Family Guy - "Forget Me Not"

Slide 1

Slide 1 text

Scene 038 Panel A Dialogue 79 LOIS (FED UP) I'm goin' to bed. Scene 038 Panel B Action Notes Lois exits. NO PANEL Page 2

Slide 2

Slide 2 text

Scene 039 Panel A Dialogue 81 STEWIE You know, Action Notes Stewie turns to Brian. Scene 039 Panel B Dialogue Lois is right, Scene 039 Panel C Dialogue Brian. Page 3

Slide 3

Slide 3 text

Scene 039 Panel D Dialogue You think you're Scene 039 Panel E Dialogue Peter's pal, Scene 039 Panel F Dialogue but you're really not. Page 4

Slide 4

Slide 4 text

Scene 039 Panel G Dialogue You're just his Scene 039 Panel H Dialogue dog. Scene 039 Panel I Dialogue 82 BRIAN Well, that's Page 5

Slide 5

Slide 5 text

Scene 039 Panel J Dialogue where you're wrong. Scene 039 Panel K Dialogue Watch this. Scene 039 Panel L Dialogue (TO PETER) Hey, Peter, you wanna go hit the Clam? Page 6

Slide 6

Slide 6 text

Scene 039 Panel M Dialogue 83 PETER Nah, Scene 039 Panel N Dialogue there's no way she's in the mood. Let's just go to the bar. Page 7

Slide 7

Slide 7 text

Scene 039 Panel O Scene 039 Panel P Dialogue 84 BRIAN Sounds good. Page 8

Slide 8

Slide 8 text

Scene 039 Panel Q Dialogue (TO STEWIE AS HE EXITS) Headin' to the bar with my Scene 039 Panel R Dialogue friend, Scene 039 Panel S Dialogue Peter. Page 9

Slide 9

Slide 9 text

Scene 039 Panel T Dialogue 85 STEWIE You're lyin' Scene 039 Panel U Dialogue to yourself, Brian. Scene 039 Panel V Dialogue Like girls who insist their best friends Page 10

Slide 10

Slide 10 text

Scene 039 Panel W Dialogue are attractive. NO PANEL NO PANEL Page 11

Slide 11

Slide 11 text

Scene 040 Panel A Dialogue 86 GIRL Oh, Stewie, I can't wait for you Action Notes INT. CAFE - DAY (FLASHBACK) Stewie and a GIRL sit at an outdoor table. Scene 040 Panel B Dialogue to meet my best friend. Scene 040 Panel C Dialogue She is so Page 12

Slide 12

Slide 12 text

Scene 040 Panel D Dialogue cute. Scene 040 Panel E Dialogue 87 STEWIE Yeah, she sounds awesome. Scene 040 Panel F Dialogue 88 GIRL Oh my god, yeah. Page 13

Slide 13

Slide 13 text

Scene 040 Panel G Dialogue People ask her if she's a model all the time. Scene 040 Panel H Dialogue (THEN, NOTICING SOMETHING O.S.) Here she comes! NO PANEL Page 14

Slide 14

Slide 14 text

Scene 040 Panel I Action Notes WIDEN TO REVEAL a homely girl Scene 040 Panel J Action Notes who is casually holding her own disembodied head under her arm. Page 15

Slide 15

Slide 15 text

Scene 040 Panel K Scene 040 Panel L Dialogue 89 STEWIE (GOOD-NATURED CHUCKLE TO CAMERA) Scene 040 Panel M Page 16

Slide 16

Slide 16 text

Scene 040 Panel N Scene 040 Panel O Dialogue Okay,.. Scene 040 Panel P Dialogue ..okay, that was an extreme example, Page 17

Slide 17

Slide 17 text

Scene 040 Panel Q Dialogue but face it, ladies. Scene 040 Panel R Dialogue Your best friends are not hot. NO PANEL Page 18

Slide 18

Slide 18 text

Scene 041 Panel A Scene 041 Panel B Scene 041 Panel C Page 19

Slide 19

Slide 19 text

Scene 041 Panel D Scene 041 Panel E Page 20

Slide 20

Slide 20 text

Scene 042 Panel BG1 Slugging ANIMATED BG Scene 042 Panel BG2 Slugging ANIMATED BG Scene 042 Panel BG3 Slugging ANIMATED BG Page 21

Slide 21

Slide 21 text

Scene 042 Panel A Dialogue 90 BRIAN You know, how Action Notes INT. GRIFFINS' CAR - NIGHT Peter drives as Brian, Joe, and Quagmire sit in the car. Scene 042 Panel B Dialogue dare they question our friendship. Scene 042 Panel BG0 Dialogue W-we're Page 22

Slide 22

Slide 22 text

Scene 042 Panel BG0_A Dialogue friends, right, Peter? Scene 042 Panel BG0_B Dialogue 91 PETER 'Course we are, Brian. Scene 042 Panel BG0_C Dialogue That's why we always talk about goin' to Vegas but never do. Page 23

Slide 23

Slide 23 text

Scene 042 Panel BG0_A_0 Dialogue (SHORT BEAT) Scene 042 Panel BG0_B_1 Dialogue We gotta get back there, by the way. Scene 042 Panel BG0_B_2 Dialogue 92 BRIAN Totally. Page 24

Slide 24

Slide 24 text

Scene 042 Panel BG0_B_3 NO PANEL NO PANEL Page 25

Slide 25

Slide 25 text

Scene 043 Panel A Scene 043 Panel B Dialogue 93 JOE Ah, Peter, Scene 043 Panel C Dialogue your seatbelt Page 26

Slide 26

Slide 26 text

Scene 043 Panel D Dialogue back here doesn't work Scene 043 Panel E Dialogue right. NO PANEL Page 27

Slide 27

Slide 27 text

Scene 043 Panel F Dialogue 94 QUAGMIRE What's gonna happen to you Scene 043 Panel G Dialogue that hasn't already happened? Page 28

Slide 28

Slide 28 text

Scene 044 Panel B_2 Scene 044 Panel B_3 Action Notes Suddenly, Brian notices something O.S. Scene 044 Panel B_4 Dialogue 95 BRIAN Peter, look out for that car! Page 29

Slide 29

Slide 29 text

Scene 045 Panel BG4 Action Notes FROM THEIR POV we see a BRIGHT LIGHT coming directly towards them. Slugging ANIMATED BG Scene 045 Panel BG5 Slugging ANIMATED BG Scene 045 Panel BG6 Slugging ANIMATED BG Page 30

Slide 30

Slide 30 text

Scene 046 Panel B_3 Scene 046 Panel B_3_A Dialogue 96 PETER That's not a car... Scene 046 Panel B__Z Page 31

Slide 31

Slide 31 text

Scene 046 Panel B_4 Dialogue what is that?! NO PANEL NO PANEL Page 32

Slide 32

Slide 32 text

Scene 047 Panel B_1 Scene 047 Panel B_1_0 Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Action Notes They all scream as they're enveloped in WHITE LIGHT. Scene 047 Panel B_1_0_A Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Page 33

Slide 33

Slide 33 text

Scene 047 Panel B__0_Z Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Scene 047 Panel B__0`A Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Scene 047 Panel B__0`B Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Page 34

Slide 34

Slide 34 text

Scene 047 Panel B__0`C Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Scene 047 Panel B__0`D Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Scene 047 Panel B__0`E Action Notes cut to black. Page 35

Slide 35

Slide 35 text

Scene 048 Panel A NO PANEL NO PANEL Page 36

Slide 36

Slide 36 text

Scene 352 Panel A Action Notes EXT. SPOONER STREET - DAY NO PANEL NO PANEL Page 37

Slide 37

Slide 37 text

Scene 353 Panel A Action Notes The guys walk up to the Griffins' house. Scene 353 Panel B Dialogue 195 PETER Well, Page 38

Slide 38

Slide 38 text

Scene 353 Panel C Dialogue this is Scene 353 Panel D Dialogue 31 Spooner Street. Scene 353 Panel E Dialogue I'm home. Page 39

Slide 39

Slide 39 text

Scene 353 Panel F Dialogue See you guys. Scene 353 Panel G Scene 353 Panel H Dialogue I'd invite Page 40

Slide 40

Slide 40 text

Scene 353 Panel I Dialogue you in, but I have got a Scene 353 Panel J Dialogue very busy day tomorrow. Scene 353 Panel K Dialogue Action Notes Peter exits O.S. Page 41

Slide 41

Slide 41 text

Scene 353 Panel L Dialogue 196 JOE Hmm... Scene 353 Panel M Dialogue We've established Page 42

Slide 42

Slide 42 text

Scene 353 Panel N Dialogue that we were all together Scene 353 Panel O Dialogue in that car. Scene 353 Panel P Dialogue It's possible that we also live in Page 43

Slide 43

Slide 43 text

Scene 353 Panel Q Dialogue this neighborhood. NO PANEL NO PANEL Page 44

Slide 44

Slide 44 text

Scene 354 Panel A Dialogue 197 QUAGMIRE (LOOKS O.S.) I think you're right. Scene 354 Panel B Dialogue Look at the house next door. NO PANEL Page 45

Slide 45

Slide 45 text

Scene 355 Panel A Scene 355 Panel B Dialogue 198 JOE Oh yeah, it's got a wheelchair ramp. Page 46

Slide 46

Slide 46 text

Scene 355 Panel C Dialogue So what? Scene 355 Panel D Scene 355 Panel E Dialogue 199 QUAGMIRE Do you think that... Page 47

Slide 47

Slide 47 text

Scene 355 Panel F Dialogue maybe... Scene 355 Panel G Dialogue it's Scene 355 Panel H Dialogue your house? Page 48

Slide 48

Slide 48 text

Scene 355 Panel I Dialogue 200 JOE (LAUGHING) Scene 355 Panel J Scene 355 Panel K Page 49

Slide 49

Slide 49 text

Scene 355 Panel L Dialogue That makes no sense. Scene 355 Panel M Dialogue Why would Scene 355 Panel N Dialogue I buy a house Page 50

Slide 50

Slide 50 text

Scene 355 Panel O Dialogue with a ramp Scene 355 Panel P Dialogue before I was in a car accident? Scene 355 Panel Q Dialogue 201 BRIAN Well... maybe it's Page 51

Slide 51

Slide 51 text

Scene 355 Panel R Dialogue worth checking out Scene 355 Panel S Dialogue just the same. Scene 355 Panel T Dialogue 202 JOE Fine, I'll go, Page 52

Slide 52

Slide 52 text

Scene 355 Panel U Dialogue but I'll take Scene 355 Panel V Dialogue great delight in Scene 355 Panel W Dialogue proving you wrong. Page 53

Slide 53

Slide 53 text

Scene 355 Panel X Scene 355 Panel Y NO PANEL Page 54

Slide 54

Slide 54 text

Scene 356 Panel A Scene 356 Panel B Scene 356 Panel C Action Notes Joe wheels up to the front door of his house Page 55

Slide 55

Slide 55 text

Scene 356 Panel D Scene 356 Panel E Action Notes and goes inside. Scene 356 Panel F Dialogue 203 JOE (O.S.) (CONT'D) (LOUD DISAPPOINTMENT) Yeah, it's my house. Action Notes He leaves the front door open. A beat, then: Page 56

Slide 56

Slide 56 text

Scene 357 Panel A Scene 357 Panel B Dialogue 204 BRIAN (SNIFFS) Action Notes Brian starts sniffing. Scene 357 Panel C Dialogue (SNIFFS cont.) Page 57

Slide 57

Slide 57 text

Scene 357 Panel D Dialogue (SNIFFS cont.) Action Notes He noticeably catches a scent. Scene 357 Panel E Dialogue Hang on, Scene 357 Panel F Dialogue I got something. Page 58

Slide 58

Slide 58 text

Scene 357 Panel G Scene 357 Panel H Page 59

Slide 59

Slide 59 text

Scene 358 Panel A Action Notes Brian follows the scent over to Quagmire's lawn (next to Quagmire's mailbox, which reads "G. Quagmire"). Scene 358 Panel B Scene 358 Panel C Page 60

Slide 60

Slide 60 text

Scene 358 Panel D Scene 358 Panel E Scene 358 Panel F Page 61

Slide 61

Slide 61 text

Scene 358 Panel G Scene 358 Panel H Scene 358 Panel I Page 62

Slide 62

Slide 62 text

Scene 358 Panel J Scene 358 Panel K Dialogue 205 BRIAN (CONT'D) I poop Page 63

Slide 63

Slide 63 text

Scene 358 Panel L Dialogue a lot on Scene 358 Panel M Dialogue this lawn. Scene 358 Panel N Dialogue (REALIZING) Page 64

Slide 64

Slide 64 text

Scene 358 Panel O Dialogue This must Scene 358 Panel P Dialogue be where I live! Scene 358 Panel Q Page 65

Slide 65

Slide 65 text

Scene 359 Panel A Action Notes Brian runs up to the door Scene 359 Panel B Scene 359 Panel C Page 66

Slide 66

Slide 66 text

Scene 359 Panel D Scene 359 Panel E Action Notes and enters the house. Scene 359 Panel F Dialogue 206 BRIAN (O.S.) (CONT'D) Hey! Come in here! Action Notes After a beat: Page 67

Slide 67

Slide 67 text

Scene 359 Panel G Scene 359 Panel H Action Notes Quagmire enters into: NO PANEL Page 68

Slide 68

Slide 68 text

Scene 360 Panel A Action Notes INT. QUAGMIRE'S LIVING ROOM - CONTINUOUS Scene 360 Panel B Action Notes Quagmire steps into the house NO PANEL Page 69

Slide 69

Slide 69 text

Scene 360 Panel C Action Notes next to Brian. Scene 360 Panel D Page 70

Slide 70

Slide 70 text

Scene 360 Panel E Action Notes Brian indicates a picture of Quagmire hanging on the wall. The picture is a cheesy double exposure portrait photo of Quagmire with a serious look on his face. Scene 360 Panel F Dialogue 207 QUAGMIRE (REALIZING, GLEEFUL) Scene 360 Panel G Dialogue Oh my god! Page 71

Slide 71

Slide 71 text

Scene 360 Panel H Dialogue 208 BRIAN (EXCITED) I know, I know! Scene 360 Panel I Dialogue You're my owner! Scene 360 Panel J Dialogue Page 72

Slide 72

Slide 72 text

Scene 360 Panel K Action Notes Brian and Quagmire hug. NO PANEL NO PANEL Page 73

Slide 73

Slide 73 text

Scene 361 Panel A Scene 361 Panel B Dialogue 209 QUAGMIRE I - Scene 361 Panel C Dialogue knew it! Page 74

Slide 74

Slide 74 text

Scene 361 Panel D Dialogue I knew Scene 361 Panel E Dialogue we were Scene 361 Panel F Dialogue pals! Page 75

Slide 75

Slide 75 text

Scene 361 Panel G Dialogue 210 BRIAN Yeah, Scene 361 Panel H Dialogue I mean, th- there's Scene 361 Panel I Dialogue no pictures Page 76

Slide 76

Slide 76 text

Scene 361 Panel J Dialogue of me, Scene 361 Panel K Dialogue but (INDICATING) Scene 361 Panel L Dialogue I see Page 77

Slide 77

Slide 77 text

Scene 361 Panel M Dialogue you've got Scene 361 Panel N Dialogue a dog collar Scene 361 Panel O Dialogue and a leash. Page 78

Slide 78

Slide 78 text

Scene 361 Panel P Dialogue 211 QUAGMIRE (POINTING O.S.) And look how big Scene 361 Panel Q Dialogue your doggie cage is. Scene 361 Panel R Dialogue You could fit a human Page 79

Slide 79

Slide 79 text

Scene 361 Panel S Dialogue in there. Scene 361 Panel T Dialogue 212 BRIAN Clearly you're a Scene 361 Panel U Dialogue good owner. Page 80

Slide 80

Slide 80 text

Scene 361 Panel V Dialogue (THEN, EXCITED) Alright, Scene 361 Panel W Dialogue this is where Scene 361 Panel X Dialogue I live, Page 81

Slide 81

Slide 81 text

Scene 361 Panel Y Dialogue I live with Scene 361 Panel Z Dialogue you! Scene 361 Panel AA Dialogue 213 QUAGMIRE (SAME INFLECTION THROUGHOUT, MILDLY EXCITED) Yay! And stay off the carpet! Page 82

Slide 82

Slide 82 text

Scene 362 Panel A Action Notes INT. GRIFFINS' LIVING ROOM - SAME Scene 362 Panel B NO PANEL Page 83

Slide 83

Slide 83 text

Scene 362 Panel C Action Notes Peter wanders through the living room, looking around the house. Scene 362 Panel D Action Notes He settles on the couch in front of the TV, Page 84

Slide 84

Slide 84 text

Scene 363 Panel A Scene 363 Panel B Scene 363 Panel C Action Notes and turns it on. Page 85

Slide 85

Slide 85 text

Scene 364 Panel A Scene 364 Panel B Action Notes A menu of recorded shows pops up. NO PANEL Page 86

Slide 86

Slide 86 text

Scene 365 Panel A Dialogue 214 PETER Oh, cool. These must be some of the TV shows I recorded. Scene 365 Panel B Action Notes Peter hits a button on the remote. Scene 365 Panel C Dialogue 215 TV ANNOUNCER #2 (V.O.) The History Channel now returns to "Zapruder's Other Films". Page 87

Slide 87

Slide 87 text

Scene 366 Panel A Action Notes EXT. BACKYARD - DAY (ON TV) We hear the familiar whirl of a reel-to-reel projector, and see, in GRAINY CAMERA FOOTAGE, a tableau of an early 60's family enjoying a backyard cookout. Scene 366 Panel B Scene 366 Panel C Page 88

Slide 88

Slide 88 text

Scene 366 Panel D Action Notes CHILDREN run around the yard. Scene 366 Panel E Scene 366 Panel F Action Notes A MOM places lemonade on a picnic table, as a MAN wearing madras shorts, an apron, and a chef's hat flips burgers on a Weber grill. Page 89

Slide 89

Slide 89 text

Scene 366 Panel G Scene 366 Panel H Scene 366 Panel I Page 90

Slide 90

Slide 90 text

Scene 366 Panel J Action Notes He intermittently mugs and waves to the camera. Scene 366 Panel K Scene 366 Panel L Page 91

Slide 91

Slide 91 text

Scene 366 Panel M Scene 366 Panel N Scene 366 Panel O Page 92

Slide 92

Slide 92 text

Scene 366 Panel P Scene 366 Panel Q Action Notes After a beat, he is shot in the head from O.S. Scene 366 Panel R Page 93

Slide 93

Slide 93 text

Scene 366 Panel S Scene 366 Panel T Action Notes then slumps lifelessly onto the grill. Scene 366 Panel U Page 94

Slide 94

Slide 94 text

Scene 366 Panel V Scene 366 Panel W NO PANEL Page 95

Slide 95

Slide 95 text

Scene 367 Panel A Action Notes EXT. SPOONER STREET - DAY Scene 367 Panel B Action Notes Scene 367 Panel C Action Notes Quagmire and Brian walk from Quagmire's house Page 96

Slide 96

Slide 96 text

Scene 367 Panel D Action Notes toward the Griffins' house. NO PANEL NO PANEL Page 97

Slide 97

Slide 97 text

Scene 368 Panel A Dialogue 216 BRIAN ...it's such a weird situation, Scene 368 Panel B Dialogue I...I just think somebody Page 98

Slide 98

Slide 98 text

Scene 368 Panel C Dialogue should be writing about it... NO PANEL Page 99

Slide 99

Slide 99 text

Scene 368 Panel D Dialogue 217 QUAGMIRE (DISINTERESTED) Yeah... NO PANEL Page 100

Slide 100

Slide 100 text

Scene 368 Panel E Dialogue 218 BRIAN Do y- do you think it should be me? NO PANEL Page 101

Slide 101

Slide 101 text

Scene 368 Panel F Dialogue Sh-should I be the one writing about this? NO PANEL Page 102

Slide 102

Slide 102 text

Scene 368 Panel G Dialogue 219 QUAGMIRE (WEARY) I don't know. NO PANEL Page 103

Slide 103

Slide 103 text

Scene 368 Panel H Dialogue 220 BRIAN I think it should Scene 368 Panel I Dialogue be me... Page 104

Slide 104

Slide 104 text

Scene 368 Panel J Dialogue 221 QUAGMIRE Then just do it, Scene 368 Panel K Dialogue stop talking about it Scene 368 Panel L Dialogue for god's sake. Page 105

Slide 105

Slide 105 text

Scene 368 Panel M Action Notes They arrive at the Griffins' front door and knock. Scene 368 Panel N Scene 368 Panel O Page 106

Slide 106

Slide 106 text

Scene 368 Panel P Action Notes Peter opens the door. Scene 368 Panel Q Scene 368 Panel R Dialogue 222 PETER Oh, hey, Page 107

Slide 107

Slide 107 text

Scene 368 Panel S Dialogue guys. Scene 368 Panel T Dialogue 223 QUAGMIRE Well, we got it all figured out. Turns out Scene 368 Panel U Dialogue my name is Glenn Quagmire, Page 108

Slide 108

Slide 108 text

Scene 368 Panel V Dialogue and this is my dog. Scene 368 Panel W Dialogue 224 JOE (O.S.) Hey, you guys! NO PANEL Page 109

Slide 109

Slide 109 text

Scene 368 Panel X Action Notes A beat later, Joe enters from O.S. Scene 368 Panel Y Dialogue 225 JOE (CONT'D) Turns out Page 110

Slide 110

Slide 110 text

Scene 368 Panel Z Dialogue my name's Scene 368 Panel AA Dialogue Joe Swanson, Scene 368 Panel AB Dialogue and I figured out what I do for living. Page 111

Slide 111

Slide 111 text

Scene 368 Panel AC Dialogue (HOLDS UP POLICE UNIFORM) I'm a Scene 368 Panel AD Dialogue stripper! NO PANEL Page 112

Slide 112

Slide 112 text

Scene 369 Panel A Action Notes Joe, Quagmire, and Brian all enter into: INT. GRIFFINS' LIVING ROOM - CONTINUOUS Scene 369 Panel B Scene 369 Panel C Page 113

Slide 113

Slide 113 text

Scene 369 Panel D Scene 369 Panel E Scene 369 Panel F Page 114

Slide 114

Slide 114 text

Scene 369 Panel G Scene 369 Panel H Scene 369 Panel I Page 115

Slide 115

Slide 115 text

Scene 369 Panel J Action Notes The guys all enter and sit down. Scene 369 Panel K Dialogue 226 JOE Well, it's good we found out who Scene 369 Panel L Dialogue we all are, Page 116

Slide 116

Slide 116 text

Scene 369 Panel M Dialogue but we still haven't found out what the hell happened Scene 369 Panel N Dialogue to everybody else. Scene 369 Panel O Dialogue 227 QUAGMIRE Yeah, I've been thinking about that, Page 117

Slide 117

Slide 117 text

Scene 369 Panel P Dialogue and I think the best course of action is for us to just Scene 369 Panel Q Dialogue go ahead and start repopulating the earth. Scene 369 Panel R Dialogue 228 BRIAN But there aren't any women. Page 118

Slide 118

Slide 118 text

Scene 369 Panel S Dialogue 229 QUAGMIRE Well, let's Scene 369 Panel T Dialogue try some stuff. NO PANEL Page 119

Slide 119

Slide 119 text

Scene 370 Panel A Dialogue 230 PETER Hey, Scene 370 Panel B Dialogue you guys wanna see Scene 370 Panel C Dialogue somethin' cool? Page 120

Slide 120

Slide 120 text

Scene 370 Panel D Dialogue I found an old Mad Lib I did, and Scene 370 Panel E Dialogue I don't wanna toot my own horn, Scene 370 Panel F Dialogue but it's some pretty outrageous stuff. Page 121

Slide 121

Slide 121 text

Scene 370 Panel G NO PANEL NO PANEL Page 122

Slide 122

Slide 122 text

Scene 371 Panel A Scene 371 Panel B Action Notes Peter exits upstairs. Scene 371 Panel C Page 123

Slide 123

Slide 123 text

Scene 372 Panel A Scene 372 Panel B Scene 372 Panel C Page 124

Slide 124

Slide 124 text

Scene 373 Panel A Action Notes Joe watches him go, Scene 373 Panel B Action Notes then notices something O.S. His eyes widen. Scene 373 Panel C Dialogue 231 JOE Guys? Page 125

Slide 125

Slide 125 text

Scene 373 Panel D Dialogue You know how we were thinking that something must've caused this situation... Scene 373 Panel E Dialogue ... or someone? Page 126

Slide 126

Slide 126 text

Scene 373 Panel F Dialogue 232 QUAGMIRE Yeah? Scene 373 Panel G Dialogue 233 JOE (POINTS) Look at that. Scene 373 Panel H Page 127

Slide 127

Slide 127 text

Scene 374 Panel A Action Notes ANGLE ON the wall, where we see the framed fake newspaper from laser tag featuring Peter and the headline "PETER GRIFFIN ELIMINATES ENEMIES, DESTROYS WORLD". NO PANEL NO PANEL Page 128

Slide 128

Slide 128 text

Scene 375 Panel A Scene 375 Panel B Scene 375 Panel C Page 129

Slide 129

Slide 129 text

Scene 376 Panel A Scene 376 Panel B Scene 376 Panel C Dialogue 234 QUAGMIRE Oh my god. Page 130

Slide 130

Slide 130 text

Scene 376 Panel D Dialogue It's him. Scene 376 Panel E Dialogue 235 JOE He did this. Scene 376 Panel F Dialogue 236 BRIAN What do we do? Page 131

Slide 131

Slide 131 text

Scene 377 Panel A Scene 377 Panel B Dialogue 237 PETER Check it out. Action Notes Peter comes excitedly down the stairs holding a "Mad Libs" booklet. Page 132

Slide 132

Slide 132 text

Scene 377 Panel C Dialogue (THEN, READING) "The Scene 377 Panel D Dialogue underwear Scene 377 Panel E Dialogue went to the store last Page 133

Slide 133

Slide 133 text

Scene 377 Panel F Dialogue underwear." Scene 377 Panel G Dialogue (COCKY) And that's just the beginning. Scene 377 Panel H Dialogue Action Notes End of act two Page 134

Slide 134

Slide 134 text

Scene 378 Panel A NO PANEL NO PANEL Page 135

Slide 135

Slide 135 text

Scene 675 Panel A Action Notes INT. STEWIE'S ROOM - DAY CLOSE ON Brian, Scene 675 Panel B Action Notes who is startled awake. Scene 675 Panel C Page 136

Slide 136

Slide 136 text

Scene 675 Panel D Slugging ANIMATED TRUCK OUT Scene 675 Panel E Dialogue 320 BRIAN Aaaa! Action Notes We PULL OUT TO REVEAL that he has electrodes attached to his head, which are attached to a machine. Page 137

Slide 137

Slide 137 text

Scene 675 Panel F Scene 675 Panel G Action Notes He sits up and looks around, disoriented, NO PANEL Page 138

Slide 138

Slide 138 text

Scene 676 Panel A Action Notes and sees Peter, Joe, and Quagmire, asleep, also with electrodes attached to their heads. Scene 676 Panel B Dialogue 321 BRIAN (CONT'D) What the hell?! NO PANEL Page 139

Slide 139

Slide 139 text

Scene 677 Panel A Scene 677 Panel B Dialogue What's going on?! Scene 677 Panel C Page 140

Slide 140

Slide 140 text

Scene 677 Panel D Scene 677 Panel E Scene 677 Panel F Page 141

Slide 141

Slide 141 text

Scene 677 Panel G Dialogue (THEN, NOTICING) Stewie?! Action Notes Stewie enters frame. Scene 677 Panel H Dialogue 322 STEWIE Well, Brian, Page 142

Slide 142

Slide 142 text

Scene 677 Panel I Dialogue you proved me wrong. Scene 677 Panel J Dialogue 323 BRIAN What the hell are you talking about? Scene 677 Panel K Dialogue What is all this? Page 143

Slide 143

Slide 143 text

Scene 677 Panel L Dialogue 324 STEWIE You see, Brian, Scene 677 Panel M Dialogue I conducted a NO PANEL Page 144

Slide 144

Slide 144 text

Scene 677 Panel N Dialogue little experiment. Action Notes WIDEN TO REVEAL a bank of nearby TV monitors. One of them displays the kitchen with Quagmire and Joe holding their guns as Peter clutches a dead Brian. Other monitors display various scenes from earlier in the episode: the deserted hospital, the empty NO PANEL Drunken Clam, Peter's crashed car, etc. Page 145

Slide 145

Slide 145 text

Scene 677 Panel O Dialogue 325 STEWIE (CONT'D) Remember our Scene 677 Panel P Dialogue little argument Scene 677 Panel Q Dialogue about whether Page 146

Slide 146

Slide 146 text

Scene 677 Panel R Dialogue you and Peter Scene 677 Panel S Dialogue were actually Scene 677 Panel T Dialogue friends? Page 147

Slide 147

Slide 147 text

Scene 677 Panel U Dialogue Scene 677 Panel V NO PANEL Page 148

Slide 148

Slide 148 text

Scene 678 Panel A Dialogue Well, I wanted to prove to you Scene 678 Panel B Dialogue that I was right, Page 149

Slide 149

Slide 149 text

Scene 678 Panel C Dialogue that your friendship was purely a result Scene 678 Panel D Dialogue of circumstance. Scene 678 Panel E Dialogue So I created a scenario Page 150

Slide 150

Slide 150 text

Scene 678 Panel F Dialogue in which everyone's memories Scene 678 Panel G Dialogue were erased, to demonstrate Scene 678 Panel H Dialogue that you and Peter would never naturally associate Page 151

Slide 151

Slide 151 text

Scene 678 Panel I Dialogue with one another. NO PANEL NO PANEL Page 152

Slide 152

Slide 152 text

Scene 679 Panel A Dialogue But I was wrong. Scene 679 Panel B Dialogue It appears you two have a genuine bond Scene 679 Panel C Dialogue after all. Page 153

Slide 153

Slide 153 text

Scene 680 Panel A Scene 680 Panel B Action Notes Brian looks at the sleeping Peter and smiles. Page 154

Slide 154

Slide 154 text

Scene 680 Panel C Dialogue 326 BRIAN Wow. NO PANEL NO PANEL Page 155

Slide 155

Slide 155 text

Scene 681 Panel A Scene 681 Panel B Dialogue Action Notes Scene 681 Panel C Dialogue So we really were meant to be friends. Action Notes Page 156

Slide 156

Slide 156 text

Scene 681 Panel D Dialogue 327 STEWIE I guess you were, yes. Action Notes Scene 681 Panel E Action Notes A beat, NO PANEL Page 157

Slide 157

Slide 157 text

Scene 681 Panel F Dialogue 328 BRIAN So, are they gonna Action Notes then Brian indicates Peter, Quagmire, and Joe. NO PANEL Page 158

Slide 158

Slide 158 text

Scene 681 Panel G Dialogue remember any of this? Action Notes NO PANEL NO PANEL Page 159

Slide 159

Slide 159 text

Scene 681A Panel A Dialogue 329 STEWIE No, I'll wipe out their whole day. Scene 681A Panel B Dialogue It'll be like it never happened. Scene 681A Panel C Dialogue 330 BRIAN Wow. Page 160

Slide 160

Slide 160 text

Scene 681A Panel D Dialogue (THEN) Scene 681A Panel E Dialogue Hey, what's going on over there? Scene 681A Panel F Dialogue Hey, what's going on over there? Page 161

Slide 161

Slide 161 text

Scene 682 Panel A Action Notes ANGLE ON a sleeping Lois, BONNIE, and Meg, also hooked up to electrodes. Scene 682 Panel B Dialogue 331 STEWIE Oh, I wanted to see Scene 682 Panel C Dialogue how three women would react Page 162

Slide 162

Slide 162 text

Scene 682 Panel D Dialogue in the same situation. NO PANEL NO PANEL Page 163

Slide 163

Slide 163 text

Scene 683 Panel A Action Notes ANGLE ON one of the monitors. Lois, Bonnie, and Meg are in the same deserted hospital hallway, engaged in a vicious catfight (screaming, scratching each other, pulling hair, etc.). Scene 683 Panel B Dialogue 332 STEWIE (CONT'D) They've only been in there for three minutes. Page 164

Slide 164

Slide 164 text

Scene 683 Panel C Dialogue Haven't even tried to figure out each other's names yet. Action Notes End of show NO PANEL NO PANEL Page 165