Slide 1
Slide 1 text
Bonnie Clyde
Slide 2
Slide 2 text
Scene
1
Duration
10 00
Panel
1
Duration
01 00
Dialog
INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Blonde, somewhat fragile, intelligent in expression. She is putting on make-up with intense concentration and appreciation, applyi
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ng lipstick and eye make-up. As the camera slowly pulls back from the closeup we see that we have been looking into a mirror.
She is standing before the full-length mirror in her bedroom doing her make-up. She overdoes it in the style of the time: rosebud
mouth and so
forth. As the film progresses her make-up will be refined until, at the end, there is none.
Bonnie Clyde Page 2/190
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Slide 4 text
Scene
1
Duration
10 00
Panel
2
Duration
01 00
Action Notes
INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Bonnie Clyde Page 3/190
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Slide 5 text
Blonde, somewhat fragile, intelligent in expression. She is
putting on make-up with intense concentration and
appreciation, applying lipstick and eye make-up. As the
camera slowly pulls back from the closeup we see that we
have been looking into a mirror. She is standing before the
full-length mirror in her bedroom doing her make-up. She
overdoes it in the style of the time: rosebud mouth and so
forth. As the film progresses her make-up will be refined
until, at the end, there is none.
Bonnie Clyde Page 4/190
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Slide 6 text
Scene
1
Duration
10 00
Panel
3
Duration
01 00
Action Notes
INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Bonnie Clyde Page 5/190
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Slide 7 text
Blonde, somewhat fragile, intelligent in expression. She is
putting on make-up with intense concentration and
appreciation, applying lipstick and eye make-up. As the
camera slowly pulls back from the closeup we see that we
have been looking into a mirror. She is standing before the
full-length mirror in her bedroom doing her make-up. She
overdoes it in the style of the time: rosebud mouth and so
forth. As the film progresses her make-up will be refined
until, at the end, there is none.
Bonnie Clyde Page 6/190
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Slide 8 text
Scene
1
Duration
10 00
Panel
4
Duration
01 00
Action Notes
INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Bonnie Clyde Page 7/190
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Slide 9 text
Blonde, somewhat fragile, intelligent in expression. She is
putting on make-up with intense concentration and
appreciation, applying lipstick and eye make-up. As the
camera slowly pulls back from the closeup we see that we
have been looking into a mirror. She is standing before the
full-length mirror in her bedroom doing her make-up. She
overdoes it in the style of the time: rosebud mouth and so
forth. As the film progresses her make-up will be refined
until, at the end, there is none.
Bonnie Clyde Page 8/190
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Slide 10 text
Scene
1
Duration
10 00
Panel
5
Duration
01 00
Action Notes
INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Bonnie Clyde Page 9/190
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Slide 11 text
Blonde, somewhat fragile, intelligent in expression. She is
putting on make-up with intense concentration and
appreciation, applying lipstick and eye make-up. As the
camera slowly pulls back from the closeup we see that we
have been looking into a mirror. She is standing before the
full-length mirror in her bedroom doing her make-up. She
overdoes it in the style of the time: rosebud mouth and so
forth. As the film progresses her make-up will be refined
until, at the end, there is none.
Bonnie Clyde Page 10/190
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Slide 12 text
Scene
1
Duration
10 00
Panel
6
Duration
01 00
Action Notes
INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Bonnie Clyde Page 11/190
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Slide 13 text
Blonde, somewhat fragile, intelligent in expression. She is
putting on make-up with intense concentration and
appreciation, applying lipstick and eye make-up. As the
camera slowly pulls back from the closeup we see that we
have been looking into a mirror. She is standing before the
full-length mirror in her bedroom doing her make-up. She
overdoes it in the style of the time: rosebud mouth and so
forth. As the film progresses her make-up will be refined
until, at the end, there is none.
Bonnie Clyde Page 12/190
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Slide 14 text
Scene
1
Duration
10 00
Panel
7
Duration
01 00
Action Notes
INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Bonnie Clyde Page 13/190
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Blonde, somewhat fragile, intelligent in expression. She is
putting on make-up with intense concentration and
appreciation, applying lipstick and eye make-up. As the
camera slowly pulls back from the closeup we see that we
have been looking into a mirror. She is standing before the
full-length mirror in her bedroom doing her make-up. She
overdoes it in the style of the time: rosebud mouth and so
forth. As the film progresses her make-up will be refined
until, at the end, there is none.
Bonnie Clyde Page 14/190
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Slide 16 text
Scene
1
Duration
10 00
Panel
8
Duration
01 00
Action Notes
INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Bonnie Clyde Page 15/190
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Slide 17 text
Blonde, somewhat fragile, intelligent in expression. She is
putting on make-up with intense concentration and
appreciation, applying lipstick and eye make-up. As the
camera slowly pulls back from the closeup we see that we
have been looking into a mirror. She is standing before the
full-length mirror in her bedroom doing her make-up. She
overdoes it in the style of the time: rosebud mouth and so
forth. As the film progresses her make-up will be refined
until, at the end, there is none.
Bonnie Clyde Page 16/190
Slide 18
Slide 18 text
Scene
1
Duration
10 00
Panel
9
Duration
01 00
Action Notes
INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Bonnie Clyde Page 17/190
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Slide 19 text
Blonde, somewhat fragile, intelligent in expression. She is
putting on make-up with intense concentration and
appreciation, applying lipstick and eye make-up. As the
camera slowly pulls back from the closeup we see that we
have been looking into a mirror. She is standing before the
full-length mirror in her bedroom doing her make-up. She
overdoes it in the style of the time: rosebud mouth and so
forth. As the film progresses her make-up will be refined
until, at the end, there is none.
Bonnie Clyde Page 18/190
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Slide 20 text
Scene
1
Duration
10 00
Panel
10
Duration
01 00
Action Notes
INT. BEDROOM. CLOSE-UP OF BONNIE PARKER. DAY
Bonnie Clyde Page 19/190
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Slide 21 text
Blonde, somewhat fragile, intelligent in expression. She is
putting on make-up with intense concentration and
appreciation, applying lipstick and eye make-up. As the
camera slowly pulls back from the closeup we see that we
have been looking into a mirror. She is standing before the
full-length mirror in her bedroom doing her make-up. She
overdoes it in the style of the time: rosebud mouth and so
forth. As the film progresses her make-up will be refined
until, at the end, there is none.
Bonnie Clyde Page 20/190
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Scene
3
Duration
05 00
Panel
1
Duration
01 00
Action Notes
BONNIE finishes admiring herself. She walks from the mirror
and moves slowly across the room, the camera moving with
Bonnie Clyde Page 21/190
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her, until she reaches the screened window on the opposite
wall. The shade is up. There are no curtains. She looks
out the window, looking down, and the camera looks down with
her.
Notes
The bedroom itself is a second-story bedroom in a lower-
class frame house in West Dallas, Texas. The neighborhood
is low income. Though the room reveals its shabby
surroundings, it also reveals an attempt by BONNIE to fix it
up. Small and corny objets d'art are all over the tops of
the bureaus, vanity tables, etc. (Little glass figurines and
porcelain statuettes and the like.)
Bonnie Clyde Page 22/190
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Scene
3
Duration
05 00
Panel
2
Duration
01 00
Action Notes
BONNIE finishes admiring herself. She walks from the mirror
and moves slowly across the room, the camera moving with
Bonnie Clyde Page 23/190
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her, until she reaches the screened window on the opposite
wall. The shade is up. There are no curtains. She looks
out the window, looking down, and the camera looks down with
her.
Bonnie Clyde Page 24/190
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Scene
3
Duration
05 00
Panel
3
Duration
01 00
Action Notes
BONNIE finishes admiring herself. She walks from the mirror
and moves slowly across the room, the camera moving with
Bonnie Clyde Page 25/190
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her, until she reaches the screened window on the opposite
wall. The shade is up. There are no curtains. She looks
out the window, looking down, and the camera looks down with
her.
Bonnie Clyde Page 26/190
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Scene
3
Duration
05 00
Panel
4
Duration
01 00
Action Notes
BONNIE finishes admiring herself. She walks from the mirror
and moves slowly across the room, the camera moving with
Bonnie Clyde Page 27/190
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her, until she reaches the screened window on the opposite
wall. The shade is up. There are no curtains. She looks
out the window, looking down, and the camera looks down with
her.
Bonnie Clyde Page 28/190
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Scene
3
Duration
05 00
Panel
5
Duration
01 00
Action Notes
Over her shoulder, we see the driveway leading to the garage
connected to the house. There is an old car parked in the
Bonnie Clyde Page 29/190
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driveway, its windows open. We see a man walking up the
driveway, somewhat furtively. He is a rather dapper fellow,
dressed in a dark suit with a vest, a white collar, and a
straw boater. It is CLYDE BARROW. Obviously, he is about
to steal the car. He looks it over, checking around him to
make sure no passers-by are coming. He peers inside the
front window to see if the keys are in the ignition. He
studies the dashboard. BONNIE continues watching, silently.
Finally she calls out.
Slugging
EXT. BEDROOM. BONNIE'S P.O.V. DAY.
Bonnie Clyde Page 30/190
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Scene
4
Duration
02 00
Panel
1
Duration
01 00
Dialog
BONNIE
Hey, boy! What you doin' with my
Bonnie Clyde Page 31/190
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mama's car?
Action Notes
CLYDE, startled, jumps and looks to see who has caught him.
Obviously frightened, he looks up and his face freezes at
what he sees.
Slugging
EXT. DRIVEWAY. DAY.
Bonnie Clyde Page 32/190
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Scene
4
Duration
02 00
Panel
2
Duration
01 00
Dialog
BONNIE
Hey, boy! What you doin' with my
Bonnie Clyde Page 33/190
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Slide 35 text
mama's car?
Action Notes
CLYDE, startled, jumps and looks to see who has caught him.
Obviously frightened, he looks up and his face freezes at
what he sees.
Slugging
EXT. DRIVEWAY. DAY.
Bonnie Clyde Page 34/190
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Scene
5
Duration
01 00
Panel
1
Duration
01 00
Action Notes
We now see what he is looking at: at the open window,
revealed from the waist up, is the naked BONNIE. She looks
Bonnie Clyde Page 35/190
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down, an impudent half-smile on her face. She doesn't move
or make any attempt to cover herself.
Slugging
EXT. WINDOW. CLYDE'S P.O.V. DAY.
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Scene
6
Duration
01 00
Panel
1
Duration
01 00
Action Notes
Close-up of BONNIE, still smiling. Finally she speaks.
Bonnie Clyde Page 37/190
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Scene
7
Duration
01 00
Panel
1
Duration
01 00
Action Notes
-- whose face changes from astonishment to an answering
smile of impudence. (Seeing what he has, he realizes that
Bonnie Clyde Page 38/190
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this girl is clearly not going to scream for the police.
Already they are in a little game instigated by BONNIE,
sizing each other up, competing in a kind of playful
arrogance. Before they speak, they have become
coconspirators.)
Slugging
EXT. CLOSE-UP OF CLYDE - DAY -
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Scene
8
Duration
02 00
Panel
1
Duration
01 00
Action Notes
Close-up of BONNIE, still smiling. Finally she speaks.
Bonnie Clyde Page 40/190
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Scene
8
Duration
02 00
Panel
2
Duration
01 00
Bonnie Clyde Page 41/190
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Scene
9
Duration
05 00
Panel
1
Duration
01 00
Action Notes
Running from the window, she flings open a closet and grabs
a dress, and shoes. She slips on the shoes, and flings the
Bonnie Clyde Page 42/190
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dress on, running out the door as she does. The camera
tracks with her, moving as fast. As she runs down the
stairs she buttons up the dress.
Slugging
INT. BEDROOM. DAY.
Bonnie Clyde Page 43/190
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Slide 45 text
Scene
9
Duration
05 00
Panel
2
Duration
01 00
Action Notes
Running from the window, she flings open a closet and grabs
a dress, and shoes. She slips on the shoes, and flings the
Bonnie Clyde Page 44/190
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dress on, running out the door as she does. The camera
tracks with her, moving as fast. As she runs down the
stairs she buttons up the dress.
Slugging
INT. BEDROOM. DAY.
Bonnie Clyde Page 45/190
Slide 47
Slide 47 text
Scene
9
Duration
05 00
Panel
3
Duration
01 00
Action Notes
Running from the window, she flings open a closet and grabs
a dress, and shoes. She slips on the shoes, and flings the
Bonnie Clyde Page 46/190
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dress on, running out the door as she does. The camera
tracks with her, moving as fast. As she runs down the
stairs she buttons up the dress.
Slugging
INT. BEDROOM. DAY.
Bonnie Clyde Page 47/190
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Slide 49 text
Scene
9
Duration
05 00
Panel
4
Duration
01 00
Action Notes
Running from the window, she flings open a closet and grabs
a dress, and shoes. She slips on the shoes, and flings the
Bonnie Clyde Page 48/190
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dress on, running out the door as she does. The camera
tracks with her, moving as fast. As she runs down the
stairs she buttons up the dress.
Slugging
INT. BEDROOM. DAY.
Bonnie Clyde Page 49/190
Slide 51
Slide 51 text
Scene
9
Duration
05 00
Panel
5
Duration
01 00
Action Notes
Running from the window, she flings open a closet and grabs
a dress, and shoes. She slips on the shoes, and flings the
Bonnie Clyde Page 50/190
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dress on, running out the door as she does. The camera
tracks with her, moving as fast. As she runs down the
stairs she buttons up the dress.
Slugging
INT. BEDROOM. DAY.
Bonnie Clyde Page 51/190
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Slide 53 text
Scene
10
Duration
02 00
Panel
1
Duration
01 00
Action Notes
She flies out the door, slamming it behind her, runs off the
porch (all this has been one continuous movement since she
Bonnie Clyde Page 52/190
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left the window, in great haste) and continues quickly into
the driveway. Four feet away from CLYDE, she stops on a
dime. They stand there, looking at each other, smiling the
same challenge. For a few seconds, no one speaks, then:
Slugging
EXT. DRIVEWAY. DAY.
Bonnie Clyde Page 53/190
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Slide 55 text
Scene
10
Duration
02 00
Panel
2
Duration
01 00
Action Notes
She flies out the door, slamming it behind her, runs off the
porch (all this has been one continuous movement since she
Bonnie Clyde Page 54/190
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Slide 56 text
left the window, in great haste) and continues quickly into
the driveway. Four feet away from CLYDE, she stops on a
dime. They stand there, looking at each other, smiling the
same challenge. For a few seconds, no one speaks, then:
Slugging
EXT. DRIVEWAY. DAY.
Bonnie Clyde Page 55/190
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Slide 57 text
Scene
11
Duration
03 00
Panel
1
Duration
01 00
Dialog
For a few seconds, no one speaks, then:
Bonnie Clyde Page 56/190
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Scene
11
Duration
03 00
Panel
2
Duration
01 00
Dialog
For a few seconds, no one speaks, then:
Bonnie Clyde Page 57/190
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Scene
11
Duration
03 00
Panel
3
Duration
01 00
Dialog
For a few seconds, no one speaks, then:
Bonnie Clyde Page 58/190
Slide 60
Slide 60 text
Scene
12
Duration
10 00
Panel
1
Duration
01 00
Dialog
BONNIE
(putting her on)
Bonnie Clyde Page 59/190
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Ain't you ashamed? Tryin' to steal
an old lady's automobile.
Bonnie Clyde Page 60/190
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Scene
12
Duration
10 00
Panel
2
Duration
01 00
Dialog
CLYDE
(with the same put-on)
Bonnie Clyde Page 61/190
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I been thinkin' about buyin' me one.
Bonnie Clyde Page 62/190
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Scene
12
Duration
10 00
Panel
3
Duration
01 00
Dialog
BONNIE
Bull. You ain't got money for
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dinner, let alone buy no car.
Bonnie Clyde Page 64/190
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Scene
12
Duration
10 00
Panel
4
Duration
01 00
Dialog
CLYDE
(still the battle of
Bonnie Clyde Page 65/190
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wits going on)
Now I got enough money for cokes,
and since it don't look like you're
gonna invite me inside--
Bonnie Clyde Page 66/190
Slide 68
Slide 68 text
Scene
12
Duration
10 00
Panel
5
Duration
01 00
Dialog
BONNIE
You'd steal the dining room table
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if I did.
Bonnie Clyde Page 68/190
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Scene
12
Duration
10 00
Panel
6
Duration
01 00
Dialog
*suprised how right she is*
Bonnie Clyde Page 69/190
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Slide 71 text
Scene
12
Duration
10 00
Panel
7
Duration
01 00
Dialog
CLYDE
(he moves from his spot)
Bonnie Clyde Page 70/190
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Come to town with me, then. How'd
that be?
Bonnie Clyde Page 71/190
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Scene
12
Duration
10 00
Panel
8
Duration
01 00
Dialog
BONNIE
(starting to walk
Bonnie Clyde Page 72/190
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onto the sidewalk)
Goin' to work anyway.
Bonnie Clyde Page 73/190
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Slide 75 text
Scene
12
Duration
10 00
Panel
9
Duration
01 00
Dialog
BONNIE
(starting to walk
Bonnie Clyde Page 74/190
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onto the sidewalk)
Goin' to work anyway.
Bonnie Clyde Page 75/190
Slide 77
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Scene
12
Duration
10 00
Panel
10
Duration
01 00
Dialog
BONNIE
(starting to walk
Bonnie Clyde Page 76/190
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onto the sidewalk)
Goin' to work anyway.
Bonnie Clyde Page 77/190
Slide 79
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Scene
1
Duration
06 00
Panel
1
Duration
01 00
Dialog
CLYDE
Goin' to work, huh? What do you do?
Bonnie Clyde Page 78/190
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Slide 80 text
Scene
1
Duration
06 00
Panel
2
Duration
01 00
Dialog
CLYDE
(pretending to give
Bonnie Clyde Page 79/190
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it serious thought)
I bet you're a...movie star!
Bonnie Clyde Page 80/190
Slide 82
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Scene
1
Duration
06 00
Panel
3
Duration
01 00
Bonnie Clyde Page 81/190
Slide 83
Slide 83 text
Scene
1
Duration
06 00
Panel
4
Duration
01 00
Dialog
(thinks)
No...A lady mechanic?...
Bonnie Clyde Page 82/190
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Scene
1
Duration
06 00
Panel
5
Duration
01 00
Bonnie Clyde Page 83/190
Slide 85
Slide 85 text
Scene
1
Duration
06 00
Panel
6
Duration
01 00
Dialog
No...A maid?--
Bonnie Clyde Page 84/190
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Slide 86 text
Scene
2
Duration
08 00
Panel
1
Duration
01 00
Dialog
BONNIE
(really offended by that)
Bonnie Clyde Page 85/190
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What do you think I am?
Bonnie Clyde Page 86/190
Slide 88
Slide 88 text
Scene
2
Duration
08 00
Panel
2
Duration
01 00
Dialog
hmmmm
Bonnie Clyde Page 87/190
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Scene
2
Duration
08 00
Panel
3
Duration
01 00
Dialog
CLYDE
(right on the nose)
Bonnie Clyde Page 88/190
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A waitress.
Bonnie Clyde Page 89/190
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Scene
2
Duration
08 00
Panel
4
Duration
01 00
Dialog
BONNIE
(slightly startled by
Bonnie Clyde Page 90/190
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his accuracy, anxious
to get back now that
he is temporarily
one-up)
Bonnie Clyde Page 91/190
Slide 93
Slide 93 text
Scene
2
Duration
08 00
Panel
5
Duration
01 00
Dialog
BONNIE
(slightly startled by
Bonnie Clyde Page 92/190
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his accuracy, anxious
to get back now that
he is temporarily
one-up)
Bonnie Clyde Page 93/190
Slide 95
Slide 95 text
Scene
2
Duration
08 00
Panel
6
Duration
01 00
Bonnie Clyde Page 94/190
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Slide 96 text
Scene
2
Duration
08 00
Panel
7
Duration
01 00
Bonnie Clyde Page 95/190
Slide 97
Slide 97 text
Scene
2
Duration
08 00
Panel
8
Duration
01 00
Dialog
BONNIE
What did you do before?
Bonnie Clyde Page 96/190
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Slide 98 text
Scene
1
Duration
01 00
Panel
1
Duration
01 00
Bonnie Clyde Page 97/190
Slide 99
Slide 99 text
Scene
1
Duration
12 00
Panel
1
Duration
01 00
Dialog
BONNIE
What did you do before?
Bonnie Clyde Page 98/190
Slide 100
Slide 100 text
Scene
1
Duration
12 00
Panel
2
Duration
01 00
Dialog
BONNIE
(slightly startled by
Bonnie Clyde Page 99/190
Slide 101
Slide 101 text
his accuracy, anxious
to get back now that
he is temporarily
one-up)
Bonnie Clyde Page 100/190
Slide 102
Slide 102 text
Scene
1
Duration
12 00
Panel
3
Duration
01 00
Dialog
BONNIE
(slightly startled by
Bonnie Clyde Page 101/190
Slide 103
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his accuracy, anxious
to get back now that
he is temporarily
one-up)
Bonnie Clyde Page 102/190
Slide 104
Slide 104 text
Scene
1
Duration
12 00
Panel
4
Duration
01 00
Dialog
BONNIE
(slightly startled by
Bonnie Clyde Page 103/190
Slide 105
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his accuracy, anxious
to get back now that
he is temporarily
one-up)
Bonnie Clyde Page 104/190
Slide 106
Slide 106 text
Scene
1
Duration
12 00
Panel
5
Duration
01 00
Bonnie Clyde Page 105/190
Slide 107
Slide 107 text
Scene
1
Duration
12 00
Panel
6
Duration
01 00
Dialog
bonnie catches up to clyde
Bonnie Clyde Page 106/190
Slide 108
Slide 108 text
Scene
1
Duration
12 00
Panel
7
Duration
01 00
Dialog
bonnie catches up to clyde
Bonnie Clyde Page 107/190
Slide 109
Slide 109 text
Scene
1
Duration
12 00
Panel
8
Duration
01 00
Dialog
bonnie catches up to clyde
Bonnie Clyde Page 108/190
Slide 110
Slide 110 text
Scene
1
Duration
12 00
Panel
9
Duration
01 00
Dialog
bonnie catches up to clyde
Bonnie Clyde Page 109/190
Slide 111
Slide 111 text
Scene
1
Duration
12 00
Panel
10
Duration
01 00
Dialog
BONNIE
(herself again)
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Guess some little old lady wasn't
so nice.
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Scene
1
Duration
12 00
Panel
11
Duration
01 00
Dialog
CLYDE
(tough)
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It was armed robbery.
Bonnie Clyde Page 113/190
Slide 115
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Scene
1
Duration
12 00
Panel
12
Duration
01 00
Dialog
BONNIE
(herself again)
Bonnie Clyde Page 114/190
Slide 116
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Guess some little old lady wasn't
so nice.
Bonnie Clyde Page 115/190
Slide 117
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Scene
1
Duration
03 00
Panel
1
Duration
01 00
Dialog
CLYDE
What do y'all do for a good time
Bonnie Clyde Page 116/190
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around here, listen to the grass
grow?
Bonnie Clyde Page 117/190
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Scene
1
Duration
03 00
Panel
2
Duration
01 00
Dialog
BONNIE
Guess you had a lot more fun up at
Bonnie Clyde Page 118/190
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State Prison, huh?
Bonnie Clyde Page 119/190
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Scene
1
Duration
03 00
Panel
3
Duration
01 00
Dialog
CLYDE laughs, enjoying her repartee.
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Scene
1
Duration
13 00
Panel
1
Duration
01 00
Dialog
They continue walking.
At a hydrant, CLYDE stops.
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Scene
1
Duration
13 00
Panel
2
Duration
01 00
Dialog
CLYDE
(showing off, but seriously)
Bonnie Clyde Page 122/190
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See this foot?
(pointing at his
right foot)
Bonnie Clyde Page 123/190
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Scene
1
Duration
13 00
Panel
3
Duration
01 00
Dialog
I chopped two toes off of it. With
an axe.
Bonnie Clyde Page 124/190
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Scene
1
Duration
13 00
Panel
4
Duration
01 00
Dialog
BONNIE
(shocked)
Bonnie Clyde Page 125/190
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What? Why?
Bonnie Clyde Page 126/190
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Scene
1
Duration
13 00
Panel
5
Duration
01 00
Dialog
CLYDE
To get off the damn work detail,
Bonnie Clyde Page 127/190
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that's why.
(stopping)
Bonnie Clyde Page 128/190
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Scene
1
Duration
13 00
Panel
6
Duration
01 00
Dialog
Want to see?
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Scene
1
Duration
13 00
Panel
7
Duration
01 00
Dialog
no I surely don't intend to stand here and look at your dirty feet in the middle of Main Street.
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Scene
1
Duration
13 00
Panel
8
Duration
01 00
Dialog
They continue walking in silence past a few stores, each
planning what next to say.
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Scene
1
Duration
13 00
Panel
9
Duration
01 00
Dialog
BONNIE
Boy, did you really do that?
Bonnie Clyde Page 132/190
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Scene
1
Duration
13 00
Panel
10
Duration
01 00
Dialog
CLYDE
Yeah.
Bonnie Clyde Page 133/190
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Bonnie Clyde Page 134/190
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Scene
1
Duration
13 00
Panel
11
Duration
01 00
Dialog
BONNIE
You must be crazy.
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Scene
1
Duration
13 00
Panel
12
Duration
01 00
Dialog
haha yeah / i guess
Bonnie Clyde Page 136/190
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Scene
1
Duration
13 00
Panel
13
Duration
01 00
Dialog
they laugh
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Scene
1
Duration
18 00
Panel
1
Duration
01 00
Dialog
EXT. GAS STATION. DAY.
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Gas station up the block. BONNIE and CLYDE are seen leaning
against the soft drink chest, their profiles silhouetted by
the bright sun. They are drinking cokes. As they begin to
talk, the camera moves in closer to them. CLYDE takes off
his hat and rubs the cold coke bottle across his forehead.
BONNIE watches him.
Bonnie Clyde Page 139/190
Slide 141
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Scene
1
Duration
18 00
Panel
2
Duration
01 00
Dialog
EXT. GAS STATION. DAY.
Bonnie Clyde Page 140/190
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Gas station up the block. BONNIE and CLYDE are seen leaning
against the soft drink chest, their profiles silhouetted by
the bright sun. They are drinking cokes. As they begin to
talk, the camera moves in closer to them. CLYDE takes off
his hat and rubs the cold coke bottle across his forehead.
BONNIE watches him.
Bonnie Clyde Page 141/190
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Scene
1
Duration
18 00
Panel
3
Duration
01 00
Dialog
Gas station up the block. BONNIE and CLYDE are seen leaning
against the soft drink chest, their profiles silhouetted by
Bonnie Clyde Page 142/190
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the bright sun. They are drinking cokes. As they begin to
talk, the camera moves in closer to them. CLYDE takes off
his hat and rubs the cold coke bottle across his forehead.
BONNIE watches him.
Bonnie Clyde Page 143/190
Slide 145
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Scene
1
Duration
18 00
Panel
4
Duration
01 00
Dialog
BONNIE
What's it like?
Bonnie Clyde Page 144/190
Slide 146
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Scene
1
Duration
18 00
Panel
5
Duration
01 00
Dialog
BONNIE
What's it like?
Bonnie Clyde Page 145/190
Slide 147
Slide 147 text
Scene
1
Duration
18 00
Panel
6
Duration
01 00
Dialog
BONNIE
What's it like?
Bonnie Clyde Page 146/190
Slide 148
Slide 148 text
Scene
1
Duration
18 00
Panel
7
Duration
01 00
Dialog
CLYDE
Prison?
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Slide 149
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Scene
1
Duration
18 00
Panel
8
Duration
01 00
Dialog
BONNIE
(very interested)
Bonnie Clyde Page 148/190
Slide 150
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No, armed robbery.
Bonnie Clyde Page 149/190
Slide 151
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Scene
1
Duration
18 00
Panel
9
Duration
01 00
Dialog
CLYDE
(he thinks it a silly question)
Bonnie Clyde Page 150/190
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It's...I don't know...it isn't like
anything.
Bonnie Clyde Page 151/190
Slide 153
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Scene
1
Duration
18 00
Panel
10
Duration
01 00
Dialog
BONNIE
(thinking she's heard
Bonnie Clyde Page 152/190
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proof that he's a liar)
Hah! I knew you never robbed No
place, you faker.
Bonnie Clyde Page 153/190
Slide 155
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Scene
1
Duration
18 00
Panel
11
Duration
01 00
Dialog
CLYDE
(challenged)
Bonnie Clyde Page 154/190
Slide 156
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Oh, yeah?
(studies her, then
makes up his mind to
show her)
Bonnie Clyde Page 155/190
Slide 157
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Scene
1
Duration
18 00
Panel
12
Duration
01 00
Dialog
He reaches in his jacket and pulls
out a gun.
Bonnie Clyde Page 156/190
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Scene
1
Duration
18 00
Panel
13
Duration
01 00
Dialog
Close-up. Gun. Day. The camera moves to a closeup of the gun,
glinting in the sunlight.
Bonnie Clyde Page 157/190
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Scene
1
Duration
18 00
Panel
14
Duration
01 00
Dialog
The camera pulls back to show BONNIE looking at it with
fascination. The weapon has an immediate effect on her.
Bonnie Clyde Page 158/190
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She touches it in a manner almost sexual, full of repressed
excitement.
Bonnie Clyde Page 159/190
Slide 161
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Scene
1
Duration
18 00
Panel
15
Duration
01 00
Dialog
The camera pulls back to show BONNIE looking at it with
fascination. The weapon has an immediate effect on her.
Bonnie Clyde Page 160/190
Slide 162
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She touches it in a manner almost sexual, full of repressed
excitement.
Bonnie Clyde Page 161/190
Slide 163
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Scene
1
Duration
18 00
Panel
16
Duration
01 00
Dialog
BONNIE
(goading him on)
Bonnie Clyde Page 162/190
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Yeah, well you got one all right, I
guess...but you wouldn't have the
gumption to use it.
Bonnie Clyde Page 163/190
Slide 165
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Scene
1
Duration
18 00
Panel
17
Duration
01 00
Dialog
CLYDE
(picking up the
Bonnie Clyde Page 164/190
Slide 166
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challenge, proving himself)
You just keep your eyes open.
Bonnie Clyde Page 165/190
Slide 167
Slide 167 text
Scene
1
Duration
18 00
Panel
18
Duration
01 00
Dialog
CLYDE
(picking up the
Bonnie Clyde Page 166/190
Slide 168
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challenge, proving himself)
You just keep your eyes open.
Bonnie Clyde Page 167/190
Slide 169
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Scene
2
Duration
01 00
Panel
1
Duration
01 00
Bonnie Clyde Page 168/190
Slide 170
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Scene
3
Duration
05 00
Panel
1
Duration
01 00
Dialog
The camera remains just behind BONNIE's shoulder so that
throughout the following scene we have BONNIE in the picture,
Bonnie Clyde Page 169/190
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looking at what we look at.
Bonnie Clyde Page 170/190
Slide 172
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Scene
3
Duration
05 00
Panel
2
Duration
01 00
Dialog
CLYDE goes into the little store. We remain outside with
BONNIE watching. For a minute nothing happens. We can
Bonnie Clyde Page 171/190
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barely see what is going on in the store. Then CLYDE comes
out, walking slowly.
Bonnie Clyde Page 172/190
Slide 174
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Scene
3
Duration
05 00
Panel
3
Duration
01 00
Bonnie Clyde Page 173/190
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Scene
3
Duration
05 00
Panel
4
Duration
01 00
Bonnie Clyde Page 174/190
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Scene
3
Duration
05 00
Panel
5
Duration
01 00
Bonnie Clyde Page 175/190
Slide 177
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Scene
2_A
Duration
01 00
Panel
1
Duration
01 00
Bonnie Clyde Page 176/190
Slide 178
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Scene
5
Duration
06 00
Panel
1
Duration
01 00
Bonnie Clyde Page 177/190
Slide 179
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Scene
5
Duration
06 00
Panel
2
Duration
01 00
Bonnie Clyde Page 178/190
Slide 180
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Scene
5
Duration
06 00
Panel
3
Duration
01 00
Bonnie Clyde Page 179/190
Slide 181
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Scene
5
Duration
06 00
Panel
4
Duration
01 00
Dialog
In one hand he holds the gun, in the
other a fistful of money.
Bonnie Clyde Page 180/190
Slide 182
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Scene
5
Duration
06 00
Panel
5
Duration
01 00
Dialog
In one hand he holds the gun, in the
other a fistful of money.
Bonnie Clyde Page 181/190
Slide 183
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Scene
5
Duration
06 00
Panel
6
Duration
01 00
Bonnie Clyde Page 182/190
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Scene
6
Duration
01 00
Panel
1
Duration
01 00
Bonnie Clyde Page 183/190
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Scene
7
Duration
04 00
Panel
1
Duration
01 00
Bonnie Clyde Page 184/190
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Scene
7
Duration
04 00
Panel
2
Duration
01 00
Bonnie Clyde Page 185/190
Slide 187
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Scene
7
Duration
04 00
Panel
3
Duration
01 00
Dialog
Suddenly the old man who runs the grocery store comes
running out into the street, completely dumbfounded. He
Bonnie Clyde Page 186/190
Slide 188
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stands there and says nothing, yet his mouth moves in silent
protest. CLYDE points the gun above him and fires. It is
the first loud noise in the film thus far and it should be a
shock.
Bonnie Clyde Page 187/190
Slide 189
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Scene
7
Duration
04 00
Panel
4
Duration
01 00
Bonnie Clyde Page 188/190
Slide 190
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Scene
7_A
Duration
02 00
Panel
1
Duration
01 00
Dialog
BANG
Bonnie Clyde Page 189/190
Slide 191
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Scene
7_A
Duration
02 00
Panel
2
Duration
01 00
Bonnie Clyde Page 190/190