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'Jeff' Storyboards

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Avatar for Seth Hüseyin Seth Hüseyin
April 07, 2025
1.1k

'Jeff' Storyboards

Avatar for Seth Hüseyin

Seth Hüseyin

April 07, 2025

Transcript

  1. [ANGLED BIRDS EYE SHOT FROM CLIFF’S EDGE] Camera frames the

    beach from above showcasing white cliffs surrounding the beach.From above we can see a few family related beach props such as an umbrella, a towel, a bag, bucket, toys, spade and our giraffe. And a figure (boy) walking towards the lilo. Camera frames the beach from above showcasing white cliffs surrounding the beach.
  2. [ANGLED BIRDS EYE SHOT FROM CLIFF’S EDGE] Camera frames the

    beach from above showcasing white cliffs surrounding the beach.From above we can see a few family related beach props such as an umbrella, a towel, a bag, bucket, toys, spade and our giraffe. And a figure (boy) walking towards the lilo. Camera frames the beach from above showcasing white cliffs surrounding the beach.
  3. Once close he’s launching himself onto it in a big

    hug. The shot highlights the shared mutual love between the kid and the lilo. Boy enters arms raised. Jeff is wagging his tail at him. The waves lap gently on the shore.
  4. The kid picks up the lilo and delicately puts it

    in the water. Boy's hand enters shot from left.
  5. The boy gently lifts Jeff with a scoop. Slight movement

    in sand as his fingers move under Jeff.
  6. Camera follows Jeff back down. The shoreline/waves should be visible

    to show boy is only putting Jeff in the shallowest water.
  7. ..then zooms into the eyes. Black bars should either swipe

    from top and bottom. The boy's face should not change until the bars come in. The dramatic lighting also enters with the bars.
  8. Mirror shot for the giraffe, as he also prepares to

    receive the ball. Jeff is a mirror of the boy's excitement.
  9. Medium body shot transitioning to eye close up. Ditto direction

    for zoom on boy RE black bars, face change, and lighting.
  10. As the two get “into the game” camera shows close

    up of them receiving and throwing the ball faster and faster. Background should be block colours to show they're in they're own little action scene world.
  11. This repeats 3 times for each character with more and

    more enthusiasm as they get competitive. Each shot is a bit more zoomed in and character expression changes gradually.
  12. Hold shot on boy as he sort of floats back

    dramatically raising his arms, showboating.
  13. Camera is positioned to the side of our characters exactly

    where the sea meets the sand. We return to the real world. Jeff should be a little further out than right on the shoreline, but not too far. His neck is a little outstretched from the pass he just did. Boy is receiving ball.
  14. The boy throws the ball in an arch towards the

    Giraffe. Boy happily returns ball. Jeff's neck squishes as he prepares to receive.
  15. The Giraffe bounces it back off his nose (and is

    pushed back by doing so). Jeff is visibly pushed back as he returns the ball. Boy raises his arms again, ready to catch ball.
  16. Camera cuts to wide shot of the ball being tossed

    back and forth in the sky as time passes, showing their relationship's longevity.
  17. Sun does not necessarily have to be visible but the

    angle of the sunlight should change as depicted.
  18. Camera cuts to wide shot of the ball being tossed

    back and forth in the sky as time passes, showing their relationship's longevity.
  19. Ice cream truck enters from behind camera. It should jiggle

    a little on its suspension as it drives down the path.
  20. Close up of the kid's face before the ball arrives

    at him. We hear the music of an ice cream truck in the distance. This causes the kid to turn his head towards the noise. The ball(which was still in the air) hits the side of his head and bounces a few times on the ground. In this moment the boy should still seem fully attentive to the game, poised ready for the ball.
  21. Have ice cream truck awning swish forwards and sharply back

    as the truck stop. The boy is turning with his full body
  22. Boy's head should be knocked forwards by the impact of

    the ball, but his expression should be unfazed.
  23. The ball limply drops to the ground. Sound note to

    hear ball hit the sand, as the boy turns away.
  24. The ball limply drops to the ground. Sound note to

    hear ball hit the sand, as the boy turns away.
  25. We see the ice cream truck from behind the kid.

    The kid turns and runs towards it.
  26. Cut back to the giraffe, showing him follow the boy’s

    movement with the head while doing a “loving” sigh. Camera stays centered on Jeff, traveling with him as the current pulls him back.
  27. The giraffe suddenly realizes that he is getting further and

    further from the beach, and begins to panic a little. Jeff freezes as he realises where he is. Ears slowly lowers, eyes slowly widen Buoy comes into frame on right side
  28. Camera zooms out rapidly to a wide shot quickly showing

    how far the giraffe has gotten from the beach. Quick pull out from previous panel
  29. Meanwhile in the background we see a buoy passing by

    right to left. Hold on EW as eyebrows, ears and tails droop
  30. Jeff notices the buoy and shifts into full panic. Jeff

    notices the buoy and shifts into full panic
  31. He leaps out of the water a little, shocked by

    this thing passing him he's only seen previously at great distance from the shore. His body wiggles in shock.
  32. His whole body moves as he fights the current. Jeff

    leans forward, full panic, trembling as he strains against the current.
  33. The boy in the foreground is excited to receive his

    ice cream. Out of focus in the background, we can still make out the shape of Jeff struggling.
  34. As the boy reaches for his cone, the camera shifts

    to Jeff behind him, and begins to zoom slowly as he strains.
  35. The boy pulls his ice cream into frame in the

    foreground, as Jeff stops straining, his ears drop.
  36. Jeff looks on sadly realising he can't fight the current.

    Jeff looks on sadly realising he can't fight the current
  37. The giraffe drifts away from the beach and picks up

    some speed from the current.The Giraffe looks at the water before looking back to the cliffs.
  38. The shot shows the giraffe’s 1st person view looking at

    the white cliffs as he slowly but relentlessly gets dragged away from the beach and his friend. (Giraffe still facing the cliffs, kid unaware eating ice cream?). Every POV shot from Jeff on the water should have buoyancy.
  39. Jeff drifts forlornly for a while until he spins around,

    hearing splashing. He sees a dolphin swimming the same direction he’s going in. Jeff turns around, away from shore, towards the noise.
  40. The dolphin's enjoyment of the ocean rubs off on Jeff.

    His expression starts to change as he looks at and rides the fun, playful waves in the sun. Note: this is the beginning of the stage of denial.
  41. Giraffe curious at first, begins to smile enjoying the ride

    on the blue waves. The shadow of dark clouds moves over his face.
  42. Giraffe continues to have fun, until expression suddenly changes from

    glee to fear. Reflection of storm in Giraffe’s fearful eyes. Transition done through sudden thunder noises and lightning flashes quick white wipe out transition on screen.
  43. Camera sloshes around with the waves, as Jeff is pushed

    around, no longer riding the waves, but being bombarded.
  44. The sea is now dark, heavy rain pours and lightning

    appears in the background. Giraffe very frightened, as large waves start forming around him and moving him around.
  45. Maybe some sea spray on the camera here, as Jeff

    and the camera fully tossed around.
  46. Camera cuts to a wide shot behind the giraffe, framing

    a gigantic wave starts forming in front of him Huge wave begins forming.
  47. Camera frames close up of the giraffe's face from slightly

    above as the wave approaches the Giraffe. We see the giraffe helplessly looking up as an enormous shadow is cast on the scene. Ears drop.
  48. Once the wave arrives it covers the screen in a

    navy wipe for a few seconds. Allowing us to transition to the next sequence. The wave continues to grow as it approaches the camera.
  49. Light comes into the darkness as the camera is floating

    underwater. Bubbles and out of focus algae move past.
  50. Camera shows the Giraffe's perspective. The giraffe sees a reflection

    of his saddened (perhaps deflated self. Water creases deform the reflection of the giraffe making him look shattered.
  51. Camera cuts to a new scene,the storm is behind and

    the giraffe is exhausted from facing the storm. (small droplets show he is completely drenched). He is a little deflated. The sea is now streaked with red swirly patterns. This fascinates but also frightened the giraffe who at this point is clearly at the sea’s mercy.
  52. Faint, but visible image of boy and ball overlayed on

    rock shape. Perhaps hear echo of boy's laughter, and/or segment of score associated with beach one.
  53. As he floats, he bumps through the red algae. Jeff

    should be actively trying to push through the algae.
  54. The sky is now darker as evening approaches. Giraffe is

    in the center of the frame. Water is still. One algae is stuck to him. Red tide background fades out, grey sky and sea fade in.
  55. Close up of Giraffe’s face/eye as he sighs sadly and

    one small tear drop from his eye. Camera tracks tears as it flows down the face into the water.
  56. Camera centered on Giraffe, lots of space in every direction

    to emphasize loneliness. Colors are very gray, hard to see where the sea ends and the sky begins. Rain idle but present, making ripples in the sea. Fade to black to emphasize loneliness Hold on Jeff alone in nothingness with the rain.
  57. Fade back in Scene a bit less gray than before,but

    slightly desaturated. Giraffe, visibly depressed and deflated, has been traveling for some days. multiple Algaes are stuck to his body. Gliding along the water, letting it lead him with no real care what happens. Jeff is drifting idly. His expression unchanging, and just so very tired.
  58. Light falls on the Giraffe, he blinks a few times

    as if waking up. He looks around to see colours slowly coming back to normal vibrancy, an environment more tropical than before. He looks curious and mildly interested in his surroundings. Light should peak in slowly and expand over Jeff's face and the scene.
  59. 1ST PERSON SHOT of giraffe looking to the crystal clear

    water at first and the in the distance where we see an Hawaiian island (out of focus to in focus). His eye catches on a girl coming out of a hut on the beach, about the same age as the boy. Watching the Giraffe approach with some gleeful wonder. [Jeff POV] Drifting forwards, beach two comes into focus.
  60. He jolts a bit in surprise at the drag of

    the sand below him as he is pushed ashore.
  61. Camera pointing at the girl. She runs towards him with

    a curious but happy face. Door opens, and girl pokes her head around curiously before exiting.
  62. Girl's hand should move slowly as she is gentle, in

    response to Jeff's unease. His head tilts towards head hand a little as she tugs the algae off his ear.
  63. Camera cuts to a shot of the girl pumping up

    the giraffe’s valve who starts to take form again. Jeff hops up with the pumps of air as he reinflates.
  64. She lifts the giraffe up in the air in all

    his “glory”. In a circular motion, his head passes the sun. The girl brings him down to head level and hugs him similarly to what the boy in the past did.
  65. Close up of the giraffe's face which is resting past

    the girl's shoulder given his long neck. His expression goes from hesitant to happy and content. She pulls him closer, and he relaxes a little.
  66. Getting the rhythm, Jeff tilts his head a little with

    the girl's dancing, and wags his tail harder.
  67. Jeff now begins to display a bit of hula technique

    in the way he moves his neck, having fun with the girl.
  68. As Jeff plays the pahu, he wags his tail, and

    the girl taps he foot in time with his rhythm as she strums.
  69. 45 evening/night they sit by the fire and stare at

    the night sky, the moon, and the sea. As this sequence proceeds more and more coconut piles up.
  70. Camera pan upward from the same position showing a shot

    of the night sky in all its beauty. Shortly after the sun rises bringing a new day.
  71. The girl knows it is now time to say goodbye.

    The girl is already standing when we pan back down.
  72. Jeff leans in and flattens his ears and ossicones to

    help. The girl's hair falls back into place.
  73. The girl stands up, takes off her flower necklace and

    puts it around the giraffe’s neck. Girl lets go and lets the lei fall onto Jeff's neck.
  74. She contentedly tilts her head to the side. Jeff is

    happy, if not understanding of her actions.
  75. Camera looking toward the beach background. The girl hugs the

    giraffe one more time, this time she squeezes him a bit tighter (very heartfelt hug). This should pretty much be an exact mirror of the boy and Jeff's hug.
  76. The camera focuses on the hand motion and the lilo

    making contact on the wave. While still gentle, this should be a much more purposeful movement of Jeff. He is confident now she knows she doesn't need to be as delicate.
  77. Jeff looks at girl with puppy-dog eyes, not understand what

    is happening. Jeff looks a little sad and confused.
  78. Jeff looks at girl with puppy-dog eyes, not understand what

    is happening. Jeff tilts his head in confusion as his puppy-dog eyes grow, and he is pulled back to sea.
  79. Camera frames the shore as the girl waves bye from

    the beach [Jeff POV] Hold as he is pulled away, watching the girl still smiling at him.
  80. He looks down and notices the necklace. He notices the

    lei floating in the water and looks down, camera follows.
  81. The necklace around his neck floats in the water. Meaning

    he has gained something compared to when he was alone at sea. this shot is in parallel with the one in the 3rd stage of grief (red tide) Hold on the lei floating in the gentle waves.
  82. Giraffe realizes the new life he has and pictures himself

    immersed in different cultures, wielding different items similar to the necklace. Camera pans to the side as Jeff lift his tail.
  83. Giraffe realizes the new life he has and pictures himself

    immersed in different cultures, wielding different items similar to the necklace. Diwali at the Golden Temple in India fades in. Jeff wags his tail, and ears perk up.
  84. Giraffe realizes the new life he has and pictures himself

    immersed in different cultures, wielding different items similar to the necklace. India fades out.
  85. Giraffe realizes the new life he has and pictures himself

    immersed in different cultures, wielding different items similar to the necklace. Luo women carring baskets in Kenya fade in. Jeff's tail sways with them, and his ears drop slightly in appreciation.
  86. Giraffe realizes the new life he has and pictures himself

    immersed in different cultures, wielding different items similar to the necklace. Kenya fades out.
  87. Giraffe realizes the new life he has and pictures himself

    immersed in different cultures, wielding different items similar to the necklace. Carnival in Brazil fades in. Jeff wiggles, dancing.
  88. Giraffe realizes the new life he has and pictures himself

    immersed in different cultures, wielding different items similar to the necklace. Brazil fades out.
  89. Giraffe realizes the new life he has and pictures himself

    immersed in different cultures, wielding different items similar to the necklace. Men carving bamboos in Australia fades in. Jeff tilts his head thoughtfully, ans lifts his ears attentively.
  90. Giraffe realizes the new life he has and pictures himself

    immersed in different cultures, wielding different items similar to the necklace. Australia fades out.
  91. Giraffe realizes the new life he has and pictures himself

    immersed in different cultures, wielding different items similar to the necklace. Emperor penguins in Antarctica fade in. Jeff's tail goes wild.
  92. Giraffe realizes the new life he has and pictures himself

    immersed in different cultures, wielding different items similar to the necklace. Antarctica fades out.
  93. With a smile, Giraffe does an excited spin like a

    dog before pushing himself forward and out of frame, using his tail like a propellor. Excited to start traveling. His tail whirs like a propeller as he zooms out.
  94. Giraffe drifts into the horizon. The sky changes to a

    warm sunset as he swims out into the big wide world.