Kill Bill

Transcript

1. Scene 1 Panel 1
2. Scene 1 Panel 2
3. Scene 1 Panel 3
4. Scene 1 Panel 4
5. Scene 1 Panel 5
6. Scene 1 Panel 6
7. Scene 1 Panel 7
8. Scene 1 Panel 8
9. Scene 2 Panel 1 Action Notes O-REN and The BRIDE match eyes.
10. Scene 2 Panel 2 Action Notes O-Ren and the Bride match eyes
11. Scene 2 Panel 3 Action Notes O-REN and The BRIDE match eyes.
12. Scene 3 Panel 1 Dialog O-REN (ENGLISH) Your instrument is quite impressive.
13. Scene 4 Panel 1 Dialog THE BRIDE (JAPANESE) Domo.
14. Scene 4 Panel 2 Dialog THE BRIDE (JAPANESE) Domo.
15. Scene 4 Panel 3 Dialog THE BRIDE (JAPANESE) Domo.
16. Scene 4 Panel 4 Dialog THE BRIDE (JAPANESE) Domo.
17. Scene 4 Panel 5 Dialog O-REN (JAPANESE) Where was it made?
18. Scene 4 Panel 6 Dialog THE BRIDE (JAPANESE) Okinawa.
19. Scene 4 Panel 7 Dialog THE BRIDE (JAPANESE) Okinawa.
20. Scene 4 Panel 8 Dialog THE BRIDE (JAPANESE) This is Hattori Hanzo steel.
21. Scene 5 Panel 1 Dialog O-REN (JAPANESE) YOU LIE!!
22. Scene 6 Panel 1 Action Notes O-Ren's composure returns.
23. Scene 6 Panel 2 Action Notes O-Ren's composure returns.
24. Scene 6 Panel 3 Action Notes O-Ren's composure returns.
25. Scene 6 Panel 4 Dialog O-REN (JAPANESE) Swords however never get tired. I hope you've saved your energy.
26. Scene 6 Panel 5 Dialog O-REN (JAPANESE) Swords however never get tired. I hope you've saved your energy.
27. Scene 6 Panel 6 Dialog O-REN (JAPANESE) Swords however never get tired. I hope you've saved your energy.
28. Scene 6 Panel 7 Dialog O-REN (JAPANESE) Swords however never get tired. I hope you've saved your energy. Action Notes (pause)
29. Scene 6 Panel 8 Dialog O-REN (JAPANESE) Swords however never get tired. I hope you've saved your energy. Action Notes (pause)
30. Scene 6 Panel 9 Dialog O-REN (JAPANESE) If you haven't, you might not last five minutes.
31. Scene 6 Panel 10 Dialog O-REN (JAPANESE) you might not last five minutes.
32. Scene 7 Panel 1
33. Scene 7 Panel 2 Action Notes O-Ren moves out of the position she's stood in for the entire battle. She steps on the doormat of a corpse, that serves the same purpose of a bottom step, and moves over to the white paper wall and slides it open....REVEALING....
34. Scene 8 Panel 1 Action Notes O-Ren moves out of the position she's stood in for the entire battle. She steps on the doormat of a corpse, that serves the same purpose of a bottom step, and moves over to the white paper wall and slides it open....REVEALING....
35. Scene 8 Panel 2 Action Notes O-Ren moves out of the position she's stood in for the entire battle. She steps on the doormat of a corpse, that serves the same purpose of a bottom step, and moves over to the white paper wall and slides it open....REVEALING....
36. Scene 8 Panel 3 Action Notes O-Ren moves out of the position she's stood in for the entire battle. She steps on the doormat of a corpse, that serves the same purpose of a bottom step, and moves over to the white paper wall and slides it open....REVEALING....
37. Scene 8 Panel 4 Action Notes O-Ren moves out of the position she's stood in for the entire battle. She steps on the doormat of a corpse, that serves the same purpose of a bottom step, and moves over to the white paper wall and slides it open....REVEALING....
38. Scene 8 Panel 5 Action Notes O-Ren moves out of the position she's stood in for the entire battle. She steps on the doormat of a corpse, that serves the same purpose of a bottom step, and moves over to the white paper wall and slides it open....REVEALING....
39. Scene 9 Panel 1 Action Notes O-Ren moves out of the position she's stood in for the entire battle. She steps on the doormat of a corpse, that serves the same purpose of a bottom step, and moves over to the white paper wall and slides it open....REVEALING....
40. Scene 9 Panel 2 Action Notes O-Ren moves out of the position she's stood in for the entire battle. She steps on the doormat of a corpse, that serves the same purpose of a bottom step, and moves over to the white paper wall and slides it open....REVEALING....
41. Scene 9 Panel 3 Action Notes O-Ren moves out of the position she's stood in for the entire battle. She steps on the doormat of a corpse, that serves the same purpose of a bottom step, and moves over to the white paper wall and slides it open....REVEALING....
42. Scene 9 Panel 4 Action Notes O-Ren moves out of the position she's stood in for the entire battle. She steps on the doormat of a corpse, that serves the same purpose of a bottom step, and moves over to the white paper wall and slides it open....REVEALING....
43. Scene 10 Panel 1 Action Notes ....A WHITE WINTER WONDERLAND, set against a Jet Black sky. A Snow-covered Japanese Garden awaits right outside. Snow falls from the sky (Slightly artificial, not phony - but Operatic/Theatrical). O-Ren stands next to the Bride in the doorway looking out into the white night.
44. Scene 11 Panel 1 Dialog O-REN (JAPANESE) As last looks go, you could do worse. Action Notes ....A WHITE WINTER WONDERLAND, set against a Jet Black sky . A Snow-covered Japanese Garden awaits right outside. Snow falls from the sky (Slightly artificial, not phony - but Operatic/Theatrical). O-Ren stands next to the Bride in the doorway looking out into the white night.
45. Scene 11 Panel 2 Action Notes ....A WHITE WINTER WONDERLAND, set against a Jet Black sky. A Snow-covered Japanese Garden awaits right outside. Snow falls from the sky (Slightly artificial, not phony - but Operatic/Theatrical). O-Ren stands next to the Bride in the doorway looking out into the white night.
46. Scene 11 Panel 3 Action Notes The Queen of the Tokyo Underworld steps outside...
47. Scene 11 Panel 4 Action Notes The Bride follows her...
48. Scene 12 Panel 1 Action Notes As snow falls around them, they stand the correct distance from one another.
49. Scene 12 Panel 2 Action Notes As snow falls around them, they stand the correct distance from one another.
50. Scene 13 Panel 1 Action Notes As snow falls around them, they stand the correct distance from one another.
51. Scene 13 Panel 2 Action Notes As snow falls around them, they stand the correct distance from one another.
52. Scene 13 Panel 3 Action Notes As snow falls around them, they stand the correct distance from one another.
53. Scene 13 Panel 4 Action Notes As snow falls around them, they stand the correct distance from one another.
54. Scene 13 Panel 5 Action Notes As snow falls around them, they stand the correct distance from one another.
55. Scene 13 Panel 6
56. Scene 14 Panel 1 Action Notes As snow falls around them, they stand the correct distance from one another.
57. Scene 14 Panel 2 Action Notes COMBAT MUSIC BEGINS PLAYING, but not Japanese drums - Spanish Flamenco Guitar.......
58. Scene 14 Panel 3 Action Notes The Bride Unsheathes her Sword Quickly...Holding it out in front of her...Tip of Blade pointed at O-Ren...Sword's Handle and her Fingers wrapped around that handle, up by her cheek...Her eyes are Reflected on the Blade...Snow falls around her.
59. Scene 15 Panel 1 Action Notes The Bride Unsheathes her Sword Quickly ...Holding it out in front of her...Tip of Blade pointed at O-Ren...Sword's Handle and her Fingers wrapped around that handle, up by her cheek...Her eyes are Reflected on the Blade...Snow falls around her. O-Ren begins walking forward towards the Bride...She raises up her Sword, still in its sheath, in front of her face vertically ...then begins slowly unsheathing it...Snow falls around her. O-REN'S FEET White socks in wooden clogs, walk forward, Crunching Snow underneath them...
60. Scene 15 Panel 2 Action Notes The BRIDE Holding Sword...Eyes reflected in Blade...her Yellow Sneakers Crunching snow underneath them...
61. Scene 16 Panel 1 Action Notes O-REN when her Sword is fully unsheathed, the Japanese combat artist holds both arms straight out at her sides, Sword in one hand - Wood sheath in the other, like a bird.... ....The Two Women circle each other....
62. Scene 16 Panel 2 Action Notes O-REN when her Sword is fully unsheathed, the Japanese combat artist holds both arms straight out at her sides, Sword in one hand - Wood sheath in the other, like a bird.... ....The Two Women circle each other....
63. Scene 17 Panel 1
64. Scene 17 Panel 2
65. Scene 17 Panel 3
66. Scene 18 Panel 1 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
67. Scene 18 Panel 2 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
68. Scene 18 Panel 3 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
69. Scene 18 Panel 4 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
70. Scene 18 Panel 5 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
71. Scene 18 Panel 6 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
72. Scene 18 Panel 7 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
73. Scene 18 Panel 8 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
74. Scene 18 Panel 9 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
75. Scene 18 Panel 10 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
76. Scene 18 Panel 11 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
77. Scene 18 Panel 12 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
78. Scene 18 Panel 13 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
79. Scene 18 Panel 14 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
80. Scene 18 Panel 15 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
81. Scene 18 Panel 16 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
82. Scene 18 Panel 17 Action Notes They SWING - CLASH - DANCE - SEPARATE...CI ...SWING - CLASH - DANCE - SEPARATE...
83. Scene 18 Panel 18 Action Notes O-REN LEAPS in the air does a Somersault over the Bride's head, landing behind her opponent. She brings her Sword down in a Slashing Swing... SLASHING The BRIDE across her back - Spinning her around...
84. Scene 18 Panel 19 Action Notes O-REN LEAPS in the air does a Somersault over the Bride's head, landing behind her opponent. She brings her Sword down in a Slashing Swing... SLASHING The BRIDE across her back - Spinning her around...
85. Scene 18 Panel 20 Action Notes O-REN LEAPS in the air does a Somersault over the Bride's head, landing behind her opponent. She brings her Sword down in a Slashing Swing... SLASHING The BRIDE across her back - Spinning her around...
86. Scene 18 Panel 21 Action Notes O-REN LEAPS in the air does a Somersault over the Bride's head, landing behind her opponent. She brings her Sword down in a Slashing Swing... SLASHING The BRIDE across her back - Spinning her around...
87. Scene 18 Panel 22 Action Notes O-REN LEAPS in the air does a Somersault over the Bride's head, landing behind her opponent. She brings her Sword down in a Slashing Swing... SLASHING The BRIDE across her back - Spinning her around...
88. Scene 18 Panel 23 Action Notes O-REN LEAPS in the air does a Somersault over the Bride's head, landing behind her opponent. She brings her Sword down in a Slashing Swing... SLASHING The BRIDE across her back - Spinning her around...
89. Scene 19 Panel 1
90. Scene 19 Panel 2
91. Scene 20 Panel 1 Action Notes O-Ren goes in for the kill...The Bride meets her blade... The Blades Clash and Lock...The Two Women's faces come together as the Blades become entangled...
92. Scene 21 Panel 1 Action Notes O-Ren moves her arm in a counter-clockwise motion that loosens the grip enough to bring her sword handle hard into The Bride's mouth...
93. Scene 21 Panel 2 Action Notes O-Ren moves her arm in a counter-clockwise motion that loosens the grip enough to bring her sword handle hard into The Bride's mouth...
94. Scene 21 Panel 3
95. Scene 21 Panel 4
96. Scene 21 Panel 5
97. Scene 21 Panel 6
98. Scene 22 Panel 1 Action Notes - The Combat Guitar Stops - O-Ren doesn't charge the fallen blonde, She laughs; O-REN (ENGLISH) Silly Caucasian girl likes to play with samurai swords. Bill might of humored you, but you will find neither humor nor mercy at my blade. Now unless you intend to commit sepeku among the koi, stand up and fight. You may not be able to fight like a samurai, but you can at least die like a samurai.
99. Scene 22 Panel 2 Dialog O-REN (ENGLISH) Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai. Action Notes - The Combat Guitar Stops - O-Ren doesn't charge the fallen blonde, She laughs; O-REN (ENGLISH [...] )
100. Scene 22 Panel 3 Dialog O-REN (ENGLISH) Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai. Action Notes - The Combat Guitar Stops - O-Ren doesn't charge the fallen blonde, She laughs; O-REN (ENGLISH [...] )
101. Scene 22 Panel 4 Dialog O-REN (ENGLISH) Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai. Action Notes - The Combat Guitar Stops - O-Ren doesn't charge the fallen blonde, She laughs; O-REN (ENGLISH [...] )
102. Scene 22 Panel 5 Dialog O-REN (ENGLISH) Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai. Action Notes - The Combat Guitar Stops - O-Ren doesn't charge the fallen blonde, She laughs; O-REN (ENGLISH [...] )
103. Scene 22 Panel 6 Dialog O-REN (ENGLISH) Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai. Action Notes - The Combat Guitar Stops - O-Ren doesn't charge the fallen blonde, She laughs; O-REN (ENGLISH [...] )
104. Scene 22 Panel 7 Dialog O-REN (ENGLISH) Silly Caucasian girl likes to play with samurai swords. You may not be able to fight like a samurai, but you can at least die like a samurai. Action Notes - The Combat Guitar Stops - O-Ren doesn't charge the fallen blonde, She laughs; O-REN (ENGLISH [...] )
105. Scene 23 Panel 1 Action Notes The Combat Guitar starts again...As The Bride slowly rises out of the koi pond. She brings up her sword and Says Calmly to O-Ren in Japanese; THE BRIDE (JAPANESE) Attack me. With everything you have.
106. Scene 23 Panel 2 Action Notes fff
107. Scene 23 Panel 3
108. Scene 23 Panel 4 Dialog THE BRIDE (JAPANESE) Attack me. With everything you have.
109. Scene 23 Panel 5 Dialog THE BRIDE (JAPANESE) Attack me. With everything you have. Action Notes The Combat Guitar starts again...As The Bride slowly rises out of the koi pond. She brings up her sword and Says Calmly to O-Ren in Japanese; THE BRIDE (JAPANESE [...] )
110. Scene 23 Panel 6 Dialog THE BRIDE (JAPANESE) Attack me. With everything you have. Action Notes The Combat Guitar starts again...As The Bride slowly rises out of the koi pond. She brings up her sword and Says Calmly to O-Ren in Japanese; THE BRIDE (JAPANESE [...] )
111. Scene 24 Panel 1
112. Scene 24 Panel 2
113. Scene 24 Panel 3
114. Scene 24 Panel 4
115. Scene 24 Panel 5
116. Scene 24 Panel 6
117. Scene 24 Panel 7
118. Scene 24 Panel 8
119. Scene 24 Panel 9
120. Scene 25 Panel 1 Action Notes The Two Women Clash Swords furiously , their attack ends with The Bride's Striking O-Ren - not fatally - but deep. They separate...
121. Scene 25 Panel 2 Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent.
122. Scene 25 Panel 3 Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent.
123. Scene 25 Panel 4 Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent.
124. Scene 25 Panel 5 Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent.
125. Scene 25 Panel 6 Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent.
126. Scene 25 Panel 7 Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent.
127. Scene 25 Panel 8 Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent.
128. Scene 25 Panel 9 Dialog O-REN I apologize for ridiculing you earlier. Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent [...] .
129. Scene 25 Panel 10 Dialog O-REN I apologize for ridiculing you earlier. Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent [...] .
130. Scene 25 Panel 11 Dialog O-REN I apologize for ridiculing you earlier. Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent [...] .
131. Scene 25 Panel 12 Dialog O-REN I apologize for ridiculing you earlier. Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent [...] .
132. Scene 25 Panel 13 Dialog THE BRIDE Accepted. Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent [...] .
133. Scene 25 Panel 14 Dialog THE BRIDE Accepted. Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent [...] .
134. Scene 25 Panel 15 Dialog THE BRIDE Ready? Action Notes ...breathing hard...Cold Air coming out of their mouths like two locomotives... O-Ren looks down to her wound, then back up to The Bride. The respect for the Bride's ability is transparent [...] .
135. Scene 25 Panel 16 Action Notes The Two Women Circle Stalk each other again...
136. Scene 26 Panel 1
137. Scene 26 Panel 2
138. Scene 26 Panel 3 Action Notes Wooden Clogs crunching the Snow, Blood trail dripping down legs staining White Socks with Red...
139. Scene 26 Panel 4 Action Notes Wooden Clogs crunching the Snow, Blood trail dripping down legs staining White Socks with Red...
140. Scene 26 Panel 5 Action Notes Wooden Clogs crunching the Snow, Blood trail dripping down legs staining White Socks with Red...
141. Scene 27 Panel 1 Action Notes The Flamenco Guitar begins again, as The Two Women Circle each other for their final attack. With all the quickness and skill at their command, they clash in a superb display of Samurai Swordplay...TILL...They Find themselves on opposite sides of a garden wall... ...The Bride and O-Ren both begin Running diagonally through the snow, Swords held up high, Facing each other, Continuing to run even after they passed the wall, Screaming their Samurai hearts out...
142. Scene 27 Panel 2 Action Notes The Flamenco Guitar begins again, as The Two Women Circle each other for their final attack. With all the quickness and skill at their command, they clash in a superb display of Samurai Swordplay...TILL...They Find themselves on opposite sides of a garden wall... ...The Bride and O-Ren both begin Running diagonally through the snow, Swords held up high, Facing each other, Continuing to run even after they passed the wall, Screaming their Samurai hearts out...
143. Scene 27 Panel 3 Action Notes The Flamenco Guitar begins again, as The Two Women Circle each other for their final attack. With all the quickness and skill at their command, they clash in a superb display of Samurai Swordplay...TILL...They Find themselves on opposite sides of a garden wall... ...The Bride and O-Ren both begin Running diagonally through the snow, Swords held up high, Facing each other, Continuing to run even after they passed the wall, Screaming their Samurai hearts out...
144. Scene 27 Panel 4 Action Notes The Flamenco Guitar begins again, as The Two Women Circle each other for their final attack. With all the quickness and skill at their command, they clash in a superb display of Samurai Swordplay...TILL...They Find themselves on opposite sides of a garden wall... ...The Bride and O-Ren both begin Running diagonally through the snow, Swords held up high, Facing each other, Continuing to run even after they passed the wall, Screaming their Samurai hearts out...
145. Scene 27 Panel 5 Action Notes The Flamenco Guitar begins again, as The Two Women Circle each other for their final attack. With all the quickness and skill at their command, they clash in a superb display of Samurai Swordplay...TILL...They Find themselves on opposite sides of a garden wall... ...The Bride and O-Ren both begin Running diagonally through the snow, Swords held up high, Facing each other, Continuing to run even after they passed the wall, Screaming their Samurai hearts out...
146. Scene 27 Panel 6 Action Notes The Flamenco Guitar begins again, as The Two Women Circle each other for their final attack. With all the quickness and skill at their command, they clash in a superb display of Samurai Swordplay...TILL...They Find themselves on opposite sides of a garden wall... ...The Bride and O-Ren both begin Running diagonally through the snow, Swords held up high, Facing each other, Continuing to run even after they passed the wall, Screaming their Samurai hearts out...
147. Scene 27 Panel 7
148. Scene 27 Panel 8
149. Scene 27 Panel 9
150. Scene 27 Panel 10
151. Scene 27 Panel 11
152. Scene 27 Panel 12
153. Scene 27 Panel 13 Action Notes Her sword FALLS from her grip...in the snow by her feet.
154. Scene 28 Panel 1 Dialog O-REN That really was a Hattori Hanzo sword...
155. Scene 28 Panel 2 Dialog O-REN That really was a Hattori Hanzo sword...
156. Scene 28 Panel 3 Dialog O-REN That really was a Hattori Hanzo sword...
157. Scene 28 Panel 4 Dialog O-REN That really was a Hattori Hanzo sword...
158. Scene 28 Panel 5 Dialog O-REN That really was a Hattori Hanzo sword...
159. Scene 28 Panel 6
160. Scene 28 Panel 7
161. Scene 28 Panel 8
162. Scene 28 Panel 9
163. Scene 28 Panel 10
164. Scene 28 Panel 11
165. Scene 28 Panel 12
166. Scene 29 Panel 1