Paul Irish
Googler
Wrote first
bulletproof
@font-face CSS
September 2009
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Good type
sings your
song.
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Good type
loves your
reader.
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Let’s open up the leading.
p {
line-height: 1.3;
}
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Let’s mind our measure.
p {
max-width: 66ch;
width: 55ch;
}
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Let’s space out these subs.
h3 {
margin: .5em 0;
}
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Let’s vary
subhead colors
and weights.
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So.
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How do we
pick type for a
whole site?
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Now, we’re not going to
use Aviano as a text
face.
Can you imagine
reading this for even
one more bullet?
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What about
the ?
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What goes
with
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Aviano?
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Serif:
Orpheus Pro
Baskerville Old Serial
Goudy Old Style
IvyJournal
Made Coachella
Millard
Sans:
Sharik Sans
Foco
Haboro Contrast
Struktur Pro
Quiche Sans
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Sharik
Sans.
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Dionisio
Aviano
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What about
the ?
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We’re not going to
make people read a
long screed in aviano.
And even with five weights, Dionisio’s not
much better.
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Serif:
Orpheus Pro
Baskerville Old Serial
Goudy Old Style
IvyJournal
Made Coachella
Millard
Sans:
Sharik Sans
Foco
Haboro Contrast
Struktur Pro
Quiche Sans
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How about
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Orpheus Pro?
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We’re not going to
make people read a
long screed in aviano.
And even with five weights,
Dionisio’s not much better.
Orpheus Pro is normal enough to
read — and has subdued serifs.
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One serif.
One sans.
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One serif.
One sans.
One weird.
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One serif: Cabrito Light.
One sans: Raleway.
One weird: Raleway Black (our
stand-in). (We use it sparingly.)
Plus Cabrito Bold for some other
subheads.
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One serif: Cabrito Light.
One sans: Raleway.
One weird: Raleway Black (our
stand-in). (We use it sparingly.)
Plus Cabrito Bold for some other
subheads.
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So. What are
we really
saying here?
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Start with the logo.
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Liven up the palette:
One serif,
One sans,
One weird.