL Page 108

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Scene 19_5_A_1 Panel A Scene 19_5_A_1 Panel B Action Notes "What's with your dad flipping out? LOL." NO PANEL Page 109

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Scene 19_18 Panel A Action Notes Meg begins to text. Scene 19_18 Panel B Action Notes Scene 19_18 Panel C Action Notes Page 110

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Scene 19_18 Panel D NO PANEL NO PANEL Page 111

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Scene 19_5_B_1 Panel A Action Notes Quagmire gets a text from Meg. NO PANEL NO PANEL Page 112

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Scene 19_5_C_1 Panel A Scene 19_5_C_1 Panel B Action Notes "Yeah he can b a real jerk." NO PANEL Page 113

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Scene 19_5_B_2 Panel A Action Notes He starts to text Scene 19_5_B_2 Panel B Scene 19_5_B_2 Panel C Page 114

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Scene 19_5_B_2 Panel D Action Notes NO PANEL NO PANEL Page 115

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Scene 19_19 Panel A Action Notes Meg gets a text from Quagmire. NO PANEL NO PANEL Page 116

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Scene 19_5_A_4 Panel A Scene 19_5_A_4 Panel B Action Notes "LMAO". Scene 19_5_A_4 Panel C Action Notes After a beat, a second text appears: "U into FarmVille? Cuz I am way into FarmVille." Page 117

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Scene 19_9 Panel A Action Notes Scene 19_9 Panel B Action Notes Meg begins to text. Page 118

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Scene 19_9 Panel C Action Notes Scene 19_9 Panel D Action Notes Scene 19_9 Panel E Action Notes Page 119

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Scene 19_9 Panel F Action Notes NO PANEL NO PANEL Page 120

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Scene 19_5_B_3 Panel A Action Notes Quagmire gets a text from Meg. NO PANEL NO PANEL Page 121

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Scene 19_5_B_6 Panel A Scene 19_5_B_6 Panel B Action Notes "OMG I am so into FarmVille! U have 2 c my new pigs!" NO PANEL Page 122

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Scene 19_5_C_7 Panel A Action Notes Quagmire begins to text. Scene 19_5_C_7 Panel B Action Notes Scene 19_5_C_7 Panel C Page 123

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Scene 19_5_C_7 Panel D NO PANEL NO PANEL Page 124

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Scene 19_10 Panel A Action Notes Meg gets a text from Quagmire. NO PANEL NO PANEL Page 125

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Scene 19_5_A_7 Panel A Scene 19_5_A_7 Panel B Action Notes "And u have 2 c my hog. ;)" Scene 19_5_A_7 Panel C Action Notes Meg texts back, Page 126

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Scene 19_5_A_7 Panel D Action Notes "U r funny!" Scene 19_5_A_7 Panel E Scene 19_5_A_7 Panel F Action Notes Page 127

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Scene 19_5_A_7 Panel G Action Notes Scene 19_5_A_7 Panel H Action Notes Scene 19_5_A_7 Panel I Action Notes Page 128

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Scene 19_5_A_7 Panel J Action Notes Scene 19_5_A_7 Panel K Action Notes Another text arrives from Quagmire: "What do u taste like?" NO PANEL Page 129

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Scene 19_11 Panel A Action Notes Meg begins to text back. Scene 19_11 Panel B Action Notes Scene 19_11 Panel C Action Notes Page 130

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Scene 19_11 Panel D Action Notes NO PANEL NO PANEL Page 131

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Scene 19_5_C_8 Panel A Action Notes Quagmire gets a text from Meg. NO PANEL NO PANEL Page 132

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Scene 19_5_B_7 Panel A Scene 19_5_B_7 Panel B Action Notes "I dunno. LOL. JK." Quagmire reads the text. NO PANEL Page 133

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Scene 19_5_C_9 Panel A Dialogue 74 QUAGMIRE Okay, Glenn, Action Notes Scene 19_5_C_9 Panel B Dialogue time to reel her in. Action Notes Scene 19_5_C_9 Panel C Action Notes He begins to text. Page 134

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Scene 19_5_C_9 Panel D Action Notes Scene 19_5_C_9 Panel E Action Notes Scene 19_5_C_9 Panel F Action Notes Page 135

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Scene 19_12 Panel A Action Notes Meg gets a text. NO PANEL NO PANEL Page 136

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Scene 19_5_A_8 Panel A Scene 19_5_A_8 Panel B Action Notes "We should hang out!" Scene 19_5_A_8 Panel C Action Notes Meg begins to text. Page 137

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Scene 19_5_A_8 Panel D NO PANEL NO PANEL Page 138

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Scene 19_5_C_10 Panel A Action Notes Quagmire gets a text from Meg. NO PANEL NO PANEL Page 139

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Scene 19_5_B_9 Panel A Scene 19_5_B_9 Panel B Action Notes "K." NO PANEL Page 140

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Scene 19_5_B_11 Panel A Action Notes Scene 19_5_B_11 Panel B Dialogue 75 QUAGMIRE Oh my god oh my god Action Notes NO PANEL Page 141

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Scene 19_5_B_11 Panel C Dialogue oh my god oh my god! Action Notes Scene 19_5_B_11 Panel D Action Notes Quagmire begins to type a response. Page 142

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Scene 19_5_B_11 Panel E Action Notes Scene 19_5_B_11 Panel F Action Notes NO PANEL Page 143

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Scene 19_5_B_10 Panel A Action Notes We ANGLE ON HIS SCREEN as letters appear: "I am gonna wreck u so bad and drown u in" Scene 19_5_B_10 Panel B Scene 19_5_B_10 Panel C Action Notes Page 144

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Scene 19_5_B_10 Panel D Scene 19_5_B_10 Panel E Scene 19_5_B_10 Panel F Page 145

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Scene 19_5_B_10 Panel G Scene 19_5_B_10 Panel H Scene 19_5_B_10 Panel I Page 146

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Scene 19_5_B_10 Panel J Scene 19_5_B_10 Panel K Scene 19_5_B_10 Panel L Page 147

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Scene 19_5_B_10 Panel M Scene 19_5_B_10 Panel N Scene 19_5_B_10 Panel O Dialogue 76 QUAGMIRE (O.S.) (THEN, DELETING) No, Page 148

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Scene 19_5_B_10 Panel P Dialogue too much, Scene 19_5_B_10 Panel Q Dialogue too much. Scene 19_5_B_10 Panel R Page 149

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Scene 19_5_B_10 Panel S Scene 19_5_B_10 Panel T Scene 19_5_B_10 Panel U Page 150

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Scene 19_5_B_10 Panel V Scene 19_5_B_10 Panel W Scene 19_5_B_10 Panel X Page 151

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Scene 19_5_B_10 Panel Y Scene 19_5_B_10 Panel Z Scene 19_5_B_10 Panel AA Page 152

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Scene 19_5_B_10 Panel AB Scene 19_5_B_10 Panel AC NO PANEL Page 153

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Scene 19_13 Panel A Action Notes Meg gets a text. NO PANEL NO PANEL Page 154

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Scene 19_5_A_6 Panel A Scene 19_5_A_6 Panel B Action Notes It reads: "So many stars 2nite!" NO PANEL Page 155

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Scene 19_16 Panel A Action Notes Scene 19_16 Panel B Dialogue 77 MEG I love stars! Action Notes NO PANEL Page 156