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Scene 3 Panel 6 Dialog ANJIE: Hi, Jason Rodgers? Page 34/248

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Scene 3 Panel 7 Dialog ANJIE: I'm from OTAUM PD I'm here about the ongoing Iris Lee case. Page 35/248

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Scene 4 Panel 1 Dialog KANE: Shh shhh- Page 36/248

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Scene 4 Panel 2 Dialog KANE: Can you just- wait. Page 37/248

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Scene 4 Panel 3 Dialog KANE: First of all- never call me Jason, it's Kane. Page 38/248

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Scene 4 Panel 4 Dialog KANE: Second- Wait- you're here for what? Page 39/248

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Scene 5 Panel 2 Dialog ANJIE: I just need to collect any remaining belongings for Iris Lee's family? Page 41/248

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Scene 6 Panel 1 Dialog KANE: Ugh you people are annoying. Page 42/248

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Scene 6 Panel 2 Dialog KANE: Do you have any identification or like.. proof? I've met half of the OPD and never seen you. Page 43/248

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Scene 6 Panel 4 Dialog ANJIE: I'm new. Page 45/248

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Scene 6 Panel 5 Dialog KANE: Damn. Page 46/248

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Scene 7 Panel 1 Dialog KANE: (Sigh) Page 48/248

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Scene 7 Panel 3 Dialog KANE: Alright fine yeah. Page 50/248

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Scene 7 Panel 4 Dialog KANE: Take whatever you need. Who cares. Page 51/248

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Scene 8 Panel 1 Dialog ANJIE: We really appreciate your cooperation with this uh- investigation. Page 52/248

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Scene 8 Panel 2 Dialog ANJIE: I'll be in and out in 10 minutes max. Page 53/248

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Scene 8 Panel 3 Dialog KANE: Whatever. Page 54/248

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Scene 8 Panel 4 Dialog KANE: Come on in. Page 55/248

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Scene 8 Panel 5 Dialog ANJIE: Thanks. Page 56/248

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Scene 11 Panel 1 Dialog KANE: You can keep your shoes on. Page 72/248

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Scene 12 Panel 1 Dialog KANE: You can keep your shoes on. Page 73/248

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Scene 13 Panel 1 Dialog KANE: Sorry about the smell. I've been really busy with the. You know. All of it. Page 74/248

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Scene 13 Panel 2 Dialog KANE: Sorry about the smell. I've been really busy with the. You know. All of it. Page 75/248

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Scene 13 Panel 3 Dialog KANE: Sorry about the smell. I've been really busy with the. You know. All of it. Page 76/248

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Scene 13 Panel 4 Dialog KANE: Sorry about the smell. I've been really busy with the. You know. All of it. Page 77/248

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Scene 14 Panel 1 Dialog KANE: Sorry about the smell. I've been really busy with the. You know. All of it. Page 78/248

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Scene 14 Panel 2 Dialog KANE: We have our album release show coming up so I haven't really had time to think about anything but Kane Slash Able. Page 79/248

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Scene 14 Panel 3 Dialog KANE: We have our album release show coming up so I haven't really had time to think about anything but Kane Slash Able. Page 80/248

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Scene 14 Panel 4 Dialog ANJIE: Your band? You're suppose to say the slash? Not just Kane Able? Page 81/248

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Scene 15 Panel 1 Dialog KANE: Yeah. It's like, an artistic choice. Page 82/248

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Scene 15 Panel 3 Dialog ANJIE: You're still considered pretty underground right? Do you mind me asking how... you met a neuro-engineer like Iris? Page 84/248

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Scene 15 Panel 4 Dialog ANJIE: You're still considered pretty underground right? Do you mind me asking how... you met a neuro-engineer like Iris? Page 85/248

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Scene 16 Panel 1 Dialog KANE: She came to my gigs. Was basically a groupie. Page 86/248

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Scene 16 Panel 2 Dialog KANE: She came to my gigs. Was basically a groupie. Page 87/248

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Scene 16 Panel 3 Dialog KANE: We started hanging out and she moved in a month later. Page 88/248

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Scene 17 Panel 1 Dialog ANJIE: She lived here full time? Didn't she have her own place uptown? Page 89/248

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Scene 17 Panel 2 Dialog KANE: She was chill. Page 90/248

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Scene 17 Panel 3 Dialog ANJIE: It's just that she seemed- Page 91/248

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Scene 17 Panel 4 Dialog KANE: Too good for this? Page 92/248

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Scene 17 Panel 5 Dialog ANJIE: Not necessarily... I'm just surprised is all. Page 93/248

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Scene 17 Panel 6 Dialog KANE: Surprised? Based on what? Page 94/248

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Scene 17 Panel 7 Dialog ANJIE: I just mean my observations during the investigation painted a different picture- Page 95/248

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Scene 18 Panel 1 Dialog KANE: Do you really know enough to be surprised? Page 96/248

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Scene 18 Panel 2 Dialog KANE: Do you really know enough to be surprised? Page 97/248

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Scene 18 Panel 3 Dialog KANE: You didn't know her, right? Page 98/248

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Scene 18 Panel 4 Dialog KANE: What exactly are you investigating? Page 99/248

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Scene 18 Panel 5 Dialog KANE: Her death was an accident right? Page 100/248

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Scene 18 Panel 6 Dialog KANE: Her death was an accident right? Page 101/248

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Scene 19 Panel 1 Dialog KANE: Her death was an accident right? Page 102/248

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Scene 19 Panel 2 Dialog ANJIE: I... my mistake. I'm still new to this, the different.. our cases kind of run together. Page 103/248

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Scene 19 Panel 3 Dialog ANJIE: I... my mistake. I'm still new to this, the different.. our cases kind of run together. Page 104/248

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Scene 20 Panel 1 Dialog KANE: Mhm. Page 105/248

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Scene 20 Panel 2 Dialog KANE: Mhm. Page 106/248

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Scene 20 Panel 7 Dialog KANE: Want one? Page 111/248

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Scene 20 Panel 8 Dialog ANJIE: Oh, no thanks- Page 112/248

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Scene 20 Panel 9 Dialog ANJIE: I'm not- I don't drink fuel. Page 113/248

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Scene 20 Panel 10 Dialog KANE: Sure you don't. Page 114/248

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Scene 20 Panel 14 Dialog ANJIE: Is that the bedroom? Page 118/248

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Scene 20 Panel 16 Dialog KANE: Mhm. Page 120/248

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Scene 20 Panel 17 Dialog ANJIE: Do you mind? Page 121/248

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Scene 20 Panel 19 Dialog KANE: Knock yourself out. Page 123/248

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Scene 28 Panel 1 Dialog *MUFFLED KNOCK on DOOR in the BG Page 153/248

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Scene 28 Panel 3 Dialog KANE: Coming, coming. Page 155/248

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Scene 28 Panel 4 Dialog ANJIE: Which of these posters are hers- did she keep any books around? Journals? Page 156/248

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Scene 28 Panel 5 Dialog ANJIE: Is this mirror hers? Is it something she's attached to? Page 157/248

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Scene 28 Panel 6 Dialog *Offscreen Door Open Sound. Page 158/248

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Scene 28 Panel 7 Dialog *OFFSCREEN Door Open Sound. Page 159/248

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Scene 29 Panel 1 Dialog KANE (O.S.): Oh- another one of you. Page 160/248

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Scene 29 Panel 2 Dialog KANE (O.S.): Oh- another one of you. Page 161/248

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Scene 30 Panel 1 Dialog RENA (O.S.): Another one? Page 162/248

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Scene 30 Panel 2 Dialog KANE (O.S.): I don't see why it takes more than one cop to take my dead girlfriend's stuff but- Page 163/248

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Scene 30 Panel 3 Dialog KANE (O.S.): I don't see why it takes more than one cop to take my dead girlfriend's stuff but- Page 164/248

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Scene 30 Panel 4 Dialog KANE (O.S.): I don't see why it takes more than one cop to take my dead girlfriend's stuff but- Page 165/248

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Scene 30 Panel 5 Dialog RENA (O.S.) You've got a lot of nerve for a murder suspect. Page 166/248

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Scene 30 Panel 6 Dialog ANJIE: WAIT- it's not- Page 167/248

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Scene 31 Panel 1 Dialog ANJIE: WAIT- it's not- Page 168/248

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Scene 31 Panel 2 Dialog ANJIE: WAIT- it's not- Page 169/248

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Scene 31 Panel 3 Dialog ANJIE: WAIT- it's not- Page 170/248

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Scene 31 Panel 4 Dialog ANJIE: WAIT- it's not- Page 171/248

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Scene 32 Panel 3 Dialog RENA: Funny, I though I knew all the loose canon cadets in OPD. Page 174/248

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Scene 32 Panel 4 Dialog RENA: In fact I'm fairly certain you're not OPD at all. Impersonating an officer is a serious crime, you know. Page 175/248

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Scene 33 Panel 1 Dialog ANJIE: I can explain I promise- Page 176/248

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Scene 33 Panel 2 Dialog RENA (O.S.): You're the childhood friend aren't you- Iris Lee's first guinea pig? Page 177/248

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Scene 34 Panel 1 Dialog RENA: I thought I recognized you from the wake. Page 178/248

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Scene 35 Panel 1 Dialog RENA (O.S.): Cutting your hair isn't that creative a disguise. Page 179/248

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Scene 36 Panel 1 Dialog RENA: I wonder if you really even knew what she's mixed up in. Page 180/248

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Scene 36 Panel 2 Dialog RENA: Guess we'll find out in interrogation. Page 181/248

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Scene 36 Panel 3 Dialog RENA: I'm gonna need both of you to come back uptown with me, if you're smart you'll come quietly. Page 182/248

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Scene 36 Panel 4 Dialog RENA: I'm gonna need both of you to come back uptown with me, if you're smart you'll come quietly. Page 183/248

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Scene 36 Panel 5 Dialog RENA: I'm gonna need both of you to come back uptown with me, if you're smart you'll come quietly. Page 184/248

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Scene 37 Panel 1 Dialog RENA: I'm gonna need both of you to come back uptown with me, if you're smart you'll come quietly. Page 185/248

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Scene 37 Panel 2 Dialog RENA: I'm gonna need both of you to come back uptown with me, if you're smart you'll come quietly. Page 186/248

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