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GOOD FOR WHOM? MATTHEW REIDSMA GRAND VALLEY STATE UNIVERSITY

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These wonderfully intricate things we build have become part of people’s lives, things they use every day. “ Trent Walton “Tongue-Tied,” The Manual, Vol. 2, 2011. p.70

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http://sitorsquat.com

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“ Indifference towards people and the reality in which they live is the one and only cardinal sin in design. Dieter Rams

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FEEL WE MAKE PATRONS STUPID INSTEAD OF INSPIRED OOPS

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In an email to me, March 21, 2013. So how do you fix this if your tool is, indeed, just a label-maker? “ William Keillor, Bethel University

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GET HERE? HOW DID WE

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MY LIBRARY

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SIGN MY LIBRARY

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SIGN AESTHETICS MY LIBRARY

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CARD CATALOG & CIRCULATION SIGN AESTHETICS

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CARD CATALOG & CIRCULATION RESOURCES RESOURCES RESOURCES SIGN AESTHETICS

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CARD CATALOG & CIRCULATION RESOURCES RESOURCES RESOURCES SIGN WAYFINDING AESTHETICS

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REFERENCE DESK CARD CATALOG & CIRCULATION RESOURCES RESOURCES RESOURCES SIGN WAYFINDING AESTHETICS

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REFERENCE DESK CARD CATALOG & CIRCULATION EXHIBIT EXHIBIT NEW BOOK DISPLAY BULLETIN BOARD: EVENTS, NEWS, ETC. RESOURCES RESOURCES RESOURCES SIGN WAYFINDING AESTHETICS

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REFERENCE DESK CARD CATALOG & CIRCULATION EXHIBIT EXHIBIT NEW BOOK DISPLAY BULLETIN BOARD: EVENTS, NEWS, ETC. RESOURCES RESOURCES RESOURCES SIGN HOURS MAPS HELP WAYFINDING AESTHETICS

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http://usablelibrary.com

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http://usablelibrary.com

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CHOOSE HOW WE OUR TOOLS

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FUNCTIONAL 1 WHAT CAN THIS DO FOR US? Powers, William. Hamlet’s Blackberry: Building a Good Life in the Digital Age. New York: Harper Perennial, 2010. p.160.

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WHAT TO DO

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BEHAVIORAL 2 HOW DO BEHAVIORS CHANGE? Powers, William. Hamlet’s Blackberry: Building a Good Life in the Digital Age. New York: Harper Perennial, 2010. p.160.

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HOW TO DO IT

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2 1 INTERNAL QUESTIONS

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“ The library world has been far too gullible, far too willing to regard any technical advance as a service advance. Jonathan D. Lauer & Steve McKinzie Lauer, J. & McKinzie, S. (2002/2003). Bad moon rising: a candid examination of digital reference and what it means to the profession. The Reference Librarian, 79/80, 46..

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Your members don’t come to the library to find books, or magazines, journals, films or musical recordings. “ Hugh Rundle http://hughrundle.net/2012/04/04/libraries-as-software-dematerialising-platforms-and-returning-to-first-principles/

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They come to hide from reality or understand its true nature. They come to find solace or excitement, companionship or solitude. “ Hugh Rundle http://hughrundle.net/2012/04/04/libraries-as-software-dematerialising-platforms-and-returning-to-first-principles/

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HUMAN 3 HOW DOES THIS AFFECT HUMAN EXPERIENCE? Powers, William. Hamlet’s Blackberry: Building a Good Life in the Digital Age. New York: Harper Perennial, 2010. p.160.

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FEEL HOW DO PEOPLE

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The Timeless Way of Building, p. 65 The life of a house, or of a town, is not given to it, directly, by the shape of its buildings, or by the ornament and plan— “ Christopher Alexander

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The Timeless Way of Building, p. 65 it is given to them by the quality of the events and situa ons we encounter there. “ Christopher Alexander

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People will forget what you said, and what you did, “ Maya Angelou

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but they will never forget how you made them feel. “ Maya Angelou

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Aarron Walter, Designing for Emotion THEM

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Aarron Walter, Designing for Emotion THEM

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Designing for Emotion Designing an interface to be usable is like a chef crea ng edible food. “ Aarron Walter

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http://whitneyhess.com/blog/2012/02/27/don-draper-is-the-antithesis-of-user-experience/ User experience isn’t about expert intui on, it’s about expert listening. “ Whitney Hess

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3 EXTERNAL QUESTION

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FUNCTIONAL 1

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FUNCTIONAL 1 BEHAVIORAL 2

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FUNCTIONAL 1 BEHAVIORAL 2 HUMAN 3

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FORWARD A WAY

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FORWARD A WAY (OR, DITCH THE LABEL MAKER)

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USERS PRIORITIZE YES! OVER PROCESSES

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HUMAN 1 FUNCTIONAL 2 BEHAVIORAL 3

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“The Space Between You and Me,” The Manual, Issue #1, 2012. The web is not an interlinking of servers and scripts. Each node is a person. “ Frank Chimero

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Designing for Emotion “ Aarron Walter We [should] stop thinking of the interfaces we design as dumb control panels, and think of them as the people our target audience wants to interact with.

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PEOPLE YOUR LIBRARY IS

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Junod, Tom. “Can You Say...Hero?” Esquire. November, 1998. We make so many connec ons here on earth. Look at us—I’ve just met you, but I’m inves ng in who you are, and who you will be, and I can’t help it. “ Fred Rogers

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USERS PRIORITIZE YES! OVER PROCESSES

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THANKYOU

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