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Johannes Henseler @frischmilch Düsseldorf, insidrrr #1 7. Juli 2012 reaves: DON‘T BE AFRAID OF ODE

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REATIVE DESPITE ODE Johannes Henseler @frischmilch Düsseldorf, insidrrr #1 7. Juli 2012

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When REATION and ODE collde Johannes Henseler @frischmilch Düsseldorf, insidrrr #1 7. Juli 2012

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reav AND ode Johannes Henseler @frischmilch Düsseldorf, insidrrr #1 7. Juli 2012

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Internet Print old understanding of „creativity“ new ways of creation

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Internet Print old understanding of „creativity“ new ways of creation Separated at birth?

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Digital Designer Bachelor of Arts Kommunikationsdesign Johannes Henseler nordsueddesign.de ganzfrische.frischmil.ch donemag.cc INFLUENCER Digital Publishing @frischmilch

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Mediengestalter für Digital- und Printmedien, Fachrichtung Print Bachelor of Arts, Kommunikationsdesign FH Düsseldorf

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Mediengestalter für Digital- und Printmedien, Fachrichtung Print Bachelor of Arts, Kommunikationsdesign University of Applied Sciences, Düsseldorf

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What I learned

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How I learned it

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Brian Ammon wikimedia commons

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Lars Hennings GNU wikimedia commons Hennings-photo.de-kamerasys.jpg

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Goethe, Farbenkreis zur Symbolisierung des menschlichen Geistes- und Seelenlebens, 1809

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It was always about technology.

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{

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{ Code is freaking out the traditional designer

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Coder Designer

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Coder Designer We have more in common as we think.

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Coder Designer

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Coder Designer We all use tools and techniques. Luckily they don‘t matter in the end.

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For quite some time, the digital and the print world had nothing in common. Print designers used to look down on us. is has changed, not only because the la print designer mu have realized by now that digital matter has become at lea as in uential as printed information, and digital designers are generally more experienced with ru uring information for attention. On the other hand it took digital designers quite some time to realize the value of traditional typographic theory. It was and is a slow process, but it is fun to watch both worlds enrich each other. Oliver Reichen ein, gefunden in: Andrew Losowsky, Introdu ion to Turning Pages, in: Klanten (Hrsg.), Turning Pages, Editorial Design for Print Media; Magazines, Books, Newspapers, Berlin , f.

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For quite some time, the digital and the print world had nothing in common. Print designers used to look down on us. is has changed, not only because the la print designer mu have realized by now that digital matter has become at lea as in uential as printed information, and digital designers are generally more experienced with ru uring information for attention. On the other hand it took digital designers quite some time to realize the value of traditional typographic theory. It was and is a slow process, but it is fun to watch both worlds enrich each other. Oliver Reichen ein, gefunden in: Andrew Losowsky, Introdu ion to Turning Pages, in: Klanten (Hrsg.), Turning Pages, Editorial Design for Print Media; Magazines, Books, Newspapers, Berlin , f.

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For quite some time, the digital and the print world had nothing in common. Print designers used to look down on us. is has changed, not only because the la print designer mu have realized by now that digital matter has become at lea as in uential as printed information, and digital designers are generally more experienced with ru uring information for attention. On the other hand it took digital designers quite some time to realize the value of traditional typographic theory. It was and is a slow process, but it is fun to watch both worlds enrich each other. Oliver Reichen ein, gefunden in: Andrew Losowsky, Introdu ion to Turning Pages, in: Klanten (Hrsg.), Turning Pages, Editorial Design for Print Media; Magazines, Books, Newspapers, Berlin , f.

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For quite some time, the digital and the print world had nothing in common. Print designers used to look down on us. is has changed, not only because the la print designer mu have realized by now that digital matter has become at lea as in uential as printed information, and digital designers are generally more experienced with ru uring information for attention. On the other hand it took digital designers quite some time to realize the value of traditional typographic theory. It was and is a slow process, but it is fun to watch both worlds enrich each other. Oliver Reichen ein, gefunden in: Andrew Losowsky, Introdu ion to Turning Pages, in: Klanten (Hrsg.), Turning Pages, Editorial Design for Print Media; Magazines, Books, Newspapers, Berlin , f.

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For quite some time, the digital and the print world had nothing in common. Print designers used to look down on us. is has changed, not only because the la print designer mu have realized by now that digital matter has become at lea as in uential as printed information, and digital designers are generally more experienced with ru uring information for attention. On the other hand it took digital designers quite some time to realize the value of traditional typographic theory. It was and is a slow process, but it is fun to watch both worlds enrich each other. Oliver Reichen ein, gefunden in: Andrew Losowsky, Introdu ion to Turning Pages, in: Klanten (Hrsg.), Turning Pages, Editorial Design for Print Media; Magazines, Books, Newspapers, Berlin , f.

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For quite some time, the digital and the print world had nothing in common. Print designers used to look down on us. is has changed, not only because the la print designer mu have realized by now that digital matter has become at lea as in uential as printed information, and digital designers are generally more experienced with ru uring information for attention. On the other hand it took digital designers quite some time to realize the value of traditional typographic theory. It was and is a slow process, but it is fun to watch both worlds enrich each other. Oliver Reichen ein, gefunden in: Andrew Losowsky, Introdu ion to Turning Pages, in: Klanten (Hrsg.), Turning Pages, Editorial Design for Print Media; Magazines, Books, Newspapers, Berlin , f.

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For quite some time, the digital and the print world had nothing in common. Print designers used to look down on us. is has changed, not only because the la print designer mu have realized by now that digital matter has become at lea as in uential as printed information, and digital designers are generally more experienced with ru uring information for attention. On the other hand it took digital designers quite some time to realize the value of traditional typographic theory. It was and is a slow process, but it is fun to watch both worlds enrich each other. Oliver Reichen ein, gefunden in: Andrew Losowsky, Introdu ion to Turning Pages, in: Klanten (Hrsg.), Turning Pages, Editorial Design for Print Media; Magazines, Books, Newspapers, Berlin , f.

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DTP drag us away from the process.

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{ Working digital is designing in and for the same environment

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Projects „inspired by code“

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vimeo.com/2199239

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vimeo.com/8484272

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github.com/frischmilch/videosound

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projects.nordsueddesign.de/my2010/

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Parametrize Photography [time, location, movement]

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github.com/frischmilch/tracking-light

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blah blah

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Coding can be a hard and painfull process for a designer. blah blah

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Internet Print

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Internet Print

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iPad

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iPad analog / digital

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Easy and familiar environment: Digital Publishing Suite and InDesign

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Hyperlink Slideshow Image sequence Audio & Video Panorama Web Content Pan and Zoom Scrollable Content

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+ HTML

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If I have a creative idea, all tools are at my hands to express them.

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Everybody is using „the other one‘s tool“ amateurish.

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Everybody is using „the other one‘s tool“ amateurish. Following are slides from the HIGGS-Particle-Presentation at CERN, maybe the most important presentationn for a long time.

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Typography is a very open technology, used by everybody today. Visual Expression is open to everybody.

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Typography is a very open technology, used by everybody today. Visual Expression is open to everybody. And that‘s good. Beautiful.

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+ a myriad of online tools

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„Do I have to learn code?“

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Qu'est-ce que c'est, ça?

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Qu'est-ce que c'est, ça? Code is Language

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A few sentences, a bit of grammar, and some verbs and you can express yourself.

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Designing in and for the same environment

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{ Working digital is designing in and for the same environment

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Typography and Style

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SASS Compass

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Code-like structure in CSS

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80/20 Pareto-Rule

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Content and Code

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git-animals.tumblr.com

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What we have learned about Tools

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Inflationary Safe environment to experiment Appealing

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Sorry Command Line: I have no rose for you.

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1. Code is Language 2. Look around and use easy Tools (or wait) 3. Share and Collaborate 4. Use and Transcode Data 5. Time and Space work completly different (make use of that!) 6. Use Patterns (jQuery, Tutorials, Mixins)

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1. Code is Language 2. Look around and use easy Tools (or wait) 3. Share and Collaborate 4. Use and Transcode Data 5. Time and Space work completly different (make use of that!) 6. Use Patterns (jQuery, Tutorials, Mixins)

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1. Code is Language 2. Look around and use easy Tools (or wait) 3. Share and Collaborate 4. Use and Transcode Data 5. Time and Space work completly different (make use of that!) 6. Use Patterns (jQuery, Tutorials, Mixins)

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1. Code is Language 2. Look around and use easy Tools (or wait) 3. Share and Collaborate 4. Use and Transcode Data 5. Time and Space work completly different (make use of that!) 6. Use Patterns (jQuery, Tutorials, Mixins)

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1. Code is Language 2. Look around and use easy Tools (or wait) 3. Share and Collaborate 4. Use and Transcode Data 5. Time and Space work completly different (make use of that!) 6. Use Patterns (jQuery, Tutorials, Mixins)

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1. Code is Language 2. Look around and use easy Tools (or wait) 3. Share and Collaborate 4. Use and Transcode Data 5. Time and Space work completly different (make use of that!) 6. Use Patterns (jQuery, Tutorials, Mixins)

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Most importantly: Don‘t forget to play.