Slide 1
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Scene
1
Panel
1
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Scene
1
Panel
2
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Scene
1
Panel
3
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Scene
1
Panel
4
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Scene
1
Panel
5
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Scene
1
Panel
6
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Scene
1
Panel
7
Slide 8
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Scene
1
Panel
8
Slide 9
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Scene
2
Panel
1
Action Notes
O-REN and The BRIDE
match eyes.
Slide 10
Slide 10 text
Scene
2
Panel
2
Action Notes
O-Ren and the Bride match eyes
Slide 11
Slide 11 text
Scene
2
Panel
3
Action Notes
O-REN and The BRIDE
match eyes.
Slide 12
Slide 12 text
Scene
3
Panel
1
Dialog
O-REN (ENGLISH)
Your instrument is quite impressive.
Slide 13
Slide 13 text
Scene
4
Panel
1
Dialog
THE BRIDE (JAPANESE)
Domo.
Slide 14
Slide 14 text
Scene
4
Panel
2
Dialog
THE BRIDE (JAPANESE)
Domo.
Slide 15
Slide 15 text
Scene
4
Panel
3
Dialog
THE BRIDE (JAPANESE)
Domo.
Slide 16
Slide 16 text
Scene
4
Panel
4
Dialog
THE BRIDE (JAPANESE)
Domo.
Slide 17
Slide 17 text
Scene
4
Panel
5
Dialog
O-REN (JAPANESE)
Where was it made?
Slide 18
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Scene
4
Panel
6
Dialog
THE BRIDE (JAPANESE)
Okinawa.
Slide 19
Slide 19 text
Scene
4
Panel
7
Dialog
THE BRIDE (JAPANESE)
Okinawa.
Slide 20
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Scene
4
Panel
8
Dialog
THE BRIDE (JAPANESE)
This is Hattori Hanzo steel.
Slide 21
Slide 21 text
Scene
5
Panel
1
Dialog
O-REN (JAPANESE)
YOU LIE!!
Slide 22
Slide 22 text
Scene
6
Panel
1
Action Notes
O-Ren's composure returns.
Slide 23
Slide 23 text
Scene
6
Panel
2
Action Notes
O-Ren's composure returns.
Slide 24
Slide 24 text
Scene
6
Panel
3
Action Notes
O-Ren's composure returns.
Slide 25
Slide 25 text
Scene
6
Panel
4
Dialog
O-REN (JAPANESE)
Swords however never get tired. I hope you've saved your energy.
Slide 26
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Scene
6
Panel
5
Dialog
O-REN (JAPANESE)
Swords however never get tired. I hope you've saved your energy.
Slide 27
Slide 27 text
Scene
6
Panel
6
Dialog
O-REN (JAPANESE)
Swords however never get tired. I hope you've saved your energy.
Slide 28
Slide 28 text
Scene
6
Panel
7
Dialog
O-REN (JAPANESE)
Swords however never get tired. I hope you've saved your energy.
Action Notes
(pause)
Slide 29
Slide 29 text
Scene
6
Panel
8
Dialog
O-REN (JAPANESE)
Swords however never get tired. I hope you've saved your energy.
Action Notes
(pause)
Slide 30
Slide 30 text
Scene
6
Panel
9
Dialog
O-REN (JAPANESE)
If you haven't, you might not last five minutes.
Slide 31
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Scene
6
Panel
10
Dialog
O-REN (JAPANESE)
you might not last five minutes.
Slide 32
Slide 32 text
Scene
7
Panel
1
Slide 33
Slide 33 text
Scene
7
Panel
2
Action Notes
O-Ren moves out of the position she's stood in for the entire
battle. She steps on the doormat of a corpse, that serves the
same purpose of a bottom step, and moves over to the white
paper wall and slides it open....REVEALING....
Slide 34
Slide 34 text
Scene
8
Panel
1
Action Notes
O-Ren moves out of the position she's stood in for the entire
battle. She steps on the doormat of a corpse, that serves the
same purpose of a bottom step, and moves over to the white
paper wall and slides it open....REVEALING....
Slide 35
Slide 35 text
Scene
8
Panel
2
Action Notes
O-Ren moves out of the position she's stood in for the entire
battle. She steps on the doormat of a corpse, that serves the
same purpose of a bottom step, and moves over to the white
paper wall and slides it open....REVEALING....
Slide 36
Slide 36 text
Scene
8
Panel
3
Action Notes
O-Ren moves out of the position she's stood in for the entire
battle. She steps on the doormat of a corpse, that serves the
same purpose of a bottom step, and moves over to the white
paper wall and slides it open....REVEALING....
Slide 37
Slide 37 text
Scene
8
Panel
4
Action Notes
O-Ren moves out of the position she's stood in for the entire
battle. She steps on the doormat of a corpse, that serves the
same purpose of a bottom step, and moves over to the white
paper wall and slides it open....REVEALING....
Slide 38
Slide 38 text
Scene
8
Panel
5
Action Notes
O-Ren moves out of the position she's stood in for the entire
battle. She steps on the doormat of a corpse, that serves the
same purpose of a bottom step, and moves over to the white
paper wall and slides it open....REVEALING....
Slide 39
Slide 39 text
Scene
9
Panel
1
Action Notes
O-Ren moves out of the position she's stood in for the entire
battle. She steps on the doormat of a corpse, that serves the
same purpose of a bottom step, and moves over to the white
paper wall and slides it open....REVEALING....
Slide 40
Slide 40 text
Scene
9
Panel
2
Action Notes
O-Ren moves out of the position she's stood in for the entire
battle. She steps on the doormat of a corpse, that serves the
same purpose of a bottom step, and moves over to the white
paper wall and slides it open....REVEALING....
Slide 41
Slide 41 text
Scene
9
Panel
3
Action Notes
O-Ren moves out of the position she's stood in for the entire
battle. She steps on the doormat of a corpse, that serves the
same purpose of a bottom step, and moves over to the white
paper wall and slides it open....REVEALING....
Slide 42
Slide 42 text
Scene
9
Panel
4
Action Notes
O-Ren moves out of the position she's stood in for the entire
battle. She steps on the doormat of a corpse, that serves the
same purpose of a bottom step, and moves over to the white
paper wall and slides it open....REVEALING....
Slide 43
Slide 43 text
Scene
10
Panel
1
Action Notes
....A WHITE WINTER WONDERLAND, set against a Jet Black sky.
A Snow-covered Japanese Garden awaits right outside. Snow
falls from the sky (Slightly artificial, not phony - but
Operatic/Theatrical). O-Ren stands next to the Bride in the
doorway looking out into the white night.
Slide 44
Slide 44 text
Scene
11
Panel
1
Dialog
O-REN (JAPANESE)
As last looks go, you could do worse.
Action Notes
....A WHITE WINTER WONDERLAND, set against a Jet Black sky
.
A Snow-covered Japanese Garden awaits right outside. Snow
falls from the sky (Slightly artificial, not phony - but
Operatic/Theatrical). O-Ren stands next to the Bride in the
doorway looking out into the white night.
Slide 45
Slide 45 text
Scene
11
Panel
2
Action Notes
....A WHITE WINTER WONDERLAND, set against a Jet Black sky.
A Snow-covered Japanese Garden awaits right outside. Snow
falls from the sky (Slightly artificial, not phony - but
Operatic/Theatrical). O-Ren stands next to the Bride in the
doorway looking out into the white night.
Slide 46
Slide 46 text
Scene
11
Panel
3
Action Notes
The Queen of the Tokyo Underworld steps outside...
Slide 47
Slide 47 text
Scene
11
Panel
4
Action Notes
The Bride follows her...
Slide 48
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Scene
12
Panel
1
Action Notes
As snow falls around them, they stand the correct distance
from one another.
Slide 49
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Scene
12
Panel
2
Action Notes
As snow falls around them, they stand the correct distance
from one another.
Slide 50
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Scene
13
Panel
1
Action Notes
As snow falls around them, they stand the correct distance
from one another.
Slide 51
Slide 51 text
Scene
13
Panel
2
Action Notes
As snow falls around them, they stand the correct distance
from one another.
Slide 52
Slide 52 text
Scene
13
Panel
3
Action Notes
As snow falls around them, they stand the correct distance
from one another.
Slide 53
Slide 53 text
Scene
13
Panel
4
Action Notes
As snow falls around them, they stand the correct distance
from one another.
Slide 54
Slide 54 text
Scene
13
Panel
5
Action Notes
As snow falls around them, they stand the correct distance
from one another.
Slide 55
Slide 55 text
Scene
13
Panel
6
Slide 56
Slide 56 text
Scene
14
Panel
1
Action Notes
As snow falls around them, they stand the correct distance
from one another.
Slide 57
Slide 57 text
Scene
14
Panel
2
Action Notes
COMBAT MUSIC BEGINS PLAYING, but not Japanese drums - Spanish
Flamenco Guitar.......
Slide 58
Slide 58 text
Scene
14
Panel
3
Action Notes
The Bride Unsheathes her Sword Quickly...Holding it out in
front of her...Tip of Blade pointed at O-Ren...Sword's Handle
and her Fingers wrapped around that handle, up by her
cheek...Her eyes are Reflected on the Blade...Snow falls
around her.
Slide 59
Slide 59 text
Scene
15
Panel
1
Action Notes
The Bride Unsheathes her Sword Quickly
...Holding it out in
front of her...Tip of Blade pointed at O-Ren...Sword's Handle
and her Fingers wrapped around that handle, up by her
cheek...Her eyes are Reflected on the Blade...Snow falls
around her.
O-Ren begins walking forward towards the Bride...She raises
up her Sword, still in its sheath, in front of her face
vertically
...then begins slowly unsheathing it...Snow falls
around her.
O-REN'S FEET
White socks in wooden clogs, walk forward, Crunching Snow
underneath them...
Slide 60
Slide 60 text
Scene
15
Panel
2
Action Notes
The BRIDE
Holding Sword...Eyes reflected in Blade...her Yellow Sneakers
Crunching snow underneath them...
Slide 61
Slide 61 text
Scene
16
Panel
1
Action Notes
O-REN
when her Sword is fully unsheathed, the Japanese combat
artist holds both arms straight out at her sides, Sword in
one hand - Wood sheath in the other, like a bird....
....The Two Women circle each other....
Slide 62
Slide 62 text
Scene
16
Panel
2
Action Notes
O-REN
when her Sword is fully unsheathed, the Japanese combat
artist holds both arms straight out at her sides, Sword in
one hand - Wood sheath in the other, like a bird....
....The Two Women circle each other....
Slide 63
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Scene
17
Panel
1
Slide 64
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Scene
17
Panel
2
Slide 65
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Scene
17
Panel
3
Slide 66
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Scene
18
Panel
1
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 67
Slide 67 text
Scene
18
Panel
2
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 68
Slide 68 text
Scene
18
Panel
3
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 69
Slide 69 text
Scene
18
Panel
4
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 70
Slide 70 text
Scene
18
Panel
5
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 71
Slide 71 text
Scene
18
Panel
6
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 72
Slide 72 text
Scene
18
Panel
7
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 73
Slide 73 text
Scene
18
Panel
8
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 74
Slide 74 text
Scene
18
Panel
9
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 75
Slide 75 text
Scene
18
Panel
10
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 76
Slide 76 text
Scene
18
Panel
11
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 77
Slide 77 text
Scene
18
Panel
12
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 78
Slide 78 text
Scene
18
Panel
13
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 79
Slide 79 text
Scene
18
Panel
14
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 80
Slide 80 text
Scene
18
Panel
15
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 81
Slide 81 text
Scene
18
Panel
16
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 82
Slide 82 text
Scene
18
Panel
17
Action Notes
They SWING - CLASH - DANCE - SEPARATE...CI ...SWING -
CLASH - DANCE - SEPARATE...
Slide 83
Slide 83 text
Scene
18
Panel
18
Action Notes
O-REN LEAPS in the air
does a Somersault over the Bride's head, landing behind her
opponent. She brings her Sword down in a Slashing Swing...
SLASHING The BRIDE
across her back - Spinning her around...
Slide 84
Slide 84 text
Scene
18
Panel
19
Action Notes
O-REN LEAPS in the air
does a Somersault over the Bride's head, landing behind her
opponent. She brings her Sword down in a Slashing Swing...
SLASHING The BRIDE
across her back - Spinning her around...
Slide 85
Slide 85 text
Scene
18
Panel
20
Action Notes
O-REN LEAPS in the air
does a Somersault over the Bride's head, landing behind her
opponent. She brings her Sword down in a Slashing Swing...
SLASHING The BRIDE
across her back - Spinning her around...
Slide 86
Slide 86 text
Scene
18
Panel
21
Action Notes
O-REN LEAPS in the air
does a Somersault over the Bride's head, landing behind her
opponent. She brings her Sword down in a Slashing Swing...
SLASHING The BRIDE
across her back - Spinning her around...
Slide 87
Slide 87 text
Scene
18
Panel
22
Action Notes
O-REN LEAPS in the air
does a Somersault over the Bride's head, landing behind her
opponent. She brings her Sword down in a Slashing Swing...
SLASHING The BRIDE
across her back - Spinning her around...
Slide 88
Slide 88 text
Scene
18
Panel
23
Action Notes
O-REN LEAPS in the air
does a Somersault over the Bride's head, landing behind her
opponent. She brings her Sword down in a Slashing Swing...
SLASHING The BRIDE
across her back - Spinning her around...
Slide 89
Slide 89 text
Scene
19
Panel
1
Slide 90
Slide 90 text
Scene
19
Panel
2
Slide 91
Slide 91 text
Scene
20
Panel
1
Action Notes
O-Ren goes in for the kill...The Bride meets her blade... The
Blades Clash and Lock...The Two Women's faces come together
as the Blades become entangled...
Slide 92
Slide 92 text
Scene
21
Panel
1
Action Notes
O-Ren moves her arm in a counter-clockwise motion that
loosens the grip enough to bring her sword handle hard into
The Bride's mouth...
Slide 93
Slide 93 text
Scene
21
Panel
2
Action Notes
O-Ren moves her arm in a counter-clockwise motion that
loosens the grip enough to bring her sword handle hard into
The Bride's mouth...
Slide 94
Slide 94 text
Scene
21
Panel
3
Slide 95
Slide 95 text
Scene
21
Panel
4
Slide 96
Slide 96 text
Scene
21
Panel
5
Slide 97
Slide 97 text
Scene
21
Panel
6
Slide 98
Slide 98 text
Scene
22
Panel
1
Action Notes
- The Combat Guitar Stops -
O-Ren doesn't charge the fallen blonde, She laughs;
O-REN (ENGLISH)
Silly Caucasian girl likes to play
with samurai swords. Bill might of
humored you, but you will find
neither humor nor mercy at my
blade. Now unless you intend to
commit sepeku among the koi, stand
up and fight. You may not be able
to fight like a samurai, but you
can at least die like a samurai.
Slide 99
Slide 99 text
Scene
22
Panel
2
Dialog
O-REN (ENGLISH)
Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai.
Action Notes
- The Combat Guitar Stops -
O-Ren doesn't charge the fallen blonde, She laughs;
O-REN (ENGLISH [...] )
Slide 100
Slide 100 text
Scene
22
Panel
3
Dialog
O-REN (ENGLISH)
Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai.
Action Notes
- The Combat Guitar Stops -
O-Ren doesn't charge the fallen blonde, She laughs;
O-REN (ENGLISH [...] )
Slide 101
Slide 101 text
Scene
22
Panel
4
Dialog
O-REN (ENGLISH)
Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai.
Action Notes
- The Combat Guitar Stops -
O-Ren doesn't charge the fallen blonde, She laughs;
O-REN (ENGLISH [...] )
Slide 102
Slide 102 text
Scene
22
Panel
5
Dialog
O-REN (ENGLISH)
Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai.
Action Notes
- The Combat Guitar Stops -
O-Ren doesn't charge the fallen blonde, She laughs;
O-REN (ENGLISH [...] )
Slide 103
Slide 103 text
Scene
22
Panel
6
Dialog
O-REN (ENGLISH)
Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai.
Action Notes
- The Combat Guitar Stops -
O-Ren doesn't charge the fallen blonde, She laughs;
O-REN (ENGLISH [...] )
Slide 104
Slide 104 text
Scene
22
Panel
7
Dialog
O-REN (ENGLISH)
Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai.
Action Notes
- The Combat Guitar Stops -
O-Ren doesn't charge the fallen blonde, She laughs;
O-REN (ENGLISH [...] )
Slide 105
Slide 105 text
Scene
23
Panel
1
Action Notes
The Combat Guitar starts again...As The Bride slowly rises
out of the koi pond. She brings up her sword and Says Calmly
to O-Ren in Japanese;
THE BRIDE (JAPANESE)
Attack me. With everything you
have.
Slide 106
Slide 106 text
Scene
23
Panel
2
Action Notes
fff
Slide 107
Slide 107 text
Scene
23
Panel
3
Slide 108
Slide 108 text
Scene
23
Panel
4
Dialog
THE BRIDE (JAPANESE)
Attack me. With everything you
have.
Slide 109
Slide 109 text
Scene
23
Panel
5
Dialog
THE BRIDE (JAPANESE)
Attack me. With everything you
have.
Action Notes
The Combat Guitar starts again...As The Bride slowly rises
out of the koi pond. She brings up her sword and Says Calmly
to O-Ren in Japanese;
THE BRIDE (JAPANESE [...] )
Slide 110
Slide 110 text
Scene
23
Panel
6
Dialog
THE BRIDE (JAPANESE)
Attack me. With everything you
have.
Action Notes
The Combat Guitar starts again...As The Bride slowly rises
out of the koi pond. She brings up her sword and Says Calmly
to O-Ren in Japanese;
THE BRIDE (JAPANESE [...] )
Slide 111
Slide 111 text
Scene
24
Panel
1
Slide 112
Slide 112 text
Scene
24
Panel
2
Slide 113
Slide 113 text
Scene
24
Panel
3
Slide 114
Slide 114 text
Scene
24
Panel
4
Slide 115
Slide 115 text
Scene
24
Panel
5
Slide 116
Slide 116 text
Scene
24
Panel
6
Slide 117
Slide 117 text
Scene
24
Panel
7
Slide 118
Slide 118 text
Scene
24
Panel
8
Slide 119
Slide 119 text
Scene
24
Panel
9
Slide 120
Slide 120 text
Scene
25
Panel
1
Action Notes
The Two Women Clash Swords furiously
, their attack ends with
The Bride's Striking O-Ren - not fatally - but deep. They
separate...
Slide 121
Slide 121 text
Scene
25
Panel
2
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent.
Slide 122
Slide 122 text
Scene
25
Panel
3
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent.
Slide 123
Slide 123 text
Scene
25
Panel
4
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent.
Slide 124
Slide 124 text
Scene
25
Panel
5
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent.
Slide 125
Slide 125 text
Scene
25
Panel
6
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent.
Slide 126
Slide 126 text
Scene
25
Panel
7
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent.
Slide 127
Slide 127 text
Scene
25
Panel
8
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent.
Slide 128
Slide 128 text
Scene
25
Panel
9
Dialog
O-REN
I apologize for ridiculing you earlier.
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent [...] .
Slide 129
Slide 129 text
Scene
25
Panel
10
Dialog
O-REN
I apologize for ridiculing you earlier.
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent [...] .
Slide 130
Slide 130 text
Scene
25
Panel
11
Dialog
O-REN
I apologize for ridiculing you earlier.
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent [...] .
Slide 131
Slide 131 text
Scene
25
Panel
12
Dialog
O-REN
I apologize for ridiculing you earlier.
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent [...] .
Slide 132
Slide 132 text
Scene
25
Panel
13
Dialog
THE BRIDE
Accepted.
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent [...] .
Slide 133
Slide 133 text
Scene
25
Panel
14
Dialog
THE BRIDE
Accepted.
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent [...] .
Slide 134
Slide 134 text
Scene
25
Panel
15
Dialog
THE BRIDE
Ready?
Action Notes
...breathing hard...Cold Air coming out of their mouths like
two locomotives...
O-Ren looks down to her wound, then back up to The Bride. The
respect for the Bride's ability is transparent [...] .
Slide 135
Slide 135 text
Scene
25
Panel
16
Action Notes
The Two Women Circle Stalk each other again...
Slide 136
Slide 136 text
Scene
26
Panel
1
Slide 137
Slide 137 text
Scene
26
Panel
2
Slide 138
Slide 138 text
Scene
26
Panel
3
Action Notes
Wooden Clogs crunching the Snow, Blood trail dripping down
legs staining White Socks with Red...
Slide 139
Slide 139 text
Scene
26
Panel
4
Action Notes
Wooden Clogs crunching the Snow, Blood trail dripping down
legs staining White Socks with Red...
Slide 140
Slide 140 text
Scene
26
Panel
5
Action Notes
Wooden Clogs crunching the Snow, Blood trail dripping down
legs staining White Socks with Red...
Slide 141
Slide 141 text
Scene
27
Panel
1
Action Notes
The Flamenco Guitar begins again, as The Two Women Circle
each other for their final attack.
With all the quickness and skill at their command, they clash
in a superb display of Samurai Swordplay...TILL...They Find
themselves on opposite sides of a garden wall...
...The Bride and O-Ren both begin Running diagonally through
the snow, Swords held up high, Facing each other, Continuing
to run even after they passed the wall, Screaming their
Samurai hearts out...
Slide 142
Slide 142 text
Scene
27
Panel
2
Action Notes
The Flamenco Guitar begins again, as The Two Women Circle
each other for their final attack.
With all the quickness and skill at their command, they clash
in a superb display of Samurai Swordplay...TILL...They Find
themselves on opposite sides of a garden wall...
...The Bride and O-Ren both begin Running diagonally through
the snow, Swords held up high, Facing each other, Continuing
to run even after they passed the wall, Screaming their
Samurai hearts out...
Slide 143
Slide 143 text
Scene
27
Panel
3
Action Notes
The Flamenco Guitar begins again, as The Two Women Circle
each other for their final attack.
With all the quickness and skill at their command, they clash
in a superb display of Samurai Swordplay...TILL...They Find
themselves on opposite sides of a garden wall...
...The Bride and O-Ren both begin Running diagonally through
the snow, Swords held up high, Facing each other, Continuing
to run even after they passed the wall, Screaming their
Samurai hearts out...
Slide 144
Slide 144 text
Scene
27
Panel
4
Action Notes
The Flamenco Guitar begins again, as The Two Women Circle
each other for their final attack.
With all the quickness and skill at their command, they clash
in a superb display of Samurai Swordplay...TILL...They Find
themselves on opposite sides of a garden wall...
...The Bride and O-Ren both begin Running diagonally through
the snow, Swords held up high, Facing each other, Continuing
to run even after they passed the wall, Screaming their
Samurai hearts out...
Slide 145
Slide 145 text
Scene
27
Panel
5
Action Notes
The Flamenco Guitar begins again, as The Two Women Circle
each other for their final attack.
With all the quickness and skill at their command, they clash
in a superb display of Samurai Swordplay...TILL...They Find
themselves on opposite sides of a garden wall...
...The Bride and O-Ren both begin Running diagonally through
the snow, Swords held up high, Facing each other, Continuing
to run even after they passed the wall, Screaming their
Samurai hearts out...
Slide 146
Slide 146 text
Scene
27
Panel
6
Action Notes
The Flamenco Guitar begins again, as The Two Women Circle
each other for their final attack.
With all the quickness and skill at their command, they clash
in a superb display of Samurai Swordplay...TILL...They Find
themselves on opposite sides of a garden wall...
...The Bride and O-Ren both begin Running diagonally through
the snow, Swords held up high, Facing each other, Continuing
to run even after they passed the wall, Screaming their
Samurai hearts out...
Slide 147
Slide 147 text
Scene
27
Panel
7
Slide 148
Slide 148 text
Scene
27
Panel
8
Slide 149
Slide 149 text
Scene
27
Panel
9
Slide 150
Slide 150 text
Scene
27
Panel
10
Slide 151
Slide 151 text
Scene
27
Panel
11
Slide 152
Slide 152 text
Scene
27
Panel
12
Slide 153
Slide 153 text
Scene
27
Panel
13
Action Notes
Her sword FALLS from her grip...in the snow by her feet.
Slide 154
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Scene
28
Panel
1
Dialog
O-REN
That really was a Hattori Hanzo
sword...
Slide 155
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Scene
28
Panel
2
Dialog
O-REN
That really was a Hattori Hanzo
sword...
Slide 156
Slide 156 text
Scene
28
Panel
3
Dialog
O-REN
That really was a Hattori Hanzo
sword...
Slide 157
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Scene
28
Panel
4
Dialog
O-REN
That really was a Hattori Hanzo
sword...
Slide 158
Slide 158 text
Scene
28
Panel
5
Dialog
O-REN
That really was a Hattori Hanzo
sword...
Slide 159
Slide 159 text
Scene
28
Panel
6
Slide 160
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Scene
28
Panel
7
Slide 161
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Scene
28
Panel
8
Slide 162
Slide 162 text
Scene
28
Panel
9
Slide 163
Slide 163 text
Scene
28
Panel
10
Slide 164
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Scene
28
Panel
11
Slide 165
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Scene
28
Panel
12
Slide 166
Slide 166 text
Scene
29
Panel
1