Sketchnotes – Combining the power of words and visuals

Sketchnotes are a way of capturing ideas in an engaging and visual way by combining the power of sketching and writing.

This talk gives an introduction to visual note taking and shares the main characteristics that make it a great tool for designers (and anybody else) to capture conference talks, meetings or ideas. It shows and analyses lots of examples from different sketchnoters and shares tips from personal experience. The talk points out the main principles and building blocks of sketchnotes as well as lots of inspiration for you to jump straight into taking your own visual notes.

Transcript

1. Combining the power of words and visuals
3. I AM GOING TO TALK about Sketchnotes...
4. What Is That???
35. Notes by Jason Mesut, Kai Chan Vong, Jay Freshuk
36. Notes by David Potsiadlo
44. 1 2 3 4 5 6 x x x
48. Notes by Austin Kleon
49. Notes by Austin Kleon
50. Notes by Austin Kleon
54. Notes by Mike Rohde
55. Notes by Austin Kleon
56. Notes by Jessica Esch
57. Notes by Amanda Wright
59. Nelson, D.L., Reed, U.S., & Walling, J.R. (1976). Pictorial superiority effect. Journal of Experimental Psychology: Human Learning & Memory, 2, 523-528 PictOrial Superiority Effect
60. Nelson, D.L., Reed, U.S., & Walling, J.R. (1976). Pictorial superiority effect. Journal of Experimental Psychology: Human Learning & Memory, 2, 523-528 PictOrial Superiority Effect
61. Nelson, D.L., Reed, U.S., & Walling, J.R. (1976). Pictorial superiority effect. Journal of Experimental Psychology: Human Learning & Memory, 2, 523-528 PictOrial Superiority Effect
62. PictOrial Superiority Effect
63. PictOrial Superiority Effect
64. PictOrial Superiority Effect
65. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
66. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
67. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
68. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
69. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
70. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
71. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
72. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
73. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
74. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
75. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
76. DUAl CodiNg TheoRy Paivio, A (1971). Imagery and verbal processes. New York: Holt, Rinehart, and Winston. Paivio, A (1986). Mental representations: a dual coding approach. Oxford. England: Oxford University Press.
78. Jackie Andrade (2009). What does doodling do?. Applied Cognitive Psychology, Vol. 23, No. 3
84. Nelson, D.L., Reed, U.S., & Walling, J.R. (1976). Pictorial superiority effect. Journal of Experimental Psychology: Human Learning & Memory, 2, 523-528 PictOrial Superiority Effect
87. Lettering by Nate Williams
88. Illustrations by Kevin Cornell and Matthew Sutter – www.TheSuperest.com
90. Notes by Craighton Berman
115. Notes by Craighton Berman
119. Bleeding Art by Daniel Eatock
129. Photo by Eva-Lotta Lamm
130. Sketches by Eva-Lotta Lamm
132. People are Drawn to visuals
133. ‘Reading’ Visual Explanations is an Interactive ProcesS
134. ‘Reading’ Visual Explanations is an Interactive ProcesS
135. Non-linear Structures Reveal ConNectioNs and PatTerNs
136. Visual Overview On one Sheet
142. SKEtCHinG = DRAWING
144. Schematic by Scott McCloud, Understanding Comics
145. Schematic by Scott McCloud, Understanding Comics
146. Schematic by Scott McCloud, Understanding Comics
158. Sketchnotes by Amanda Wright and me
159. Sketchnotes by Amanda Wright and me
178. Tea sketch by Dave Gray
179. Tea sketches by Austin Kleon
180. Tea sketches by Till Lassmann
215. Bleeding Art by Daniel Eatock
227. www.evALOTta.NET #sketchnotes @EValotTchen www.sketchnotesbOok.COM sketchnotesbOok.COM/ resources