Family Guy - "The Blind Side"

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Scene 365 Panel A Action Notes EXT./ESTAB. THE DRUNKEN CLAM - NIGHT Peter, Joe, and Brian approach the Clam. Scene 365 Panel B Action Notes Scene 365 Panel C Action Notes Page 1

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Scene 2_1 Panel A Action Notes Scene 2_1 Panel B Action Notes Scene 2_1 Panel C Action Notes They stop and notice a sign which reads: "Disabled Ladies Night!" Page 2

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Scene 2_1 Panel D Action Notes Scene 2_1 Panel E Dialogue 79 PETER What the hell? Action Notes Scene 2_1 Panel F Action Notes Page 3

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Scene 2_A Panel A Action Notes They enter into: INT. THE DRUNKEN CLAM - CONTINUOUS Scene 2_A Panel B Scene 2_A Panel C Page 4

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Scene 2_A Panel D Action Notes Peter, Joe, and Brian enter. Scene 2_A Panel E Scene 2_A Panel F Page 5

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Scene 2_A Panel G NO PANEL NO PANEL Page 6

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Scene 4 Panel A Action Notes Most of the place is business as usual, Scene 4 Panel B Action Notes but as they look around, Page 7

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Scene 4 Panel C Action Notes they see Quagmire off in a corner, Scene 4 Panel D Dialogue 80 QUAGMIRE Hey, guys, Action Notes surrounded by HOT DISABLED WOMEN of various types: deaf women signing to each other, women in wheelchairs, a woman with forearm crutches, etc. Quagmire looks up and waves them over. Page 8

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Scene 5 Panel A Scene 5 Panel B Action Notes They approach Quagmire. Page 10

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Scene 5 Panel F Dialogue 81 JOE Quagmire, what is Scene 5 Panel G Dialogue all this? Scene 5 Panel H Page 12

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Scene 7 Panel A Dialogue 82 QUAGMIRE Peter's new co-worker Scene 7 Panel B Dialogue gave me an idea. Scene 7 Panel C Dialogue Welcome to Page 13

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Scene 7 Panel D Dialogue "Disabled Ladies Night." NO PANEL NO PANEL Page 14

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Scene 7_A Panel A Dialogue 83 WOMAN WITH WOODEN ARMS Mine are made from teak. Action Notes ANGLE ON Seamus who sits with a woman with wooden arms. Scene 7_A Panel B Dialogue What are yours made from? Scene 7_A Panel C Dialogue 84 SEAMUS Yeah, mine are actually just Page 15

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Scene 7_A Panel D Dialogue pressboard with wood veneer. Scene 7_A Panel E Scene 7_A Panel F Dialogue (QUIETLY ASHAMED) I can't get wet. Page 16

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Scene 7_A Panel G Dialogue 85 WOMAN WITH WOODEN ARMS (UNCOMFORTABLE) Oh... Scene 7_A Panel H Dialogue I think I see Scene 7_A Panel I Dialogue my friends. Page 17

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Scene 7_A Panel M Action Notes and exits. Scene 7_A Panel N NO PANEL Page 19

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Scene 7_B Panel A Dialogue 86 SEAMUS You know what, Seamus? Scene 7_B Panel B Dialogue Good for you for bein' honest. Scene 7_B Panel C Page 20

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Scene 9 Panel A Scene 9 Panel B Scene 9 Panel C Page 22

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Scene 9 Panel P Dialogue 87 JOE Peter, you look Scene 9 Panel Q Dialogue a little weirded out. Scene 9 Panel R Page 27

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Scene 9_A Panel A Dialogue 88 PETER Nah, I just kinda feel like I'm at Scene 9_A Panel B Dialogue the "Total Recall" bar. Scene 9_A Panel C Dialogue But it could be worse, I guess. Page 28

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Scene 11_12 Panel A Action Notes INT. THE DRUNKEN CLAM - NIGHT (BACK TO SCENE) Scene 11_12 Panel B Scene 11_12 Panel C Action Notes Brian turns Page 30

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Scene 11_12 Panel D Action Notes and notices a very attractive woman seated at the bar. Scene 11_12 Panel E Page 31

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Scene 11_3 Panel A Scene 11_3 Panel B Page 32

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Scene 11_3 Panel C Dialogue 93 BRIAN Hey, uh, Scene 11_3 Panel D Dialogue you guys enjoy the carnival. Scene 11_3 Panel E Dialogue I'm gonna get a drink Page 33

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Scene 11_3 Panel I Action Notes Peter looks off-screen. Scene 11_3 Panel J Page 35

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Scene 11_3 Panel N Dialogue Look Scene 11_3 Panel O Dialogue at Scene 11_3 Panel P Dialogue Quagmire. Page 37

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Scene 11_3 Panel Q Dialogue He's havin' a real hard time gettin' a roofie into that chick's drink. NO PANEL NO PANEL Page 38

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Scene 7_1 Panel A Action Notes ANGLE ON Quagmire, who is talking to a WOMAN wearing a stiff neck brace. Scene 7_1 Panel B Scene 7_1 Panel C Dialogue 95 QUAGMIRE Oh my god, Page 39

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Scene 7_1 Panel D Dialogue (POINTING O.S.) what's that over there? Scene 7_1 Panel E Scene 7_1 Panel F Page 40

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Scene 7_1 Panel G Action Notes Quagmire quickly produces a pill Scene 7_1 Panel H Dialogue 96 WOMAN (LOOKING O.S.) What's what? Action Notes and attempts to maneuver it towards the woman's drink, but is foiled when the woman stiffly turns her entire body (including her drink) away towards Quagmire's non-existent O.S. diversion. Scene 7_1 Panel I Page 41

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Scene 7_1 Panel J Action Notes (Quagmire recovers in non-aggressive relaxed pose.) Scene 7_1 Panel K Scene 7_1 Panel L Page 42

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Scene 7_1 Panel M Scene 7_1 Panel N Scene 7_1 Panel O Page 43

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Scene 7_1 Panel P Dialogue 97 WOMAN (CONT'D) What did Action Notes The woman stiffly turns her entire body back to Quagmire. Scene 7_1 Panel Q Dialogue you see? Scene 7_1 Panel R Dialogue 98 QUAGMIRE (ANNOYED, GIVING UP) Aw, Page 44

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Scene 7_1 Panel S Dialogue forget it. Scene 7_1 Panel T NO PANEL Page 45

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Scene 11_4 Panel A Action Notes ANGLE ON the bar, Scene 11_4 Panel B Action Notes where Brian goes up to the attractive woman he saw earlier Scene 11_4 Panel C Dialogue 99 BRIAN Hey, ah.. Page 46

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Scene 11_4 Panel D Dialogue - anyone sitting here? Scene 11_4 Panel E Dialogue 100 WOMAN #2 No, go ahead. Scene 11_4 Panel F Dialogue 101 BRIAN Thanks. Page 47

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Scene 11_4 Panel J Action Notes and sits on the empty stool next to her. NO PANEL NO PANEL Page 49

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Scene 11_5 Panel A Scene 11_5 Panel B Dialogue 101 BRIAN (SITTING DOWN) Scene 11_5 Panel C Dialogue Hey, Page 50

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Scene 11_5 Panel D Dialogue would you like to go out sometime? Scene 11_5 Panel E Dialogue 102 WOMAN #2 Wow, Scene 11_5 Panel F Dialogue that Action Notes (Kate starts to play w/straw.) Page 51

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Scene 11_5 Panel G Dialogue was Scene 11_5 Panel H Dialogue fast. Scene 11_5 Panel I Dialogue 103 BRIAN Yeah Page 52

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Scene 11_5 Panel M Dialogue I read Scene 11_5 Panel N Dialogue somewhere that Scene 11_5 Panel O Dialogue women decide Page 54

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Scene 11_5 Panel P Dialogue within the Scene 11_5 Panel Q Dialogue first seven Scene 11_5 Panel R Dialogue seconds Page 55

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Scene 11_5 Panel S Dialogue if they're Scene 11_5 Panel T Dialogue interested in you or not, so I Scene 11_5 Panel U Dialogue figured I Page 56

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Scene 11_5 Panel V Dialogue wouldn't waste Scene 11_5 Panel W Dialogue anybody's time. Scene 11_5 Panel X Dialogue 104 WOMAN #2 Fair enough. Page 57

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Scene 11_5 Panel Y Dialogue Sure, Scene 11_5 Panel Z Dialogue go out. Scene 11_5 Panel AA Dialogue 105 BRIAN Really? Page 58

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Scene 11_5_A Panel A Dialogue 106 WOMAN #2 Yeah. Scene 11_5_A Panel B Dialogue Like you said, Scene 11_5_A Panel C Dialogue I've already decided. Page 59

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Scene 11_8 Panel D Dialogue I'm Kate. Scene 11_8 Panel E Dialogue 119 BRIAN I'm Brian. Scene 11_8 Panel F Action Notes They both smile. Page 76

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Scene 11_6 Panel A Dialogue 120 PETER All right, we got Scene 11_6 Panel B Dialogue "Like a Rolling Stone" for the wheelies, "Cum on Feel the Noize" for the deaf chicks, Scene 11_6 Panel C Dialogue and "Lump" Page 77

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Scene 11_6 Panel D Dialogue for that beautiful lady over there. NO PANEL NO PANEL Page 78

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Scene 11_7 Panel A Dialogue 121 LIMBLESS WOMAN Yeahhhh! Action Notes ANGLE ON a LIMBLESS WOMAN who hops up and down. Scene 11_7 Panel B Scene 11_7 Panel C Page 79

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Scene 11_15 Panel A Action Notes The deaf chicks start belting out "Cum on Feel the Noize". Scene 11_15 Panel B Scene 11_15 Panel C Page 80

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Scene 11_10 Panel A Dialogue Action Notes ANGLE BACK ON Brian and Kate. Scene 11_10 Panel B Dialogue Action Notes Scene 11_10 Panel C Dialogue 122 BRIAN Hey, ah Page 81

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Scene 11_10 Panel D Dialogue you wanna Scene 11_10 Panel E Dialogue go outside? Scene 11_10 Panel F Dialogue Maybe a Page 82

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Scene 11_10 Panel G Dialogue little quieter? Scene 11_10 Panel H Dialogue 123 KATE Sure. NO PANEL Page 83

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Scene 11_10 Panel I Action Notes She gets up, (reaching down O.S. for her purse.) Scene 11_10 Panel J Action Notes (Brian finishes drink.) Page 84

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Scene 11_9 Panel A Scene 11_9 Panel B Scene 11_9 Panel C Page 87

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Scene 11_9 Panel D Scene 11_9 Panel E Scene 11_9 Panel F Action Notes taking out and unfolding a collapsible white cane, Page 88

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Scene 11_9 Panel G Scene 11_9 Panel H NO PANEL Page 89

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Scene 11_9 Panel I Scene 11_9 Panel J Action Notes and Brian suddenly realizes she's blind. Page 90

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Scene 11_11 Panel A Scene 11_11 Panel B Dialogue 124 BRIAN (MORTIFIED) Oh Scene 11_11 Panel C Dialogue my god, Page 92

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Scene 11_11 Panel D Dialogue I-- Scene 11_11 Panel E Dialogue I-- NO PANEL Page 93

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Scene 11_11 Panel F Dialogue 125 PETER Hey, Action Notes Just then, Peter sees them from across the room. Scene 11_11 Panel G Dialogue check out Page 94

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Scene 11_11 Panel H Dialogue Brian with Scene 11_11 Panel I Dialogue the blind chick! Scene 11_11 Panel J Dialogue Hey, Page 95

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Scene 11_11 Panel K Dialogue don't worry, Brian! Scene 11_11 Panel L Dialogue You're still doin' better Scene 11_11 Panel M Dialogue than Quagmire. Page 96

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Scene 11_11 Panel N Dialogue He got a hooker! Scene 11_11 Panel O Action Notes ANGLE ON Quagmire standing with a WOMAN WITH A HOOK HAND. Page 97

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Scene 1_1 Panel A Action Notes EXT. KATE'S BUILDING - NIGHT Brian is walking Kate up the sidewalk to her front door. Scene 1_1 Panel B Scene 1_1 Panel C Page 107

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Scene 2 Panel A Scene 2 Panel B Dialogue 133 BRIAN So... Scene 2 Panel C Dialogue you sure Page 109

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Scene 2 Panel D Dialogue you don't Scene 2 Panel E Dialogue need me Scene 2 Panel F Dialogue to come Page 110

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Scene 2 Panel G Dialogue in? Scene 2 Panel H Dialogue Maybe Scene 2 Panel I Dialogue show you Page 111

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Scene 2 Panel J Dialogue to your Scene 2 Panel K Dialogue bed? Scene 2 Panel L Dialogue 134 KATE (SMILING) Pretty sure Page 112

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Scene 2 Panel M Dialogue I can find it, thanks. Scene 2 Panel N Dialogue Maybe next time I'll have trouble, though. NO PANEL Page 113

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Scene 3_1 Panel A Dialogue 135 BRIAN So there's Scene 3_1 Panel B Dialogue a next time. NO PANEL Page 116

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Scene 4_2 Panel A Dialogue 136 KATE Definitely. NO PANEL NO PANEL Page 117

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Scene 3_2 Panel A Dialogue 137 BRIAN Great. Scene 3_2 Panel B Dialogue Well... Scene 3_2 Panel C Dialogue ...alright, Page 118

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Scene 3_2 Panel D Dialogue good night. Scene 3_2 Panel E Scene 3_2 Panel F Action Notes He leans in and is about to kiss her Page 119

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Scene 3_2 Panel G Action Notes when a neighborhood dog barks. Scene 3_2 Panel H Dialogue 138 KATE Ugh. Stupid neighbor's dog Scene 3_2 Panel I Dialogue barks twenty-four seven. Page 120

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Scene 3_2 Panel J Dialogue God, I hate dogs. Scene 3_2 Panel K Dialogue 139 BRIAN Y... Scene 3_2 Panel L Dialogue You do? Page 121

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Scene 4_3 Panel A Dialogue 140 KATE Yeah, Scene 4_3 Panel B Dialogue they're just slobbery, annoying, Scene 4_3 Panel C Dialogue needy little bastards. Page 122

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Scene 4_3 Panel D Dialogue I'm just not really a dog person, Scene 4_3 Panel E Dialogue I Scene 4_3 Panel F Dialogue I'm just not really a dog person, Page 123

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Scene 3_3 Panel A Dialogue 141 BRIAN Oh. Uh, Scene 3_3 Panel B Dialogue me neither. Scene 3_3 Panel C Dialogue (BACKING AWAY) Dog people Page 124

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Scene 3_3 Panel D Dialogue can get Scene 3_3 Panel E Dialogue pretty annoying. NO PANEL Page 125

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Scene 1_2 Panel A Action Notes EXT./ESTAB. GRIFFINS' HOUSE - DAY NO PANEL NO PANEL Page 126

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Scene 2_2 Panel A Action Notes INT. GRIFFINS' KITCHEN - SAME Stewie is coloring at the kitchen table. Scene 2_2 Panel B Scene 2_2 Panel C Page 127

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Scene 2_2 Panel G Action Notes He looks up as Brian enters. NO PANEL NO PANEL Page 129

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Scene 2_3 Panel A Scene 2_3 Panel B Dialogue 159 STEWIE Brian, Scene 2_3 Panel C Dialogue if I Page 130

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Scene 2_3 Panel D Dialogue ever take up Scene 2_3 Panel E Dialogue roller derby, Scene 2_3 Panel F Dialogue what do you Page 131

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Scene 2_3 Panel G Dialogue think my name Scene 2_3 Panel H Dialogue should be? NO PANEL Page 132

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Scene 3_4 Panel A Dialogue Bruisin' Scene 3_4 Panel B Dialogue B. Anthony, Scene 3_4 Panel C Dialogue Alicia Sleaze, Page 133

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Scene 3_4 Panel D Dialogue or Scene 3_4 Panel E Dialogue Quahag? Scene 3_4 Panel F Dialogue How about Page 134

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Scene 3_4 Panel G Dialogue Harlot Scene 3_4 Panel H Dialogue O'Scara? NO PANEL Page 135

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Scene 4_4 Panel A Dialogue 161 STEWIE Aw, Scene 4_4 Panel B Dialogue you dick, Scene 4_4 Panel C Dialogue (WRITES IT DOWN) that's Page 136

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Scene 4_4 Panel D Dialogue genius. Scene 4_4 Panel E Dialogue Scene 4_4 Panel F Dialogue How'd your date go? Page 137

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Scene 5_1 Panel D Dialogue We had an awesome time-- Scene 5_1 Panel E Dialogue she's really smart, really funny. NO PANEL Page 139

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Scene 5_3 Panel D Scene 5_3 Panel E Scene 5_3 Panel F Dialogue I don't Page 144

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Scene 5_3 Panel G Dialogue know how Scene 5_3 Panel H Dialogue she does it, Scene 5_3 Panel I Dialogue but she dresses Page 145

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Scene 5_3 Panel J Dialogue really well Scene 5_3 Panel K Dialogue for a Scene 5_3 Panel L Dialogue blind girl, Page 146

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Scene 5_3 Panel M Dialogue like, her Scene 5_3 Panel N Dialogue body is-- Scene 5_3 Panel O Dialogue 165 STEWIE Whoa, Page 147

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Scene 5_3 Panel AE Dialogue whoa. Scene 5_3 Panel AF Dialogue 166 BRIAN What? Scene 5_3 Panel AG Dialogue 167 STEWIE Don't "what" me. Page 153

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Scene 5_3 Panel AH Dialogue You just said she's blind. Scene 5_3 Panel AI Dialogue You just Scene 5_3 Panel AJ Dialogue said it. Page 154

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Scene 5_3 Panel AK Dialogue You totally buried the lead. Scene 5_3 Panel AL Dialogue 168 BRIAN Yeah, well, Scene 5_3 Panel AM Dialogue it's not that Page 155

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Scene 5_3 Panel AN Dialogue important. Scene 5_3 Panel AO Dialogue So what if she can't see, Scene 5_3 Panel AP Dialogue she's amazing Page 156

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Scene 5_3 Panel AQ Dialogue in every other way. Scene 5_3 Panel AR Dialogue 169 STEWIE Okay, Scene 5_3 Panel AS Dialogue if you say so. Page 157

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Scene 5_4 Panel D Dialogue Hey, Scene 5_4 Panel E Dialogue does she have really NO PANEL Page 161

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Scene 5_4 Panel F Dialogue weird, messed-up Scene 5_4 Panel G Dialogue eyes? Page 162

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Scene 5_4 Panel H Dialogue 170 BRIAN No. Scene 5_4 Panel I Dialogue Her eyes are normal. Scene 5_4 Panel J Dialogue They're beautiful, actually. Page 163

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Scene 5_4 Panel K Scene 5_4 Panel L Dialogue (LONG BEAT) Scene 5_4 Panel M Dialogue 171 STEWIE Bet they're not. Page 164

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Scene 5_4 Panel N Dialogue Bet they look like bowls of milk. Scene 5_4 Panel O Dialogue 172 BRIAN Shut up. NO PANEL Page 165

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Scene 5_5 Panel A Dialogue 173 STEWIE You sure she isn't just Scene 5_5 Panel B Dialogue using you? Scene 5_5 Panel C Dialogue Seeing-eye dogs are expensive, Page 166

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Scene 5_5 Panel D Dialogue she might be trying to get one for free. NO PANEL NO PANEL Page 167

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Scene 5_6 Panel A Dialogue 174 BRIAN No. Actually, Scene 5_6 Panel B Dialogue she doesn't want Scene 5_6 Panel C Dialogue a seeing-eye dog. Page 168

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Scene 5_6 Panel D Dialogue She hates dogs. NO PANEL NO PANEL Page 169

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Scene 5_7 Panel A Dialogue (BEAT) Scene 5_7 Panel B Dialogue 175 STEWIE What. Scene 5_7 Panel C Dialogue 176 BRIAN She doesn't like dogs. Page 170

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Scene 5_7 Panel D Dialogue She's just... not a Scene 5_7 Panel E Dialogue dog person. Scene 5_7 Panel F Page 171

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Scene 5_7 Panel G Dialogue 177 STEWIE (ALMOST GIDDY) Ah- Scene 5_7 Panel H Scene 5_7 Panel I Dialogue -HA! Page 172

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Scene 5_7 Panel J Dialogue Okay. Scene 5_7 Panel K Dialogue So you're dating a girl who can't see Scene 5_7 Panel L Dialogue and who hates the thing Page 173

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Scene 5_7 Panel M Dialogue you Scene 5_7 Panel N Dialogue are. Scene 5_7 Panel O Dialogue Does she also have shark teeth Page 174

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Scene 5_7 Panel P Dialogue lining her vagina? Scene 5_7 Panel Q Dialogue Because seriously, Brian Scene 5_7 Panel R Dialogue this woman sounds perfect! Page 175

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Scene 5_9 Panel D Dialogue I'm just gonna avoid touching her until a little more Scene 5_9 Panel E Dialogue time has passed. Scene 5_9 Panel F Dialogue And by the time I tell her, Page 182

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Scene 5_9 Panel G Dialogue And by the time I tell her, she'll understand. NO PANEL NO PANEL Page 183

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Scene 5_10 Panel D Dialogue well, Scene 5_10 Panel E Scene 5_10 Panel F Dialogue good luck Page 185