First Date

Transcript

2. Notes FOR REFERENCE
3. Notes SCRIPT PAGES 1 to 4 after song MUSIC "The One"
4. Notes SCRIPT PAGES 1 to 4 after song MUSIC "The One"
5. Notes SCRIPT PAGES 1 to 4 after song MUSIC "The One"
6. Notes SCRIPT PAGES 1 to 4 after song MUSIC "The One"
7. Notes SCRIPT PAGES 1 to 4 after song MUSIC "The One"
8. Notes SCRIPT PAGES 1 to 4 after song
9. Notes SCRIPT PAGES 1 to 4 after song 1.7 - Make sure waiter walks to obscure camera fully, then walks fully out of frame.
10. Notes SCRIPT PAGES 4 to 6 mid 2.1 - Make sure waiter starts fully out of frame, and steps into frame fully obscuring camera before walking away from camera.
11. Notes SCRIPT PAGES 4 to 6 mid
12. Notes SCRIPT PAGES 4 to 6 mid
13. Notes SCRIPT PAGES 4 to 6 mid
14. Notes SCRIPT PAGES 4 to 6 mid
15. Notes SCRIPT PAGES 4 to 6 mid
16. Notes SCRIPT PAGES 4 to 6 mid
17. Notes SCRIPT PAGES 4 to 6 mid
18. Notes SCRIPT PAGES 4 to 6 mid
19. Notes SCRIPT PAGES 4 to 6 mid
20. Notes SCRIPT PAGES 4 to 6 mid 6.2 - Waiter brings glass into frame while speaking, then hands glass to Aaron just below frame
21. Notes SCRIPT PAGES 4 to 6 mid
22. Notes SCRIPT PAGES 4 to 6 mid 6A.2 - Aaron takes glass from Waiter just below frame and pulls it into frame
23. Notes SCRIPT PAGES 4 to 6 mid
24. Notes SCRIPT PAGES 4 to 6 mid
25. Notes SCRIPT PAGES 4 to 6 mid
26. Notes SCRIPT PAGES 6 to 7 top
27. Notes SCRIPT PAGES 6 to 7 top 8.2 - Casey passes behind Aaron (Aaron should be between Casey & the camera)
28. Notes SCRIPT PAGES 6 to 7 top 9.1 - 9.4 - Can all be shot as one wide shot and Nate can make those camera movements in post
29. Notes SCRIPT PAGES 6 to 7 top 9.1 - 9.4 - Can all be shot as one wide shot and Nate can make those camera movements in post
30. Notes SCRIPT PAGES 6 to 7 top 9.1 - 9.4 - Can all be shot as one wide shot and Nate can make those camera movements in post
31. Notes SCRIPT PAGES 6 to 7 top 9.1 - 9.4 - Can all be shot as one wide shot and Nate can make those camera movements in post
32. Notes SCRIPT PAGES 7 to 14 bottom
33. Notes SCRIPT PAGES 7 to 14 bottom
34. Notes SCRIPT PAGES 7 to 14 bottom
35. Notes SCRIPT PAGES 7 to 14 bottom
36. Notes SCRIPT PAGES 7 to 14 bottom
37. Notes SCRIPT PAGES 7 to 14 bottom
38. Notes SCRIPT PAGES 7 to 14 bottom
39. Notes SCRIPT PAGES 7 to 14 bottom 14.2 - Waiter walks up to table and makes motion to set down drinks with back to camera. This will block the actual setting down of the drinks (these handoff scenes will be tricky to film so Nate is happy to be of assistance if needed while filming these scenes)
40. Notes SCRIPT PAGES 7 to 14 bottom 14A.1 - 14A.4 - medium close up of Casey taking the shot glass off the table, drinking it, then handing it off frame to the waiter with her left hand, setting it on something out of frame, and bringing her hand back into frame to the cocktail glass
41. Notes SCRIPT PAGES 7 to 14 bottom 14A.1 - 14A.4 - medium close up of Casey taking the shot glass off the table, drinking it, then handing it off frame to the waiter with her left hand, setting it on something out of frame, and bringing her hand back into frame to the cocktail glass
42. Notes SCRIPT PAGES 7 to 14 bottom 14A.1 - 14A.4 - medium close up of Casey taking the shot glass off the table, drinking it, then handing it off frame to the waiter with her left hand, setting it on something out of frame, and bringing her hand back into frame to the cocktail glass
43. Notes SCRIPT PAGES 7 to 14 bottom 14A.1 - 14A.4 - medium close up of Casey taking the shot glass off the table, drinking it, then handing it off frame to the waiter with her left hand, setting it on something out of frame, and bringing her hand back into frame to the cocktail glass
44. Notes SCRIPT PAGES 7 to 14 bottom
45. Notes SCRIPT PAGES 7 to 14 bottom MUSIC "First Impressions"
46. Notes SCRIPT PAGES 7 to 14 bottom MUSIC "First Impressions"
47. Notes SCRIPT PAGES 7 to 14 bottom MUSIC "First Impressions"
48. Notes SCRIPT PAGES 7 to 14 bottom
49. Notes SCRIPT PAGES 7 to 14 bottom
50. Notes SCRIPT PAGES 7 to 14 bottom
51. Notes SCRIPT PAGES 14 to 15 bottom MUSIC "Bailout Song #1"
52. Notes SCRIPT PAGES 15 to 17 bottom
53. Notes SCRIPT PAGES 15 to 17 bottom
54. Notes SCRIPT PAGES 15 to 17 bottom
55. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
56. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
57. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
58. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
59. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
60. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
61. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
62. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
63. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
64. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
65. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
66. Notes SCRIPT PAGES 17 to 24 top MUSIC "The Girl for You"
67. Notes SCRIPT PAGES 24 to 26 mid
68. Notes SCRIPT PAGES 24 to 26 mid
69. Notes SCRIPT PAGES 24 to 26 mid
70. Notes SCRIPT PAGES 26 to 27 bottom MUSIC "The Awkward Pause"
71. Notes SCRIPT PAGES 26 to 27 bottom MUSIC "The Awkward Pause"
72. Notes SCRIPT PAGES 26 to 27 bottom MUSIC "The Awkward Pause"
73. Notes SCRIPT PAGES 26 to 27 bottom MUSIC "The Awkward Pause"
74. Notes SCRIPT PAGES 26 to 27 bottom MUSIC "The Awkward Pause"
75. Notes SCRIPT PAGES 26 to 27 bottom MUSIC "The Awkward Pause"
76. Notes SCRIPT PAGES 26 to 27 bottom MUSIC "The Awkward Pause"
77. Notes SCRIPT PAGES 26 to 27 bottom MUSIC "The Awkward Pause"
78. Notes SCRIPT PAGES 27 to 31 bottom
79. Notes SCRIPT PAGES 27 to 31 bottom
80. Notes SCRIPT PAGES 27 to 31 bottom
81. Notes SCRIPT PAGES 27 to 31 bottom MUSIC "Blaze"
82. Notes SCRIPT PAGES 27 to 31 bottom MUSIC "Blaze"
83. Notes SCRIPT PAGES 27 to 31 bottom MUSIC "Blaze"
84. Notes SCRIPT PAGES 27 to 31 bottom MUSIC "Blaze"
85. Notes SCRIPT PAGES 27 to 31 bottom MUSIC "Blaze"
86. Notes SCRIPT PAGES 27 to 31 bottom
87. Notes SCRIPT PAGES 31 to 32 bottom MUSIC "Lauren's Entrance #1" 49.1 - Lauren starts out of frame, moves into frame and pulls up chair to speak to Casey
88. Notes SCRIPT PAGES 31 to 32 bottom 49.2 - Lauren exits frame
89. Notes SCRIPT PAGE 33
90. Notes SCRIPT PAGES 33 to 36 top MUSIC "Gabe's Entrance #1"
91. Notes SCRIPT PAGES 33 to 36 top MUSIC "Allison's Theme #1"
92. Notes SCRIPT PAGES 33 to 36 top MUSIC "Allison's Theme #1"
93. Notes SCRIPT PAGES 33 to 36 top
94. Notes SCRIPT PAGES 36 to 38 top
95. Notes SCRIPT PAGES 36 to 38 top
96. Notes SCRIPT PAGES 36 to 38 top 55.2 - Waiter sets new drinks down in same way as Panel 14.2 (these handoff scenes will be tricky to film so Nate is happy to be of assistance if needed while filming these scenes)
97. Notes SCRIPT PAGES 36 to 38 top 55A.1 - medium close up of one of them taking a sip and looking up toward the waiter as if to say thank you
98. Notes SCRIPT PAGES 36 to 38 top
99. Notes SCRIPT PAGES 36 to 38 top
100. Notes SCRIPT PAGES 36 to 38 top
101. Notes SCRIPT PAGES 38 to 42 top MUSIC "The World Wide Web Is Forever"
102. Notes SCRIPT PAGES 38 to 42 top MUSIC "The World Wide Web Is Forever"
103. Notes SCRIPT PAGES 42 to 46 top
104. Notes SCRIPT PAGES 42 to 46 top MUSIC "The Touch"
105. Notes SCRIPT PAGES 42 to 46 top
106. Notes SCRIPT PAGES 42 to 46 top
107. Notes SCRIPT PAGES 42 to 46 top
108. Notes SCRIPT PAGES 42 to 46 top
109. Notes SCRIPT PAGES 42 to 46 top
110. Notes SCRIPT PAGES 42 to 46 top
111. Notes SCRIPT PAGES 42 to 46 top
112. Notes SCRIPT PAGES 42 to 46 top
113. Notes SCRIPT PAGES 42 to 46 top
114. Notes SCRIPT PAGES 42 to 46 top
115. Notes SCRIPT PAGES 46 to 49 top MUSIC "Bad Boys Entrance" 69.1 - 70.2 - Keep in mind who is on which side based on which camera angle it is (whether they are both next to Casey or next to Aaron)
116. Notes SCRIPT PAGES 46 to 49 top MUSIC "Can't Help But Love Me" 69.1 - 70.2 - Keep in mind who is on which side based on which camera angle it is (whether they are both next to Casey or next to Aaron)
117. Notes SCRIPT PAGES 46 to 49 top MUSIC "Can't Help But Love Me" 69.1 - 70.2 - Keep in mind who is on which side based on which camera angle it is (whether they are both next to Casey or next to Aaron)
118. Notes SCRIPT PAGES 46 to 49 top MUSIC "Can't Help But Love Me"
119. Notes SCRIPT PAGES 49 to 50 bottom
120. Notes SCRIPT PAGES 49 to 50 bottom
121. Notes SCRIPT PAGES 49 to 50 bottom
122. Notes SCRIPT PAGES 49 to 50 bottom MUSIC "Lauren's Entrance #2"
123. Notes SCRIPT PAGES 49 to 50 bottom MUSIC "Lauren's Entrance #2"
124. Notes SCRIPT PAGES 49 to 50 bottom
125. Notes SCRIPT PAGES 49 to 50 bottom
126. Notes SCRIPT PAGE 51 MUSIC "Bailout Song #2"
127. Notes SCRIPT PAGES 51 to 53 top
128. Notes SCRIPT PAGES 51 to 53 top
129. Notes SCRIPT PAGES 51 to 53 top
130. Notes SCRIPT PAGES 51 to 53 top 81.1 - Aaron gets up and walks out of frame toward restroom
131. Notes SCRIPT PAGES 53 to 56 top MUSIC "Lauren's Entrance #3"
132. Notes SCRIPT PAGES 53 to 56 top MUSIC "Lauren's Entrance #3"
133. Notes SCRIPT PAGES 53 to 56 top MUSIC "Lauren's Entrance #3"
134. Notes SCRIPT PAGES 53 to 56 top MUSIC "Lauren's Entrance #3"
135. Notes SCRIPT PAGES 53 to 56 top MUSIC "Safer"
136. Notes SCRIPT PAGES 53 to 56 top MUSIC "Safer"
137. Notes SCRIPT PAGES 53 to 56 top MUSIC "Safer"
138. Notes SCRIPT PAGES 53 to 56 top MUSIC "Safer"
139. Notes SCRIPT PAGES 53 to 56 top
140. Notes SCRIPT PAGES 56 to 59 top 89.1 - Aaron comes back the same side of frame that he left toward in 81.1
141. Notes SCRIPT PAGES 56 to 59 top
142. Notes SCRIPT PAGES 56 to 59 top
143. Notes SCRIPT PAGES 56 to 59 top MUSIC "I'd Order Love"
144. Notes SCRIPT PAGES 56 to 59 top MUSIC "I'd Order Love"
145. Notes SCRIPT PAGES 56 to 59 top MUSIC "I'd Order Love"
146. Notes SCRIPT PAGES 56 to 59 top MUSIC "I'd Order Love"
147. Notes SCRIPT PAGES 59 to 60 mid
148. Notes SCRIPT PAGES 59 to 60 mid 94.2 - Waiter sets plates onto table which is just out of frame below
149. Notes SCRIPT PAGES 59 to 60 mid 94.3 - Waiter exits frame
150. Notes SCRIPT PAGES 60 to 62
151. Notes SCRIPT PAGES 60 to 62 MUSIC "Gabe's Entrance #2"
152. Notes SCRIPT PAGES 60 to 62
153. Notes SCRIPT PAGES 60 to 62 MUSIC "Allison's Theme #2"
154. Notes SCRIPT PAGES 60 to 62 MUSIC "Allison's Theme #2"
155. Notes SCRIPT PAGES 62 to 63 mid
156. Notes SCRIPT PAGES 62 to 63 mid
157. Notes SCRIPT PAGES 63 to 65 top MUSIC "The Things I Never Said"
158. Notes SCRIPT PAGES 63 to 65 top MUSIC "The Things I Never Said"
159. Notes SCRIPT PAGES 63 to 65 top MUSIC "The Things I Never Said"
160. Notes SCRIPT PAGES 63 to 65 top MUSIC "The Things I Never Said"
161. Notes SCRIPT PAGE 65
162. Notes SCRIPT PAGE 65
163. Notes SCRIPT PAGES 65 to 66 mid MUSIC "Bailout Song #3"
164. Notes SCRIPT PAGES 65 to 66 mid MUSIC "Bailout Song #3"
165. Notes SCRIPT PAGES 66 to 69 top
166. Notes SCRIPT PAGES 66 to 69 top
167. Notes SCRIPT PAGES 66 to 69 top
168. Notes SCRIPT PAGES 69 to 72 mid
169. Notes SCRIPT PAGES 69 to 72 mid
170. Notes SCRIPT PAGES 69 to 72 mid MUSIC "Allison's Entrance"
171. Notes SCRIPT PAGES 69 to 72 mid
172. Notes SCRIPT PAGES 69 to 72 mid
173. Notes SCRIPT PAGES 72 to 75 top
174. Notes SCRIPT PAGES 72 to 75 top MUSIC "In Love With You"
175. Notes SCRIPT PAGES 72 to 75 top MUSIC "In Love With You" 110.1 - Aaron stands up
176. Notes SCRIPT PAGES 72 to 75 top MUSIC "In Love With You"
177. Notes SCRIPT PAGES 72 to 75 top MUSIC "In Love With You"
178. Notes SCRIPT PAGES 72 to 75 top MUSIC "In Love With You"
179. Notes SCRIPT PAGES 72 to 75 top MUSIC "In Love With You"
180. Notes SCRIPT PAGES 72 to 75 top MUSIC "In Love With You" 112.4 - This is a cross dissolve between Allison & customers at table to mimic Aarons slow realization of where he is. Alison should be filmed at the same time. But the couple at the table giving him a look can be a pick up shot if needed.
181. Notes SCRIPT PAGES 72 to 75 top MUSIC "In Love With You"
182. Notes SCRIPT PAGES 72 to 75 top
183. Notes SCRIPT PAGES 72 to 75 top
184. Notes SCRIPT PAGES 72 to 75 top 113.3 - Aaron sulks back to his table
185. Notes SCRIPT PAGES 72 to 75 top 114.1 - Aaron sits back down in his chair
186. Notes SCRIPT PAGES 72 to 75 top
187. Notes SCRIPT PAGES 72 to 75 top
188. Notes SCRIPT PAGES 75 to 76 top
189. Notes SCRIPT PAGES 75 to 76 top
190. Notes SCRIPT PAGES 75 to 76 top
191. Notes SCRIPT PAGES 75 to 76 top
192. Notes SCRIPT PAGES 75 to 76 top
193. Notes SCRIPT PAGES 75 to 76 top
194. Notes SCRIPT PAGES 75 to 76 top
195. Notes SCRIPT PAGES 75 to 76 top
196. Notes SCRIPT PAGES 75 to 76 top MUSIC "The Check!"
197. Notes SCRIPT PAGES 76 to 77 bottom
198. Notes SCRIPT PAGES 76 to 77 bottom
199. Notes SCRIPT PAGES 76 to 77 bottom
200. Notes SCRIPT PAGES 76 to 77 bottom
201. Notes SCRIPT PAGES 76 to 77 bottom MUSIC "Gabe and Lauren's Final Entrances"
202. Notes SCRIPT PAGES 76 to 77 bottom MUSIC "Gabe and Lauren's Final Entrances"
203. Notes SCRIPT PAGES 76 to 77 bottom MUSIC "Gabe and Lauren's Final Entrances" 126.2-126.3 - Aaron should leave restaurant out of frame
204. Notes SCRIPT PAGES 76 to 77 bottom MUSIC "Gabe and Lauren's Final Entrances" 126.2-126.3 - Aaron should leave restaurant out of frame
205. Notes SCRIPT PAGES 76 to 77 bottom MUSIC "Gabe and Lauren's Final Entrances"
206. Notes SCRIPT PAGES 76 to 77 bottom MUSIC "Gabe and Lauren's Final Entrances"
207. Notes SCRIPT PAGES 76 to 77 bottom MUSIC "Gabe and Lauren's Final Entrances"
208. Notes SCRIPT PAGES 76 to 77 bottom 128.1 - Casey should leave restaurant out of frame as well
209. Notes SCRIPT PAGES 77 to 79
210. Notes SCRIPT PAGES 77 to 79
211. Notes SCRIPT PAGES 77 to 79
212. Notes SCRIPT PAGES 77 to 79 130.1 - Reggie should enter restaurant on the same side of the frame that Aaron & Casey just left
213. Notes SCRIPT PAGES 77 to 79
214. Notes SCRIPT PAGES 77 to 79
215. Notes SCRIPT PAGES 77 to 79
216. Notes SCRIPT PAGES 77 to 79
217. Notes SCRIPT PAGES 77 to 79
218. Notes SCRIPT PAGES 77 to 79 MUSIC "First Impressions (Reprise)"
219. Notes SCRIPT PAGES 77 to 79 MUSIC "First Impressions (Reprise)"
220. Notes SCRIPT PAGES 77 to 79 MUSIC "First Impressions (Reprise)"
221. Notes SCRIPT PAGES 77 to 79 MUSIC "First Impressions (Reprise)"
222. Notes SCRIPT PAGES 77 to 79 MUSIC "First Impressions (Reprise)"
223. Notes SCRIPT PAGES 77 to 79
224. Notes SCRIPT PAGES 79 to 83
225. Notes SCRIPT PAGES 79 to 83
226. Notes SCRIPT PAGES 79 to 83 MUSIC "Something That Will Last"
227. Notes SCRIPT PAGES 79 to 83 MUSIC "Something That Will Last"
228. Notes SCRIPT PAGES 79 to 83 MUSIC "Something That Will Last"
229. Notes SCRIPT PAGES 79 to 83 MUSIC "Something That Will Last"
230. Notes SCRIPT PAGES 79 to 83 MUSIC "Something That Will Last"
231. Notes SCRIPT PAGES 79 to 83 MUSIC "Something That Will Last"
232. Notes SCRIPT PAGES 79 to 83 MUSIC "Something That Will Last"
233. Notes SCRIPT PAGES 79 to 83 MUSIC "Something That Will Last"
234. Notes SCRIPT PAGES 79 to 83 MUSIC "Something That Will Last"
235. Notes SCRIPT PAGES 79 to 83 MUSIC "Something That Will Last"
236. Notes SCRIPT PAGES 79 to 83 MUSIC "Something That Will Last"
237. Notes SCRIPT PAGES 79 to 83
238. Notes SCRIPT PAGES 79 to 83
239. Notes SCRIPT PAGES 79 to 83
240. Notes SCRIPT PAGES 79 to 83
241. Notes SCRIPT PAGES 79 to 83
242. Notes SCRIPT PAGES 79 to 83
243. Notes SCRIPT PAGES 79 to 83
244. Notes SCRIPT PAGES 79 to 83
245. Notes SCRIPT PAGES 79 to 83
246. Notes SCRIPT PAGES 79 to 83
247. Notes SCRIPT PAGES 79 to 83
248. Notes SCRIPT PAGES 79 to 83
249. Notes SCRIPT PAGES 79 to 83
250. Notes SCRIPT PAGES 79 to 83
251. Notes SCRIPT PAGES 79 to 83
252. Notes SCRIPT PAGES 79 to 83
253. Notes SCRIPT PAGES 79 to 83
254. Notes SCRIPT PAGES 79 to 83
255. Notes SCRIPT PAGES 79 to 83
256. Notes SCRIPT PAGES 79 to 83
257. Notes SCRIPT PAGES 79 to 83
258. Notes SCRIPT PAGES 79 to 83
259. Notes SCRIPT PAGES 79 to 83