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Workshop originally presented by Andy Clarke during 2007–2008 For a beautiful web Andy Clarke is a digital designer, speaker, and writer whose designs have helped companies around the world to increase their sales pipeline and revenue, and charities to increase donations. He founded Stuff & Nonsense and has consulted and designed for clients including Disney Store UK, Fairfax Media, Home Office (UK), Greenpeace, ISO, SAP, STV, SunLife, WIPO, and WWF. He works on creative website and digital product designs and provides ongoing creative direction. He coaches agencies and mentors designers on dealing with clients, and delivering creative projects. If you’re looking to design better digital products and websites, develop a design system or style guide, or want to understand how design can help your business, you should talk to him. Stuff & Nonsense Ltd. Eversleigh, Lon Capel, Gwaenysgor, Flintshire, LL18 6EJ, UK For work enquiries go to stuffandnonsense.co.uk or call +44 (0)1745 851848

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TRANSCENDING CSS  ‘FOR A BEAUTIFUL WEB’ WORKSHOP SERIES 2007‐8

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE WELCOME

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE TRANSCENDING CSS The Fine Art Of Web Design by Andy Clarke Published by New Riders 2006

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE “ We've arrived at a situation where beautiful sites with  beautiful code are being produced by the hundreds; every  month, every week, every day. It's no longer a myth that  you can produce a stunning site with Web Standards.” CAMERON ADAMS WEBSTANDARDSAWARDS.COM W E B   S TA N D A R D S   A W A R D S

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THEINVASIONMOVIE.WARNERBROS.COM

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KYLIEMINOGUE.UK.COM

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NIKE.COM

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE TRANSCENDENT CSS

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE ‐ Not all browsers see the same design ‐ Use all available CSS selectors ‐ Use CSS3 where appropriate ‐ Use JavaScript and the DOM to plug holes in CSS ‐ Use semantic naming and Microformats P R I N C I P L E S   O F   T R A N S C E N D E N T   C S S

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE NOT ALL BROWSERS  SEE THE SAME DESIGN

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE “MOSe Enhancement: The key to the MOSe method is  somewhat similar to how NN4 page design developed as  CSS became more prevalent. After creating a basic,  functioning page in IE, you add extra functionality with  these selectors.” DAVE SHEA MEZZOBLUE.COM/ARCHIVES/2003/06/25/MOSE/ P R O G R E S S I V E   E N H A N C E M E N T

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE “Progressive enhancement is an approach to web design  that builds documents for the least capable devices first,  then moves on to enhance those documents with  separate logic for presentation, in ways that do not place  an undue burden on baseline devices but which allow a  richer experience for those users with modern graphical  browser software.” STEVEN CHAMPEON HESKETH.COM/PUBLICATIONS/INCLUSIVE_WEB_DESIGN_FOR_THE_FUTURE/ P R O G R E S S I V E   E N H A N C E M E N T

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE P R O G R E S S I V E   E N H A N C E M E N T Applying progressive enhancement across technologies: ‐ CSS for visual styling ‐ JavaScript and the DOM for behavior ‐ AJAX and related sets of technologies

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CSSZENGARDEN.COM DESIGN BY MIKE DAVIDSON

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CSSZENGARDEN.COM DESIGN BY EGOR KLOOS

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CSSZENGARDEN.COM DESIGN BY SHAUN INMAN

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DEVELOPER.YAHOO.COM/YUI/ARTICLES/GBS/

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE G R A D E D   B R O W S E R   S U P P O R T “Support does not mean that everybody gets the same  thing. Expecting two users using different browser  software to have an identical experience fails to embrace  or acknowledge the heterogeneous essence of the web.” NATE KOECHLEY DEVELOPER.YAHOO.COM/YUI/ARTICLES/GBS/GBS.HTML

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE “Sony is a registered trademark of Sony Corporation, Japan”

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE “Image courtesy of Apple Inc.”

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE CONTENT‐OUT MARKUP

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE “Some people say I've ruined the Web, and to them it's  true. [...] I ruined the Web by mixing chocolate and  peanut butter so they could never become unmixed. I  committed the hangable offense of mixing structure with  presentation.” DAVID SIEGAL XML.COM/PUB/A/W3J/S1.PEOPLE.HTML P R E S E N TAT I O N A L   M A R K U P

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE M E A N I N G F U L   M A R K U P  = heading

 = paragraph

 = definition list (name/value pairs)

 = block quotation

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE F O R G O T T E N   H T M L   E L E M E N T S  ~~= deleted text  = inserted text  = computer or programming related  = inline quotations   = citation URLs~~

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE MICROFORMATS “We need more microformats.” Bill Gates in an interview with Tim O’Reilly at MIX06, Las Vegas

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE “Designed for humans first and machines second,  microformats are a set of simple, open data formats built  upon existing and widely adopted standards.” MICROFORMATS.ORG/ABOUT W H AT   A R E   M I C R O F O R M AT S ?

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE S E M A N T I C   W E B ‐ Semantics for machines first, people second ‐ Access to multiple sources and global sharing of data ‐ RDF (Resource Description Format)  ‐ OWL (Web Ontology Language) ‐ Implementations, applications and user agents are years away  ‐ Relies on emerging technologies

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE ‐ Solve a specific problem ‐ A low barrier to entry ‐ Design for humans first, machines second ‐ Reuse building blocks from existing standards ‐ Are modular and embeddable ‐ Encourage decentralised content and services P R I N C I P L E S   O F   M I C R O F O R M AT S

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE H C A R D For marking up contact information for people and  organisations H C A L E N D A R For marking up information about events such as  meetings, conferences and concerts H R E V I E W For marking up reviews including products and events  W H AT   A R E   M I C R O F O R M AT S ?

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE P U B L I S H E R S   U S I N G   M I C R O F O R M AT S C O R K D   (corkd.com) Publishes wine reviews using hReview, profiles using  hCard and relationships using XFN F L I C K R   (flickr.com) Geotagging of photos, publishes profiles using hCard L A S T. F M   (last.fm) Publishes concert information using hCalendar U P C O M I N G   (upcoming.org) Publishes event information using hCalendar and  profiles using hCard

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE hCARD

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE Malarkey's a Modern kinda guy who loves  to annoy his neighbours in Gwaenysgor  with his collection of sixties Mod and  ska classics. When he's not polishing the  mirrors on his scooter, he dreams of  having Paul Weller 'round for tea. Since  signing to Stuff and Nonsense Records,  Malarkey can be reached by email or by  phone on +44 (0)1745 851848. M I C R O F O R M AT S :   H C A R D

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE BEGIN:VCARD FN:Andy Clarke. ORG:Stuff and Nonsense Records; ADR: Gwaenysgor; Flintshire; LL18 6EP; TEL:(0)1745 851848 EMAIL:[email protected] END:VCARD M I C R O F O R M AT S :   V C A R D

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M I C R O F O R M AT S :   V C A R D A vCard in Apple’s Address Book application

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Andy Clarke Stuff and Nonsense Records Gwaenysgor,  Flintshire,  LL18 6EP +44 (0)1745 851848 Email Malarkey

M I C R O F O R M AT S :   H C A R D

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M I C R O F O R M AT S :   H C A R D

Malarkey's a Modern kinda guy  who loves to annoy his neighbours in  Gwaenysgor with his  collection of sixties Mod and ska classics. Since  signing to Stuff and Nonsense  Records, Malarkey can be reached by  email or by phone on  +44 (0)1745 851848.

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M I C R O F O R M AT S :   H C A R D

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Colly Wobbles

Colly Wobbles...

c/o Stuff and Nonsense Records Gwaenysgor,  Flintshire,  LL18 6EP +44 (0)1745 851848 Email Colly

M I C R O F O R M AT S :   H C A R D

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Colly Wobbles

c/o Stuff and Nonsense Records Gwaenysgor,  Flintshire,  LL18 6EP +44 (0)1745 851848 Email Colly

M I C R O F O R M AT S :   H C A R D

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE hCALENDAR

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MEN Arena,  UK on September 1st 2007

M I C R O F O R M AT S :   H C A L E N D A R

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MEN Arena,  UK on September 1st 2007

MEN Arena Manchester Box Office

M I C R O F O R M AT S :   H C A L E N D A R

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Tickets available from

MEN Arena Manchester Box Office Victoria Station, Hunts Bank,  Manchester,  M3 1AR UK +44 (0)844 847 8000 http://www.men‐arena.com/

M I C R O F O R M AT S :   H C A L E N D A R

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The Nonsense Robots at  Carling Academy Brixton September 2nd  2007 Carling Academy Brixton Box Office London,  UK +44 (0)7771 3000 http://www.brixton‐academy.co.uk/ M I C R O F O R M AT S :   H C A L E N D A R

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE hREVIEW

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Nonsense Robots at MEN

Making Ska accessible

Reviewed on August 1st 2007

The music they play is a blend of ska/disco/funk.  Whatever it is, it sounds great.

Jason Santa Maria

M I C R O F O R M AT S :   H R E V I E W

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Nonsense Robots at MEN

Making Ska accessible

Reviewed on August 1st 2007

The music they play is a blend of ska/disco/funk...

Jason Santa Maria

M I C R O F O R M AT S :   H R E V I E W

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M I C R O F O R M AT S :   H R E V I E W

Making Ska accessible

Live at MEN Arena on  September 23th

Helpful?   Yes |  No |  Bookmark

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE hATOM

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M I C R O F O R M AT S :   AT O M Stomping Robots What is ska? Ska combines elements of Caribbean mento and calypso  with American jazz and rhythm and blues. It is  characterised by a walking bass line, accented guitar,  or piano rhythms on the offbeat, and in some cases,  jazz‐like horn riffs. Jina Bee

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M I C R O F O R M AT S :   AT O M

Stomping Robots

What is ska?

Ska combines elements of Caribbean mento and  calypso with American jazz and rhythm and blues. It is characterised by a walking bass line, accented  guitar, or piano rhythms on the offbeat, and in some  cases, jazz‐like horn riffs.

Jina Bee

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M I C R O F O R M AT S :   AT O M

Stomping Robots

What is ska?

Ska combines elements  of Caribbean mento and calypso with American jazz and  rhythm and blues. It is characterised by a  walking bass line, accented guitar, or piano rhythms  on the offbeat, and in some cases, jazz‐like horn  riffs.

Jina Bee

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M I C R O F O R M AT S :   AT O M

September 21st 2007 |  Bookmark

Music
History
Ska

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE MICROFORMATS Empowering Your Markup for Web 2.0 by John Allsopp Published by Friends Of Ed 2007

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TRANSCENDING CSS  ‘FOR A BEAUTIFUL WEB’ WORKSHOP SERIES 2007‐8

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TRANSCENDING CSS  ‘FOR A BEAUTIFUL WEB’ WORKSHOP SERIES 2007‐8

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE MODERN CSS SELECTORS

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE “A selector represents a structure. This structure can be  used as a condition (e.g. in a CSS rule) that determines  which elements a selector matches in the document tree,  or as a flat description of the HTML or XML fragment  corresponding to that structure.” W3.ORG/TR/2001/2001/CR‐CSS3‐SELECTORS‐20011113/#SELECTORS C S S   S E L E C T O R S

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE “A selector enables a web designer  and developer to make a lot of cool  stuff out of very little.” ANDY CLARKE C S S   S E L E C T O R S

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S   S E L E C T O R S ‐ Element selectors  ( p { /* rules */  }  ) ‐ Class selectors  ( .vcard { /* rules */  }  ) ‐ ID selectors  ( #content { /* rules */ }  ) ‐ Pseudo‐class selectors ( a:link { /* rules */  }  ) ‐ Child selectors ( div > a { /* rules */  }  ) ‐ Adjacent selectors ( h2 + p { /* rules */  }  ) ‐ Attribute selectors ( div[class="vcard"] { /* rules */  }  ) ‐ Pseudo‐elements ( li:last‐child { /* rules */  }  )

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C H I L D   S E L E C T O R S

Live at Wembley Arena

Reviewed on August 1st 2007

Live at Wembley Arena on September 23th

The Nonsense Robots did an excellent job of  mixing ska with some funky reggae beats.

li > img { float : left; }

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A D J A C E N T   S E L E C T O R S

Live at Wembley Arena

Reviewed on August 1st 2007

Live at Wembley Arena on September 23th

The Nonsense Robots did an excellent job of  mixing ska with some funky reggae beats.

h4 + p { padding‐top : 0; }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE AT T R I B U T E   S E L E C T O R S Style an element either based  on whether an element has an  attribute name such as href or  based on the attribute value. img[alt] a[title] li[class="vcard"] div[id="content_main"]

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AT T R I B U T E   S E L E C T O R S

Back to top

#siteinfo a[rel="self"] {  display : block;  width : 97px;  height : 72px;  position : absolute;  top : ‐1px;  right : 15px;  background : url(top.png) no‐repeat;  text‐indent : ‐9999px; }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S   2 . 1   S P E C I F I C I T Y Example Style in document  (inline style) # of ID selectors # of class selectors # of Element (type)  selectors li 0 0 0 1 li.vcard 0 0 1 1 #content li.vcard 0 1 1 1

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE AT T R I B U T E   S U B ‐ S T R I N G   S E L E C T O R S E[foo~="bar"] an E element whose "foo" attribute value is a list  of space‐separated values, one of which is exactly  equal to "bar" E[foo^="bar"] an E element whose "foo" attribute value begins  exactly with the string "bar" E[foo$="bar"] an E element whose "foo" attribute value ends  exactly with the string "bar" E[foo*="bar"] an E element whose "foo" attribute value contains  the substring "bar"

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AT T R I B U T E   S U B ‐ S T R I N G   S E L E C T O R S

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AT T R I B U T E   S U B ‐ S T R I N G   S E L E C T O R S

Sushi Ska

The most played album on my iPod

Sushi Ska is a unique collection of Jamaican influenced ska.  There are few collections of ska that include a good cross  section of the earliest ska classics from Jamaica in the Sixties  in the same collection as music of the Great Ska Revival in the  United Kingdom in the Eighties.

Bookmark

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AT T R I B U T E   S U B ‐ S T R I N G   S E L E C T O R S

Sushi Ska

The most played album on my iPod

Sushi Ska is a unique collection of Jamaican influenced ska.  There are few collections of ska that include a good cross  section of the earliest ska classics from Jamaica in the Sixties  in the same collection as music of the Great Ska Revival in the  United Kingdom in the Eighties.

Bookmark

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AT T R I B U T E   S U B ‐ S T R I N G   S E L E C T O R S Bookmark ul > li { position : relative; } li > h3, li > h4, li > blockquote  { margin‐left : 100px; } a[href^="http://www.tantek.com"]:before {  content : url(tantek.png); position : absolute; top : 0; left : 0; }

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AT T R I B U T E   S U B ‐ S T R I N G   S E L E C T O R S

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AT T R I B U T E   S U B ‐ S T R I N G   S E L E C T O R S

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P S E U D O   E L E M E N T S

Availability: In stock
Price: £9.99

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P S E U D O   E L E M E N T S #content ul li { display : inline; padding : 0 10px;  border‐right : 1px solid #333; } #content ul li:last‐child { padding‐right : 0;  border‐right‐width : 0; }

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P S E U D O   E L E M E N T S p:first‐line {  font‐size : 110%;  font‐weight : bold;  }

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P S E U D O   E L E M E N T S p:first‐line {  font‐size : 110%;  font‐weight : bold;  }

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P S E U D O   E L E M E N T S p:first‐line {  font‐size : 110%;  font‐weight : bold;  }

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P S E U D O   E L E M E N T S p:first‐letter {  font‐size : 400%;  font‐weight : bold;  }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C O M B I N E D   S E L E C T O R S id + child #nav‐main > li { /* rules */  } descendent + class + adjacent .nav ul li + li { /* rules */  } id + descendent + element + pseudo class #nav‐main li:hover { /* rules */  } descendent + id + child + attribute #nav‐main ul > li > a[title] { /* rules */  }

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TRANSCENDING CSS  ‘FOR A BEAUTIFUL WEB’ WORKSHOP SERIES 2007‐8

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TRANSCENDING CSS  ‘FOR A BEAUTIFUL WEB’ WORKSHOP SERIES 2007‐8

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE CREATING INSPIRED  DESIGN WITH CSS

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE CSS BOX MODEL

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S   B O X   M O D E L ‐ All elements generate a box ‐ Block‐level elements start on a new line and can contain other  block level and inline elements ‐ Inline elements appear within content, with no line ‐ Boxes are laid out along the horizontal axis  ‐ Create line boxes

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S   B O X   M O D E L Visual model Box model Lines Boxes Borders Padding Margins

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S   B O X   M O D E L ‐ Every box has a content area ‐ Boxes can be left in the normal flow ‐ Boxes can be floated ‐ Boxes can be positioned

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S   B O X   M O D E L “The box width is given by the sum of the left and right  margins, border, and padding, and the content width. The  height is given by the sum of the top and bottom margins,  border, and padding, and the content height.” W3.ORG/TR/REC‐CSS2/BOX‐HTML#BOX‐DIMENSIONS

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C S S   B O X   M O D E L Margin TM BM RM W3C box model Border LB TB BB RB Padding LP TP BP RP Content

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C S S   B O X   M O D E L Content + Padding + Border W3C box model

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C S S   B O X   M O D E L 100px W3C box model 5px 1px 5px 1px Total box width: 112px

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C S S   B O X   M O D E L #box { width : 100px; padding : 5px; border‐width : 1px;  } Total box width: 100px 100px Microsoft box model

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J O N   H I C K S ’   3 D   B O X   M O D E L padding * margin * background‐image background‐color border content * transparent

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE FLOATS

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE

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The Nonsense Robots live

The best ska night of the year

Reviewed on August 1st 2007

Live at MEN Arena on September 23th

The Nonsense Robots did an excellent job...

Jeffrey Zeldman
Helpful?  Yes | No |  Bookmark

F L O AT S

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#content ul li {  float : left;  margin‐right : 5px;  width : 205px; } #content ul li:last‐child {  margin‐right : 0; } F L O AT S

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE

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#content ul li {  float : left;  margin‐right : 5px;  width : 410px;  min‐height : 24em;  border‐bottom : 1px dotted #fdfcef; } #content ul li:last‐child {  margin‐right : 0; } F L O AT S

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE NEGATIVE MARGINS

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S T Y L I N G   F O R M   E L E M E N T S

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F O R M   X H T M L

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F O R M   X H T M L   &   C S S

form {  margin : 0;  padding : 0;  width : 535px; }

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Tell us about yourself

Your name: Date of birth: F I E L D S E T   X H T M L

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D I V I S I O N S   &   F I E L D S E T S #form_info {  padding : 50px 40px 40px 0;  background : url(fieldset_join.png) no‐repeat; } #form_age {  padding : 50px 0 40px 40px;  background : url(form_join.png) no‐repeat; }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE D I V I S I O N S   &   F I E L D S E T S 535px 50px 40px 40px [ content ] #form_age {  padding : 50px 0 40px 40px;  background : url(join_rt.png) no‐repeat; }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE D I V I S I O N S   &   F I E L D S E T S #form_info {  padding : 50px 0 40px 40px;  background : url(join_rb.png) no‐repeat; }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE D I V I S I O N S   &   F I E L D S E T S #form_age {  padding : 50px 40px 40px 0;  background : url(join_rt.png) no‐repeat; }

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D I V I S I O N S   &   F I E L D S E T S

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S T Y L I N G   H E A D I N G S   U S I N G   N E G AT I V E   M A R G I N S

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Tell us about yourself

Your name: Date of birth: S T Y L I N G   H E A D I N G S   U S I N G   N E G AT I V E   M A R G I N S

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30px 50px 40px S T Y L I N G   H E A D I N G S   U S I N G   N E G AT I V E   M A R G I N S

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#form_info {  padding : 50px 0 40px 0; } S T Y L I N G   H E A D I N G S   U S I N G   N E G AT I V E   M A R G I N S #form_info h3 {  margin : ‐70px 0 0 200px;  padding : 0;  width : 385px;  height : 90px;  background : url(h3_form_info.png) no‐repeat;  text‐indent : ‐9999px; }

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30px 50px 40px S T Y L I N G   H E A D I N G S   U S I N G   N E G AT I V E   M A R G I N S 50px

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S T Y L I N G   H E A D I N G S   U S I N G   N E G AT I V E   M A R G I N S

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S T Y L I N G   F O R M   E L E M E N T S

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#form_transport input {  background‐color : transparent;  border‐width : 0; border‐bottom : 1px dotted #fff;  font‐weight : bold;  color : #fff; } #form_transport textarea {  background‐color : transparent;  border : 1px dotted #fff;  color : #fff; } #form_transport label {  position : absolute;  top : ‐9999px; }  S T Y L I N G   F O R M   E L E M E N T S

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S T Y L I N G   F O R M   E L E M E N T S

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE DEMONSTRATION

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE CSS POSITIONING

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S 3   P O S I T I O N I N G   T Y P E S Static Position an element in its natural position in the normal flow  (default) Relative Offset an element from its natural position in the normal flow using  top, bottom, left and right values Absolute Remove an element from the normal flow and position it in relation  to either its closest positioned ancestor or the root element using  top, bottom, left and right values  Fixed Remove an element from the normal flow and position it in relation  to the view‐port using top, bottom, left and right values; it does not  scroll 

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE RELATIVE POSITIONING

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img.offset {  position : relative;  top : 50px;  left : 50px; }  R E L AT I V E   P O S I T I O N I N G

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R E L AT I V E   P O S I T I O N I N G

 ... 

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img.fl {  float : left; }  R E L AT I V E   P O S I T I O N I N G

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img.fl {  float : left;  position : relative;  left : ‐15px; } R E L AT I V E   P O S I T I O N I N G

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. img.fl {  float : left;  position : relative;  left : ‐15px;  margin‐right : ‐5px;}  R E L AT I V E   P O S I T I O N I N G

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE ABSOLUTE POSITIONING

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img.offset {  position : absolute;  top : 0;  left : 0; }  A B S O L U T E   P O S I T I O N I N G

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img.offset {  position : absolute;  top : 0;  left : 0; } div#contact {  position : relative; } A B S O L U T E   P O S I T I O N I N G

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Albums

A B S O L U T E   P O S I T I O N I N G

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Sushi Ska 

Sushi Ska is  The Nonsense Robots at their very best.

A B S O L U T E   P O S I T I O N I N G

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No content

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#content ul {  position : relative; }

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#content h2:first‐child + ul li {  width : 340px;  margin‐bottom : 30px; }

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#content h2:first‐child + ul h3,  #content h2:first‐child + ul p {  display : inline; margin : 0; padding : 0; } #content h2:first‐child + ul img {  position : absolute; }

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#a01 img { left : 410px; } #a02 img { left : 550px; } #a03 img { left : 690px; } #a04 img { top : 140px; left : 410px; } #a05 img { top : 140px; left : 550px; } #a06 img { top : 140px; left : 690px; }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE DEMONSTRATION

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A B S O L U T E   P O S I T I O N I N G

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Colly Wobbles

Colly Wobbles...

c/o Stuff and Nonsense Records Gwaenysgor,  Flintshire,  LL18 6EP +44 (0)1745 851848 Email Colly

A B S O L U T E   P O S I T I O N I N G

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#content ul {  position : relative; }

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li.vcard {  width : 255px; }

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.photo, .vcard div {  position : absolute; } .vcard div {  width : 190px; }

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.photo, .vcard div {  position : absolute; } .vcard div {  width : 190px; } #colly .photo {  top : 100px;  left : 275px; } #colly div {  top : 645px;  left : 275px; }

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#dan .photo {  top : 100px;  left : 475px; } #dan div {  top : 485px;  left : 490px; }

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#jina .photo {  top :0;  left : 675px; } #jina div {  top : 205px;  left : 690px; }

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#malarkey .photo {  top :460px;  left : 675px; } #malarkey div {  top : 645px;  left : 675px; }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE

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AT T R I B U T E   S E L E C T O R S

Colly Wobbles

Colly Wobbles...

c/o Stuff and Nonsense Records Gwaenysgor,  Flintshire,  LL18 6EP +44 (0)1745 851848 Email Colly

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AT T R I B U T E   S E L E C T O R S +44 (0)1745 851848 Email Colly  a[class="tel"] {  padding : 0 0 2px 25px;  background :  url(vcard_tel.png) no‐repeat 0 50%; }   a[class="email"] {  padding‐left : 25px;  background :  url(vcard_email.png) no‐repeat 0 50%; }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE DEMONSTRATION

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE FIXED POSITIONING

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#content ul {  position : relative; } .photo {  position : fixed; }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE DEMONSTRATION

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#d01 {  position : relative; } #d01 img {  position : absolute; } Z ‐ I N D E X

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#d01 {  position : relative; } #d01 img {  position : absolute; } #a01 { z‐index : 1; } #a02 { z‐index : 2; } #a03 { z‐index : 3; } Z ‐ I N D E X

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#d01, #d02 {  position : relative; } #d01 img, #d02 img {  position : absolute; } #a01 { z‐index : 1; } #a02 { z‐index : 2; } #a03 { z‐index : 3; } #a04 { z‐index : 1; } #a05 { z‐index : 2; } #a06 { z‐index : 3; } Z ‐ I N D E X

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#d01, #d02 {  position : relative; } #d01 { z‐index : 2; } #d02 { z‐index : 1; } #d01 img, #d02 img {  position : absolute; } Z ‐ I N D E X

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE COMBINATION TECHNIQUES

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Sushi Ska

Sushi Ska is The Nonsense Robots at their very best,  exotic, raw and full of flavour.

Availability: In stock
Price: £ 9.99

This item is delivered free in the UK.

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C O M B I N AT I O N   T E C H N I Q U E S

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C O M B I N AT I O N   T E C H N I Q U E S

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#content_product {  position : relative; }

C O M B I N AT I O N   T E C H N I Q U E S

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#content_product > a {  float : left; } C O M B I N AT I O N   T E C H N I Q U E S

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C O M B I N AT I O N   T E C H N I Q U E S

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C O M B I N AT I O N   T E C H N I Q U E S

#content_product div {  position : absolute;  top : 10px;  right : ‐220px; }

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C O M B I N AT I O N   T E C H N I Q U E S

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C O M B I N AT I O N   T E C H N I Q U E S

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Sushi Ska 

Sushi Ska  is The Nonsense Robots at their very best, exotic, raw and  full of flavour.

Price: £9.99
Qty:

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C O M B I N AT I O N ul {  position : relative;  padding‐top: 360px; }

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C O M B I N AT I O N ul {  position : relative;  padding‐top: 360px; }  li {  float : left;  width : 280px;  height : 120px;  margin‐right : 10px; margin‐bottom : 20px; }

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C O M B I N AT I O N h3 {  position : absolute; top : 0;  left : 0; width : 132px;  margin : 0;  padding‐top : 135px; }

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C O M B I N AT I O N #a02 h3 {  left : 160px; } #a03 h3 {  left : 320px; } #a04 h3 {  top : 170px; } #a05 h3 {  top : 170px;  left : 160px; } #a06 h3 {  top : 170px;  left : 320px; }

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C O M B I N AT I O N h3 {  position : absolute; } h3 img {  position : absolute;  top : 0;  left : 0; }

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TRANSCENDING CSS  ‘FOR A BEAUTIFUL WEB’ WORKSHOP SERIES 2007‐8

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TRANSCENDING CSS  ‘FOR A BEAUTIFUL WEB’ WORKSHOP SERIES 2007‐8

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE SIMPLE STEPS TO BETTER  WEB TYPOGRAPHY

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE RESET BROWSER DEFAULTS

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A N D R E W   K R E S PA N I S   G L O B A L   W H I T E S PA C E   R E S E T * { margin : 0;  padding : 0;  } LEFTJUSTIFIED.NET/JOURNAL/2004/10/19/GLOBAL‐WS‐RESET/

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YA H O O   R E S E T   B R O W S E R   D E FA U LT S Text body,div,dl,dt,dd,ul,ol,li,h1,h2,h3,h4,h5,h6,pre,form,fieldset, input,textarea,p,blockquote,th,td { margin : 0; padding : 0; }  table { border‐collapse : collapse; border‐spacing : 0; }  fieldset, img { border : 0; }  address,caption,cite,code,dfn,em,strong,th,var { font‐style :  normal; font‐weight : normal; }  ol, ul { list‐style : none; }  caption,th { text‐align : left; }  h1,h2,h3,h4,h5,h6 { font‐size : 100%; font‐weight : normal; }  q:before,q:after { content : ''; }  abbr,acronym { border : 0; }  DEVELOPER.YAHOO.COM/YUI/RESET

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E R I C   M E Y E R ’ S   R E S E T   B R O W S E R   D E FA U LT S html, body, div, span, applet, object, iframe, h1, h2, h3, h4,  h5, h6, p, blockquote, pre, a, abbr, acronym, address, big,  cite, code, del, dfn, em, font, img, ins, kbd, q, s, samp,  small, strike, strong, sub, sup, tt, var, dl, dt, dd, ol, ul,  li, fieldset, form, label, legend, table, caption, tbody,  tfoot, thead, tr, th, td {  margin : 0; padding : 0; border : 0; outline : 0; font‐weight :  inherit; font‐style : inherit; font‐size : 100%; font‐family :  inherit; vertical‐align: baseline; background : transparent; } :focus { outline : 0; }  ol, ul { list‐style : none; } table { border‐collapse : collapse; border‐spacing : 0; } caption, th, td { text‐align : left; font‐weight : normal; } blockquote, q { quotes : "" ""; } MEYERWEB.COM/ERIC/THOUGHTS/2007/05/01/RESET‐RELOADED/

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE “COMPOSE TO A  VERTICAL RHYTHM” RICHARD RUTTER 24WAYS.ORG/2006 (DAY 12)

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE body { font‐size : 12px; } p { font‐size : 1em; /* 12px */ line‐height : 1.5; /* 18px */ margin : 0 0 1.5em 0; } p:last‐child { margin‐bottom : 0; } C A L C U L AT I N G   L I N E   H E I G H T Calculate the line‐height in ems by dividing the desired  line‐height (18px) by the base font‐size (12px) to give a  value of 1.5

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE #content_sub p {  font‐size : 0.8333em;     /* 10px ÷ 12px */ line‐height : 1.8em;     /* 18px ÷ 10px */ } S M A L L E R   F O N T‐ S I Z E   L I N E   H E I G H T Sidenote: Calculate the font‐size in ems by dividing the desired font‐ size (10px) by the base font‐size (12px) to give a value of  0.8333em.  Maintain vertical rhythm by dividing vertical rhythm unit (18px)  by the new font‐size (10px to give a value of 1.8em.

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE INCREMENTAL LEADING

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE p { font‐size : 1em;     /* 12px */ line‐height : 1.8em;     /* 18px */ } I N C R E M E N TA L   L E A D I N G Four lines of text in the main content: 18px x 4 = 72px

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE I N C R E M E N TA L   L E A D I N G To calculate for 5 lines of text in the sidebar: 72px ÷ 5 = 14.4px #content_sub p { font‐size : 0.8333em; line‐height : 1.44em;   /* 14.4px ÷ 10px */ }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE I N C R E M E N TA L   L E A D I N G #content_sub p { font‐size : 0.8333em; line‐height : 1.44em; margin‐top : 0.28em;  }

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CODE.GOOGLE.COM/P/BLUEPRINTCSS/

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE CSS3 (THIRD TIME LUCKY)

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S 3   M O D U L E S Selectors module Refined selectors to target an element based on an  attribute or position in the document flow plus new  pseudo‐classes and elements. Backgrounds and borders module Style any box’s borders and background including  attach multiple background‐images to one element. Multi‐column layout  module Making it simpler to create column layouts without  additional markup by using column counts, gaps and  rules. Advanced Layout module Aims to fully separate visual layout order from a  document’s content. Media Queries module Extending the usefulness of media types in  combination with window widths, heights and aspect  ratio.

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE CSS3 SELECTORS W3.ORG/TR/CSS‐3‐SELECTORS/

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S 3   S E L E C T O R S   M O D U L E E:nth‐child(n) an E element, the n‐th child of its parent E:nth‐last‐child(n) an E element, the n‐th child of its parent,  counting from the last one E:nth‐of‐type(n) an E element, the n‐th sibling of its type E:only‐of‐type an E element, only sibling of its type E:not(s) an E element that does not match simple selector s E ~ F an F element preceded by an E element

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C S S 3   S E L E C T O R S : N T H ‐ C H I L D 2 Train To Skaville  3 Ska Train  Listen

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C S S 3   S E L E C T O R S : N T H ‐ C H I L D 2 Train To Skaville  3 Ska Train  Listen

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C S S 3   S E L E C T O R S : N T H ‐ C H I L D Every odd row of an HTML table tr:nth‐child(2n+1) {  /* rules */  } tr:nth‐child(odd) {  /* rules */  } Every even row of an HTML table tr:nth‐child(2n) {  /* rules */  } tr:nth‐child(even) {  /* rules */  }

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C S S 3   S E L E C T O R S   ‐   : N T H ‐ C H I L D The first six rows of an HTML table tr:nth‐child(‐n+6) { /* rules */  } The last two rows of an HTML table tr:nth‐last‐child(‐n+2) { /* rules */  } The 9th, 19th, 29th, etc,  row of an HTML table tr::nth‐child(10n‐1) { /* rules */  } tr:nth‐child(10n+9) { /* rules */  }

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: N T H ‐ C H I L D

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Alternate floated images img:nth‐of‐type(2n+1) {  float: left; } img:nth‐of‐type(2n) {  float: right; } : N T H ‐ C H I L D

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: F I R S T‐ O F ‐ T Y P E

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ul li:first‐of‐type { border : 1px solid #666;  text‐transform : uppercase; } : F I R S T‐ O F ‐ T Y P E W3.ORG/TR/CSS‐3‐SELECTORS/

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE CSS3 BACKGROUNDS &  BORDERS MODULE W3.ORG/TR/CSS‐3‐BACKGROUND/

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S 3   B A C K G R O U N D S   A N D   B O R D E R S ‐ Background‐clip ‐ Background‐origin ‐ Background‐size ‐ Background‐break ‐ Border‐radius ‐ Border‐break ‐ Border‐image ‐ Box‐shadow

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Just when you thought you knew everything there is to know  about ska, Tripwire comes along and trips you up.

C S S 3   B A C K G R O U N D S   A N D   B O R D E R S

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Just when you thought you knew everything there is to know  about ska, Tripwire comes along and trips you up.

C S S 3   B A C K G R O U N D S   A N D   B O R D E R S

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p { background‐image :  url(top_left.png), url(top_right.png), url(bottom_right.png), url(bottom_left.png), url(top_center.png), url(middle_right.png), url(bottom_center.png), url(middle_left.png); } C S S 3   B A C K G R O U N D S   A N D   B O R D E R S

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p { background‐repeat :  no‐repeat,  no‐repeat,  no‐repeat,  no‐repeat,  repeat‐x,  repeat‐y,  repeat‐x,  repeat‐y; } C S S 3   B A C K G R O U N D S   A N D   B O R D E R S

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p { background‐position :  top left, top right, bottom right, bottom left, top left, top right, bottom right, bottom left; } C S S 3   B A C K G R O U N D S   A N D   B O R D E R S

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S 3   B A C K G R O U N D S   A N D   B O R D E R S “13. Layering multiple background images ‐The properties 'background‐image', 'background‐origin',  'background‐clip', 'background‐repeat', 'background‐size', and  'background‐position' may have multiple comma‐separated values.  Excepting the case that 'background‐image' is 'none', if the values  are specified as follows: ‐backgound‐image: w 1,…wM ‐backgound‐repeat: x 1,…xR ‐backgound‐size: y 1,…yS ‐backgound‐position: s 1,…sP ‐the number of layers is N = max(M, R, S, P).” W3.ORG/TR/CSS‐3‐BACKGROUND/

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE CSS3 MULTI‐COLUMN MODULE W3.ORG/TR/CSS‐3‐MULTICOL/

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE column‐count column‐width column‐gap column‐rule ‐moz‐column‐count ‐moz‐column‐width ‐moz‐column‐gap ‐moz‐column‐rule C S S   M U LT I ‐ C O L U M N   M O D U L E

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Stomping Robots

What is ska?

The 2 Tone genre, which began in the late 1970s in England,  was a fusion of Jamaican ska rhythms and melodies with punk  rock's uncompromising lyrics.

C S S   M U LT I ‐ C O L U M N   M O D U L E

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Stomping Robots

What is ska?

H I G H L I G H T I N G   M I C R O F O R M AT S

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE .entry‐content {  column‐count : 3;  column‐gap : 5px; column‐rule : thin solid black; /* For Firefox */ ‐moz‐column‐count : 3;  ‐moz‐column‐gap : 5px; } C S S   M U LT I ‐ C O L U M N   M O D U L E

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S   M U LT I ‐ C O L U M N   M O D U L E .entry‐content {  column‐width : 200px;  column‐gap : 5px; column‐rule : thin solid black; /* For Firefox */ ‐moz‐column‐width : 3;  ‐moz‐column‐gap : 5px; }

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C S S   M U LT I ‐ C O L U M N   M O D U L E .replies ol {  column‐count : 3;  /* For Firefox */ ‐moz‐column‐count : 3; }

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE CSS3 ADVANCED LAYOUT W3.ORG/TR/CSS‐3‐LAYOUT/ CESARACEBAL.COM/RESEARCH/THESIS/ALMCSS/

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S 3   A D VA N C E D   L AY O U T   M O D U L E Slot letter identifies the slot within the grid for any content that  will be positioned within it @ (at symbol) A default slot into which content that has not been  situated can flow . (period) A white‐space slot that can have no content inserted  into it

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S 3   A D VA N C E D   L AY O U T   M O D U L E body { display :  "a b c d" "e f g h" "i j k l"; }

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I J K L C D B A G H F E

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE C S S 3   A D VA N C E D   L AY O U T   M O D U L E div#s01 { position : ab; } div#s02 { position : c; } div#s03 { position : d; } div#s04 { position : ef; } div#s05 { position : gh; } div#s06 { position : i; } div#s07 { position : j; } div#s08 { position : k; } div#s09 { position : l; }

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EF I AB C D GH J K L

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@ @ @ @ @ @

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE TRANSCENDING CSS The Fine Art Of Web Design by Andy Clarke Published by New Riders 2006

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TRANSCENDING CSS FOR A BEAUTIFUL WEB ANDY CLARKE Q&A

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TRANSCENDING CSS  ‘FOR A BEAUTIFUL WEB’ WORKSHOP SERIES 2007‐8