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5 July 2013
Samuel Pushpak
Info Viz II - Reading on Classification
Summary of “Database as a Symbolic Form” by Lev Manovich
1. The Database Logic
The author specifies database as a cultural form of its own. He positions a database as a new
symbolic form of a computer age or a new way to structure our experience of ourselves and the
world. He argues that the world today is an unstructured collection of images, tests and data records
and emphasizes that we need to organize it with a database.
2. Data and Algorithm
Not all new media objects are databases. Computer games have narratives. In a game from the
authors point of view all the elements are motivated. Games do not follow database logic all the time
but they are ruled by algorithms. The player has to execute the algorithms in order to win. Keeping
this as the background the author gives a general principle of new media: the projection of the
ontology of a computer onto culture itself. Computer programming encapsulates the world according
to its own logic. Then the author points to the symbiotic relationship between algorithms and data
structures - the more complex the structure of a computer program, the simpler the algorithm needs
to be and vice versa.
3. Database and Narrative
In this section the author discusses the opposition between database and narrative. Database as a
cultural form represents the world as a list of items and it refuses to order this list. Narrative creates a
cause and effect trajectory. An interactive narrative is a sum of the of multiple trajectories through a
database. So a narrative and a database do not have the same status in computer culture.
4. Semiotics of Database
The author uses the theory of syntagm and paradigm to understand the way in which computer
culture redistributes weight in between narrative and database.Elements in syntagmatic dimension are
related in Preaesentia - REAL. Elements in paradigmatic dimension are related in Absentia -
IMAGINED. New Media reverses this relationship: Database the paradigm is given material existence -
REAL. Narrative the syntagm is de materialized - VIRTUAL.
5. A Database Complex
Here the author argues that CD storage is not a database but a cinema as a database. He then
states that; two competing imaginations, two basic creative impulses, two essential responses to the
world are the database and narrative. Modern media is the new battlefield for the competition
between database and narrative. Photography privileges catalogs, film privileges narrative: almost all
fictional films are narratives with few exceptions. At this point the author establishes the central
thought of this paper - Database is more popular than ever and is the cultural form most
characteristic of a computer.