Curatorial Projects 2018

Dossier

Transcript

1. Curatorial Projects
2. HUNTERDON ART MUSEUM Multiple Ones: Contemporary Perspectives in Printmedia May 13 – September 2, 2018 Curated by Sheila Goloborotko Justin Barfield Shawn Bitters Florence Gidez Rebecca Gilbert Ruthann Godollei Brandie Grogan John Hitchcock Andrew Kozlowski Lauren Kussro Nathan Meltz Guen Montgomery Jill Parisi Andrew Raftery Samantha Parker Salazar Marliee Salvator Mizin Shin Swoon Eszter Sziksz
3. HUNTERDON ART MUSEUM Multiple Ones: Contemporary Perspectives in Printmedia MAY 13 – September 2, 2018 Curated by Sheila Goloborotko Justin Barfield Shawn Bitters Florence Gidez Rebecca Gilbert Ruthann Godollei Brandie Grogan John Hitchcock Andrew Kozlowski Lauren Kussro Nathan Meltz Guen Montgomery Jill Parisi Andrew Raftery Samantha Parker Salazar Marliee Salvator Mizin Shin Swoon Eszter Sziksz
5. Multiple Ones: Contemporary Perspectives in Printmedia There is a freshness and contemporary pulse to Printmaking that is taking the art world by surprise. This medium has for centuries been associated with the making of flat, editioned images—mostly on paper—using specific equipment and printing elements, also known as “matrixes." Printmaking is more than that; it is, in its essence, as visual artist Päivikki Kallio (2015) describes, a collective process in which each part shares equal importance: the inks, the matrixes, the paper, the equipment, and the print. The final proof and the editioned prints are—as all other elements—an equal part of this collective. It is utterly democratic, as it has the potential to create numerous original prints that can be widely distributed. However, with the development of the digital cosmos, the potential for editioning and multiplication has become meaningless and at times nostalgic; nowadays, everything can be transmitted and shared on multiple platforms, numerous times. The eighteen contemporary printmakers in this exhibition are less concerned with printing editions and more interested in multiple originalities. They have removed the artificial boundaries around printmaking to really understand the process and have contextualized printmaking also as a participatory, rather than only a democratic process. Here is a technique that is so porous, it can act like a sculpture and inhabit three dimensions; it can mimic a painted mural as it sprawls across a wall. What’s more, its materiality is astounding. The prints in this exhibition are on porcelain, recycled wood, and melting ice; they live in the toxic residue left by the contaminated water of Flint, Michigan, and are even inked onto good old fashioned paper—only sideways, on the paper’s, less-than-millimeter thick, bleeding edge. They hang frameless, flexible, folded, and are built like a puzzle or planted as a garden. They are ethereal, unearthly, or oxidized— created by the oxygen both you and I breathe. Some are architectural; others are biological. Some occupy the physical space, others a limited state or temporal transition. Every work in this exhibition was originated from one or more printing elements, either physical matrixes or digital vectors. Prints were all somehow manipulated—cut, folded, burnt, fired, mounted, recorded, or pasted. All these actions reveal the innate familiarity printmakers have with matters of time, space, gravity, and pressure. Diversity is the watchword here, yet all these artworks do have one thing in common: they form an open-ended mode or a network of nomadic relationships among all elements in the collective printmaking process. Each piece is a unique art object, less concerned with Printmaking’s legacy as "edition" than it is inspired by its amazing ability to be both “original” and multiple at once. We live in fast-paced society, and in trying times. Prints can help us embrace the unique essence that dwells amidst diversity, the Unity that comes from embracing a world seen from countless points of view. Sheila Goloborotko, 2018
6. Justin Barfield http://www.justinbarfield.com/ Scrap Pile Paper, Rust, & Wheat Paste, Variable Dimensions, 2014.
7. Shawn Bitters http://shawnbitters.com/section/2375510000000.html Yellowstone Dawn Screenprint, Gouache, and Plexiglass 27.5x 27.5 x 12 inches, 2017.
8. Florence Gidez http://www.florencegidez.com/buildings The Last Resort Silkscreen, Cardboard. 14.25 x 16.5 x 26 inches 2018.
9. Rebecca Gilbert http://www.rebeccaprint.com/work/print-sculptures-installations/shine http://www.rebeccaprint.com/work/print-sculptures-installations/raised-bed-fortune-patch-1 Shine Reduction woodcuts mounted on foam core, Approx. H 15" x W 120", 2012. Raised Bed Fortune Patch Photo etchings on Japanese paper, 2010 – 2012.
10. Ruthann Godollei http://www.mnartists.org/artwork/go-ask-alice Drink me Laser cut stencil, sandblasted glass apothecary jar, adulterated water with letterpress label, 2017. Sign Screenprint on plastic ribbon, 2017.
11. Brandie Grogan http://www.brandiegrogan.com/gallery/ What is the Meaning of All This Silkscreen on reclaimed wood 18” x 3” x 22.5”, 2018.
12. John Hitchcock http://www.hybridpress.net/installations- The Protector Screenprint on Wood, variable sizes, 2015.
13. Andrew Kozlowski http://www.andrewkozlowski.com/installations.html Trophy Room Site specific installation vinyl cut, 2016.
14. Lauren Kussro http://www.laurenkussro.com/waterscapes/b37r320fgwexw319oropuqd2obdj1y We held to each other so tightly, we became as one Silkscreen and monotype on paper, thread, beads, variable size, 2013.
15. Nathan Meltz http://nathanmeltz.com/artwork/4012603-Crystal-City-Installation.html Crystal City Installation, Screenprinted Sculpture, 9'x4'x5', 2016.
16. Guen Montgomery http://guen-montgomery.com/ Everything Parse, Knives, Bowl (2017) Eventually, Sugar Bowl (2016) Series of silver-plate objects with selective tarnish removal. These pieces are time-based, the images and text now visible will fade as atmospheric gases cause the tarnish to return.
17. Jill Parisi http://www.jillparisi.com/lichen/ Intertidal Dreamscape Etching and pyrography on handmade paper, 67 x 22 x 22 inches, 2017.
18. Andrew Raftery http://ryanleegallery.com/artists/andrew-raftery/ Autobiography of a Garden on Twelve Engraved Plates Engraving transfer-printed on glazed white earthenware plate, 12 1/2 x 12 1/2 inches, 2009- 2016.
19. Samantha Parker Salazar http://www.sparkersalazar.com/2015-1/ss6h8i1qqhqf2l97ulaj3dhj4rm5i3 Rising Installation, Monotype on hand-cut paper, paint, vinyl, rope, PEX piping, flagging tape, 2015-2017
20. Marliee Salvator http://marileedsalvator.com/?cat=32 Growth Pattern Etching, screenprint, and wood, 2017.
21. 8 Mizin Shin http://www.mizinshin.com/post/166312018490/how-things-are-made-with-virtual-city-2017 How Things Are Made with Virtual City Installation (648 screen-printed cubes used), Variable size, 2017.
22. Swoon https://swoonstudio.org/ Moni and the Sphynx, Signed Original Varied Edition 2/9 Block print on mylar with hand painting and coffee stain, 84" x 76", 2017.
23. Eszter Sziksz http://4.bp.blogspot.com/-sky7cET5EEM/VlNTSTAY1WI/AAAAAAAACoo/cCwtFvAZaR8/s1600/IMG_6654.jpg https://szikszeszter.wixsite.com/mysite/street-art The Space Between Us Screenprint, 6” x 9”, 2108 Liquid Id Video: Print on ice, 2014 Additional Info: Video Monitor looping several videos of prints on ice and sugar by artist.
25. Lysis Andrea Frank UNF Gallery of Art January 18 - March 30, 2018
26. A N D R E A F R A N K L Y S I S
27. 1/19, 1:30–2:45 PM Lysis: Gallery Visit and Conversation A gallery talk with visiting artist Andrea Frank, assistant professor of photography and related media, State University of New York at New Paltz, moderated by Sheila Goloborotko, assistant professor of printmaking. Cosponsored by the Department of Art and Design. UNF Gallery of Art, Building 2/Suite 1001 2/9, Noon–1:15 PM What is Science? Then and Now, Here and There Aaron Creller, assistant professor of philosophy. Building 4/Room 1705 2/23, Noon–1:15 PM Human Response to Natural Disasters in a Digital Age Emma Apatu, assistant professor of public health. Building 4/Room 1705 3/2, Noon–1:15 PM Transition of South Korea into a Racially/Ethnically Diverse Society Shinwoo Choi, assistant professor of social work. Building 4/Room 1705 3/9, Noon-2:45 PM International Studies/Digital Humanities Symposium (Noon-1:15 PM) Intersections between International Studies and Digital Humanities, a panel discussion. Building 58W/Room 3703 (1:30-2:45 PM) Showcase of International Digital Projects. Building 58W/Rooms 3804-3806 Cosponsored by the UNF Digital Humanities Initiative and the UNF Center for Instruction and Research Technology 3/30, Noon–1:15 PM Embroidering for Peace and Memory Showcase Constanza López, associate professor of Spanish and student participants. The Green (Building 4/Room 1705 in case of rain) 4/6, Noon–1:15 PM From Supply Line to Supply Chains: The U.S. Military and the South Korean “Economic Miracle” Patrick Chung, assistant professor of history. Building 4/Room 1705 4/13, Noon-12:55 PM Senior Seminar Research Exhibit, as part of Showcase of Osprey Advancements in Research and Scholarship (SOARS). Building 58W/Room 3703 New and Old I N T E R N A T I O N A L S T U D I E S L E C T U R E S E R I E S S P R I N G 2 0 1 8 These events are free and open to the UNF community. For more information contact Clayton McCarl, clayton.mccarl@unf.edu.
28. Andrea Frank Lysis toward a sensory ecology UNF Gallery of Art University of North Floida, Jacksonville, FL January 18 - March 30, 2018 Curated by Sheila Goloborotko Exhibition sponsored by UNF Art and Design Department, Environmental Center and UNF International Studies Program.
29. Andrea Frank Lysis In the time before, the world was resilient, beautiful, and strong. It happened through the magwic of blood flowing through capillaries, and the magic of tiny seeds turning into giant redwoods, and the magic of long relationships between rivers and mountains, and the magic of complex dances between all members of natural communities. It took life and death, and the gifts of the dead, forfeited to the living, to make the world strong.” -Derrick Jensen When I Dream of a Planet in Recovery Andrea Frank captures the images of minute natural changes in the forest. Focused on an uprooted tree, a leaf, some bark and moss, she reveals what sustains and surrounds us, an interconnected ecosystem and its immeasurable power and magnitude. Large, archival pigment prints are digitally composed and at times scratched or hand colored. Images of woodland breathe change and survival as the work shows elegance even in the images of decay that beseech our attention, and help. We read the residual images of a forest as pieces of a lost palimpsest, as we immerse ourselves in the voyage to what is left of our once natural environment. Minimal, but with keen and meticulous vision, no color is picked to embellish the image, but to call attention, to signal danger, to direct focus. In another series, water based inks are screenprinted over the seemingly fluid stroke of minuscule droplets of ink that make up the photographic images. At times, these overprints create shadow, transparency, or the simple geometry of a flat surface of color. What is shown here is all magic, like the force that made the forest and the magic that helps to rebuild it. Sheila Goloborotko, 2018
30. Exhibition Documentation: Installation Views
35. CUTS, 2012, digital video, 3 minutes 42 seconds CUTS is a video piece featuring a forest photograph, which is sandwiched between plexi sheets. A laser cutter traces lines and shapes in the image, destroying it in the process. The laser cutter appears as a massive machine, its relentless noise mixes with forest sounds and a layer of ethereal sounds. http://andreafrank.net/CUTS/CUTSindex.html
37. Image Catalogue of Exhibited Works
38. Convergences #4, 2015 mixed media on archival pigment print, 36 in. x 36 in.
39. Convergences #5, 2015 mixed media on archival pigment print, 36 x 36 in.
40. Convergences #2, 2015 mixed media on archival pigment print, 44 x 48 in.
41. Convergences #1, 2015 Mixed media on archival pigment print , 24 x 211 in. top: detail
42. Untitled (forest pool 1), 2016 scrached archival pigment print, 60 x 44 in.
43. Untitled (forest pool 3), 2017 scrached archival pigment print, 60 x 44 in.
44. Untitled (milkweed) series, 2016 scratched archival pigment prints, 45 x 24 in. each
45. Untitled (milkweed) series, 2016 scratched archival pigment prints, 45 x 24 in. each
46. Untitled (apple orchard), 2016 scratched archival pigment print, 44 x 55 in.
47. Untitled (scratched), 2016 scratched archival pigment print, 36 x 44 in.
48. Untitled (mossy), 2016 scratched archival pigment print, 44 x 58 in.
49. Untitled (central web), 2016 archival pigment print, 44 in. x 44 in.
50. Untitled (explosion), 2016 archival pigment print, 44 in. x 76 in.
51. Untitled (log), 2014 gouache on archival pigment print, 19 1/2 in. x 163 in.
52. Untitled (bees), 2012 – 18 Laser-cut Plexi sandwich mounted archival pigment prints Installation, dimensions variable, ½ in. x ½ in. x 3/8 in. each
53. Untitled (big water), 2016 archival pigment print, 56 x 44 in.
54. Lysis (portfolio of 20 unique silkscreen prints), 2014 silk screen on archival pigment prints created with master printer Sheila Goloborodko 19 in. x 13 in. each. paper dimensions variable
55. Lysis (portfolio of 20 unique silkscreen prints), 2014
56. Lysis (portfolio of 20 unique silkscreen prints), 2014
57. Artist talks in the gallery
58. Bob Self, “Environmental art show opens at UNF Gallery”, The Florida Times-Union, January 19, 2018 “Museum’s receptoin to feature free music Thursday: Environ- mental Artist’s Photos on Ex- hibit”, The Florida Times-Union, January 24, 2018
59. System Drawing Session, UNF Gallery of Art and University Nature Preserve, January 2018 We explored the nearby Nature Preserve before engaging in the gallery space with paper scrolls and waste material left over from the exhibition installation.
60. About System Drawing Collaborative Environment and Process Explorations Andrea Frank developed the System Drawing format through a series of experi- mental transdisciplinary think tanks (2014 - 2017). She has since hosted a range of System Drawing sessions in gallery, community, transdisciplinary research, and classroom contexts. The larger project is thematically framed by pressing environ- mental concerns, and our collective inability to address them effectively in spite of clear warning signs. While some System Drawing sessions map out and fluidly guide evolving conversation on prepared images, others sidesteps rational inquiry in favor of group-based creative processes that support new ways of consciously engaging with our context and each other, producing what could be called “em- bodied knowledge.” Each session is a site specific experiment and process exploration. It starts with body work loosely based on “Plastiques”, a technique founded by Polish theatre director and revolutionary Jerzy Grotowski. Starting from the idea that our socially determined body is protecting and limiting us much like an armor, we work quite literally on prying open this armor by the joints, and in the process our whole body can be experienced as an intuitive sensory organ. Through a slow site walk we consciously enter into dialogue with our specific context. A range of tools and materials are at hand for the walks and the following experimental collaborative System Drawing sessions. The process evolves through intuitive interactions, with each participant heeding their impulses and fluidly contributing to an evolving story. The session is followed by informal conversations and exchange.
61. System Drawing session as part of the solo exhibition Systems: Trees at TeamLove Ravenhouse Gallery, New Paltz, July 2014 Invited participants: a tree ecologist, a symbolic studies scholar, a farmer, the Mohonk Preserve Research Center Director, an herbalist, a farmer, open to the public. System Drawing session as part of the Kingston, NY O+Festival at the Midtown Kingston Library, October 2016 The site specific images were created in part by Kingston Hight School students. The session was as usual introduced through Plastiques body work followed by a slow walk through the neighborhood. (image credit: Francois Deschamps)
62. System Drawing session at Dimora Oz, Palermo, Italy, November 19, 2016 The session was scheduled to coincide with the solo exhibition entitled Systems: Studies at Dimora Oz. System Drawing session at the Samuel Dorsky Museum in New Paltz, NY, working with images from the concurrent faculty exhibition installation entitled Intimately Unfamiliar, March 2017
63. System Drawing at Society for Photographic Education Conference, Orlando, FL, March 2017 Heeding Impulse, a project hosted by CHRCH Project Space with collaborative contributions by Michael Asbill An exploration of life force in relation to consciousness through a series of experiential site specific System Drawing ses- sions, Summer 2017. Funded through a project grant by Arts MidHudson.
64. left: Heeding Impulse: Sensory Ecology, Sky Lake Retreat Center, May 2017 right: Heeding Impulse: Germination Explorations, Hudson Valley Seed Company Farm, August 2017 (image credit: Alyssa Scharf) Heeding Impulse: Common Wealth, CHRCH Project Space, September 2017 In this session, we used carbonized wood and weeds from the Hudson Valley Seed Company Farm prepared by Michael Asbill and other edibles as our engagement tools.
65. Curator: Sheila Goloborotko, Assistant Professor of Printmaking s.goloborotko@unf.edu Galleries Coordinator: Jim Draper, UNF jim.draper@unf.edu Gallery Assistant: Laura Schwenn, UNF n00933472@unf.edu International Studies Program Director: Clayton McCarl, Associate Professor of Spanish clayton.mccarl@unf.edu Coordinator, Environmental Center: James W. Taylor j.taylor@unf.edu Artist: Andrea Frank, Assistant Professor, Head of Photography Program, SUNY New Paltz, NY franka@newpaltz.edu, www.andreafrank.net
66. 1 Lysis - Andrea Frank | at the UNF Gallery of Art https://www.youtube.com/watch?v=j3P5sLyKJKA&feature=youtu.be 2 Current Exhibitions https://www.unf.edu/gallery/ 3 Spring 2018 Lecture Series: "New and Old" http://www.unf.edu/coas/intlstudies/Lecture_Series_Spring_2018.aspx 4 Andrea Frank Artist Workshop http://www.unf.edu/onewing.aspx?id=75162018088 5 Facebook Preserve https://www.facebook.com/events/1552767994830179/ 6 Environmental Photo Exhibit at UNF http://www.jacksonville.com/arts/entertainment/2018-01-21/arts-notes-bath-party- performs-monday-beaches-museum-chapel Lysis Andrea Frank Additional Artifacts
67. Lysis, UNF Gallery, Jan18 https://www.youtube.com/watch?v=j3P5sLyKJKA&feature=youtu.be
68. A-Z INDEX Custom Search Go Unverified January 6, 2018 - March 25, 2018 January 11, 2018 at 6:00-8:00 pm. The UNF Gallery at MOCA Jacksonville features the photographs of Robert and Shana ParkeHarrison, Lori Nix, Kahn and Selesnick, Cortis and Sonderegger, Thomas Jackson and Jennifer B. Thoreson. Curated by Alexander Diaz and Kally Malcom, UNF Department of Art and Design. The exhibition will be on display at the UNF Gallery of MOCA Jacksonville, 2nd Floor, 333 N. Laura St., Jacksonville, FL, 32202, 904-366-6911. In All The Ways You Can: The Legacy of Eartha M.M. White January 8, 2018 - March 16, 2018 January 25, 2018 at 5:00-8:00 pm. The Lufrano Intercultural Gallery Division of Student Affairs and the Department of Diversity Initiatives celebrate the legacy of Jacksonville native Eartha M.M. White. Featuring the works of Fabricio Farias, Gary Grier, Hope McMath and Roosevelt Watson III. The exhibition will be on display at the Lufrano Intercultural Gallery, a Division of Student Affairs, UNF Student Union, Building 58E, Suite 2401, 1 UNF Drive, Jacksonville, FL, 32224. All Gallery events are free. UNF charges $5 for parking (no charge after 5:00 pm on Fridays). Lysis: Andrea Frank Curated by Sheila Goloborotko, Assistant Professor of Printmaking, Department of Art and Design, University of North Florida January 18, 2018 - March 30, 2018 January 18, 2018 at 5:30-8:00 pm. The UNF Gallery of Art welcomes contemporary artist, Andrea Frank, from New Paltz, New York to Jacksonville, Florida. Andrea's stunning works explore the concept of Lysis, defined as: /'laisis/LY-sis 1. a combining form with the meaning "breaking down, loosening, decomposition," used on compound words: analysis, electrolysis, paralysis. 2. a process of disintegration or dissolution (as of cells). The exhibition will be on display at the UNF Gallery of Art, Building 2/Founders Hall, 1 UNF Drive, Jacksonville, FL, 32224, 904-620-2534. All Gallery events are free. UNF charges $5 for parking (no charge after 5:00 pm Fridays). See a chat with Jim Draper, Curator of Galleries at University of North Florida, and a brief view of "Lysis" by Andrea Frank, courtesy of UNF Video Production student Bobby Hessler: https://www.youtube.com/watch? v=j3P5sLyKJKA&sns=em Pre[serve] Open Call to Artists March 2, 2018 The Pre[serve] Art Exhibition is a UNF student and alumni juried exhibition featuring works inspired by the Sawmill Slough Preserve, a 382-acre nature preserve located on the UNF campus. For a second year, the Department of Art & Design and the Environmental Center are collaborating on an art exhibition to highlight the importance of conservation for this focal point of campus life. The exhibition will be on display at the Lufrano Intercultural Gallery on UNF campus from March 29 through April 27, 2018. The opening reception will be on Thursday, March 29, 5:00-7:00 pm SUBMISSION DEADLINE: Works must be submitted by Friday, March 2, 2018. Artwork must be accompanied by digital mapping location (GPS coordinates). For more details and the link for online submissions, go to the UNF Current Exhibitions Galleries UNF GALLERY OF ART Location Building 2/Founders Hall, 1st Floor, Suite 1001 1 UNF Drive, Jacksonville, FL 32224 Hours Mon 12:00-7:00 p.m. Tues 10:00 a.m.-4:00 p.m. Wed 10:00 a.m.-4:00 p.m. Thurs 12:00-4:00 p.m. Fri By Appointment CYNTHIA & WALTER R. GRAHAM, JR., M.D., STUDENT ART GALLERY Location Thomas G. Carpenter Library Building 12/Library, 2nd Floor 1 UNF Drive, Jacksonville, FL 32224 Hours Mon-Fri 8:00 a.m.-5:00 p.m. LUFRANO INTERCULTURAL GALLERY Location UNF Division of Student Affairs Building 58E/Student Union, 2nd Floor, Suite 2401 1 UNF Drive, Jacksonville, FL 32224 Hours Mon-Thurs 9:00 a.m.-5:00 p.m. Fri 9:00 a.m.-3:00 p.m. UNF Admission All gallery events are free and open to the public. UNF charges $5 for parking (no charge after 5:00 pm Fridays). View Campus Map UNF GALLERY AT MOCA JAX Location Museum of Contemporary Art Jacksonville 333 North Laura Street, 2nd Floor Jacksonville, FL 32202 Hours Tues, Wed, Fri 11:00 a.m.-5:00 p.m. Thurs 11:00 a.m.-9:00 p.m. Sat 11:00 a.m.-5:00 p.m. Sun 12:00-5:00 p.m. MOCA Admission Free for all UNF students. Adults are $8. View Map Contact Jim Draper, Curator of Galleries (904) 620-2534 Mailing Address 1 UNF Drive Building 45, Room 2022 Jacksonville, FL 32224 About the Galleries Current Exhibitions Upcoming Exhibitions Previous Exhibitions Art on Campus How to Exhibit
69. Environmental Center website at www.unf.edu/ecenter/parks/Art_Exhibition.aspx. (Image, "Grassy Grasshopper Grazing on Green Grass" by Ricder Ricardo, 2016 Pre[serve] Best in Show.) Copyright © 2018 University of North Florida 1 UNF Drive | Jacksonville, FL 32224 | Phone: (904) 620-1000 Contact | Emergency | Privacy | Regulations | Consumer Information Website Accessibility | Disability Accommodations
70. UNF COAS A-Z INDEX Custom Search Go Overview Statement on Diversity and Inclusion Lecture Series International Mondays Other Events Student/Alumni News Information for... Resources Policies Contact Lecture Series Spring 2018: "New and Old" 1/19 1:30-2:45 PM Lysis: Gallery Visit and Conversation A gallery talk with visiting artist Andrea Frank, assistant professor of photography and related media, State University of New York at New Paltz, moderated by Sheila Goloborotko, assistant professor of printmaking. Cosponsored by the Department of Art and Design. UNF Gallery of Art, Building 2/Suite 1001. 2/9 Noon–1:15 PM What is Science? Then and Now, Here and There Aaron Creller, assistant professor of philosophy. Building 4/Room 1705 2/23 Noon–1:15 PM Human Response to Natural Disasters in a Digital Age Emma Apatu, assistant professor of public health. Building 4/Room 1705 3/2 Noon–1:15 PM Transition of South Korea into a Racially/Ethnically Diverse Society Shinwoo Choi, assistant professor of social work. Building 4/Room 1705 3/9 Noon-2:45 PM International Studies/Digital Humanities Symposium Noon-1:15 PM, “Intersections between International Studies and Digital Humanities,” a panel discussion featuring Crystal Andrea Felima, CLIR Postdoctoral Fellow in Caribbean Studies Data Curation, George A. Smathers Libraries, University of Florida; Josh Gellers, assistant professor of political science, University of North Florida; Hélène Huet, European studies librarian, University of Florida, and vice–chair, Florida Digital Humanities Consortium; Barry Mauer, associate professor of English and director, Texts and Technology Ph.D. program, University of Central Florida; and Tiffany Earley–Spadoni, assistant professor of history, University of Central Florida. Building 58W/Room 3703 1:30-2:45 PM, Showcase of International Digital Projects. Building 58W/Rooms 3804-3806 Cosponsored by the UNF Digital Humanities Initiative, and the UNF Center for Instruction and Research Technology 3/30 Noon–1:15 PM Embroidering for Peace and Memory Showcase Constanza López, associate professor of Spanish and student participants. The Green (Building 4/Room 1705 in case of rain) 4/6 Noon–1:15 PM From Supply Line to Supply Chains: The US Military and the South Korean “Economic Miracle” Patrick Chung, assistant professor of history. Building 4/Room 1705 4/13 Noon-12:55 PM Senior Seminar Research Exhibit, as part of Showcase of Osprey Advancements in Research and Scholarship (SOARS). Building 58W/Room 3703 Fall 2017: “Friends and Foes” 9/8, 1–2:30 PM Iterations: Lorrie Fredette Gallery visit and moderated discussion with exhibiting artist Lorrie Fredette. Moderator: Sheila Goloborotko, assistant professor of printmaking. Cosponsored by MOCA Jacksonville and the UNF Department of Art and Design. MOCA Jacksonville, 333 N. Laura St. 9/22, Noon–1:15 PM Making the Strange Familiar and the Familiar Strange Julie Ingersoll, professor and coordinator, Religious Studies Program. Building 58W/Room 3806 9/29, Noon–1:15 PM The Evolution of Offshore Financial Centers and Services: Twenty–First Century Economic Development Strategies Sharon Cobb, professor of economic geography. Building 58W/Room 3806 10/6, Noon–1:15 PM Genetically Modified Organisms: Friend or Foe? Dave Waddell, associate professor of biology and director, Biomedical Program. Building 51/Room 1209 10/20, Noon–1:15 PM Does Your Culture Influence Your Conflict Resolution Style? Dan Richard, associate professor of psychology and director of faculty enhancement, and Debbie Wang, professor of psychology. Building 58W/Room 3806 10/27, Noon–1:15 PM Foes and Neighbors: Community Solidarity in Pinochet's Chile Alison Bruey, associate professor of history. Building 58W/Room 3806 11/3, Noon–1:15 PM Grassroots Social Structures for Combating Stigma and Supporting Families Raising Children on the Autism Spectrum in Jamaica Angela Mann, assistant professor of psychology. Building 51/Room 1209 11/17 Noon–1:15 PM Senior Seminar Research Exhibit, as part of the inaugural International Research Symposium, co-sponsored by the International Affairs Office, the International Studies Program, the International Center, and the Office of Undergraduate Research. Building 58W/Room 3073 About the College Departments, Programs & Centers Unity Student Resources Career Planning Giving
71. Spring 2017: “Unseen Forces” 1/27, Noon–1:15 P.M. Forgotten and Invisible: Poison, Medicine, and Scientific Development at Malangali, Tanzania Chau Johnsen Kelly, Assistant Professor of History. Building 58W/Room 3804 2/3, Noon–1:15 P.M. U.S. Foreign Policy Challenges Under the New Trump Administration Ambassador Nancy Soderberg, Visiting Distinguished Scholar and Director of Public Policy Initiatives. Building 51/Room 1209 2/10, Noon–1:15 P.M. A Call for Global Perspective in Signed Language Interpreter Education in the U.S. Suzanne Ehrlich, Assistant Professor of Exceptional, Deaf, and Interpreter Education. Building 51/Room 1209 2/17, Noon–1:15 P.M. Stereotypes are Gendered: A Look at the Stereotyping of Men and Women of Various Racial Groups in the U.S. and U.K. Curtis Phills, Assistant Professor of Psychology. Building 5Madalena: The Entangled History of One Indigenous Floridian Woman in the Atlantic World1/Room 1209 3/3, Noon–1:15 P.M. The Impact of Culture on Management Theory and Practice Paul Fadil, Professor and Chair of the Department of Management. Building 51/Room 1209 3/10, Noon–1:15 P.M. On the Wealth of Nations in Latin America: Insights from the Writings of Alberto Guerreiro Ramos Dr. Sérgio Luís Boeira, Professor, Department of Administrative Science, Universidade Federal de Santa Catarina, Brazil. Building 51/Room 1209 3/31, Noon–1:15 P.M. Madalena: The Entangled History of One Indigenous Floridian Woman in the Atlantic World Scott Cave, Ph.D. Candidate in History, Pennsylvania State University. Cosponsored by the UNF Latin American and Caribbean Council and the UNF Department of History. Building 51/Room 1209 4/7, Noon–1:15 P.M. Gender and Politics in French Soudan/Mali: 1955-1968 Rosa De Jorio, Associate Professor of Anthropology. Building 51/Room 1209 4/14, 1:00–2:00 P.M. International Studies Senior Seminar Research Exhibit, presented as part of the Showcase of Osprey Advancements in Research and Scholarship (SOARS) Building 58W/Room 3804 4/21, Noon–1:15 P.M. Information Wars: Eastern Ukraine Military Conflict Coverage in the Russian, Ukrainian and U.S. Newscasts (2014-2015) Nataliya Roman, Assistant Professor of Communication. Building 51/Room 1209 Fall 2016: “Contested Spaces” 9/9, Noon–1:15 P.M. Insecurities, Fundamentalism and Nationalism in India, Pakistan and the Periphery Sucheta Pyakuryal, Assistant Professor of Political Science. Building 58W/Room 3804. 9/23, Noon–1:30 P.M. Authenticity and Appropriation: Culture as Contested Space Panelists: Brandi Denison, Assistant Professor of Religious Studies; Sarah Caissie Provost, Assistant Professor of Musicology; and Ben Thompson, Deputy Director, MOCA Jacksonville. Building 58W/Room 3804. 9/30, Noon–1:15 P.M. Reterritorializing the Spaces of Violence in Medellín through Urban Art Constanza López, Associate Professor of Spanish. Building 58W/Room 3804. 10/7, Noon–1:15 P.M. Spaces of Memory and Silence: Misunderstanding the Tragedy at Malangali, Tanzania (rescheduled for Spring 2017, due to Hurricane Matthew) Chau Johnsen Kelly, Assistant Professor of History. Building 51/Room 1205. 10/21, Noon–1:30 P.M. Contested Spaces: Gender, Sexuality and Rights in a Global Context A discussion with a panel of UNF students, moderated by Nicholas de Villiers, Associate Professor of English and Film. Cosponsored by the UNF LGBT Resource Center. Building 58W/Room 3804. 10/28, Noon–1:15 P.M. “The Variety of Your Tongues and Colors”: Borders and Identities in a Post-ISIS Middle East David Schwam-Baird, Associate Professor of Political Science. Building 51/Room 1205. 11/18, Noon–1:15 P.M. Women and Globalization: Do Women Gain and How? Mina Baliamoune, Professor of Economics. Building 51/Room 1205. 12/2, 1:30–2:45 P.M. Senior Seminar Student Research Exhibit Thomas G. Carpenter Library, first floor. Spring 2016: "Sameness/Difference" 1/22, Noon–1:15 P.M. The Tourist Gaze and Cross–Cultural Cinema Nicholas de Villiers, Associate Professor of English and Film. Building 58W/Room 3806. 1/29, Noon–1:15 P.M. Colorism in the 21st Century: Black American Implications of a Global Skin Color Consciousness and Hierarchy JeffriAnne Wilder, Associate Professor of Sociology and Founding Director, Institute for the Study of Race and Ethnic
72. Relations (SRER). Building 58W/Room 3806. 2/5, 1:00–2:30 P.M. The Other: Nurturing a New Ecology in Printmaking Brief introduction: Jim Draper, Coordinator of UNF Art Galleries and exhibition co–curator. Moderated discussion and Q&A: Sheila Goloborotko, UNF Assistant Professor of Printmaking and exhibition co–curator/participating artist, and Catherine Graffam, participating artist. MOCA Jacksonville, 333 N. Laura St. Cosponsored by MOCA Jacksonville and the UNF LGBT Resource Center. 2/12, 12:00–1:15 P.M. Dancing for Snow: Ski Resorts, Cultural Appropriation, and American Indian Ritual Practice Brandi Denison, Assistant Professor of Religious Studies. Building 58W/Room 3806. 2/19, Noon–1:15 P.M. France’s “Others”: Muslim–Arabs in French Society and Culture Patricia Geesey, Professor of French and Chair, Department of Languages, Literatures and Cultures. Building 51/Room 1205. 2/26, Noon–1:30 P.M. Panel Discussion: Technology and Society Josh Gellers, Assistant Professor of Political Science; Mitch Haney, Associate Professor of Philosophy and Chair, Department of Philosophy; Margaret C. Stewart, Assistant Professor of Communication; and Karthikeyan Umapathy, Associate Professor of Information Systems. Cosponsored by the UNF Digital Humanities Initiative. Building 58W/Room 3806. 3/4, Noon–1:15 P.M. Faith and Politics in Enlightenment France: The Religious Roots of a Revolutionary Age Daniel Watkins, Assistant Professor of History. Building 58W/Room 3806. 3/25, Noon–1:30 P.M. Panel Discussion: China and the West/The Idea of “China” Aaron Creller, Visiting Assistant Professor of Philosophy and Florida Blue Center for Ethics Post–Doctoral Fellow; Sarah Mattice, Assistant Professor of Philosophy; Yongan Wu, Associate Professor of Chinese. Building 51/Room 1205. 4/1, Noon–1:15 P.M. Language, Community, and Participatory Ethnography among Deaf Youth in Mexico City Anne Pfister, Assistant Professor of Anthropology. Cosponsored by the UNF Latin American and Caribbean Council. Building 51/Room 1205. 4/15, 1:30–2:45 P.M. Senior Seminar Student Research Exhibit Opening remarks: Jorge Febles, Professor of Spanish and Director, International Studies Program. Thomas G. Carpenter Library, First Floor. Fall 2015: "Movement and Migration" 9/11, 12:00–1:15. Strictly American Music? U.S. Jazz Musicians Tackle International Influences Sarah Caissie Provost, Assistant Professor of Music. 51/1205. Professor Sarah Caissie Provost reviewed traditional ideas regarding the African and Latin American influences of jazz, and then examined historiographical discourses that have attempted to deny those influences, arguing for jazz as a form of expression that is purely "American." She examined some possible explanations for these arguments, considering attempts by white musicians and the nascent recording industry to appropriate jazz, as well as ideas expressed by African American pianist Mary Lou Williams, who posited that authentic jazz was rooted the experience of slavery in the U.S., making talk of African and Latin roots irrelevant. 9/18, 12:00–1:15. Immigration and the Experience of Gender A round–table conversation led by Constanza López, Assistant Professor of Spanish and Director of Voces y caras: Hispanic Communities of Jacksonville. Thomas Carpenter Library Special Collections Reading Room. Professor Constanza López and UNF students Liana Llerandi and Saúl Grajeda shared their insights with us about how gender is lived in the context of immigration. Students from the International Studies Senior Seminar and other guests enjoyed a lively conversation with the panelists about issues related to discrimination, stereotypes, biculturalism, sexual orientation, gender identity, generational divides, and opportunities to effect change. The session ended with a viewing of the fall 2015 exhibit of the project Voces y cara: Hispanic Communities of Jacksonville, on display outside the Special Collections Reading Room on the first floor of the Thomas G. Carpenter Library. 9/25, 1:30–2:45. Climate Refugees: Uncertainty and Insecurity Josh Gellers, Assistant Professor of Political Science. 58W/3804. Professor Josh Gellers of Political Science discussed the precarious state of climate refugees, whose status is not defined under current international law. He examined several case studies in which populations are on the move or are under imminent danger as a result, directly or indirectly, of climate change. He also discussed possible ways to address to what many regard as an impending crisis. 10/2, 12:00–1:15. Capturing Movement and Sharing Our Stories through Story Maps Chris Baynard, Associate Professor of Geography. Thomas Carpenter Library, 2102B. 10/9, 12:00–1:15. Interpreting Across Cultural Boundaries: Confucianism as Case Study Sarah Mattice, Assistant Professor of Philosophy. 51/1205. 10/16, 12:00–1:15. Rhetoric of Merengue and Bachata in Junot Díaz’s Dominican–American Fiction: Border Culture, Migration, Media Isla Greg Helmick, Assistant Professor of Spanish. 51/1205. 10/30, 12:00–1:15. Third New World. Spanish Ethnographies of Early Modern South–East Asia Miguel Martínez, Assistant Professor of Spanish Literature, University of Chicago. Event co–sponsored by the UNF Latin American and Caribbean Council and the UNF Asia Council. 58W/3804. 11/13, 1:00–2:30. Project Atrium: Ian Johnston – Fish Tales Moderated discussion and Q&A with the artist: Ian Johnston and Ben Thompson, MOCA Curator of Collections. MOCA Jacksonville, 333 N. Laura St. 12/4, 2:00–3:00. Senior Seminar Student Research Exhibit Opening remarks: Jorge Febles, Professor of Spanish and Director, International Studies Program. 58W/3703D. Copyright © 2018 University of North Florida 1 UNF Drive | Jacksonville, FL 32224 | Phone: (904) 620-1000 Contact | Emergency | Privacy | Regulations | Consumer Information Website Accessibility | Disability Accommodations
74. Events Events Calendar Birthdays Discover Past Workshop with Artist Andrea Frank Create Event Privacy · Terms · Advertising · · Cookies · More Facebook © 2018 See More Related Events Evening with Photographer Joh… Tue Feb 20 at UNF Student Union 60 guests Interested · UNF Environmental Coalition Me… Tuesday at Thomas G. Carpente… 151 guests Interested · Winter Paddle at NFLT's Guana … Tue Feb 27 at North Guana Outp… 74 guests Interested · Paddleboarding Workshop Wed Mar 7 at UNF Eco-Adventure 35 guests Interested · The Road to Monument Road: F… Thursday at UNF Writing Center Samantha Grossman is going Interested · LinkedIn Workshop Fri Feb 23 at Thomas G. Carpen… Samantha Grossman is going Interested · English (US) · Português (Portugal) · Español · Français (France) · Deutsch Ad Choices Workshop with Artist Andrea Frank Public · Hosted by UNF Environmental Center JAN 19 Going Friday, January 19 at 9 AM - 12:30 PM about 3 weeks ago Show Map 1 UNF Dr (Bldg 2, 1001), Jacksonville, Florida 32224 About Discussion Rachel Huff went See All 6 Went · 14 Interested Details Artist Andrea Frank's creative research and artistic work focuses on a systems related approach to questions of sustainability, collective responsibility and psychological aspects of individual and collective human action. During the workshop, Andrea will share information about her creative process and teach students techniques she regularly employees through a hands-on activity. This event is part of the Pre[serve] Art Exhibition and is open to all UNF students and alumni. Art Art exhibition Art class About UNF Environmental Center UNF Environmental Center College & University · Jacksonville, Florida The E-Center responds to the pressing need for research relevant to environmental issues, help design thoughtful planning processes, encourage responsible stewardship, and help prepare the next generation of environmentally literate society leaders About the Venue UNF Gallery of Art YOUR PAGES CONTACTS 9+ Alma Yoga 9+ GOLOBOROTKO'S ST… Rosa Maria Pillon Lulia Lu Pergolizzi Ricardo Valery Sanzi Sérgio Waissmann Dawn Harmon-O'Con… Marcus Sauve Kico Tamberlini Susana Rangel Jaime DeSimone Susan Betts David Carmona Robert Stark Liz Mitchell Sheila Home 9 1 16 Search
75. UNF Gallery of Art Art Gallery · Closed Now Ricder Ricardo, Jenny K. Hager-Vickery and 51 other friends like this or have visited 1 UNF Dr (Bldg 2, 1001) Jacksonville, Florida 32224 (904) 620-2534 Parking Lot parking UNF Gallery of Art. UNF Gallery at MOCA Go to Page Like Get Directions See All Events More Events at UNF Gallery of Art Tue 6:30 PM · 5 people are going FEB 20 Interested Evening with Photographer John Moran Search
76. Subscribe Now WELCOME TO THE NEW WEBSITE. CLICK HERE TO LEARN MORE. MOST POPULAR By Charlie Patton Follow Posted Jan 21, 2018 at 3:00 AM Entertainment Arts Notes: Bath Party performs Monday at Beaches Museum chapel 2018 WINTER OLYMPICS: 6:57 PM Updated medal count 13 City Hall’s top attorney strikes down grassroots e ort to repeal gay rights protections Feb 9 at 7:14 PM 14 Former UF stars Monty Grow, Shane Matthews facing jailtime for fraud Feb 5 at 8:05 PM 15 Donna Marathon Weekend will see road closures and detours in Ponte Vedra and… Feb 7 at 4:18 PM 16 Runners by the numbers: An inside look at the Donna Marathon  HIDE CAPTION The Lightner Museum, 75 King St., St. Augustine, will have a Lightner After Hours reception from 6 to 8 p.m. Thursday in the Lightner’s mezzanine above the historic pool area. (Times-Union file photo)  BUY PHOTO         1 in 7 buildings on downtown’s Northbank are… Navy aviators set to start controlling unmanned aircraft… Welcome to the new jacksonville.com Do br ce Previous News Sports Entertainment Life Obits Classi eds Homes Cars Jobs e-Edition Sections  Jacksonville 77° 
77. Never Miss A Story Subscribe to The Florida Times-Union Subscribe Now Chad Jasmine’s The Bath Party will perform at 7 p.m. Monday at the historic chapel at the Beaches Museum & History Park, 381 Beach Blvd., Jacksonville Beach. Individual tickets are $25 in advance, $30 on the day of the show. They can be purchased at www.beachesmuseum.org/tickets www.beachesmuseum.org/tickets www.beachesmuseum.org/tickets www.beachesmuseum.org/tickets or by calling (904) 241-5657. MABRY WILL PERFORM AT PONTE VEDRA LIBRARY The Gerson Yessin Music Series will present percussionist Charlotte Mabry at 6:30 p.m. Tuesday at the Ponte Vedra Beach Branch Library, 101 Library Blvd., Ponte Vedra Beach. Fellow percussionist Greg Hersey, a former student of Mabry’s at the University of North Florida, will join her in the free concert. SYMPHONY MEMBERS WILL PERFORM AT THE BEACHES MUSEUM CHAPEL Members of the Jacksonville Symphony will perform a “Listen Up” concert at 7 p.m. Wednesday in the historic chapel at the Beaches Museum & History Park, 381 Beach Blvd., Jacksonville Beach. Tickets are $15. They can be purchased at www.beachesmuseum.org/tickets www.beachesmuseum.org/tickets www.beachesmuseum.org/tickets www.beachesmuseum.org/tickets or by calling (904) 241-5657. TALK WILL EXPLORE HISTORY OF THE PONTE VEDRA INN Fred Cozby will give a talk about the beginnings of the Ponte Vedra Inn & Club at 6 p.m. Thursday at the inn, 200 Ponte Vedra Blvd., Ponte Vedra Beach. The event is a Beaches Museum & History Park Boardwalk Talk. It will be free to museum members, $5 to non-members. LIGHTNER AFTER HOURS THURSDAY The Lightner Museum, 75 King St., St. Augustine, will have a Lightner After Hours reception from 6 to 8 p.m. Thursday in the Lightner’s mezzanine above the historic pool area. The musical group Blue Muse will perform. The event is free. BEACHES MUSEUM VOLUNTEER MEETING SATURDAY Anyone interested in learning about volunteer opportunities at the Beaches Museum & History Park, 381 Beach Blvd., Jacksonville Beach, can attend a meeting at 10:30 a.m. Saturday at the museum. For more information or to RSVP, contact operations manager Brittany Cohill at info@beachesmuseum.org info@beachesmuseum.org info@beachesmuseum.org info@beachesmuseum.org or call (904) 241-5657. BLACK VIOLIN ADDS SHOW The classically trained duo Black Violin will perform at 4 p.m. Saturday in the Ponte Vedra Concert Hall, 1050 A1A N., Ponte Vedra Beach. The 4 p.m. performance was added after the 8 p.m. show quickly sold out. Tickets, which range from $40 to $50, can be purchased at the Ponte Vedra Concert Hall and St. Augustine Amphitheatre box offices, at ticketmaster.com or by calling Ticketmaster at (800) 745-3000. ENVIRONMENTAL PHOTO EXHIBIT AT UNF “Lysis,” an exhibit of photographs by environmental artist Andrea Rank, head of the photography program at State University of New York at New Paltz, is now on exhibit in the UNF Gallery of Art, located in Founders Hall, Room 1001, Building 2, on the campus of the University of North Florida. The exhibit, which will continue through March 30, is sponsored by the UNF Environmental Center. Send items for Arts Notes to charlie.patton@jacksonville.com charlie.patton@jacksonville.com charlie.patton@jacksonville.com charlie.patton@jacksonville.com. OUR PICKS Follow us on Twitter Previous
78. SIGN UP FOR DAILY E-MAIL Wake up to the day’s top news, delivered to your inbox 0 Comments Newest REALTIME Terms of Service Login with: Follow There are no comments yet. READ NEXT Never miss a story Choose the plan that’s right for you. Digital access or digital and print delivery. Subscribe Now S I T E S E R V I C E S My Pro le Contact Us e-Edition NIE Manage My Subscription S U B M I S S I O N S Announcements Calendar Event Obituaries Legal Notices A D V E R T I S I N G Advertise with Us Classi eds Place an Ad Circulars Business Directory S T A Y C O N N E C T E D Facebook Twitter Instagram YouTube RSS   On Stephen Colbert’s new Trump cartoon series, the… president has Posted at 2:00 PM ‘ATM jackpotting’ thieves reach U.S., meet hardier defenses Posted Feb 10 at 2:00 PM Newlyweds who lost their legs in Boston Marathon bombing nd… surprising way to Posted Feb 10 at 1:00 PM Man faces assault charges over some Cap’n Crunch cereal Posted Feb 9 at 4:13 PM Logan Paul promised a ‘new chapter’ after vlogging a dead… body - then the Posted Feb 9 at 3:56 PM powered by: Write your comment here Submit Submit
79. Sign up for daily e-mails Sign up © Copyright 2006-2018 GateHouse Media, LLC. All rights reserved • GateHouse Entertainment Original content available for non-commercial use under a Creative Commons license, except where noted. The Florida Times-Union ~ 1 Riverside Ave., Jacksonville, FL 32202 ~ Privacy Policy ~ Terms Of Service
80. Iterations Lorrie Fredette MOCA April 8 - September 10, 2017
81. More than two thousand smooth muslin and wax covered pods is the result of countless hours creating each of these delicate elements by hand as unique objects, in and of themselves. Together, they comprise a cluster – its inspiration by nothing less deadly than the smallpox virus that ravaged millions. How long does it take to create a work of art? How quickly can an innocent population be decimated by illness? Time slows down to a near standstill in the space between poetry and activism as we contemplate the impressive enormity of forces of nature beyond our control. Partly translucent, partly opaque, these pods grab little luminous moments out of the air. Nature has a way of showing us its power when we make ourselves still enough to see: its systems, structures, and ultimately, its ability to teach us how to live more in harmony with it, even as we seek to move ahead as a species. Sheila Goloborotko, 2017
82. EXHIBITION POSTCARD ITERATIONS
91. Iterations Lorrie Fredette Visiting Artist February 4-6, 2017 • Opening and Gallery Talk at MOCA, Art Walk • Gallery Talk to 12 Printmaking Classes • MOCA Third Thursday: Gallery Talk at MOCA. • Making Art: From One to Many, Print Workshop, at UNF Printmaking Studio in collaborations with LGBT Center and Brooks College of Health, Public Health. • Under the Great Silence: Gallery Talk at MOCA to International Studies Seminar, UNF LGBT Center, and Public Health Classes. (Cancelled due to Hurricane Irma.) Events sponsored by the UNF Art and Design Department and Judy Eisen Gift to support Visiting Artists, the LGBT Center and the Choy/Morgann LGBT Programming Endowment, the International Studies Program, and MOCA Jacksonville.
92. Iterations Lorrie Fredette UNF Printmaking Students February - September, 2017
99. INSTALLATION AT MOCA WITH STUDENTS
100. Iterations Lorrie Fredette Julia Grecia Portela Ponce de León, Cuban Art Critic and Curator August 30, 2017
101. Construcciones modulares La diversidad de configuraciones diseñadas por los virus es asombrosa e infinita. Estos microorganismos organizados de material genético, causan disímiles enfermedades al introducirse como parásito para su reproducción en una célula. Hoy, con el desarrollo de las nuevas tecnologías han permeado también los programas de los ordenadores causando alteraciones graves en su funcionamiento. El ciclo vital del virus requiere de la maquinaria metabólica del elemento invadido para el progreso de la réplica. Lorrie ha captado la dinámica del método de transmisión al engendrar considerables copias del original, de manera, que el espectador, es asumido como un vector en este juego simbólico. La creadora nos alerta y nos protege en su sistema de restricción. En la presentación de la muestra, su comisaria Sheila Goloborotko, aludía al sentido de persistencia en cada una de las piezas. Su incesante hacer revela la propia esencia del continuo viral y sus estructuras traspolan los vericuetos topográficos que asume. Así, el espacio galerístico metaforiza el proceso. La expansión y el contagio son caras de una misma moneda con la que el receptor se encuentra para descubrir lo obsesivo y redundante del veneno que enfrenta. Cada fragmento es el heteróclito vestigio que parece traducir una ineludible pausa para que más de dos mil cápsides nos devoren, cada una simulada por vainas de muselina y cera que son confeccionadas minuciosamente desde una estructura de metal para edificar la arquitectura mayor. Las construcciones modulares devienen remedo del contexto. El régimen de operaciones externa la paciente manualidad de la hacedora quien indaga y deja ver las coordenadas axiológicas donde deambulan las toxinas como agentes nocivas en potencia. Por otra parte, está el gesto desde el arte, en el cual, cada una de ellas, perfilan una conexión luminosa con las imágenes. La puesta en escena a través de la suspensión de cada entidad, acentúa la espera para la autoreproducción de este mortal virus de la viruela. Tanto su secuela, como el espectador mismo, transitan por una similar tregua. Estrategias de resistencia, quizás evoquen tácticas de convivencia, y en cada intervalo, una instancia reflexiva, en la que sin dudas, el arte, nuevamente vence. Julia Grecia Portela Ponce de León Sobre la autora: Graduada como Licenciada y Máster en Historia del Arte en la Universidad de La Habana, Cuba. Se ha desempeñado como Directora del Departamento de Estudios Teóricos sobre Artes Visuales de la Universidad de las Artes desde 1994 hasta el 2014. Es profesora auxiliar y principal en el campo de la producción realizada desde la América Latina. Ha impartido conferencias, talleres y cursos de maestría en Europa, Latinoamérica y EEUU. Ha participado en eventos nacionales e internacionales y ha formado parte en diversidad de comités académicos. Ha sido tutora de numerosas tesis de diploma y de maestría. Tiene publicaciones en Cuba y en el extranjero. Fue la comisaria de la Primera Muestra Audiovisual Internacional por su país. Tiene disímiles reconocimientos a nivel nacional e internacional. En la Oncena Bienal de la Habana organizó el evento teórico Arte y Pedagogía. Jurado en el Primer y Segundo Salones Nacionales de Paisaje. Es miembro de la Asociación Internacional de Críticos de Arte y de la Unión Nacional de Escritores y Artistas de Cuba.
102. Julia Grecia Portela Ponce de León, art historian, art critic, curator, and professor from Havana (ISA-Universidad de las Artes, Facultad de Artes Visuales).
105. Iterations Lorrie Fredette Art Walk February - September, 2017
106. PHOTO COPYRIGHT MOCA
107. PHOTO COPYRIGHT MOCA
108. PHOTO COPYRIGHT MOCA
109. PHOTO COPYRIGHT MOCA
110. PHOTO COPYRIGHT MOCA
111. PHOTO COPYRIGHT MOCA
112. PHOTO COPYRIGHT MOCA
113. PHOTO COPYRIGHT MOCA
114. PHOTO COPYRIGHT MOCA
115. PHOTO COPYRIGHT MOCA
116. Iterations Lorrie Fredette Third Thursdays Gallery Talk at MOCA June 15, 2017
123. Iterations Lorrie Fredette Making Art: From One to Many September 5, 2017 7:00 - 8:30PM Event created in collaboration with the UNF Art and Design Department, the LGBT Center and the Choy/ Morgann LGBT Programming Endowment, and the Public Health Program, Brooks School of Health.
124. EXHIBITION POSTER Making Art: From One to Many Join artist Lorrie Fredette in a Hands-on Workshop creating individual sculptural pieces that will compose a larger installation. Event is open to all, no experience necessary. Light refreshments will be served. FREE. Tuesday, September 5, from 7:00-8:30PM UNF Print Studio, Building 45/ Studio 1603 Under the Great Silence UNF LGBT Center, Art and Design and Public Health students will have a conversation with visiting artist Lorrie Fredette, about the impact of art, public health and policy making. FREE. Thursday, September 7, from 7:00-8:30PM UNF Gallery at MOCA ITERATIONS The UNF Department of Art and Design expresses gratitude for the Judy Eisen Gift to support Visiting Artists in Printmaking. Events made possible by the UNF LGBT Center, the Choy/Morgann LGBT Programming Endowment and the UNF Department of Art and Design. Installation by Lorrie Fredette at MOCA April 8 - September 10, 2017
125. SERICEA S. SMITH, ASSISTANT PROFESSOR, PUBLIC HEALTH
132. Iterations Lorrie Fredette Under the Great Silence September 7, 2017 7:00 - 8:30PM Event created in collaboration with the UNF Art and Design Department, the LGBT Center and the Choy/ Morgann LGBT Programming Endowment, and the Public Health, Brooks School of Health, and the International Studies Program. Event Cancelled due to Hurricane Irma
133. COLLABORATION WITH INTERNATIONAL STUDIES LECTURE SERIES
134. ITERATIONS Lorrie Fredette MOCA | April 8 - September 10, 2017 1 1 2 3 4 2 3 4 5 ‣ The Great Silence
 Beeswax, Damar resin, muslin, brass, steel, nylon line, 2017
 ‣ Preservation
 Beeswax, Damar resin, Pellon, aluminum, 23”x 24” x 9”, 2006
 ‣ Proper Limits
 Discharge Prints, 22.5”x 25.25”, 2017
 ‣ Complex Interplay
 Beeswax, Damar resin, muslin, brass, nylon line, 2014
 ‣ Tiny Bubbles
 Kitakata paper, beeswax, Damar resin, 10” x 7”, 2009 ‣ Wall Text 5 6 6 1 2 3 4 5
135. Lorrie Fredette Ceiling Dimensions ~2,600 Items 5'-1" 154" tall 3'-1" 5'-8" 5'-4 1/2" 5'-4" 5'-3 1/2" 11" 11" 10 1/2" 11" 9 9/32" 141" tall 29'-1 1/2"
136. ITERATIONS
137. Preservation Beeswax, tree resin, Pellon, aluminum; 23”x 24 x 9”; 2006 The Great Silence (detail) Beeswax, tree resin, muslin, brass, steel, nylon line; 2011 ▶ ◀
138. Iterations Lorrie Fredette More than two thousand smooth muslin and wax covered pods comprise the installation you see here—the result of countless hours of careful crafting by artist, Lorrie Fredette, who insists on creating each of these delicate elements by hand as unique objects, in and of themselves. To- gether, they comprise a cluster – its inspiration by nothing less deadly than the smallpox virus that ravaged millions. How long does it take to create a work of art? How quickly can an innocent population be decimated by illness? Time slows down to a near standstill as Fredette, operating in the space between poetry and activism, asks us to contemplate the impressive enormity of forces of nature beyond our control. Partly translucent, partly opaque, these pods grab little luminous moments out of the air (even as they gently bump in its currents). Nature has a way of showing us its power when we make ourselves still enough to see: its systems, structures, and ultimately, its ability to teach us how to live more in harmony with it, even as we seek to move ahead as a species. Could we solve the Zika virus, Ebola, Malaria, or Cholera if we worked together, in aggregates of talent and funding? Could we eradicate the HIV/AIDS pandemic? Working together is far better than suffering alone. There is beauty in every small, quiet effort. Lorrie Fredette lives and works in the Hudson Valley of upstate New York. She has long been inspired by medical science and microscopic imagery, which she expresses across a variety of different mediums. This exhibition marks her third unique iteration of The Great Silence and it will be the most significant manifestation of it to date. Sheila Goloborotko UNF Assistant Professor, Printmaking
139. ITERATIONS Lorrie Fredette April 8 - September 10, 2017 Sunday 12:00 A.M. - 5:00 P .M. Monday Closed Tuesday 11:00 A.M. - 5:00 P .M. Wednesday 11:00 A.M. - 5:00 P .M. Thursday 11:00 A.M. - 9:00 P .M. Friday 11:00 A.M. - 5:00 P .M. Saturday 11:00 A.M. - 5:00 P .M. UNF Gallery at MOCA Jacksonville 333 N. Laura Street Jacksonville, Fla. 32202 (904) 366-6911 www.unf.edu/gallery www.mocajacksonville.org The UNF Department of Art and Design expresses gratitude for the Judy Eisen Gift to support Visiting Artists in Printmaking. Lorrie Fredette creates site-specific investigations that examine beauty, harmony and comfort to comprehend the incomprehensible aspects of infection, pandemic and plague. Her work has been exhibited nationally and internationally including solo and group exhibitions in the U.S. and Europe. Exhibition venues include Art Miami (Miami, FL), University of Tennessee (Knoxville, TN), Hunterdon Art Museum (Clinton, NJ), Schema Projects (Brooklyn, NY), Dowling College (Oakdale, NY), SUNY Fredonia (Fredonia, NY), Cynthia-Reeves Project (Brattleboro, VT), Islip Art Museum (NY), Seton Hall University (South Orange, NJ), Bank of America Headquarters (Charlotte, NC), Mass MoCA (North Adams, MA) and Jyväskylä Art Museum (Jyväskylä, Finland). She is the recipient of awards that include MARK 09 and Strategic Opportunity Grants from the New York Foundation for the Arts (2009 and 2007 respectively), and has participated in residencies at the Constance Saltonstall Foundation for the Arts, (Ithaca, NY), the Adolf and Virginia Dehn Visiting Artist Program at Loomis Chaffee, (Windsor, CT), and the Women’s Studio Workshop, (Rosendale, NY). Fredette holds a BFA in sculpture from the Herron School of Art/Indiana University. Cynthia-Reeves in New York represents her work.
140. Iterations Lorrie Fredette MOCA Additional Artifacts 1 UNF Gallery at Moca https://mocajacksonville.unf.edu/Exhibitions/UNF-Gallery/Iterations-Lorrie-Fredette/ 2 Lorrie Fredette's plague of intricate beauty https://mocajacksonville.unf.edu/blog/Lorrie-Fredette-s-plague-of-intricate-beauty/ 3 Third Thursday Tour: Lorrie Fredette https://mocajacksonville.unf.edu/events/Third-Thursday-Tour--Lorrie-Fredette/ 4 Iterations: Lorrie Fredette https://www.facebook.com/events/389268521470497/ 5 Exhibition - Iterations: Lorrie Fredette https://local.aarp.org/event/exhibition-iterations-lorrie-fredette-2017-09-10- jacksonville-fl.html 6 Iterations: Lorrie Fredette https://www.artgeek.io/exhibitions/ 5832538cbf51e6ab295ba232/5832538cbf51e6ab295ba231 7 Iterations: Lorrie Fredette Reception https://events.cityof.com/event/jacksonville/museum-of-contemporary-art-moca/ iterations-lorrie-fredette-reception 8 World Class Art Show Visits the First Coast http://themonarchcreative.com/blog/world-class-art-show-visits-the-first-coast 9 Iterations: Lorrie Fredette Reception https://www.evensi.us/iterations-lorrie-fredette-reception-moca-jacksonville/ 195700996 10 Third Thursday Tour: Lorrie Fredette https://www.facebook.com/events/360212741040477 11 Making Art: From One to Many http://www.where2gojacksonville.com/events/9142264-Making-Art-From-One-to- Many/ 12 Iterations: Lorrie Fredette http://www.floridaguide.info/Jacksonville_FL/events/9295452-Iterations-Lorrie- Fredette/ 13 Third Thursday Tour: Lorrie Fredette https://etrigg.com/event/third-thursday-tour-lorrie-fredette/52131114/ 14 Lecture Series http://www.unf.edu/coas/intlstudies/Lecture_Series_Fall_2017.aspx
141. ģǿ șěě ŀěǻřň șųppǿřț bŀǿģ ěǻț čǿňțǻčț Ģǿǿđ mǿřňįňģ! Țħě ģǻŀŀěřįěș ǻřě ǿpěň 11 ǻ.m.-5 p.m. țǿđǻỳ. ŇǾĿǺ MǾČǺ įș ǿpěň 11 ǻ.m.-2 p.m. ųňf ģǻŀŀěřỳ ǻț mǿčǻ << © Ŀǿřřįě Fřěđěțțě, Șįțųǻțįǿňǻŀ Vǻřįǻbŀěș (đěțǻįŀ), 2016. Běěșẅǻx, țřěě řěșįň, mųșŀįň, břǻșș, ňỳŀǿň ŀįňě, ģřǻpħįțě, 11 fěěț 4 įňčħěș x 35 fěěț 8 įňčħěș x 29 fěěț 3 įňčħěș. Čǿųřțěșỳ ǿf țħě ǻřțįșț. İțěřǻțİǿňș: ŀǿřřİě fřěđěțțě ǺPŘİĿ 8, 2017 - ȘĚPȚĚMBĚŘ 10, 2017 Mǿřě țħǻň 2,000 șmǿǿțħ mųșŀįň-ǻňđ-ẅǻx-čǿvěřěđ pǿđș čǿmpřįșě ǻ čŀųșțěř ẅħǿșě įňșpįřǻțįǿň įș ňǿțħįňģ ŀěșș đěǻđŀỳ țħǻň țħě șmǻŀŀpǿx vįřųș-ǻ měňǻčě țħǻț řǻvǻģěđ mįŀŀįǿňș. Ħǿẅ ŀǿňģ đǿěș įț țǻķě țǿ čřěǻțě ǻ ẅǿřķ ǿf ǻřț? Ħǿẅ qųįčķŀỳ čǻň ǻň įňňǿčěňț pǿpųŀǻțįǿň bě đěčįmǻțěđ bỳ įŀŀňěșș? ǻřțİșțș ĿǾŘŘİĚ FŘĚĐĚȚȚĚ Ŀǿřřįě Fřěđěțțě ŀįvěș ǻňđ ẅǿřķș įň țħě Ħųđșǿň Vǻŀŀěỳ ǿf ųpșțǻțě Ňěẅ Ỳǿřķ. Șħě ħǻș ŀǿňģ běěň įňșpįřěđ bỳ měđįčǻŀ șčįěňčě ǻňđ mįčřǿșčǿpįč įmǻģěřỳ, ẅħįčħ șħě ěxpřěșșěș ǻčřǿșș ǻ vǻřįěțỳ ǿf đįffěřěňț měđįųmș. İțěřǻțįǿňș mǻřķș ħěř țħįřđ ųňįqųě įțěřǻțįǿň ǿf Țħě Ģřěǻț Șįŀěňčě ǻňđ įț ẅįŀŀ bě țħě mǿșț șįģňįfįčǻňț mǻňįfěșțǻțįǿň ǿf įț țǿ đǻțě. Pǿřțřǻįț ǿf țħě ǻřțįșț ŀỳįňģ ųňđěř Țħě Ģřěǻț Șįŀěňčě. İmǻģě čǿųřțěșỳ ǿf țħě ǻřțįșț. đǿň'ț mİșș ĿĚȚ ŲȘ ȚǺĶĚ ỲǾŲ ǾŇ Ǻ ČǾŇȚĚMPǾŘǺŘỲ ȚŘİP Ģěț mǿřě ǿųț ǿf ỳǿųř vįșįț ẅįțħ ǻ țǿųř ǿf MǾČǺ mǿčǻ bŀǿģ ĿǾŘŘİĚ FŘĚĐĚȚȚĚ'Ș PĿǺĢŲĚ ǾF İŇȚŘİČǺȚĚ BĚǺŲȚỲ MǺŘČĦ 16, 2017 țħě ŀǻțěșț FǺČĚBǾǾĶ İț įș ŲŇF Ģįvįňģ Đǻỳİ MǾČǺ įș ǻ Čųŀțųřǻŀ İňșțįțųțě ǿf ŲŇF, ǻňđ ẅě běŀįěvě țħǻț ǻřț čųŀțųřě ħǻș țħě pǿẅěř țǿ řěvįțǻŀįżě đǿẅňțǿẅň Jǻčķșǿňvįŀŀě. İf ỳǿų běŀįěvě țħǻț ħǻvįňģ ǻ vįbřǻňț ųňįvěřșįțỳ čųŀțųřǻŀ įňșțįțųțě įň țħě ħěǻřț ǿf ǿųř čįțỳ čǻň bě ǻ čħǻňģě ǻģěňț fǿř řěvįțǻŀįżǻțįǿň, țħěň ģįvě țǿđǻỳ! @MǾČǺjǻčķșǿňvįŀŀě İŇȘȚǺĢŘǺM @mǿčǻjǻx ȚẄİȚȚĚŘ İ jųșț ųpŀǿǻđěđ “Řǿșěmǻřįě Fįǿřě' ș "Șmǿķě Pǻįňțįňģ" Pěřfǿřmǻňčě” țǿ #Vįměǿ: ħțțpș://ț.čǿ/ŲĿįȚĿħŘ9vV @MǾČǺjǻx Mųșěųm ǿf Čǿňțěmpǿřǻřỳ Ǻřț Jǻčķșǿňvįŀŀě Ǻ Čųŀțųřǻŀ İňșțįțųțě ǿf țħě Ųňįvěřșįțỳ ǿf Ňǿřțħ Fŀǿřįđǻ 333 Ňǿřțħ Ŀǻųřǻ Șțřěěț Jǻčķșǿňvįŀŀě, Fŀǿřįđǻ 32202 904-366-6911 ħěŀŀǿmǿčǻ@ųňf.ěđų Měđįǻ Pǿřțǻŀ Čǿňțǻčț Țěřmș ǻňđ Čǿňđįțįǿňș Přįvǻčỳ Pǿŀįčỳ © 2016 MǾČǺ Jǻčķșǿňvįŀŀě ĚXĦİBİȚİǾŇȘ PŘǾJĚČȚ ǺȚŘİŲM PĚŘMǺŇĚŇȚ ČǾĿĿĚČȚİǾŇ ǺŘȚİȘȚȘ PĦǾȚǾȘ VİĐĚǾ ǺŇĐ ǺŲĐİǾ Čǻŀŀ ǻňđ Řěșpǿňșě Jųǻň Fǿňțǻňįvě Ųňvěřįfįěđ Čįřčųmvǿŀvě Fųțųřě Pǻșț BĚČǾMĚ Ǻ MĚMBĚŘ ĐǾŇǺȚĚ ĢĚȚ MǾČǺ ĚMǺİĿ
142. ģǿ șěě ŀěǻřň șųppǿřț bŀǿģ ěǻț čǿňțǻčț Ģǿǿđ mǿřňįňģ! Țħě ģǻŀŀěřįěș ǻřě ǿpěň 11 ǻ.m.-5 p.m. țǿđǻỳ. ŇǾĿǺ MǾČǺ įș ǿpěň 11 ǻ.m.-2 p.m. ĿǾŘŘİĚ FŘĚĐĚȚȚĚ'Ș PĿǺĢŲĚ ǾF İŇȚŘİČǺȚĚ BĚǺŲȚỲ MǺŘČĦ 16, 2017 // BỲ ĐĚŇİȘĚ M. ŘĚǺĢǺŇ Ẅħěň čǿňșįđěřįňģ ǻřțįșțįč įňșpįřǻțįǿň, fěẅ ẅǿųŀđ țħįňķ ǿf ǻ đįșěǻșě țħǻț řǻvǻģěđ mįŀŀįǿňș ǻňđ đěčįmǻțěđ țħě ẅǿřŀđ pǿpųŀǻțįǿňș. Țħǻț įș ěxǻčțŀỳ ẅħǻț Ŀǿřřįě Fřěđěțțě ųșěđ ǻș țħě įňșpįřǻțįǿň fǿř țħě ěxħįbįțįǿň İțěřǻțįǿňș, ǻ șįțě-șpěčįfįč įňșțǻŀŀǻțįǿň ǿf Țħě Ģřěǻț Șįŀěňčě, ňǿẅ įň įțș țħįřđ přěșěňțǻțįǿň ǻț țħě Ųňįvěřșįțỳ ǿf Ňǿřțħ Fŀǿřįđǻ Ģǻŀŀěřỳ ǻț MǾČǺ Jǻčķșǿňvįŀŀě. Fřěđěțțě'ș țħřěě-đįměňșįǿňǻŀ ěxpŀǿřǻțįǿň ǿf ǻřț ǻňđ șčįěňčě ẅįŀŀ bě ǿň vįěẅ fřǿm Ǻpřįŀ 8 țħřǿųģħ Șěpțěmběř 10. Pǿřțřǻįț ǿf țħě ǻřțįșț ŀỳįňģ ųňđěř Țħě Ģřěǻț Șįŀěňčě. Mǿřě țħǻň 2,000 șmǿǿțħ mųșŀįň-ǻňđ-ẅǻx čǿvěřěđ pǿđș ǻřě țħě řěșųŀț ǿf čǿųňțŀěșș ħǿųřș ǿf ŀǻbǿř, ěǻčħ ǿňě ǻ ųňįqųě ǿbjěčț ħǻňđčřǻfțěđ bỳ țħě ǻřțįșț. Țǿģěțħěř, țħěỳ čřěǻțě ǻ ŀǻřģě-șčǻŀě șčųŀpțųřě įňșpįřěđ bỳ țħě șmǻŀŀpǿx vįřųș ẅ-įțħ ǻ ųňįqųě čǿňfįģųřǻțįǿň. Ǻț mǿřě țħǻň țẅěňțỳ- ňįňě fěěț ŀǿňģ ǻňđ jųșț ǿvěř fįvě fěěț ẅįđě, țħě ǻřțẅǿřķ įș ǻň ųňđųŀǻțįňģ, fŀǿǻțįňģ čǻňǿpỳ; įț ẅįŀŀ bě ǻțțǻčħěđ đįřěčțŀỳ țǿ țħě čěįŀįňģ ǻňđ șųșpěňđěđ ǻppřǿxįmǻțěŀỳ ěįģħț ǻňđ ǻ ħǻŀf fěěț ǻbǿvě țħě ģǻŀŀěřỳ fŀǿǿř. Țħųș, țħě įňșțǻŀŀǻțįǿň'ș țįțŀě, Țħě Ģřěǻț Șįŀěňčě, įș Fřěđěțțě'ș įňțěřpřěțǻțįǿň ǿf țħě vįřųș ǻňđ įțș ħįșțǿřỳ. “Țħě pǿđ-ŀįķě ěŀěměňțș ǻřě čǿňňěčțěđ [țǿ țħě șmǻŀŀpǿx vįřųș] vįǻ ǻ țẅǿfǿŀđ vįșųǻŀ șųģģěșțįǿň,” ěxpŀǻįňěđ Fřěđěțțě. “Țħě fįřșț įș ǻ ŀǿǿșě pǿřțřǻỳǻŀ ǿf țħě vįřųș șħǻpě ǻș șěěň ųňđěř țħě mįčřǿșčǿpě. Țħě șěčǿňđ … įș țħě pħỳșįčǻŀ ǻppěǻřǻňčě ǿf țħě đįșěǻșě ǿň țħě ħųmǻň bǿđỳ. Ǻ řǻșħ břěǻķș ǿųț ǿň țħě șķįň țųřňįňģ įňțǿ șǿřěș [țħǻț] čǻň běčǿmě pųșțųŀěș.” Ŀǿřřįě Fřěđěțțě, Țħě Ģřěǻț Șįŀěňčě (đěțǻįŀ), 2011. Běěșẅǻx, țřěě řěșįň, mųșŀįň, břǻșș, șțěěŀ, ňỳŀǿň ŀįňě, 6 fěěț 2 įňčħěș x 36 fěěț 9 įňčħěș x 5 fěěț 8 įňčħěș; șųșpěňđěđ 8 fěěț 6 įňčħěș ǻbǿvě țħě fŀǿǿř. Čǿųřțěșỳ ǿf țħě ǻřțįșț. Fřěđěțțě běčǻmě įňțěřěșțěđ įň țħě ħįșțǿřỳ ǿf șmǻŀŀpǿx, ǻ đįșěǻșě fįřșț břǿųģħț țǿ Čǻpě Čǿđ bỳ Ěųřǿpěǻň șěțțŀěřș běțẅěěň 1614 ǻňđ 1617. Ěvěňțųǻŀŀỳ, įț ǻňňįħįŀǻțěđ 75 pěřčěňț ǿf țħě ňǻțįvě pǿpųŀǻțįǿň. “Ẅįțħ șmǻŀŀpǿx ǻș mỳ ħǿșț, İ șěț ǿųț țǿ ųňčǿvěř țħě șțǿřỳ ǻřǿųňđ țħįș ěpįđěmįč ǻňđ țħě ǻŀțěřěđ měmǿřįěș ǻșșǿčįǻțěđ ẅįțħ įț țħřǿųģħ țħě ỳěǻřș ǿf řěțěŀŀįňģ țħě șțǿřỳ," șħě ěxpŀǻįňěđ țǿ Ǻřțșčǿpě Mǻģǻżįňě įň 2011. İň İțěřǻțįǿňș, ěǻčħ pǿđ șįģňįfįěș bǿțħ įňđįvįđųǻŀ měmǿřỳ ǻňđ čǿŀŀěčțįvě měmǿřỳ. “Ňǻțųřě ħǻș ǻ ẅǻỳ ǿf șħǿẅįňģ ųș įțș pǿẅěř ẅħěň ẅě mǻķě ǿųřșěŀvěș șțįŀŀ ěňǿųģħ țǿ ǻppřěčįǻțě įțș șỳșțěmș, șțřųčțųřěș, ǻňđ ųŀțįmǻțěŀỳ, įțș ǻbįŀįțỳ țǿ țěǻčħ ųș ħǿẅ țǿ ŀįvě mǿřě įň ħǻřmǿňỳ ẅįțħ įț, ěvěň ǻș ẅě șěěķ țǿ mǿvě ǻħěǻđ ǻș ǻ șpěčįěș,” șǻįđ Șħěįŀǻ Ģǿŀǿbǿřǿțķǿ, ěxħįbįțįǿň čųřǻțǿř ǻňđ ǻșșįșțǻňț přǿfěșșǿř ǿf přįňțmǻķįňģ įň ŲŇF'ș Ǻřț ǻňđ Đěșįģň Đěpǻřțměňț. șěǻřčħ ȘĚǺŘČĦ țǿpİčș ŇĚẄȘ ČŲŘǺȚǾŘİǺĿ ĚĐŲČǺȚİǾŇ ĚVĚŇȚȘ ŇǾĿǺ MǾČǺ ǺŘČĦİVĚ țǿp șțǿřİěș șųbșčřİbě Șěňđ bŀǿģ pǿșțș țǿ ỳǿųř įňbǿx ǻňđ ňěvěř mįșș ǻ pǿșț! FǾĿĿǾẄ ȚĦĚ BĿǾĢ čǿňțřİbųțǿřș șųppǿřț BĚČǾMĚ Ǻ MĚMBĚŘ ĐǾŇǺȚĚ ĢĚȚ MǾČǺ ĚMǺİĿ
143. Ŀǿřřįě Fřěđěțțě, Čǿmpŀěx İňțěřpŀǻỳ, 2014. Běěșẅǻx, țřěě řěșįň, mųșŀįň, břǻșș, ňỳŀǿň ŀįňě, 14 fěěț x 9 fěěț 8 įňčħěș x 34 fěěț 6 įňčħěș. Čǿųřțěșỳ ǿf țħě ǻřțįșț. Ŀǿřřįě Fřěđěțțě, Șįțųǻțįǿňǻŀ Vǻřįǻbŀěș, 2016. Běěșẅǻx, țřěě řěșįň, mųșŀįň, břǻșș, ňỳŀǿň ŀįňě, ģřǻpħįțě, 11 fěěț 4 įňčħěș x 35 fěěț 8 įňčħěș x 29 fěěț 3 įňčħěș. Čǿųřțěșỳ ǿf țħě ǻřțįșț. Ŀǿřřįě Fřěđěțțě, Șįțųǻțįǿňǻŀ Vǻřįǻbŀěș (đěțǻįŀ), 2016. Běěșẅǻx, țřěě řěșįň, mųșŀįň, břǻșș, ňỳŀǿň ŀįňě, ģřǻpħįțě, 11 fěěț 4 įňčħěș x 35 fěěț 8 įňčħěș x 29 fěěț 3 įňčħěș. Čǿųřțěșỳ ǿf țħě ǻřțįșț. Fřěđěțțě'ș ẅǿřķ įňșpįřěș čǿňțěmpŀǻțįǿň ǿf țħě fǿřčěș ǿf ňǻțųřě běỳǿňđ ǿųř čǿňțřǿŀ. Bǿțħ țřǻňșŀųčěňț ǻňđ ǿpǻqųě, țħěșě ŀųmįňǿųș pǿđș ħǿvěř įň mįđǻįř běțẅěěň țẅǿ ẅǿřŀđș: ǻřț ǻňđ șčįěňčě. Fřěđěțțě ŀįvěș ǻňđ ẅǿřķș įň țħě Ħųđșǿň Vǻŀŀěỳ ǿf ųpșțǻțě Ňěẅ Ỳǿřķ. Șħě ħǻș ŀǿňģ běěň įňșpįřěđ bỳ měđįčǻŀ șčįěňčě ǻňđ mįčřǿșčǿpįč įmǻģěřỳ, ẅħįčħ șħě ěxpřěșșěș ǻčřǿșș ǻ vǻřįěțỳ ǿf đįffěřěňț měđįųmș. İțěřǻțįǿňș mǻřķș ħěř țħįřđ ųňįqųě ěxpřěșșįǿň ǿf Țħě Ģřěǻț Șįŀěňčě, ǻňđ țħě įňșțǻŀŀǻțįǿň ǻț MǾČǺ Jǻčķșǿňvįŀŀě, ǻ čųŀțųřǻŀ įňșțįțųțě ǿf ŲŇF, ẅįŀŀ bě țħě mǿșț șįģňįfįčǻňț mǻňįfěșțǻțįǿň ǿf țħě șěřįěș țǿ đǻțě. Ŀǿřřįě Fřěđěțțě, Țħě Ģřěǻț Șįŀěňčě, 2011. Běěșẅǻx, țřěě řěșįň, mųșŀįň, břǻșș, șțěěŀ, ňỳŀǿň ŀįňě, 6 fěěț 2 įňčħěș x 36 fěěț 9 įňčħěș x 5 fěěț 8 įňčħěș; șųșpěňđěđ 8 fěěț 6 įňčħěș ǻbǿvě țħě fŀǿǿř. Čǿųřțěșỳ ǿf țħě ǻřțįșț. Ŀǿřřįě Fřěđěțțě, İțěřǻțįǿňș: Ŀǿřřįě Fřěđěțțě, ŲŇF Ģǻŀŀěřỳ, Ěxħįbįțįǿňș, Čųřǻțǿřįǻŀ, Ňěẅș Șħǻřě: țħě ŀǻțěșț FǺČĚBǾǾĶ İț įș ŲŇF Ģįvįňģ Đǻỳİ MǾČǺ įș ǻ Čųŀțųřǻŀ İňșțįțųțě ǿf ŲŇF, ǻňđ ẅě běŀįěvě țħǻț ǻřț čųŀțųřě ħǻș țħě pǿẅěř țǿ řěvįțǻŀįżě đǿẅňțǿẅň Jǻčķșǿňvįŀŀě. İf ỳǿų běŀįěvě țħǻț ħǻvįňģ ǻ vįbřǻňț ųňįvěřșįțỳ čųŀțųřǻŀ įňșțįțųțě įň țħě ħěǻřț ǿf ǿųř čįțỳ čǻň bě ǻ čħǻňģě ǻģěňț fǿř řěvįțǻŀįżǻțįǿň, țħěň ģįvě țǿđǻỳ! @MǾČǺjǻčķșǿňvįŀŀě İŇȘȚǺĢŘǺM @mǿčǻjǻx ȚẄİȚȚĚŘ İ jųșț ųpŀǿǻđěđ “Řǿșěmǻřįě Fįǿřě' ș "Șmǿķě Pǻįňțįňģ" Pěřfǿřmǻňčě” țǿ #Vįměǿ: ħțțpș://ț.čǿ/ŲĿįȚĿħŘ9vV @MǾČǺjǻx Mųșěųm ǿf Čǿňțěmpǿřǻřỳ Ǻřț Jǻčķșǿňvįŀŀě Ǻ Čųŀțųřǻŀ İňșțįțųțě ǿf țħě Ųňįvěřșįțỳ ǿf Ňǿřțħ Fŀǿřįđǻ 333 Ňǿřțħ Ŀǻųřǻ Șțřěěț Jǻčķșǿňvįŀŀě, Fŀǿřįđǻ 32202 904-366-6911 ħěŀŀǿmǿčǻ@ųňf.ěđų Měđįǻ Pǿřțǻŀ Čǿňțǻčț Țěřmș ǻňđ Čǿňđįțįǿňș Přįvǻčỳ Pǿŀįčỳ © 2016 MǾČǺ Jǻčķșǿňvįŀŀě
144. ģǿ șěě ŀěǻřň șųppǿřț bŀǿģ ěǻț čǿňțǻčț Ģǿǿđ mǿřňįňģ! Țħě ģǻŀŀěřįěș ǻřě ǿpěň 11 ǻ.m.-5 p.m. țǿđǻỳ. ŇǾĿǺ MǾČǺ įș ǿpěň 11 ǻ.m.-2 p.m. ȚĦİŘĐ ȚĦŲŘȘĐǺỲ ȚǾŲŘ: ĿǾŘŘİĚ FŘĚĐĚȚȚĚ ȚĦŲŘȘĐǺỲ, JŲŇĚ 15, 2017 // 7 P.M. - 8 P.M. MǾČǺ JǺČĶȘǾŇVİĿĿĚ Pǿřțřǻįț ǿf țħě ǻřțįșț ŀỳįňģ ųňđěř Țħě Ģřěǻț Șįŀěňčě. Ŀěǻřň mǿřě ǻbǿųț țħě pǿđș įňșpįřěđ bỳ țħě șmǻŀŀpǿx vįřųș čřěǻțěđ fǿř İțěřǻțįǿňș: Ŀǿřřįě Fřěđěțțě. Fřěě ẅįțħ ǻđmįșșįǿň řěģİșțěř Tickets  THU, JUNE 15, 2017, 7:00 PM – 8:00 PM EDT  Unavailable Powered by Eventbrite ěvěňțș ĚĐŲČǺȚǾŘ ǺŘȚȘ İŇȚĚĢŘǺȚİǾŇ ẄǾŘĶȘĦǾP FĚBŘŲǺŘỲ 17, 2018 ǺŘȚ & İĐĚǺȘ: ŇǾŘẄǾǾĐ VİVİǺŇǾ ǺŇĐ ǺĿBĚŘȚ ĿǾĦ FĚBŘŲǺŘỲ 22, 2018 ǺĐŲĿȚ ĐŘǺẄİŇĢ ẄǾŘĶȘĦǾP MǺŘČĦ 3, 2018 mǿčǻ bŀǿģ ǺŘȚȘ & İĐĚǺȘ: Q&Ǻ ẄİȚĦ JǺMǺŘİǾ ȘȚİĿĿȘ, FǾŲŇĐĚŘ ǺŇĐ ǺŘȚİȘȚİČ ĐİŘĚČȚǾŘ ǾF PĦǺȘĚ ĚİĢĦȚ ȚĦĚǺȚĚŘ ČǾMPǺŇỲ JǺŇŲǺŘỲ 15, 2018 ČŲĿȚŲŘǺĿ ČŲŘŘĚŇȚȘ: VĚȚĚŘǺŇȘ ǺŇĐ ȚĦĚ ǺŘȚȘ ŇǾVĚMBĚŘ 10, 2017 ŘĚȘİĐĚŇČỲ ȚǺĿĶ: ȚĦĚ ȘČǾǾP ǾŇ ŘǺČĦĚĿ ĦŲFF ȘMİȚĦ ǾČȚǾBĚŘ 23, 2017 țħě ŀǻțěșț FǺČĚBǾǾĶ İț įș ŲŇF Ģįvįňģ Đǻỳİ MǾČǺ įș ǻ Čųŀțųřǻŀ İňșțįțųțě ǿf ŲŇF, ǻňđ ẅě běŀįěvě țħǻț ǻřț čųŀțųřě ħǻș țħě pǿẅěř țǿ řěvįțǻŀįżě đǿẅňțǿẅň Jǻčķșǿňvįŀŀě. İf ỳǿų běŀįěvě țħǻț ħǻvįňģ ǻ vįbřǻňț ųňįvěřșįțỳ čųŀțųřǻŀ įňșțįțųțě įň țħě ħěǻřț ǿf ǿųř čįțỳ čǻň bě ǻ čħǻňģě ǻģěňț fǿř řěvįțǻŀįżǻțįǿň, țħěň ģįvě țǿđǻỳ! @MǾČǺjǻčķșǿňvįŀŀě İŇȘȚǺĢŘǺM @mǿčǻjǻx ȚẄİȚȚĚŘ İ jųșț ųpŀǿǻđěđ “Řǿșěmǻřįě Fįǿřě' ș "Șmǿķě Pǻįňțįňģ" Pěřfǿřmǻňčě” țǿ #Vįměǿ: ħțțpș://ț.čǿ/ŲĿįȚĿħŘ9vV @MǾČǺjǻx Mųșěųm ǿf Čǿňțěmpǿřǻřỳ Ǻřț Jǻčķșǿňvįŀŀě Ǻ Čųŀțųřǻŀ İňșțįțųțě ǿf țħě Ųňįvěřșįțỳ ǿf Ňǿřțħ Fŀǿřįđǻ 333 Ňǿřțħ Ŀǻųřǻ Șțřěěț Jǻčķșǿňvįŀŀě, Fŀǿřįđǻ 32202 904-366-6911 ħěŀŀǿmǿčǻ@ųňf.ěđų Měđįǻ Pǿřțǻŀ Čǿňțǻčț Țěřmș ǻňđ Čǿňđįțįǿňș Přįvǻčỳ Pǿŀįčỳ © 2016 MǾČǺ Jǻčķșǿňvįŀŀě VİȘİȚ ĚVĚŇȚȘ ȚǾŲŘȘ MǾČǺ ȘĦǾP MİȘȘİǾŇ ǺŇĐ ĦİȘȚǾŘỲ Pųbŀįč Přǿģřǻmș Fǻmįŀįěș ǻňđ Čħįŀđřěň Měmběřș Țǿųřș ŇǾĿǺ MǾČǺ Ěvěňțș Ǻřčħįvě BĚČǾMĚ Ǻ MĚMBĚŘ ĐǾŇǺȚĚ ĢĚȚ MǾČǺ ĚMǺİĿ
145. Events Events Calendar Birthdays Discover Past Iterations: Lorrie Fredette Create Event Privacy · Terms · Advertising · · Cookies · More Facebook © 2018 English (US) · Español · Português (Brasil) · Français (France) · Deutsch Ad Choices Iterations: Lorrie Fredette Public · Hosted by UNF International Studies Program SEP 8 Interested Friday, September 8, 2017 at 1:00 PM - 2:45 PM EDT about 5 months ago Show Map MOCA Jacksonville, 333 N. Laura St. About Discussion 0 Went · 1 Interested Share this event with your friends Details Join us on Friday, 9/8 (1:00–2:45 P.M.) for "Iterations: Lorrie Fredette," a gallery visit and moderated discussion with exhibiting artist Lorrie Fredette, moderated by Sheila Goloborotko, assistant professor of printmaking. MOCA Jacksonville, 333 N. Laura St. Cosponsored by the International Studies Program, MOCA Jacksonville and the UNF Department of Art and Design. This event is part of "Friends and Foes," the Fall 2017 International Studies Lecture Series (http://www.unf.edu/coas/intlstudies/Lecture_Series.aspx). About UNF International Studies Program UNF International Studies Program College & University · Jacksonville, Florida This is the official page of the International Studies Program at the University of North Florida. Join or Log Into Facebook   Sign Up Email or Phone Password Forgot account? Do you want to join Facebook? Log In Sign Up
146. Make Your Weekend ven Longer. Add an xtra Da With a and Affordale Idea From AARP Travel. Let’ Go  MNU Join Renew Memer enefit  Reward for Good Regiter | Login   Aout AARP in Jackonville · Happening · vent · Thing to Do · Local ervice · Change Cit JACKONVILL, FL vent FLAG THI VNT xhiition - Iteration: Lorrie Fredette Iteration: Lorrie Fredette More than 2,000 mooth mulin-and-wax-covered pod comprie a cluter whoe inpiration i nothing le deadl than the mallpox viru-a menace that ravaged million. How long doe it take to create a work of art? How quickl can an innocent population e decimated  illne? Artit Lorrie Fredette Lorrie Fredette live and work in the Hudon Valle of uptate New York. he ha long een inpired  medical cience and microcopic imager, which he expree acro a variet of different medium. Iteration mark her third unique iteration of The Great ilence and it will e the mot ignificant manifetation of it to date. Date: April 8, 2017 - eptemer 10, 2017 Image provided  AmericanTown.com, Ticketmater Pleae ue "Flag Thi vent" to alert u aout content that i inappropriate or need immediate attention. Nothing ou umit will e hared with other ite viitor. More From AARP In Jackonville Jackonville Happening | Upcoming AARP vent | Aout AARP unda, ep 10, 2017 at 12:00pm Mueum Of Contemporar Art Jackonville 333 North Laura treet Jackonville, FL 32202  mocajackonville.unf.edu  904-366-6911 Find it Fat Upcoming AARP vent AARP' Free creening of LACK PANTHR - Jackonville aturda, Fe 17, 2018 at 3:00pm Regal Avenue tadium 20 Jackonville, FL AARP' Free Premiere creening of The Movie For Grownup Award - Jackonville Frida, Fe 23, 2018 at 6:00pm WJCT Pulic roadcating Jackonville, FL AARP CARveration: A Famil Caregiving vent Tueda, Fe 27, 2018 at 6:00pm Olive Garden Jackonville, FL View All AARP vent » Join or Renew Toda JOIN FOR JUT $16 A YAR Immediate acce to our memer enefit Dicount on travel and everda aving ucription to the award-winning AARP The Magazine An all on the iue that matter mot to ou in Jackonville Free memerhip for our poue or partner JOIN NOW View enefit Renew Now Print Card Local ervice  Doctor  Attorne  Taxi  Pharmacie  Rental Car  Home Health Care ervice  Free Tax Preparation ervice Find a Local uine ARCH  Happening  vent  Volunteering  Retaurant  Work & Jo  Offer  Movie  Mueum
147. itemap
     R
     Privac Polic
     Term of ervice
     Copright Information
     Ad Choice AARP i a nonprofit, nonpartian organization that empower people to chooe how the live a the age. Aout AARP AARP Pre Center Career at AARP Memerhip Contact U n pañol AARP 樂齡會 Veteran Reource M Communit Page Help The Dail tart each da with new ou can ue. From health and mone to politic and entertainment, thi i our complete ource to ta in the know. UCRI View ample Newletter Privac Polic MMRHIP Join Renew Memer enefit Print Your Card Update Your Info Cancel MMR NFIT Memer enefit Download PDF of enefit AARP Auto uing Program Hot Deal DIRUPT AGING Home What We're Aout Join U torie ook AARP FOUNDATION Donate Houing Hunger Income Iolation Legal Advocac Planned Giving INFORMATION FOR YOU AARP In Your tate AARP In Your Cit Driver afet Government Watch Tax Aide Where AARP tand Fighting For Your Health TH NTIAL Politic ential Health ential Mone ential Relationhip ential Retirement ential tle ential Work ential FOR PROFIONAL AARP International Advertie with AARP Communit Leader/Livale Communitie National Retired Teacher Aociation Pulic Polic Intitute Pre Center Pulic Polic Reearch COMMUNITI Aian Communit lack Communit HALTH & WLLN Condition & Treatment Health Living Health Inurance Health ential Affordale Care Act (ACA) OCIAL CURITY & MDICAR Medicare Reource Center Medicare Q&A ocial ecurit enefit Calculator ocial ecurit New ocial ecurit Q&A FAMILY CARGIVING Local Reource and olution Long-Term Care Calculator Caregiving Q&A WORK & JO Jo earching Tip Jo earch Tool Working at 50+ Career Change tart a uine TAK ACTION e an -Advocate Create the Good Donate xperience Corp AARP vent Tool Volunteer Chapter Locator HAV FUN ntertainment Game Quizze weeptake Travel RAD, WATCH, LITN Moile App AARP ooktore AARP ulletin AARP The Magazine log Muic TV Video vent
148.  Iterations: Lorrie Fredette http://mocajacksonville.unf.edu/Exhibitions/UNF-Gallery/Iterations-Lorrie-Fredette/ More than 2,000 smooth muslin-and-wax-covered pods comprise a cluster whose inspiration is nothing less deadly than the smallpox virus-a menace that ravaged millions. How long does it take to create a work of art? How quickly can an innocent population be decimated by illness? Exhibition overview from museum website Share this   Venues & Dates Apr 8 2017 - Sep 10 2017  Museum of Contemporary Art Jacksonville Jacksonville, FL Sculpture Contemporary Lorrie Fredette Museum of Contemporary Art Jacksonville Jacksonville, FL ArtGeek About ArtGeek About Us About You Terms & Conditions Privacy Policy Affiliate Disclosure Cookie Policy Support Just for Museums Museum List Help and FAQ Contact Us Follow Us  Facebook Newsletter Powered by Hatch Network © 2018 Arts Advantage Publishing LLC. All rights reserved. BETA BETA Login Apr 8 2017 Sep 10 2017 to - Enter email... Subscribe
149. © 1997-2018 CityOf.com - All rights reserved. - About Us | Get Listed | Terms of Service | Privacy Policy | Contact Us | Events Add Your Event | Log in | Sign up OUR CITIES ABOUT US CONTACT US VIDEOS EVENTS GOOD NEWS events home calendar map help ITERATIONS: LORRIE FREDETTE RECEPTION Venue: Museum Of Contemporary Art (MOCA) Event Phone: (904) 366-6911 Website: http://mocajacksonville.unf.edu/eve... Admission Price: Free and open to the public Meet the artist at the reception for Iterations: Lorrie Fredette in the UNF Gallery on the second floor of MOCA Jacksonville. The program is free and open to the public, but select your free ticket to reserve your spot. Donations in support of our free programs are greatly appreciated  There are no events happening in the near future. VENUE DETAILS: Get Directions Report a map error Map Satellite Map data ©2018 Google Terms of Use MUSEUM OF CONTEMPORARY ART (MOCA) 333 North Laura Street Jacksonville, FL 32202 (904) 366-6911 http://mocajacksonville.unf.edu/eve...  More events at this venue Bank of America Museum on Us Weekend Saturday, March 3, 2018 @ 11:00am Bank of America Museum on Us Weekend Saturday, April 7, 2018 @ 11:00am Bank of America Museum on Us Weekend Saturday, May 5, 2018 @ 11:00am Bank of America Museum on Us Weekend Saturday, June 2, 2018 @ 11:00am Bank of America Museum on Us Weekend Sunday, July 1, 2018 @ 11:00am Bank of America Museum on Us Weekend Saturday, August 4, 2018 @ 11:00am Bank of America Museum on Us Weekend Saturday, September 8, 2018 @ 11:00am More venues in this city Ponte Vedra Concert Hall Mavericks Museum Of Contemporary Art (MOCA) Florida Theatre Murray Hill Theatre Downtown Jacksonville Museum Of Science & History (MOSH)
150. cott mith · April 15, 2017 Lorrie Fredette, The Great ilence, 2011. eewax, tree rein, mulin, ra, teel, nlon line. Recentl Artit Lorrie Fredette called up the tudio looking for omeone to help her  capturing image of her latet how at MOCA in Jackonville. We are ig fan of the art here at Monarch and ince I have worked on hundred of commercial interior photograph project and tudied Art and Art Hitor in college it wa epeciall exciting to photograph uch a cool intallation piece here in North Florida! In the Artit' Word: "M intallation and culpture are inpired  environmental and medical new torie pulled from toda' headline a well a hitorical event. ource material o far ha included the wine, avian and panih flu epidemic, Lme dieae, mallpox viru and the increaed incidence of poion iv with the growth of greenhoue gae. Once I've choen an area of focu, I emark on a rigorou coure of reearch and gather image, which I then alter, vet and reject through an elaorate tem deigned to completel uvert and ditort an likene to the original ource. I am intereted in thi confluence of cience and art, in methodolog that thwart m natural hand and in the contrat etween "ugl" origin and ulime outcome. The ue of wax in it natural color a m primar medium i intentional -- the neutral palette emphaize hape, the aroma can e intoxicating and the texture i one that invite touch -- all in upport of m goal to lure viewer into an experience that the would certainl tr to avoid had the encountered the original infection." -Lorrie Fredette, Artit C A T  G O R I   Monarch tudio - Galler Non-Profit Photograph ducational Photograph vent Photograph Corporate Photograph Architectural Photograph Portrait Photograph Commercial Photograph COMMRCIAL PHOTOGRAPHY World Cla Art how Viit the Firt Coat HOM AOUT  L O G HIR U PORTFOLIO
151. What doe MOCA have to a aout thi exhiit? When conidering artitic inpiration, few would think of a dieae that ravaged million and decimated the world population. That i exactl what Lorrie Fredette ued a the inpiration for the exhiition Iteration, a ite-pecific intallation of The Great ilence, now in it third preentation at the Univerit of North Florida Galler at MOCA Jackonville. Fredette' three-dimenional exploration of art and cience will e on view from April 8 through eptemer 10. More than 2,000 mooth mulin-and-wax covered pod are the reult of countle hour of laor, each one a unique oject handcrafted  the artit. Together, the create a large-cale culpture inpired  the mallpox viru w-ith a unique configuration. At more than twent-nine feet long and jut over five feet wide, the artwork i an undulating, floating canop; it will e attached directl to the ceiling and upended approximatel eight and a half feet aove the galler floor. Thu, the intallation' title, The Great ilence, i Fredette' interpretation of the viru and it hitor. “The pod-like element are connected [to the mallpox viru] via a twofold viual uggetion,” explained Fredette. “The firt i a looe portraal of the viru hape a een under the microcope. The econd … i the phical appearance of the dieae on the human od. A rah reak out on the kin turning into ore [that] can ecome putule.” Fredette ecame intereted in the hitor of mallpox, a dieae firt rought to Cape Cod  uropean ettler etween 1614 and 1617. ventuall, it annihilated 75 percent of the native population. “With mallpox a m hot, I et out to uncover the tor around thi epidemic and the altered memorie aociated with it through the ear of retelling the tor," he explained to Artcope Magazine in 2011. In Iteration, each pod ignifie oth individual memor and collective memor. “Nature ha a wa of howing u it power when we make ourelve till enough to appreciate it tem, tructure, and ultimatel, it ailit to teach u how to live more in harmon with it, even a we eek to move ahead a a pecie,” aid heila Goloorotko, exhiition curator and aitant profeor of printmaking in UNF' Art and Deign Department. Fredette' work inpire contemplation of the force of nature eond our control. oth tranlucent and opaque, thee luminou pod hover in midair etween two world: art and cience. Fredette live and work in the Hudon Valle of uptate New York. he ha long een inpired  medical cience and microcopic imager, which he expree acro a variet of different medium. Iteration mark her third unique expreion of The Great ilence, and the intallation at MOCA Jackonville, a cultural intitute of UNF, will e the mot ignificant manifetation of the erie to date. -Denie M. Reagan
152. Tagged: Interior Deign Photographer, Architectural Photograph, ditorial Photograph Appling m extenive interior photograph experience to creating photograph that trul capture the intended mood of the work wa a different and exciting ue of m kill et. The client i elated with the photograph I created to howcae her work. (All Image in thi pot ©Monarch tudio) Photographer: cott . mith | Monarch tudio Artit: Lorrie Fredette Mueum/Galler: Moca Jackonville The how i at the Mueum of Contemporar Art Jackonville. A cultural intitute of the Univerit of North Florida 333 North Laura treet Jackonville, Florida 32202 • It will e In Jackonville APRIL 8, 2017 - PTMR 10, 2017
153. COMMNT (1) ucrie via e-mail 5 Like eatiful how! Newer Pot uine tudio Portrait eion Older Pot Jackonville Reidential Architecture Photograph for National uilder. TH MONARCH TUDIO, 203 W KING T, T AUGUTIN, FL, 32084, UNITD TAT (904)516-8203 INFO@THMONARCHTUDIO.COM   hare Newet Firt Preview P O  T C O M M  N T … Monarch Creative 10 month ago · 0 Like © Monarch Creative LLC
154. Iterations: Lorrie Fredette Reception Thursday 13 April 2017 6:00 PM ⏩ Thursday 13 April 2017 8:00 PM ENDED MOCA Jacksonville › Iterations: Lorrie Fredette Reception Last update 15/04/2017  522 Meet the artist at the reception for Iterations: Lorrie Fredette in the UNF Gallery on the second floor of MOCA Jacksonville. The program is free and open to the public, but select your free ticket to reserve your spot.Donations in support of our free programs are greatly appreciated. Image above: © Lorrie Fredette, Complex Interplay (detail), 2014. Beeswax, tree resin, muslin, brass, nylon line, 14 feet x 9 feet 8 inches x 34 feet 6 inches. Courtesy of the artist. NEARBY HOTELS AND APARTMENTS MOCA Jacksonville 333 N. Laura St., Jacksonville, 32202, US, FL 165 $ 200 $ 167  $ 200 + -     PRICES ARE PER NIGHT  Filters        Save to Facebook Like 0 0 Comments Sort by Facebook Comments Plugin Oldest Add a comment... BUY TICKETS eventbrite.com  PLACES TO STAY WEBSITE: eventbrite.com/e/i...ff=ebapi HOSTED BY MOCA Jacksonville ADD TO FAVORITES Be the first of your friends to like this MOCA Jacksonville on Thursday It is UNF Giving DayI MOCA is a Cultural Institute of UNF, and we believe that art culture has the power to revitalize downtown Jacksonville. If you believe that having a vibrant university cultural institute in the heart of our city can be a change agent for revitalization, then give today! MOCA Jacksonville 24,283 likes Like Page Donate  REPORT THIS EVENT NEARBY EVENTS C U L T U R E F O O D C O U R S E S Service Learning Friday with the S… Friday 16 February 2018 T H E A T E R C O U R S E S The Walls  THE 5 & DIME, A THEATRE COMPANY Friday 16 February 2018 M U S I C Karaoke with Host Randy Jagers  CRISPY'S SPRINGFIELD GALLERY Friday 16 February 2018 M U S I C John Tibbs w/ Dylan Gerard and Ja…  MURRAY HILL THEATRE Friday 16 February 2018 S P O R T S Y O G A C O U R S E S E D U C A T I O N Fit Fetishist Naturist Monthly Yoga…  CLUB KINK JACKSONVILLE Friday 16 February 2018 M U S I C C O N C E R T S Robby & Felix LIVE  HARP'S AN AMERICAN PUB & GRILL Friday 16 February 2018 Leaflet | © OpenStreetMap Contributors MOCA Jacksonville 333 N. Laura St., Jacksonville, 32202, US, F L S A V E LOG IN SIGN UP FOR ME MAP
155. INFO What is Evensi? Privacy Terms of use Pricing Contact us FOR PROFESSIONALS + Create an event My pages Promote an event Create your own widget DISCOVER EVENSI Map Events for me Find users and pages SOCIAL LINKS Facebook Twitter Google+ Like 120K Share English | Italiano | Español | Deutsch | Français | Português | Čeština​ S I G N U P
156. Events Events Calendar Birthdays Discover Past Third Thursday Tour: Lorrie Fredette Create Event Privacy · Terms · Advertising · · Cookies · More Facebook © 2018 English (US) · Español · Português (Brasil) · Français (France) · Deutsch Ad Choices Third Thursday Tour: Lorrie Fredette Public · Hosted by MOCA Jacksonville JUN 15 Interested Thursday, June 15, 2017 at 7:00 PM - 8:00 PM EDT about 8 months ago Show Map 333 N Laura St, Jacksonville, Florida 32202 About Discussion 8 Went · 21 Interested Share this event with your friends Details Learn more about the pods inspired by the smallpox virus created for Iterations: Lorrie Fredette. Free with admission Portrait of the artist lying under The Great Silence. About MOCA Jacksonville MOCA Jacksonville Contemporary Art Museum · Jacksonville, Florida MOCA Jacksonville, a cultural institute of the University of North Florida, promotes the art, artists, and ideas of our time. Join or Log Into Facebook   Sign Up Email or Phone Password Forgot account? Do you want to join Facebook? Log In Sign Up MOCA Jacksonville
157. Home / Events / Making Art: From One to Many Report a Problem Making Art: From One to Many 07:00 pm - 09/05/2017 @ UNF LGBT Resource Center 1 U N F Dr Bldg 58E Rm 1111 Jacksonville , FL 32224 Join artist Lorrie Fredette in a hands-on workshop creating individual scultpural pieces that will compose a larger installation. Event is open to all and no artistic experience necessary. This event is free and open to all students. Light refreshments will be served. Show Map Categories: Education All Categories Jacksonville Tweets SEDA New Homes In any real estate transaction, it’s important to have a professional on your side, even if the process seems strai… https://t.co/MRJ1nTHmDR TMJ-JAX Retail Jobs Can you recommend anyone for this #job? Part Time Retail Sales Consultant - https://t.co/OUuMwQqGNH #Retail… https://t.co/hyKQFjJa6V TMJ-JAX Labor Jobs We're #hiring! Read about our latest #job opening here: Dishwasher - https://t.co/ZVVV9Lpnvj #Labor #Jacksonville, FL #CareerArc Jacksonville jobs #jobs4u #jobs Customer Service Analyst 4-Support https://t.co/Oe851yNwlQ #JAX #jacksonville #FL Jacksonville jobs #jobs4u #jobs Teach English in Japan https://t.co/onQ0hYukLz #JAX #jacksonville #FL Jacksonville jobs #jobs4u #jobs Part-Time Retail Sales Associate https://t.co/TUyUxmKV4e #JAX #jacksonville #FL Jacksonville jobs #jobs4u #jobs Investment Banking Coverage - Junior Business Manager https://t.co/qmH1yIrr81 #JAX #jacksonville #FL Jacksonville MobileMechanic Florida school shooting victims remembered at candlelight vigil https://t.co/aUQt0JNsqy #jacksonville https://t.co/4V4LfzrEzK Destiny McKeiver Want to know what #Jacksonville area schools are doing following the #BrowardShooting? READ THIS. Black Hive Tattoo Here’s some more awesome #blackandgrey work by the talented Solé! #soledelreal #soledelrealtattoo #ladytattooers… https://t.co/99inyRATSe Search by Categories Local Business 25294 Shopping & Retail 10439 Professional Services 9607 Business Services 8840 Restaurant 5427 Home Improvement 4575 Local Service 4369 Fast Food Restaurant 4361 Medical & Health 3620 Financial Services 3349 Home | Places | Events Privacy Policy | Terms of Use Contact Where 2 Go Jacksonville Where 2 Go Where 2 Go Where 2 Go Where 2 Go Where 2 Go Where 2 Go Jacksonville Jacksonville Jacksonville Jacksonville Jacksonville Jacksonville Compounding Stock Market Gains - 3 Stocks to Hold Forever Where 2 Go Jacksonville Home Places Events
158. Show Map Report a Problem Home / City: Jacksonville / Events / Iterations: Lorrie Fredette Iterations: Lorrie Fredette Description Join us on Friday, 9/8 (1:00–2:45 P.M.) for "Iterations: Lorrie Fredette," a gallery visit and moderated discussion with exhibiting artist Lorrie Fredette, moderated by Sheila Goloborotko, assistant professor of printmaking. MOCA Jacksonville, 333 N. Laura St. Cosponsored by the International Studies Program, MOCA Jacksonville and the UNF Department of Art and Design. This event is part of "Friends and Foes," the Fall 2017 International Studies Lecture Series (http://www.unf.edu/coas/intlstudies/Lecture_Series.aspx). @ UNF International Studies Program 1 UNF Drive, 10/2425 Jacksonville , FL 32224 08 September 2017 - 01:00 pm Jacksonville Tweets SEDA New Homes In any real estate transaction, it’s important to have a professional on your side, even if the process seems strai… https://t.co/MRJ1nTHmDR TMJ-JAX Retail Jobs Can you recommend anyone for this #job? Part Time Retail Sales Consultant - https://t.co/OUuMwQqGNH #Retail… https://t.co/hyKQFjJa6V TMJ-JAX Labor Jobs We're #hiring! Read about our latest #job opening here: Dishwasher - https://t.co/ZVVV9Lpnvj #Labor #Jacksonville, FL #CareerArc Jacksonville jobs #jobs4u #jobs Customer Service Analyst 4-Support https://t.co/Oe851yNwlQ #JAX #jacksonville #FL Jacksonville jobs #jobs4u #jobs Teach English in Japan https://t.co/onQ0hYukLz #JAX #jacksonville #FL Jacksonville jobs #jobs4u #jobs Part-Time Retail Sales Associate https://t.co/TUyUxmKV4e #JAX #jacksonville #FL Jacksonville jobs #jobs4u #jobs Investment Banking Coverage - Junior Business Manager https://t.co/qmH1yIrr81 #JAX #jacksonville #FL Jacksonville MobileMechanic Florida school shooting victims remembered at candlelight vigil https://t.co/aUQt0JNsqy #jacksonville https://t.co/4V4LfzrEzK Destiny McKeiver Want to know what #Jacksonville area schools are doing following the #BrowardShooting? READ THIS. Black Hive Tattoo Here’s some more awesome #blackandgrey work by the talented Solé! #soledelreal #soledelrealtattoo #ladytattooers… https://t.co/99inyRATSe Jacquelyn Robles The latest #Jacksonville Daily! https://t.co/NOPEuNtsL4 Thanks to @Jaguars_Br @BreakingJaxNews @CFreemanJAX #florida #gators Christy Turner Pretty sunset #FirstAlertWx #Jacksonville #ILoveJax https://t.co/7RRrfH45p7 All Categories Top Categories for Jacksonville Shopping 9370 Restaurant 5194 Home Improvement 4676 Medical and Health 3838 Fast Food 3236 Religion Organization 3186 Real Estate Agent 3091 Spa, Beauty and Personal Care 2807 Contractor 2691 Real Estate 2690 Region 2502 Doctor 2409 Automotive 2384 Family Doctor 2289 Real Estate Service 2224 Sports 2207 Automotive Repair 2045 Church 2030 Cape Coral | Cape Coral | Deltona Jacksonville | Miami | North Port Orlando | Palm Bay | Palm Beach Home | Privacy Policy | Terms of Use | Contact Another States Copyright © 2018 All Rights Reserved. Florida Guide Home Jacksonville Miami Tampa Orlando
159. Location: MOCA Jacksonville Third Thursday Tour: Lorrie Fredette  moca jacksonville Status: passed Duration: 1h  Begins  Ends Thu 19:00, 2017-06-15 Thu 20:00, 2017-06-15 Last update: 2017-06-12 Event description: Learn more about the pods inspired by the smallpox virus created for Iterations: Lorrie Fredette. Free with admission Portrait of the artist lying under The Great Silence. Website: https://www.facebook.com/events/360212741040477  Provider: facebook          333 N Laura St 32202 FL United States Phone: (904) 366-6911 Location description / venue info: MOCA Jacksonville, a cultural resource of the University of North Florida, promotes the art, artists, and ideas of our time. The Museum of Contemporary Art Jacksonville, a private nonprofit visual arts educational institution and cultural resource ... Read more open in google maps  30°19'45.6"N 81°39'31.3"W Save View larger map Sign in Map data ©2018 Google Terms of Use Upcoming Events happening near MOCA Jacksonville in 0h Fri 11:30 0.1 km  TGIF with Mike Shackelford hemming park  Hemming Park in 4h Fri 16:00 1.8 km  Cheese Beer Release hyperion brewing company  Hyperion Brewing Company in 5h Fri 17:00 2.0 km  Friday Happy Hour jacksonville 20's and 30's hang out  Sidecar in 6h Fri 17:30 0.4 km  Sum + Substance Opening Reception the space gallery  The Space Gallery in 6h Fri 18:00 4.2 km  Tallahassee Alumni Gathering episcopal school of jacksonville  Episcopal School of Jacksonville in 6h Fri 18:00 7.0 km  Valentine's Masquerade! Free Shots & Chocolate! 2/16 at Eclipse! eclipse riverside  Eclipse Riverside in 6h Fri 18:00 7.1 km  Understanding Your Chakras with Falli Shah guiding light spiritual growth group  Seventh Wonder Holistic Spa in 6h Fri 18:00 7.1 km  Understanding Your Chakras seventh wonder holistic spa  Seventh Wonder Holistic Spa in 7h Fri 18:30 2.6 km  Chinese New Year 2018 at Hawkers 5 Points! hawkers 5 points  Hawkers Five Points in 7h Fri 19:00 0.5 km  Jacksonville Symphony Orchestra: Raiders of The Lost Ark - Film With Live Orchestra - Jacksonville classical  Times Union Ctr Perf Arts Jacoby Symphony Hall in 7h Fri 19:00 0.6 km  Raiders of the Lost Ark jacksonville symphony  Jacksonville Symphony in 7h Fri 19:00 1.1 km  Planetarium Night Live presents: Matches Made in the Heavens museum of science & history, jacksonville  Museum of Science & History, Jacksonville in 7h Fri 19:00 2.8 km  Friday Night You-Pick Workshop with New Options! creative grain studio  Creative Grain Studio in 8h Fri 19:30 0.4 km  Lost Stars with Flipturn concert  1904 Music Hall in 8h Fri 19:30 0.4 km  Lost Stars// flipturn // South Point at 1904 Music Hall lost stars  1904 Music Hall  Upcoming  Position  Account
160. in 8h Fri 19:30 1.2 km  Billy Buchanan Band (4 Piece) at RCBC river city brewing company  River City Brewing Company Jacksonville Fl in 8h Fri 19:30 6.1 km  John Tibbs with Dylan Gerard (NBC's The Voice) & Jacob Hudson ticketfly backstage amplifier  Murray Hill Theatre in 8h Fri 19:30 6.1 km  John Tibbs concert  Murray Hill Theatre in 8h Fri 20:00 0.4 km  Paula Poundstone comedy  Florida Theatre in 8h Fri 20:00 0.4 km  Paula Poundstone the florida theatre  The Florida Theatre in 8h Fri 20:00 0.5 km  Madama Butterfly - Jacksonville classical opera  Times Union Ctr Perf Arts Moran Theater in 8h Fri 20:00 0.6 km  Madama Butterfly ticketmaster events  Times-Union Center for the Performing Arts in 8h Fri 20:00 0.8 km  Tyrese with Joe and Valentines Love Jam and Avant and Silk concert  Jacksonville Veterans Memorial Arena in 8h Fri 20:00 1.1 km  The Walls - Opening Weekend - 2018 Season the 5 & dime, a theatre company  The 5 & Dime, A Theatre Company in 8h Fri 20:00 1.4 km  Valentine's Love Jam ticketmaster events  Jacksonville Veterans Memorial Arena in 8h Fri 20:00 2.7 km  Wood Chickens (WI) w/ Concrete Criminals, Friendly Fire, & more wood chickens  Rain dogs. in 8h Fri 20:00 2.7 km  Wood Chickens (WI) w/ Concrete Criminals, Friendly Fire and more wood chickens  Rain dogs. in 9h Fri 21:00 0.7 km  We The Plug Presents: JPHELPZ at Myth Nightclub 02.16.18 eventbrite  Myth Nightclub - Element Bistro in 9h Fri 21:00 9.3 km  Daryl Hance Powermuse - Jacksonville, FL at Lake Shore Bar daryl hance  Lake Shore Bar in 10h Fri 22:00 2.2 km  Gypsy & Me Album Release Show gypsy&me  Jack Rabbits in 10h Fri 22:00 5.8 km  Monty's & Shores Liquors: Sister Insane monty's/shores liquors of avondale  Shores Liquors and Bar of Avondale in 20h Sat 08:00 1.1 km  Florida Girls National winter park volleyball club  Jacksonville, Florida in 20h Sat 08:00 5.0 km  USA Climbing Youth and Collegiate Sport Local Competition the edge rock gym  The Edge Rock Gym in 22h Sat 10:00 2.2 km  JBA YLS 2018 Charity Chili Cook Off jacksonville bar association young lawyers section  Riverside Arts Market in 23h Sat 11:00 0.5 km  Jax Landing Family & Fun, Fitness, Health & Beauty cookie kids superfoods  Jacksonville Landing in 23h Sat 11:00 7.1 km  Exploration into Sivananda Yoga soluna yoga + spa  Soluna Yoga + Spa in 1d 1h Sat 13:00 1.1 km  Mount Acosta Classic 2018 lakeshore bicycles  Times-Union Media in 1d 1h Sat 13:00 2.2 km  Disney's Lady and the Tramp painting with a twist  Painting with a Twist - Jacksonville, FL - San Marco in 1d 3h Sat 15:00 5.9 km  Lean On Me: A Restorative Partner Experience yoga den avondale  Yoga Den of Avondale in 1d 6h Sat 18:00 2.2 km  3rd Annual Fundraiser - Vintage USO Dinner & Dance Party friday musicale of jacksonville, florida  Friday Musicale of Jacksonville, Florida Upcoming Events happening in similar regions in United States New York City - Los Angeles - Chicago - Brooklyn - Houston - Philadelphia - Manhattan - Phoenix - Borough of Bronx - San Antonio - San Diego - Dallas - San Jose - Indianapolis - Jacksonville - San Francisco - Austin - Columbus - Fort Worth - Charlotte - Detroit - El Paso - Memphis - New South Memphis - Baltimore - Boston - Seattle - Washington, D. C. - Metropolitan Government of Nashville-Davidson (balance) - Denver - Milwaukee - Portland - Las Vegas - Oklahoma City - South Boston - Albuquerque - Nashville - Tucson - Fresno - Staten Island - Sacramento - Long Beach - Kansas City - Mesa - Virginia Beach - Atlanta - Colorado Springs - Omaha - Raleigh - Miami - Select your position
161. Made with ♥ in Zurich about | terms | privacy | contact       © 2018 etrigg.com
162. UNF COAS A-Z INDEX Custom Search Go Overview Statement on Diversity and Inclusion Lecture Series International Mondays Other Events Student/Alumni News Information for... Resources Policies Contact Fall 2017 Lecture Series: "Friends and Foes" 9/8, 1–2:30 PM Iterations: Lorrie Fredette Gallery visit and moderated discussion with exhibiting artist Lorrie Fredette. Moderator: Sheila Goloborotko, assistant professor of printmaking. Cosponsored by MOCA Jacksonville and the UNF Department of Art and Design. MOCA Jacksonville, 333 N. Laura St. 9/22, Noon–1:15 PM Making the Strange Familiar and the Familiar Strange Julie Ingersoll, professor and coordinator, Religious Studies Program. Building 58W/Room 3806 The Evolution of Offshore Financial Centers and Services: Twenty–First Century Economic Development Strategies (9/29) Sharon Cobb, professor of economic geography Dr. Cobb discussed whether small island economies and their relationship to offshore financial centers are a friend or a foe to global finance. Dr. Cobb defined offshore financial centers (OFCs) as “places that host financial activities that are separated from major regulatory units (states) by geography and/or legislation.” Some examples of OFCs include the Cayman Islands, the Isle of Man, and Luxembourg. Companies tend to go offshore to launder, for tax evasion or tax avoidance, to protect assets, and for total wealth management. She explained that causes of onshore–offshore tension include unfair tax practices, money laundering and the lack of transparency in tax information sharing. Dr. Cobb concluded by proposing that OFCs may be both a friend and a foe. They are a friend for economic development in small island economies because they increase public–private interactions and a foe for the onshore world because of the leakage of capital offshore and the tighter regulations. Dr. Cobb posed one final question to the audience: How will Brexit affect this picture? Genetically Modified Organisms: Friend or Foe? (10/6) David Waddell, associate professor of biology and director, Biomedical Program. Dr. Waddell began by briefly discussing the history of genetics and defining some terms, such as natural selection and artificial selection, to help the audience better understand the debate about genetically modified organisms (GMOs). He explained that GMOs are created when scientists add genes not found in the organism, or remove existing genes, to provide the organism with new traits. Addressing the an ongoing debate about whether GMOs are harmful to human health, Dr. Waddell dissected examples of “scientific studies” that claimed that GMOs are harmful by pointing out the flaws in their research design and execution. He demonstrated, in particular, how some "studies" select information to fit their views, and how many of the people/organizations who conducted these “studies” were unqualified and, most notably, were not trained biologists. Dr. Waddell concluded that, at this point in time, GMOs have not been shown by professionally conducted research to be harmful to human health. He pointed out that GMOs and genetically enhanced organisms (GEOs) undergo rigorous testing for safety before they are available for public consumption and that they do not cause allergies any more than non-GMOs do. He also stated some of the benefits of GMOs, which include the development of human insulin for the treatment of diabetes, greater crop yields, and, as a result of the latter, less land needed for agricultural activities. 10/20, Noon–1:15 PM Does Your Culture Influence Your Conflict Resolution Style? Dan Richard, associate professor of psychology and director of faculty enhancement, and Debbie Wang, professor of psychology. Building 58W/Room 3806 10/27, Noon–1:15 PM Foes and Neighbors: Community Solidarity in Pinochet's Chile Alison Bruey, associate professor of history. Building 58W/Room 3806 11/3, Noon–1:15 PM Grassroots Social Structures for Combating Stigma and Supporting Families Raising Children on the Autism Spectrum in Jamaica Angela Mann, assistant professor of psychology. Building 51/Room 1209 11/17 Noon–1:15 PM Senior Seminar Research Exhibit, as part of the inaugural International Research Symposium, co-sponsored by the International Affairs Office, the International Studies Program, the International Center, and the Office of Undergraduate Research. Building 58W/Room 3073 About the College Departments, Programs & Centers Unity Student Resources Career Planning Giving
163. Summaries and photos by Rebecca Weiner. Copyright © 2018 University of North Florida 1 UNF Drive | Jacksonville, FL 32224 | Phone: (904) 620-1000 Contact | Emergency | Privacy | Regulations | Consumer Information Website Accessibility | Disability Accommodations
164. THE OTHER MOCA January 23 - April 10, 2016 Taylor Bisanzio Suzanne Caporael Kate Collyer Amy Cutler Elaine de Kooning Lesley Dill Sheila Goloborotko Catherine Graffam Karen Kunc Nicola López Taryn McMahon Jill Parisi Judy Pfaff Lilliana Porter Jaune Quick-to-See Smith Alison Saar Kiki Smith Tanja Softić Jillian Sokso Swoon Shelley Thorstensen Marie Watt June Wayne
165. The Other: Nurturing a New Ecology in Printmaking Printmaking is, by its nature, a fecund artistic environment. In 1960 it was a woman— June Wayne, the founder of Tamarind Institute (from which so many of these works are graciously on loan)—who went so far as to call it “an ecology.” It’s women, many of them unsung, who have been its pioneers, exploring, publishing and defining the boundaries of the medium for us over the decades. They are pushing against traditional methods of production (cutting their prints by hand; pinning them to the wall). They are embracing larger contents (social media, crowd sourcing). They are true to their bodies and themselves. Their means of production may be diverse, but still, as is printmaking’s true nature, ever democratic and accessible. Gender roles are more fluid today than ever before; this exhibition gives us an opportunity, no matter our gender, to think about the masculine and feminine in all of us. What does it mean to be receptive and nurturing? What does it mean to be powerful and strong? We can learn from each other. So, when you look “without” at the work by these women—black, caucasian, latina, gay, and transgender—artists, don’t forget to look “within.” Amidst all this variety—there is a great deal of Unity. Thanks to women artists, we can see how much we all truly share. Sheila Goloborotko, 2016
166. The Other: Nurturing a New Ecology in Printmaking Taylor Bizancio Suzanne Caporael Kate Collyer Amy Cutler Elaine De Kooning Lesley Dill Sheila Goloborotko Catherine Graffam Karen Kunc Nicola López Taryn Mc Mahon Jill Parisi Judy Pfaff Liliana Porter Alison Saar Jaune Quick-To-See Smith Kiki Smith Tanja Softic Jillian Sokso Swoon Shelley Thorstensen Marie Watt June Wayne EXHIBITION POSTCARD
167. “Braddock Steel”, Swoon, Block print on mylar with hand painting and coffee stain, 55" x 93", 2015 The Art Department is particularly excited about a major printmaking exhibition titled The Other: A New Ecology of Printmaking curated by Professor Sheila Goloborotko and Jim Draper, Gallery Coordinator. The prints of twenty-three women will be included and feature such luminaries as Elaine de Kooning, Judy Pfaff, Alison Saar, Jaune Quick-To-See Smith and Swoon, among others. The opening will coincide with the February Art Walk on February 3rd from 6-8pm. The Other: Nurturing a New Ecology in Printmaking Opening: Wednesday, February 3 from 6-8 pm Free and open to the public Exhibition is open from January 23 – April 10, 2016 EXHIBITION POSTER
179. THE OTHER Catherine Graffam Visiting Artist February 4-6, 2016 • Opening and Gallery Talk at MOCA, Art Walk • Gallery Talk to 12 Printmaking Classes • Print Workshop, at UNF Printmaking Studio • Surviving as a Transwoman in the Art World, UNF Gallery • Gallery Talk at MOCA, International Studies Seminar Events sponsored by the UNF Art and Design Department and Judy Eisen Gift to support Visiting Artists, the UNF LGBT Center and the Choy/Morgann LGBT Programming Endowment, the UNF International Studies Program, and MOCA Jacksonville.
180. PRINTMAKING WORKSHOP WITH VISITING ARTIST CATHERINE GRAFFAM
183. 1/22, Noon–1:15 P.M. The Tourist Gaze and Cross–Cultural Cinema Nicholas de Villiers, Associate Professor of English and Film. Building 58W/Room 3806. 1/29, Noon–1:15 P.M. Colorism in the 21st Century: Black American Implications of a Global Skin Color Consciousness and Hierarchy JeffriAnne Wilder, Associate Professor of Sociology and Founding Director, Institute for the Study of Race and Ethnic Relations (SRER). Building 58W/Room 3806. 2/5, 1:00–2:30 P.M. The Other: Nurturing a New Ecology in Printmaking Brief introduction: Jim Draper, Coordinator of UNF Art Galleries and exhibition co–curator. Moderated discussion and Q&A: Sheila Goloborotko, UNF Assistant Professor of Printmaking and exhibition co–curator/participating artist, and Catherine Graffam, participating artist. MOCA Jacksonville, 333 N. Laura St. Cosponsored by MOCA Jacksonville and the UNF LGBT Resource Center. Reservations required. Email islectures@unf.edu by 2/2. 2/12, 12:00–1:15 P.M. Dancing for Snow: Ski Resorts, Cultural Appropriation, and American Indian Ritual Practice Brandi Denison, Assistant Professor of Religious Studies. Building 58W/Room 3806. 2/19, Noon–1:15 P.M. France’s “Others”: Muslim–Arabs in French Society and Culture Patricia Geesey, Professor of French and Chair, Department of Languages, Literatures and Cultures. Building 51/ Room 1205. 2/26, Noon–1:30 P.M. Panel Discussion: Technology and Society Ching–Hua Chuan, Assistant Professor of Computing; Josh Gellers, Assistant Professor of Political Science; Mitch Haney, Associate Professor of Philosophy and Chair, Department of Philosophy and Religious Studies; Margaret C. Stewart, Assistant Professor of Communication; and Karthikeyan Umapathy, Associate Professor of Information Systems. Cosponsored by the UNF Digital Humanities Initiative. Building 58W/Room 3806. 3/4, Noon–1:15 P.M. Faith and Politics in Enlightenment France: The Religious Roots of a Revolutionary Age Daniel Watkins, Assistant Professor of History. Building 58W/Room 3806. 3/25, Noon–1:30 P.M. Panel Discussion: China and the West/The Idea of “China” Aaron Creller, Visiting Assistant Professor of Philosophy and Florida Blue Center for Ethics Post–Doctoral Fellow; Sarah Mattice, Assistant Professor of Philosophy; Harry Rothschild, Professor of History; Yongan Wu, Associate Professor of Chinese. Building 51/Room 1205. 4/1, Noon–1:15 P.M. Language, Community, and Participatory Ethnography among Deaf Youth in Mexico City Anne Pfister, Assistant Professor of Anthropology. Cosponsored by the UNF Latin American and Caribbean Council. Building 51/Room 1205. 4/15, 1:30–2:45 P.M. Senior Seminar Student Research Exhibit Opening remarks: Jorge Febles, Professor of Spanish and Director, International Studies Program. Thomas G. Carpenter Library, First Floor. Sameness / Difference I N T E R N A T I O N A L S T U D I E S S E N I O R S E M I N A R L E C T U R E S E R I E S S P R I N G 2 0 1 6 These events are free and open to the UNF community. Seating will be on a first-come, first-served basis except when reservations are required, as indicated. For more information contact Clayton McCarl, clayton.mccarl@unf.edu. COLLABORATION WITH INTERNATIONAL STUDIES LECTURE SERIES
189. CATHERINE GRAFFAM LECTURE
194. The Other
195. The Other
196. The Other
197. The Other
198. The Other
199. The Other
200. The Other
201. The Other
202. The Other
203. The Other
204. The Other
205. The Other
206. The Other
207. The Other
208. 1 THE OTHER: Nurturing a New Ecology in Printmaking
209. i THE OTHER: NURTURING A NEW ECOLOGY IN PRINTMAKING Printmaking is, by its nature, a fecund artistic environment. In 1960 it was a woman— June Wayne, the founder of Tamarind Institute (from which so many of these works are graciously on loan)—who went so far as to call it “an ecology.” It’s women, many of them unsung, who have been its pioneers, exploring, publishing and defining the boundaries of the medium for us over the decades. They are pushing against traditional methods of production (cutting their prints by hand; pinning them to the wall). They are embracing larger contents (social media, crowd sourcing). They are true to their bodies and themselves. Their means of production may be diverse, but still, as is printmaking’s true nature, ever democratic and accessible. Gender roles are more fluid today than ever before; this exhibition gives us an opportunity, no matter our gender, to think about the masculine and feminine in all of us. What does it mean to be receptive and nurturing? What does it mean to be powerful and strong? We can learn from each other. So, when you look “without” at the work by these women—black, caucasian, latina, gay, and transgender— artists, don’t forget to look “within.” Amidst all this variety—there is a great deal of Unity. Thanks to women artists, we can see how much we all truly share.
210. ii etching intaglio monoprint silkscreen relief wood cut installation video stitching monotype lithograph
211. iii
212. 01 TABLE OF CONTENTS AMY CUTLER “Widows Peak” ELAINE DE KOONING “Taurus IX” LESLEY DILL “Her Eyes” “Fingertip Scroll” KAREN KUNC “Verse From Macrocosmica” TARYN McMAHON “Tracking Their Wonderous Transforamtion” ALLISON SAAR “Equinox” TAYLOR BISANCIO “Asphyxiation” “You hurt me, my bad“ SUZANNE CAPORAEL “Untitled” KATE COLLYER “Thirteen” SHEILA GOLOBOROTKO “Installation” CATHERINE GRAFFAM “The Space Between” 2 4 6 10 12 16 18 22 24 26 28 30 32 34 36 38 40 42 44 46 48 50 52 NICOLA LÓPEZ “Verse From Macrocomsimica” JILL PARISI “Ruby Lichen” JUDY PFAFF “Cost of Seed” LILIANA PORTER “Travler” JAUNE QUICK-TO-SEE-SMITH “Ceremony Series: Crossing Over” KIKI SMITH “Untitled” TANJA SOFTIC “Lazarus II” JILLIAN SOKSO “Stitching Time Series” SWOON “Untitled” SHELLEY THORSTENSEN “Rhyme and Reason” MARIE WATT “Landmark: Skywalker” JUNE WAYNE “Visa Monday” “Inside Out”
213. 02 The exquisite detail of Amy Cutler’s fantasy worlds belies their mysterious circumstances. Her portrayal of women engaged in strange tasks--climbing mountains with goats on their backs, sewing stripes on tigers, carrying stacks of objects on their heads--are often suggested by events in her own life, or something she reads in the newspaper or a magazine. With a fairy-tale like quality, she creates a cryptic narrative that stimulates the imagination. In a departure from her groups of women, Amy’s lithograph, Hannah, looks more closely, but with a perhaps surprising lack of detail, at the individual. Individual portraits like that of Hannah were featured in an exhibition at Galleri Magnus Karlsson in Stockholm, Sweden in 2011. WIDOWS PEAK Ten-color lithograph 36.25” x 24.50” Collaborating Printer: Bill Lagattuta Edition of 25 2011 AMY CUTLER
215. 04 While at Tamarind in 1973, de Kooning created 18 lithographs of which various color trial proofs are still available. She returned to Tamarind in 1977 as a guest artist to participate in the Suite Fifteen project. TAURUS IX Two-color color trial proof 15” x 21” Collaborating Printer: Richard Newlin Edition of 20 1973 ELAINE DE KOONING
217. 06 “Poetic” is an apt description for Lesley Dill’s work, whether it refers to her prints, photographs, sculptures, or performances. She says that “language is the touchstone” of all of her work, and indeed it was the impetus for her to pursue visual art in the first place. When her mother gave her a book of Emily Dickinson’s poems, Dill could not resist the impulse to make tangible the images she imagined when reading the poems. Years later, Dill’s vision is still grounded in Dickinson’s poetry, culminating in an opera/ performance called Divide Light, which premiered in 2008. Dill conceived of and designed the production and the costumes, collaborating with composer Richard Marriott and the chorus that sang Dickinson’s words. When Dill speaks of the genesis of her work, she often makes reference to her body—“the words leaped off the page into my body” or “at the touch of a thread or yarn... it was like my body had come home” The lithographs HER EYES Two-color lithograph with chine colle, wax and thread 18” x 24” Collaborating Printer: Bill Lagattuta Edition of 20 2013 LESLEY DILL in this exhibition are related to Dill’s interest in the relationship between the body and soul. The skeleton that appeared in the imagery of the costumes and sets of her opera reappears here; it is as if the body is bared, exposing raw emotions. The textural qualities that run through Dill’s body of work are also apparent here with the addition of collaged elements and thread. Her grandmother’s and aunt’s work with fibers left a deep impression on her at an early age. In fact, she says “before there was imagery, there was tactility.” Dill’s tamarind lithograph, Rapture, is a reference both to Dickinson and to Sister Gertrude Morgan, a self-taught artist and preacher whose work Lesley first saw at the Folk Art museum in New York. Lesley responded to the raw power in Morgan’s work, which, like hers, unites words and images.
219. 08 FINGERTIP SCROLL Two-color lithograph with chine colle, wax and thread 14.75” x 18.38” Collaborating Printer: Jill Graham Edition of 20 2013 LESLEY DILL
221. 10 I conceptualize on the energy of the forces that shape the world, and such invisible cycles of nature as weather, migration, erosion, are major content influences. My work captures energy in generative carving of wood blocks for “exuberant” nature-based abstractions, lyrical and poetic, and graphically powerful. My idiosyncratic language of biomorphic abstraction inevitably refers to the natural world, our precious resources, and the powerful forces that have shaped our environment from eons past, or in a cataclysmic instant, to manmade impact of today, and the scientific revelations and imaginings of the invisible forces that drive all things, included human desire, avarice, our drive for nurturing and destruction. All are part of a ‘sense of place’, from my own local landscapes, to the expansive wonders of the universe. VERSE FROM MACROCOSMICA Woodcut 29” x 24” 2010 KAREN KUNC
223. 12 My work uses images of patterned botanicals to investigate sites and histories, highlighting the complicated construction of an idea of “nature”. The resulting installations are responsive to the architecture of their site, changing viewers’ ambulation through the space and creating a bodily experience. I am developing a visual vocabulary that mashes up the languages of 17th -18th century botanical engravings, space age cartoons, and nature documentaries. Like a DJ spinning sounds culled from disparate sources, I endlessly remix forms from botanical engravings, my own drawings, and other popular culture. My most recent work includes installations of cascading printed Mylar film and mixed media prints on paper. This work imagines a future ecology in which the natural and artificial become intertwined and conflated in the face of unprecedented change. TRACKING THEIR WONDROUS TRANSFORMATION Installation Size variable TARYN McMAHON
227. 16 Saar works primarily in sculpture and printmaking. Eve Wood, in Art Ltd magazine (Sept/Oct 2013), says: “Her work demonstrates a strong sense of personal narrative as she uses allegory and metaphor to tell visual stories that celebrate women’s strength and endurance...Poetic and often elegiac, Saar’s sculptures of African American women constitute a dual commitent to form and content.” Her work is included in museum collections around the world, including The Studio Museum in Harlem, , the Whitney Museum of American Art, and the Metropolitan Museum of Art in New York; and the Hirschhorn Museum and Sculpture Garden in Washington, D.C. In 2012, Saar participated in the project AFRO: Black Identity in America and Brazil at Tamarind, and made three lithographs that address the complexities of personal identity. EQUINOX Five-color lithograph 48” x 62” Collaborating Printer: Kellie Hames Edition of 16 2012 ALISON SAAR
229. 18 INDEX TAYLOR BISANCIO “Asphyxiation” Video-animation from monotypes 2014 “You Hurt Me, My Bad” Video-animation from monotypes 2014 SUZANNE CAPORAEL “Untitled” Trial proof with five runs on Somerset Satin White 18.50” x 15” KATE COLLYER “Thirteen” Lithographs on glass Three stands — each 19.25” x 6” x 10” AMY CUTLER “Widows Peak” Ten-color lithograph 36.25” x 24.50” Collaborating Printer: Bill Lagattuta Edition of 25 2011 ELAINE DE KOONING “TAURUS II” Two-color color trial proof 15” x 18” Collaborating Printer: Richard Newlin Edition of 20 1973 “TAURUS IX” 15” x 21” Two-color color trial proof. Collaborating Printer: Richard Newlin Edition of 20 1973 LESLEY DILL “Her Eyes” Two-color lithograph with chine colle, wax and thread 18” x 24” Collaborating Printer: Bill Lagattuta Edition of 20 2013 “Fingertip Scroll” Two-color lithograph with chine colle, wax and thread 14.75” x 18.38” Collaborating Printer: Jill Graham Edition of 20 2013 SHEILA GOLOBOROTKO “Installation” LCD screen and computer terminal CATHERINE GRAFFAM “The Space Between” Etching and aquatint 12” x 12” 2015
230. 19 KAREN KUNC “Verse From Macrocosmica” Woodcut 29” x 24” 2010 NICOLA LÓPEZ “Infrastructure #3” Nine-color lithograph 43.75” x 29.50” Collaborating Printer: Asa Wentzel-Fisher Edition of 12 2012 TARYN McMAHON “Tracking Their Wondrous Transformation” Installation Size variable JILL PARISI “Ruby Lichen” Wall installation of hand-colored intaglio prints on tissue weight Asian paper Size variable JUDY PFAFF “Cost of Seed” Six-color lithograph with hand coloring 18” x 24” Collaborating Printers: Andrew Rubin, Bruce Crownover Edition of 60 1998 LILIANA PORTER “Traveler” Single-color lithograph with collage elements 18” x 24” Collaborating Printer: Bill Lagattuta Edition of 20 1998 ALISON SAAR “Equinox” Five-color lithograph 48” x 62” Collaborating Printer: Kellie Hames Edition of 16 2012 JAUNE QUICK-TO-SEE SMITH “Ceremony Series: Crossing Over” Monoprint 30.25” x 22” Edition of 1 1997 KIKI SMITH “Untitled” Single-color lithograph 22.38” x 30” Collaborating Printer: Bill Lagattuta Edition of 95 2009 TANJA SOFTIC “Lazarus II” Monotype 22.38” x 30” Edition of 1 2007 JILLIAN SOKSO “Stitching Time Series” aprox 9” x 13” 2013 SWOON “Untitled” Technique 00” x 00” SHELLEY THORSTENSEN “Rhyme and Reason” Lithograph, Silkscreen, Relief, Silkscreen with chine colle. 34” x 24” MARIE WATT “Landmark: Skywalker” Three-color lithograph 11” x 10” Collaborating Printers: Adrian Kellett, Jill Graham Edition of 15 2013 JUNE WAYNE “Visa Monday” Seven-color lithograph 30” x 22” Collaborating Printer: Edward Hamilton Edition of 70 1976 “Inside Out” Single-color lithograph 29.63” x 20.94” Collaborating Printer: Bill Lagattuta Edition of 5 1992
231. 20 Gender roles are more fluid today than ever before; this exhibition gives us an opportunity, no matter our gender, to think about the masculine and feminine in all of us.
232. The Other MOCA Additional Artifacts The Other and 1001 dreams, Channel 4 News Interview for River City Live with Rance Adams, February 2016. http://www.news4jax.com/river-city-live/the-other-exhibit-at-moca FM community radio KBOO broadcasting from Portland, Oregon, April 2016. Transpositive, interview with Emma Lugo with Catherine Graffam to discuss exhibition The Other. 
 http://content.blubrry.com/biscuitsngravy/Shayla_and_Catherine_Trans_Arts.mp3 UNF Gallery at MOCA, website
 https://mocajacksonville.unf.edu/exhibitions/unf-gallery/The-Other--Nurturing-a-New- Ecology-in-Printmaking/ The Other: Nurturing a New Ecology in Printmaking
 https://printscholars.org/the-other-nurturing-a-new-ecology-in-printmaking/ Pressing Concerns: The Other at MOCA http://folioweekly.com/PRESSING-CONCERNS,14590 Printmaker’s Perspective: George Cornwell http://eujacksonville.com/2016/04/06/printmakers-perspective/ Two floors at MOCA Jacksonville feature James Rosenquist, Andy Warhol and much more http://artdaily.com/news/85040/Two-floors-at-MOCA-Jacksonville-feature-James- Rosenquist--Andy-Warhol-and-much-more#.WnW-DoJG3q0 MOCA showcases work of Andy Warhol, James Rosenquist, other printmakers http://www.jacksonville.com/entertainment/arts/2016-02-20/story/mocas-galleries- overflowing-work-andy-warhol-james-rosenquist Art Notes Printmaking Now Focus at MOCA Jacksonville http://www.jacksonville.com/entertainment/arts/2016-02-06/story/arts-notes- printmaking-now-focus-moca-jacksonville Art Notes http://www.jacksonville.com/entertainment/arts/2016-01-16/story/arts-notes- jacksonville-playwrights-cotten-alley-now-players-sea Installation of The Other makes some Swoon https://mocajacksonville.unf.edu/blog/Installation-of-The-Other-makes-some-Swoon/ The Power of Printmaking at MOCA Jacksonville http://www.jordanschnitzer.org/news/the-power-of-printmaking-at-moca- jacksonville Surviving As a Trans Woman in The Art World” by Catherine Graffam
 https://es-la.facebook.com/events/1664631133813687/ Interview on KBOO Transpositive Portland https://www.facebook.com/transpositivepdx/posts/10155208581824815
233. The Other and 1001 dreams, Channel 4 News interview for the daily talk show River City Live with Rance Adams, February 2016.
 http://www.news4jax.com/river-city-live/the-other-exhibit-at-moca
234. The Other, exhibition showcasing the work of 23 women printmakers at MOCA Jacksonville was the focus of Transpositive, a program focused on issues of gender identity directed by Emma Lugo on FM community radio KBOO broadcasting from Portland, Oregon, April 2016. https://transpositive.wordpress.com/…/interview-with-cathe…/ http://media.blubrry.com/…/Shayla_and_Catherine_Trans_Arts.…
235. ģǿ șěě ŀěǻřň șųppǿřț bŀǿģ ěǻț čǿňțǻčț Ģǿǿđ mǿřňįňģ! Țħě ģǻŀŀěřįěș ǻřě ǿpěň 11 ǻ.m.-5 p.m. țǿđǻỳ. ŇǾĿǺ MǾČǺ įș čŀǿșěđ bųț ẅįŀŀ ǿpěň ǻģǻįň ǿň Mǿňđǻỳ. ųňf ģǻŀŀěřỳ ǻț mǿčǻ << İmǻģě čǿųřțěșỳ ǿf Đǿųģ Ěňģ. țħě ǿțħěř: ňųřțųřİňģ ǻ ňěẅ ěčǿŀǿģỳ İň přİňțmǻķİňģ JǺŇŲǺŘỲ 23, 2016 - ǺPŘİĿ 10, 2016 Přįňțmǻķįňģ įș, bỳ įțș ňǻțųřě, ǻ fěčųňđ ǻřțįșțįč ěňvįřǿňměňț. İň 1960, įț ẅǻș ǻ ẅǿmǻň-Jųňě Ẅǻỳňě, țħě fǿųňđěř ǿf Țǻmǻřįňđ İňșțįțųțě (fřǿm ẅħįčħ șǿ mǻňỳ ǿf țħěșě ẅǿřķș ǻřě ģřǻčįǿųșŀỳ ǿň ŀǿǻň)-ẅħǿ ẅěňț șǿ fǻř ǻș țǿ čǻŀŀ įț “ǻň ěčǿŀǿģỳ.” Ẅǿměň, mǻňỳ ǿf țħěm ųňșųňģ, ħǻvě běěň přįňțmǻķįňģ pįǿňěěřș, ěxpŀǿřįňģ, pųbŀįșħįňģ, ǻňđ đěfįňįňģ țħě bǿųňđǻřįěș ǿf țħě měđįųm ǿvěř țħě đěčǻđěș. Țħěỳ pųșħ ǻģǻįňșț țřǻđįțįǿňǻŀ měțħǿđș ǿf přǿđųčțįǿň (čųțțįňģ țħěįř přįňțș bỳ ħǻňđ; pįňňįňģ țħěm țǿ țħě ẅǻŀŀ). Țħěỳ ěmbřǻčě ŀǻřģěř čǿňțěňțș (șǿčįǻŀ měđįǻ, čřǿẅđșǿųřčįňģ). Țħěỳ ǻřě țřųě țǿ țħěįř bǿđįěș ǻňđ țħěmșěŀvěș. Țħěįř měǻňș ǿf přǿđųčțįǿň mǻỳ bě đįvěřșě, bųț șțįŀŀ, ǻș įș přįňțmǻķįňģ'ș țřųě ňǻțųřě, ěvěř đěmǿčřǻțįč ǻňđ ǻččěșșįbŀě. đǿň'ț mİșș ẄĦǺȚ ĐǾ ỲǾŲ ẄǺŇȚ ȚǾ ĶŇǾẄ? Șěňđ ųș ỳǿųř qųěșțįǿňș ǻbǿųț MǾČǺ Jǻčķșǿňvįŀŀě mǿčǻ bŀǿģ ĚXĦİBİȚİǾŇȘ PŘǾJĚČȚ ǺȚŘİŲM PĚŘMǺŇĚŇȚ ČǾĿĿĚČȚİǾŇ ǺŘȚİȘȚȘ PĦǾȚǾȘ VİĐĚǾ ǺŇĐ ǺŲĐİǾ Čǻŀŀ ǻňđ Řěșpǿňșě Jųǻň Fǿňțǻňįvě Ųňvěřįfįěđ Čįřčųmvǿŀvě Fųțųřě Pǻșț BĚČǾMĚ Ǻ MĚMBĚŘ ĐǾŇǺȚĚ ĢĚȚ MǾČǺ ĚMǺİĿ
236. Ģěňđěř řǿŀěș ǻřě mǿřě fŀųįđ țǿđǻỳ țħǻň ěvěř běfǿřě; țħįș ěxħįbįțįǿň přǿvįđěș ǻň ǿppǿřțųňįțỳ, ňǿ mǻțțěř ǿųř ģěňđěř, țǿ țħįňķ ǻbǿųț țħě mǻșčųŀįňě ǻňđ fěmįňįňě įň ǻŀŀ ǿf ųș. Ẅħǻț đǿěș įț měǻň țǿ bě řěčěpțįvě ǻňđ ňųřțųřįňģ? Ẅħǻț đǿěș įț měǻň țǿ bě pǿẅěřfųŀ ǻňđ șțřǿňģ? Ẅě čǻň ŀěǻřň fřǿm ěǻčħ ǿțħěř. Ẅħěň ỳǿų ŀǿǿķ “ẅįțħǿųț” ǻț țħě ẅǿřķ bỳ țħěșě ǻřțįșțș-ěměřģěňț/ěșțǻbŀįșħěđ; Čǻųčǻșįǻň/Ŀǻțįňǻ/Ǻfřįčǻň-Ǻměřįčǻň; ħǿmǿ/ħěțěřǿ/țřǻňș-đǿň'ț fǿřģěț țǿ ŀǿǿķ “ẅįțħįň.” Ǻmįđșț ǻŀŀ țħįș vǻřįěțỳ-țħěřě įș ǻ ģřěǻț đěǻŀ ǿf ųňįțỳ. Țħǻňķș țǿ țħěșě ẅǿměň, ẅě čǻň șěě ħǿẅ mųčħ ẅě ǻŀŀ șħǻřě. mųŀțİměđİǻ ǻřțİșțș ȚǺỲĿǾŘ BİȘǺŇŻİǾ Țǻỳŀǿř Bįșǻňżįǿ įș ǻ ẅǿřķįňģ ǻřțįșț įň Ňěẅ Ỳǿřķ ẅħǿ șpěčįǻŀįżěș įň bǿțħ đįģįțǻŀ đěșįģň ǻňđ țřǻđįțįǿňǻŀ ǻřț. Čǿmbįňįňģ ħěř pǻșț șțųđįěș įň ǻňįmǻțįǿň ẅįțħ ħěř įňțěřěșț įň přįňțmǻķįňģ, șħě ěmpŀǿỳș bǿțħ měđįųmș țǿ pųșħ țħě ẅǿřŀđ ǿf přįňțmǻķįňģ fųřțħěř. Ěxpŀǿřįňģ țħě đǻřķ șįđěș ǿf țħě pșỳčħě, Bįșǻňżįǿ jųxțǻpǿșěș țħě įňțěňșįțỳ ǿf țħě șųbjěčț ẅįțħ țħě ǻěșțħěțįč běǻųțỳ ǿf ħěř mǿvįňģ přįňțș. ȘŲŻǺŇŇĚ ČǺPǾŘǺĚĿ Țħě Ǿțħěř Ǻųđįǿ Ģųįđě ȚĦĚ ǾȚĦĚŘ: ȘȚǾP 206 Ěŀǻįňě đě Ķǿǿňįňģ (Ǻměřįčǻň, 1918-1989) Țǻųřųș İİ, 1973 Țẅǿ-čǿŀǿř čǿŀǿř țřįǻŀ přǿǿf (#1) ŀįțħǿģřǻpħ Čǿųřțěșỳ ǿf Țǻmǻřįňđ İňșțįțųțě Ǻ ȚŘİBŲȚĚ ȚǾ JǾĦŇ ĦŲȚČĦĚȘǾŇ ǺŲĢŲȘȚ 30, 2016 FǾĿĿǾẄ ȚĦĚ ǺŘȚ ǺŇĐ ĿİVĚȘ ǾF FİVĚ ẄǾMĚŇ İŇ ‘ǾŲŘ ČİȚỲ ĐŘĚǺMȘ’ ǺŲĢŲȘȚ 14, 2016 JŲŇĚ ẄǺỲŇĚ'Ș ĐĚVǾȚİǾŇ ȚǾ ȘȚǾŇĚ ĿİȚĦǾĢŘǺPĦỲ ǺPŘİĿ 9, 2016
237. Pǻįňțěř ǻňđ přįňțmǻķěř Șųżǻňňě Čǻpǿřǻěŀ đěpįčțș țħě pħỳșįčǻŀ ẅǿřŀđ, fřǿm țħě pěřįǿđįč țǻbŀě țǿ țřěě řįňģș, ěŀěměňțș ǿf pįģměňțș, ěșțųǻřįěș, měŀțįňģ įčě, ǻňđ pŀǻňț șțěmș. Čǻpǿřǻěŀ běģįňș bỳ șțųđỳįňģ țħě șųbjěčț ǻňđ ěxǻmįňįňģ țħě řěŀǻțįǿňșħįpș běțẅěěň įțș ěŀěměňțș. Ǻfțěř ħěř đǻțǻ čǿŀŀěčțįǿň įș čǿmpŀěțě, șħě țřǻňșfǿřmș įț įňțǿ čǿmpǿșįțįǿňș ǿf įřřěģųŀǻř șħǻpěș, ŀįňěș, ǻňđ bŀǿțș țħǻț ǻț țįměș mįmįč ňǻțųřě. ĶǺȚĚ ČǾĿĿỲĚŘ Ňěẅ Ỳǿřķ-bǻșěđ přįňțmǻķěř Ķǻțě Čǿŀŀỳěř'ș ģǿǻŀ įș țǿ čřěǻțě įňđįvįđųǻŀ přįňțș țħǻț ǻřě ǻŀșǿ čǿŀŀǻbǿřǻțįvě ǻňđ įňțěřǻčțįvě țǿ přǿvįđě vįěẅěřș ẅįțħ ǻ șěňșě ǿf ěxįșțěňčě įň ħěř čǿňșțřųčțěđ ěňvįřǿňměňțș. Čǿŀŀỳěř'ș șųbjěčțș ǻřě ǿfțěň ŀǻňđșčǻpěș, ẅħěřě șħě ħįģħŀįģħțș țħě ňǻțųřǻŀ běǻųțỳ ǻňđ ǻț țħě șǻmě țįmě, řěfěřěňčěș įțș bǿųňđǻřįěș. Ħěř přǿčěșș čǿmbįňěș přįňțmǻķįňģ țěčħňįqųěș ẅįțħ mǻțěřįǻŀș įňčŀųđįňģ fųșěđ ģŀǻșș ǻňđ șǻňđșțǿňě. ǺMỲ ČŲȚĿĚŘ Ǻmỳ Čųțŀěř įș ǻň įňțěřňǻțįǿňǻŀŀỳ ǻččŀǻįměđ ǻřțįșț běșț ķňǿẅň fǿř ħěř įŀŀųșțřǻțįǿňș ǿf ẅǿměň pěřfǿřmįňģ șțřǻňģě, čřỳpțįč țǻșķș șųčħ ǻș čǻřřỳįňģ ģǿǻțș ǿň țħěįř bǻčķș. Čųțŀěř'ș șțỳŀě įș șįmpŀě ǻňđ řěmįňįșčěňț ǿf Ěųřǿpěǻň fǿŀķ ǻřț. Țħě ňǿňŀįňěǻř ňǻřřǻțįvěș ǿf ħěř fįģųřěș' jǿųřňěỳș ųňřǻvěŀ ųpǿň țħě ẅħįțě bǻčķģřǿųňđș ǿf ħěř đřǻẅįňģș. Čųțŀěř'ș fǻňțǻșỳ ẅǿřŀđ įș bǿțħ ħųmǿřǿųș ǻňđ ǿmįňǿųș. ĚĿǺİŇĚ ĐĚ ĶǾǾŇİŇĢ Ěŀǻįňě đě Ķǿǿňįňģ ẅǻș ǻň įňňǿvǻțįvě pǻįňțěř, ẅřįțěř, ǻňđ țěǻčħěř fřǿm Břǿǿķŀỳň, Ňěẅ Ỳǿřķ. Șħě ẅǻș ŀǻřģěŀỳ ķňǿẅň fǿř ħěř ẅǿřķ įň Ǻbșțřǻčț Ěxpřěșșįǿňįșm, ǻňđ ħěř șųbjěčțș řǻňģě fřǿm mỳțħǿŀǿģỳ țǿ ŀǻňđșčǻpěș ǻňđ pǿřțřǻįțųřě. Șħě ẅǿřķěđ įň ǻ řǻňģě ǿf mǿđěș fřǿm řěǻŀįșm țǿ ǻbșțřǻčțįǿň țǿ ǻvǿįđ đěvěŀǿpįňģ ǻ șįňģŀě șțỳŀě. Ħěř țřǻvěŀș ǿfțěň ŀěđ țǿ ħěř įňșpįřǻțįǿň fǿř ǻ pįěčě, șųčħ ǻș ẅħěň șħě věňțųřěđ țǿ Měxįčǿ įň țħě ŀǻțě 1950ș ǻňđ șǻẅ ħěř fįřșț bųŀŀfįģħț, ǻ țřįp țħǻț įňșpįřěđ ǻ șěřįěș ǿf bųŀŀ pǻįňțįňģș. ĿĚȘĿĚỲ ĐİĿĿ Ǻměřįčǻň ǻřțįșț Ŀěșŀěỳ Đįŀŀ ẅǿřķș įň mǻňỳ đįffěřěňț měđįųmș, ẅħěřě șħě čǿmbįňěș țěxț ǻňđ țħě ħųmǻň fǿřm. Ħěř ẅǿřķș ǻřě ǿfțěň įňșpįřěđ bỳ pǿěțřỳ fřǿm Ěmįŀỳ Đįčķįňșǿň, Fřǻňż Ķǻfķǻ, Șǻŀvǻđǿř Ěșpřįų, Țǿm Șŀěįģħ, ǻňđ ǿțħěřș. Ħěř vǻřįǿųș įňțěřěșțș ǻňđ čǿmbįňǻțįǿňș řěșųŀț įň ǻ vǻřįěțỳ ǿf fįģųřǻŀ ǻňđ ŀǻỳěřěđ įmǻģěřỳ. İň ħěř ěǻřŀỳ ẅǿřķș, ħěř fįģųřěș ǻřě fǻįřŀỳ ŀįțěřǻŀ, ỳěț șħě ǻđđș pǿěțřỳ țǿ čřěǻțě mųŀțįŀǻỳěřěđ įmǻģěș řįčħ ẅįțħ měǻňįňģ. Ǻț țįměș, Đįŀŀ pųșħěș țħě ųșě ǿf țħě fįģųřě țǿ ěxțřěměș-đįșěmbǿđįěđ ħěǻđș, ħǻňđș, ǻňđ đřěșșěș įňțěřțẅįňěđ ẅįțħ ẅǿřđș ǻňđ pħřǻșěș pǿpųŀǻțě ħěř čǿmpǿșįțįǿňș. ȘĦĚİĿǺ ĢǾĿǾBǾŘǾȚĶǾ Břǻżįŀįǻň ǻřțįșț Șħěįŀǻ Ģǿŀǿbǿřǿțķǿ įș țħě fǿųňđěř ǻňđ đįřěčțǿř ǿf Ģǿŀǿbǿřǿțķǿ'ș Șțųđįǿ, ǻ přįňțmǻķįňģ șțųđįǿ ǻňđ ẅǿřķșħǿp įň Břǿǿķŀỳň, Ňěẅ Ỳǿřķ. Ħěř ẅǿřķ ųșěș fǻmįŀįǻř ǿbjěčțș, įňčŀųđįňģ pįŀŀǿẅș, ǻňđ ģįvěș țħěm ňěẅ měǻňįňģ bỳ přįňțįňģ ǿň țħěm. Șħě mǻķěș mǻňỳ ǿňě-ǿf-ǻ-ķįňđ přįňțș țħǻț ǻřě mǻđě ųp ǿf mǻňỳ ŀǻỳěřș ǿf đįffěřěňț měđįǻ, įňčŀųđįňģ įňķ, čħįňě-čǿŀŀě, ǻňđ čǿŀǿř vįșčǿșįțỳ.
238. ČǺȚĦĚŘİŇĚ ĢŘǺFFǺM Țřǻňșģěňđěř ǻřțįșț Čǻțħěřįňě Ģřǻffǻm įș ǻ pǻįňțěř ǻňđ přįňțmǻķěř ẅħǿșě ẅǿřķ ǿfțěň ěxpŀǿřěș pěřșǿňǻŀ įđěňțįțỳ ǻňđ įňțěřpěřșǿňǻŀ řěŀǻțįǿňșħįpș. Fǿř Ģřǻffǻm, ħěř ẅǿřķ įș ǻň ǿppǿřțųňįțỳ țǿ vįșųǻŀįżě ħǿẅ įț fěěŀș țǿ bě ǻ țřǻňșģěňđěř ẅǿmǻň įň ǻŀŀ fǻčěțș ǿf ŀįfě. İmǻģě čǿųřțěșỳ ǿf țħě Ǻřțįșț. ĶǺŘĚŇ ĶŲŇČ Přįňțmǻķěř Ķǻřěň Ķųňč, ẅħǿ ŀįvěș ǻňđ ẅǿřķș įň Ňěbřǻșķǻ, įș přįmǻřįŀỳ ķňǿẅň fǿř ħěř čǿŀǿř ẅǿǿđčųț přįňțș. Ħěř ẅǿřķș ǻřě ŀǻřģěŀỳ įňfŀųěňčěđ bỳ Jǻpǻňěșě ẅǿǿđbŀǿčķ přįňțș ǻňđ țħě ẅǿřķ ǿf țħě Ģěřmǻň Ěxpřěșșįǿňįșțș. Ķųňč ģǻįňș įňșpįřǻțįǿň fřǿm fǿřčěș ǿf ňǻțųřě șųčħ ǻș ẅěǻțħěř, mįģřǻțįǿň, ǻňđ ěřǿșįǿň. Fǿř Ķųňč, ǻ přįňț'ș ŀǻỳěřș ǿffěř vįěẅěřș ǻň ǿppǿřțųňįțỳ țǿ ěxǻmįňě įțș ěxpřěșșįǿňįșm ǻňđ įňňǿvǻțįvě přįňțmǻķįňģ țěčħňįqųěș. ŇİČǾĿǺ ĿÓPĚŻ Ǻměřįčǻň ǻřțįșț Ňįčǿŀǻ Ŀópěż șpěčįǻŀįżěș įň přįňțmǻķįňģ, đřǻẅįňģ, ǻňđ įňșțǻŀŀǻțįǿň. Șħě ųșěș čǻřțǿģřǻpħỳ țǿ ěxǻģģěřǻțě ǻňđ řěčǿňfįģųřě ųřbǻň ŀǻňđșčǻpěș. Ħěř fǿčųș ǿň đěșčřįbįňģ “pŀǻčě” čǿměș fřǿm ǻň įňțěřěșț įň ųřbǻň pŀǻňňįňģ, ǻřčħįțěčțųřě, ǻňđ ǻňțħřǿpǿŀǿģỳ, ǻňđ įș fųěŀěđ bỳ țįmě șpěňț ẅǿřķįňģ ǻňđ țřǻvěŀįňģ įň đįffěřěňț ŀǻňđșčǻpěș. Pǿřțřǻįț ǿf țħě ǻřțįșț. Pħǿțǿ Čřěđįț: Jǿěŀ Jǻřěș. ȚǺŘỲŇ MČMǺĦǾŇ Přįňțmǻķěř Țǻřỳň MčMǻħǿň, ẅħǿ ŀįvěș ǻňđ ẅǿřķș įň Ķěňț, Ǿħįǿ, čǿňșțřųčțș įňșțǻŀŀǻțįǿňș ǿųț ǿf přįňțș ǻňđ Mỳŀǻř țħǻț bŀěňđ ňǻțųřǻŀ ǻňđ mǻňmǻđě șțřųčțųřěș. Ħěř ẅǿřķ ųșěș įmǻģěș ǿf pǻțțěřňș fǿųňđ įň ňǻțųřě țǿ șțųđỳ șįțěș ǻňđ ħįșțǿřįěș, břįňģįňģ țǿ ŀįģħț ħǿẅ čǿmpŀįčǻțěđ țħě čǿňșțřųčțįǿň ǿf “ňǻțųřě” řěǻŀŀỳ įș. Țħě fįňįșħěđ įňșțǻŀŀǻțįǿňș čǿřřěŀǻțě țǿ țħě ǻřčħįțěčțųřě ǿf țħěįř șįțěș įň ħǿpěș ǿf čħǻňģįňģ ħǿẅ vįěẅěřș mǿvě țħřǿųģħ țħě șpǻčě. JİĿĿ PǺŘİȘİ Ģųįđěđ bỳ ħěř įmǻģįňǻțįǿň, Jįŀŀ Pǻřįșį'ș ẅǿřķ řěvěǻŀș ǻ fįčțįțįǿųș pŀǻňț ǻňđ ǻňįmǻŀ ěčǿșỳșțěm. Șħě řěčǿňfįģųřěș čǿŀǿřș, pǻțțěřňș, ǻňđ șțřųčțųřěș fřǿm ǻ vǻřįěțỳ ǿf șpěčįěș ǻňđ pŀǻčěș bỳ ųșįňģ mǻțěřįǻŀș șųčħ ǻș țřǻňșŀųčěňț țįșșųě-ẅěįģħț pǻpěřș ǻňđ ģŀǻșș. Ẅħįŀě ųșįňģ přįňțmǻķįňģ țěčħňįqųěș įňčŀųđįňģ ħǻňđ-čǿŀǿř ǻppŀįčǻțįǿň, đřǻẅįňģ, ǻňđ ħǻňđ-čųț čǿmpǿňěňțș, șħě ǻŀŀǿẅș vįěẅěřș țǿ șěě țħě įňțřįčǻțě čřǻfțșmǻňșħįp ǿf ǻŀŀ țħě đįffěřěňț ŀǻỳěřș įň ǻ přįňț. İmǻģě čǿųřțěșỳ ǿf țħě ǻřțįșț. JŲĐỲ PFǺFF
239. Jųđỳ Pfǻff įș ķňǿẅň přįmǻřįŀỳ fǿř ħěř țẅǿ- ǻňđ țħřěě-đįměňșįǿňǻŀ přįňțș ǻňđ ŀǻřģě-șčǻŀě įňșțǻŀŀǻțįǿňș. Ħěř přįňțș pǿșșěșș ǻ fŀųįđ qųǻŀįțỳ, ẅħěřě șħě įňčǿřpǿřǻțěș mųŀțįpŀě čįřčŀěș, ŀįňěș, ǻňđ ǿřģǻňįč șħǻpěș țħřǿųģħǿųț ěǻčħ įmǻģě. Ǻț țįměș, șųčħ șħǻpěș ǻřě čǿmpŀěțěđ ẅįțħ ħǻňđ-ǻppŀįěđ pǻįňțș, fǻbřįč đỳěș, ǻňđ mųŀțįpŀě ŀǻỳěřįňģ. ĿİĿĿİǺŇǺ PǾŘȚĚŘ Ŀįŀŀįǻňǻ Pǿřțěř ẅǿřķș ǿň čǻňvǻș, přįňțș, đřǻẅįňģș, čǿŀŀǻģěș, ǻňđ șmǻŀŀ įňșțǻŀŀǻțįǿňș, įň ẅħįčħ șħě đěpįčțș fįģųřįňěș, ķňįčķķňǻčķș, țǿỳș, ǻňđ șǿųvěňįřș fřǿm pŀǻčěș șųčħ ǻș fŀěǻ mǻřķěțș ǻňđ ǻňțįqųě șțǿřěș. Țħě ǿbjěčțș ǻřě ǿfțěň pŀǻčěđ įň mǿňǿčħřǿmǻțįč ěmpțỳ bǻčķģřǿųňđș. Pǿřțěř șǻỳș țħěșě ǿbjěčțș ħǻvě țẅǿ pųřpǿșěș: țǿ ħįģħŀįģħț țħěįř įňțěňđěđ fųňčțįǿň ǻňđ ǻŀŀǿẅ vįěẅěřș țǿ ģįvě țħěm ňěẅ měǻňįňģ țħřǿųģħ țħě ẅǻỳ șħě pħǿțǿģřǻpħș țħěm, ǻțțǻčħěș țħěm, ǿř ųșěș țħěm ǻș șųbjěčțș fǿř přįňțș ǻňđ ěțčħįňģș. JǺŲŇĚ QŲİČĶ-ȚǾ-ȘĚĚ ȘMİȚĦ Jǻųňě Qųįčķ-țǿ-Șěě Șmįțħ įș ǻ Ňǻțįvě Ǻměřįčǻň ǻřțįșț ǿf Fřěňčħ- Čřěě, Șħǿșħǿňě, ǻňđ Șǻŀįșħ bŀǿǿđ, ẅħǿ ŀįvěș ǻňđ ẅǿřķș įň Ǻŀbųqųěřqųě, Ňěẅ Měxįčǿ. Ħěř pǻįňțįňģș ǻňđ přįňțș ǿfțěň ěxpŀǿřě țħě đěșțřųčțįǿň ǿf țħě ěňvįřǿňměňț ǻňđ ģǿvěřňměňțǻŀ ǿppřěșșįǿň ǿf ňǻțįvě čųŀțųřěș. Șħě čǿmbįňěș řěpřěșěňțǻțįǿňǻŀ ǻňđ ǻbșțřǻčț įmǻģěș įňșpįřěđ bỳ ǻřțįșțș șųčħ ǻș Pǻbŀǿ Pįčǻșșǿ, Pǻųŀ Ķŀěě, ǻňđ Řǿběřț Řǻųșčħěňběřģ, ǻș ẅěŀŀ ǻș țřǻđįțįǿňǻŀ Ňǻțįvě Ǻměřįčǻň ǻřț. ǺĿİȘǾŇ ȘǺǺŘ Ŀǿș Ǻňģěŀěș-bǻșěđ șčųŀpțǿř ǻňđ pǻįňțěř Ǻŀįșǿň Șǻǻř ǿfțěň ųșěș țħě ňųđě fěmǻŀě ǻňđ țħěměș ǿf Ǻfřįčǻň đįșpěřșįǿň ǻňđ fěmįňįňįțỳ. Ǻfřįčǻň ǻňđ Ǻfřǿ-Ǻměřįčǻň ǻřț ǻřě ǻŀșǿ řěfěřěňčěđ įň ħěř ẅǿřķ ǻș șħě čǿmbįňěș ųřbǻň ǻňđ čǿňțěmpǿřǻřỳ țħěměș ẅįțħ fǿŀķŀǿřě ǻňđ mỳțħǿŀǿģỳ. ĶİĶİ ȘMİȚĦ Ķįķį Șmįțħ, ǻň Ǻměřįčǻň ǻřțįșț ẅħǿ ŀįvěș ǻňđ ẅǿřķș įň Ňěẅ Ỳǿřķ Čįțỳ, įș přįmǻřįŀỳ ķňǿẅň fǿř șčųŀpțįňģ ǻňđ přįňțmǻķįňģ. Ħěř ẅǿřķ fǿčųșěș ǿň ǻ řǻňģě ǿf șųbjěčțș, fřǿm ǻňǻțǿmỳ ǻňđ ňǻțųřě, țǿ țħěměș ǿf ŀįfě, đěǻțħ, ǻňđ řěșųřřěčțįǿň, įňfŀųěňčěđ bỳ ħěř Čǻțħǿŀįč ųpbřįňģįňģ. ȚǺŇJǺ ȘǾFȚİČ Bǿșňįǻň-bǿřň Țǻňjǻ Șǿfțįč, ẅħǿ ŀįvěș ǻňđ ẅǿřķș įň Řįčħmǿňđ, Vįřģįňįǻ, fǿčųșěș ǿň ěxpŀǿřįňģ měmǿřỳ. Șħě įș įňțěřěșțěđ įň țħě přǿčěșș ǿf ħǿẅ țħě mįňđ įș ěxpǻňđěđ ẅħěň ǻ vįěẅěř șěěș ěvěňțș ǿř ǿbjěčțș įň įmǻģįňǻřỳ ǻřčħįțěčțųřǻŀ șěțțįňģș. Șǿfțįč ǿfțěň čǿmbįňěș bǿțǻňįčǻŀ ǻňđ ǻňǻțǿmįčǻŀ đřǻẅįňģș ǻňđ ǻŀșǿ įňčǿřpǿřǻțěș ħįșțǿřįčǻŀ řěfěřěňčěș įň ħěř ẅǿřķ. Țħě mųŀțįŀǻỳěřěđ įmǻģěș řěfŀěčț țħě ŀǻňđșčǻpěș ǿf bǿțħ měmǿřỳ ǻňđ țħě čǿňțěmpǿřǻřỳ ŀįvįňģ ěxpěřįěňčě. JİĿĿİǺŇ ȘǾĶȘǾ Přįňțmǻķěř Jįŀŀįǻň Čǿňțřěňį Șǿķșǿ įș įňfŀųěňčěđ bỳ bįǿģřǻpħįčǻŀ ħįșțǿřỳ,
240. ěșpěčįǻŀŀỳ ħěř įmměđįǻțě șųřřǿųňđįňģș șħě ųșěș țǿ čřěǻțě čǿňňěčțįǿňș běțẅěěň ħųmǻňķįňđ ǻňđ țħě ňǻțųřǻŀ ẅǿřŀđ. Ħěř ẅǿřķ ǿfțěň čǿmbįňěș přįňțmǻķįňģ țěčħňįqųěș șųčħ ǻș įňțǻģŀįǿ, ŀįțħǿģřǻpħỳ, ǻňđ șčřěěň-přįňțįňģ ẅįțħ đįģįțǻŀ įmǻģěřỳ. Pħǿțǿ čřěđįț: Jěřěmỳ Ŀŀǿỳđ ȘẄǾǾŇ Ǻměřįčǻň ǻřțįșț Șẅǿǿň įș ẅěŀŀ ķňǿẅň fǿř ħěř ŀǻřģě-șčǻŀě, șįțě-șpěčįfįč șțřěěț ǻřț. Pǻřț pǿřțřǻįțųřě, pǻřț přįňțș, ħěř ẅǿřķ ěxpŀǿřěș țħě řěŀǻțįǿňșħįp běțẅěěň pěǿpŀě ǻňđ țħěįř bųįŀț ěňvįřǿňměňțș. Șħě ǿfțěň ǻffįxěș įňțřįčǻțě pǻpěř-čųț pǿřțřǻįțș ǻňđ čįțỳșčǻpěș țǿ ẅǻŀŀș įň įmpǿvěřįșħěđ pŀǻčěș ẅħěřě țħě ẅǿřķ ẅįŀŀ ěvěňțųǻŀŀỳ đįșįňțěģřǻțě įň pŀǻčě. Șẅǿǿň čřěǻțěș țħě přįňțș ǻț ħǿmě, ẅħěřě șħě čǻřvěș țħě ŀįňǿ-bŀǿčķș ǻňđ přěșșěș țħě įmǻģěș įňțǿ pǻpěř bỳ ẅǻŀķįňģ ǿň țħěm ẅįțħ bǻřě fěěț. Pħǿțǿ bỳ Șẅěň Řųđǿŀf. ȘĦĚĿĿĚỲ ȚĦǾŘȘȚĚŇȘĚŇ Přįňțmǻķěř Șħěŀŀěỳ Țħǿřșțěňșěň ǿpěřǻțěș Přįňțmǻķěřș Ǿpěň Fǿřųm, ǻ přįňțmǻķįňģ șțųđįǿ ǻňđ ẅǿřķșħǿp įň Ǿxfǿřđ, Pěňňșỳŀvǻňįǻ. Ẅħįŀě ħǻňđ-pųŀŀěđ, čǿŀǿř mųŀțį-přįňț měđįǻ įș ħěř șpěčįǻŀțỳ, șħě ħǻș ěxpěřțįșě įň ǻŀŀ přįňțmǻķįňģ țěčħňįqųěș ǻňđ čǿmbįňěș țħěm įň ŀǻỳěřěđ, čǿŀǿřfųŀ přįňțș. Țħǿřșțěňșěň įș įňțěřěșțěđ įň pǻįřįňģ țřǻđįțįǿňǻŀ přįňțmǻķįňģ țěčħňįqųěș ẅįțħ mǿđěřň, đįģįțǻŀ șțỳŀěș ǻňđ přǿpǿșěș țħǻț měđįųm čǻň čǿmpřįșě ǻ șįģňįfįčǻňț pǻřț ǿf ǻň ǻřțẅǿřķ'ș měǻňįňģ. Șħě șțǻțěș țħǻț čǿŀǿř ǻňđ fǿřm čǻň bě șěpǻřǻțě įňvěșțįģǻțįǿňș įňțǿ měǻňįňģ ẅħěřě țħěỳ ǻřě ųňŀįňķěđ ǻňđ ěįțħěř čǻň ǻșșųmě ǻ đǿmįňǻňț řǿŀě țħǻț įș ňǿț đěțěřmįňěđ ųňțįŀ șħě đěțěřmįňěș ǻ přįňț įș čǿmpŀěțě. İmǻģě čǿųřțěșỳ ǿf țħě Ǻřțįșț. MǺŘİĚ ẄǺȚȚ Mǻřįě Ẅǻțț įș ẅěŀŀ ķňǿẅň fǿř ħěř fǻbřįč ẅǿřķ, ǻș șħě ųșěș bŀǻňķěțș țǿ bě bǿțħ mǻțěřįǻŀ ǻňđ měțǻpħǿřįčǻŀ. Ħěř ẅǿřķș ěxǻmįňě țħě șǿčįǻŀ ǻňđ čųŀțųřǻŀ ħįșțǿřỳ řǿǿțěđ įň ěvěřỳđǻỳ ǿbjěčțș. Ǻ bŀǻňķěț, fǿř ěxǻmpŀě, įș ųșěđ fǿř mǻňỳ țħįňģș, șųčħ ǻș čǿmfǿřț, đěčǿřǻțįǿň, ǻňđ ẅǻřmțħ, ǻňđ įș ǻŀẅǻỳș țħěřě. Ẅǻțț ųșěș ħěř ẅǿřķ țǿ șħǿẅ țħě șěňțįměňțǻŀ vǻŀųě țħǻț ěmběđđěđ įň țħěșě ǿbjěčțș. JŲŇĚ ẄǺỲŇĚ Jųňě Ẅǻỳňě ẅǻș ǻ mǻșțěř přįňțmǻķěř ǻňđ șěŀf-țǻųģħț pǻįňțěř, ẅħǿ șțřįvěđ țǿ řěvįvě fįňě-ǻřț ŀįțħǿģřǻpħỳ įň țħě țẅěňțįěțħ čěňțųřỳ. İň đǿįňģ șǿ, șħě fǿųňđěđ țħě Țǻmǻřįňđ Ŀįțħǿģřǻpħỳ Ẅǿřķșħǿp, ǻ pŀǻčě fǿř ǻřțįșțș ǻňđ přįňțěřș țǿ ŀěǻřň ǻňđ ħěŀp ěňșųřě țħě șųřvįvǻŀ ǿf țħě țěčħňįqųě. Ẅǻỳňě'ș ẅǿřķ įŀŀųșțřǻțěș ħěř įň-đěpțħ ķňǿẅŀěđģě ǿf ŀįțħǿģřǻpħỳ ǻňđ įțș pǿțěňțįǻŀ fǿř fųřțħěř ěxpŀǿřǻțįǿň ǿf țħě přǿčěșș.
241. șpǿňșǿřș ȘŲPPǾŘȚİŇĢ Jųđỳ Ěįșěň, Șčǿțțįě ǻňđ Ẅįňfįěŀđ Ģǻřțňěř, Țǿđđ Șǻčķ ǻňđ Bǻřbǻřǻ Șħǻřp țħě ŀǻțěșț FǺČĚBǾǾĶ Ǻ bįģ čǿňģřǻțųŀǻțįǿňș țǿ ǿųř čǿŀŀěǻģųě Jįm Đřǻpěř fǿř ẅįňňįňģ țħě Ǻňň MčĐǿňǻŀđ Bǻķěř Ǻřț Věňțųřěș Ǻẅǻřđ! İț įș ǻň ħǿňǿř ẅěŀŀ đěșěřvěđ. Ẅě ǻřě ģřǻțěfųŀ fǿř țħě ẅǿřķ Jįm đǿěș ǻș ǻň ǻřțįșț ǻňđ ǻđvǿčǻțě įň ǿųř čǿmmųňįțỳ ǻňđ fǿř břįňģįňģ ģřěǻț ěxħįbįțįǿňș țǿ țħě ŲŇF Ģǻŀŀěřỳ ǻț MǾČǺ. @MǾČǺjǻčķșǿňvįŀŀě İŇȘȚǺĢŘǺM @mǿčǻjǻx ȚẄİȚȚĚŘ ŇǾĿǺ įș ČĿǾȘĚĐ țǿmǿřřǿẅ fǿř ŀųňčħ fǿř ǻ přįvǻțě ěvěňț.... șǿ ỳǿų ẅįŀŀ ħǻvě țǿ ẅǻįț ųňțįŀ Mǿňđǻỳ țǿ đįģ įňțǿ țħě běș… ħțțpș://ț.čǿ/7ěǺį3ČįțJ9 @MǾČǺjǻx Mųșěųm ǿf Čǿňțěmpǿřǻřỳ Ǻřț Jǻčķșǿňvįŀŀě Ǻ Čųŀțųřǻŀ İňșțįțųțě ǿf țħě Ųňįvěřșįțỳ ǿf Ňǿřțħ Fŀǿřįđǻ 333 Ňǿřțħ Ŀǻųřǻ Șțřěěț Jǻčķșǿňvįŀŀě, Fŀǿřįđǻ 32202 904-366-6911 ħěŀŀǿmǿčǻ@ųňf.ěđų Měđįǻ Pǿřțǻŀ Čǿňțǻčț Țěřmș ǻňđ Čǿňđįțįǿňș Přįvǻčỳ Pǿŀįčỳ © 2016 MǾČǺ Jǻčķșǿňvįŀŀě
242. All content c. 2017 Association of Print Scholars info@printscholars.org Website by Gato Gordo Digital Creative Back to News THE OTHER: NURTURING A NEW ECOLOGY IN PRINTMAKING Museum of Contemporary Art Jacksonville, Jacksonville, FL, United States. 01/23/2016- 04/10/2016. Exhibiting artist(s): Taylor Bizancio, Suzanne Caporael, Kate Collyer, Amy Cutler, Elaine De Kooning, Lesley Dill, Sheila Goloborotko, Catherine Graffam, Karen Kunc, Nicola Lopez, Taryn McMahon, Jill Parisi, Judy Pfaff, Liliana Porter, Alison Saar, Jaune Quick-to-See Smith, Kiki Smith, Tanja Softic, Jillian Sokso, Swoon, Shelley Thorstensen, Marie Watt, June Wayne. Printmaking is, by its nature, a fecund artistic environment. In 1960, it was a woman-June Wayne, the founder of Tamarind Institute (from which so many of these works are graciously on loan)-who went so far as to call it “an ecology.” Women, many of them unsung, have been printmaking pioneers, exploring, publishing, and defining the boundaries of the medium over the decades. They push against traditional methods of production (cutting their prints by hand; pinning them to the wall). They embrace larger contents (social media, crowdsourcing). They are true to their bodies and themselves. Their means of production may be diverse, but still, as is printmaking's true nature, ever democratic and accessible. Gender roles are more fluid today than ever before; this exhibition provides an opportunity, no matter our gender, to think about the masculine and feminine in all of us. What does it mean to be receptive and nurturing? What does it mean to be powerful and strong? We can learn from each other. When you look “without” at the work by these artists-emergent/established; Caucasian/Latina/African-American; homo/hetero/trans-don't forget to look “within.” Amidst all this variety-there is a great deal of unity. Thanks to these women, we can see how much we all share. RSVP for the free exhibition reception on Feb 3 from 6-8pm: http://mocajacksonville.unf.edu/events/The-Other--Nurturing-a-New- Ecology-in-Printmaking-Reception/ External Link Relevant research areas: Contemporary LEAVE A REPLY You must be logged in to post a comment. HOME MEMBER DIRECTORY NEWS SCHOLARSHIP OPPORTUNITIES DIGITAL PROJECTS JOIN APS JOIN LOG IN    Search GO ABOUT PRINT RESOURCES AWARDS AND GRANTS
243. ADVANCED CONTACT | ADVERTISE | I SAW U | F-BOMB |  NEWS A + E VOICES EVENTS FOOD PICS CLASSIFIEDS BEST OF JAX TIP JAR Through April 10 Museum of Contemporary Art Jacksonville Downtown mocajacksonville.unf.edu OUR PICKS PRESSING CONCERNS THE OTHER @ MOCA Posted Wednesday, February 3, 2016 9:20 am MOCA Jax’s current exhibit – print works by 11 women artists – explores gender roles by tapping into sources ranging from the physical world to everyday household objects. The Other: Nurturing a New Ecology in Printmaking includes pieces by Suzanne Caporael, Kate Collyer, Sheila Goloborotko, Catherine Graffam (pictured, Self Portrait on My Back, image transfer monotype, 2014), Karen Kunc, Taryn McMahon, Jill Parisi, Tanja Softic, Jillian Sokso, Swoon, and DOWNLOAD OUR DOJAX APP THE EYE MORE PHOTOS | SUBMIT A PHOTO BITE CLUB: Craft Pizza Company The PRIDE of San Marco Square
244. Museum of Contemporary Art Jacksonville 333 N. Laura St. Jacksonville, FL View larger map Tweet Shelley Thorstensen. Keywords moca jacksonville, female artists, the other, printmaking, jacksonville, florida NO COMMENTS ON THIS STORY | ADD YOUR COMMENT OTHER ITEMS THAT MAY INTEREST YOU Map Data Terms of Use Share 0 Share Share Grown HOW? WILLKOMMEN HUMAN Poetry Staring BACK CALENDAR MORE EVENTS | SUBMIT AN EVENT Prince Party at The Surf Native Sun Bite Club Saturday Feb 3 8:00 am Fight For Air Climb 9:00 am Dog Manners Training Class 9:30 am Sweet Pete's Meet Paddingto… Sunday Feb 4 Monday Feb 5
245. © COPYRIGHT 2018 FOLIO WEEKLY | PRIVACY POLICY | OUR E-EDITION AND BACK ISSUES | FIND YOUR FOLIO | POWERED BY: CREATIVE CIRCLE MEDIA SOLUTIONS
246.  Neighborhoods Music On Stage Lifestyle Food + Drink Art On Screen Sports Travel Events #904Giveaways Print Issues More!  Facebook  Twitter  Google +  Stumbleupon  LinkedIn  Pinterest Related Articles The Verve Pipe Come to St. Augustine Beach  February 2, 2018 When we hit the Warhol section of portraits, I’m attracted to the Edward Kennedy. The background is red, white, and blue. “Oooh,” I say, “There’s glitter in this one.” “Diamond dust,” George says, “Warhol used to mix diamond dust with an adhesive and the paint when he did the print.” I take a closer look and see that it’s very, very finely ground glass. Warhol indeed did not raid an entire craft store’s supply of glitter. Printmaker George Cornwell, Photo by Jensen Hande Search        
247. Limelight Theatre Review: Fool for Love by Sam Shepard  February 2, 2018 The Circle of Life: Disney’s The Lion King On The Broadway Stage  January 23, 2018 Warhol – Flowers This is exactly why George Cornwell is with me. He’s made his living printmaking, from New York City to working right here in Jacksonville, and he’s here to walk me through the series of print exhibitions currently at the MOCA Jacksonville. When he was in New York, most of the work he did was commercial fine art printing working with publishers, but he moved to Jacksonville with his wife to be a punk rocker, and today, during the day, he collaborates with local artists to make fine art prints. Albers There’s a clarity and intensity in the smaller Josef Albers prints that Cornwell enjoys. It’s skilled printmaking, but the color blocks illustrate the basics of the art—colors working together. It’s the first set we look at, and a curious security guard wanders over to ask what we’re doing. She and I listen as he analyzes the prints: “The colors are pretty dynamic. Even today, you’re not going to get that from a digital printer. This is screen printing. And it’s priceless.” He compares it to Rothko, albeit on a smaller scale and in print format. The smaller scale means that the intense colors aren’t overpowering for the viewer, and the variety of square images work as a set. George explains the basic printmaking process to me. Each color in printmaking is added one at a time. By layering colors, you can get secondary colors or darker shades. So if you have yellow and blue, you can use those two colors to create green in the areas where they overlap or you can put a light brown over the yellow to create a variation in shading. A skilled printmaker can create a number of secondary colors and shading in the work with just a 4 to 9 color process. Of course, some artists want you to know they went to a lot of trouble, or they are meticulous about mixing each color separately rather than layering, so you’ll find works like Chuck Close’s pieces that involve a staggering number color processes. Sending a piece of Current Print Issue Read All Print Issues Online >> EU Jacksonville on Friday Rafiki getting ready for showtime! Disney's The Lion King on stage at Jacksonville’s Times-Union Center for the Performing Arts now through February 11. Tickets from FSCJ Artist Series are available here: http://www.fscjartistseries.org/tlk Video Unavailable Video Unavailable Sorry, this video could not be Sorry, this video could not be played. played. EU Jacksonville 7.6K likes Like Page
248. JRosenquist working on Through the Eye of the Needle to the Anvil artwork through that many times increases the chance of print misalignment, especially if it’s very large. If you understand printmaking, George tells me, the larger the piece, the more impressed you’ll be. George looks for breaks in the pieces, small, often infinitesimal places where elaborate fades are joined with the other half of a piece. He tells me that some larger prints can involve a steam- roller. This makes them far more epic, in my eyes, than they were previously. Rosenquist-Speed of Light Rosenquist-Hole in the Clock Rosenquist – Time Lines When it comes to discards, in printmaking there are apparently a lot of them, depending on the difficulty and size of the piece. Whenever you see on the edge of a piece 33/40, that means that this is number 33 out of 40 prints. But the artist probably didn’t make just 40. Some that don’t make the grade will be thrown away—sometimes on the first or second color (so that it’s never finished) and sometimes it’s botched at the very end. I wonder how many printmakers were driven to the depths of despair having done everything right through 63 colors on a print, and messing it up on 64. On the Mao portraits from Warhol, I spot a lot of texture. George says, “You can print with different thickness of inks, heavier deposits of ink, literally a type of paint format. The tones aren’t very sharp, but it adds to the character of the piece.” Sometimes, something like print misalignment or a even a blotchiness in halftone is done deliberately. You can see it in Warhol’s pieces, especially the Marilyn portraits and “Electric Chair.” What would normally be a mistake for most printmakers is a choice on Warhol’s part. “I could never get away with that,” says George, “But he’s Warhol.” Sometimes, though, when Cornwell is working with an artist to re-create art in a limited edition print, he’ll make one of those mistakes and be ready to throw it in a discard pile, when the artist says, “I like that! Can you do it again?” There are several new/old trends making a comeback. One is multimedia, using printmaking as a base and adding in other elements, like the rhinestones of Mickalene Thomas’ portraits of 151,014 Views The Lion King - Musical Rafiki getting ready for showtime! 7 Comment 1 Learn More Learn More Performance Art Theatre · 2,736,776 Likes · January 20, 2015 · FILTER EVENTS Search Events JANUARY 29, 2018 - FEBRUARY 4, 2018    MON 29 TUE 30 WED 31 THU 1 FRI 2 SAT 3 SUN 4 BIG PICTURE: CREATIVE DISCOURSE THROUGH FILM AND LITERATURE 09 JAN 23 FEB TURBADO MARABOU AT THE HIPPODROME GALLERY 10 JAN 18 FEB UNVERIFIED 11 JAN 25 MAR MONUMENTAL SHOW RECEPTIONS 11 JAN 02 MAR THE ROYALE ON THE HIPPODROME MAINSTAGE 12 JAN 11 FEB JACKSONVILLE SCIENCE FESTIVAL WORKSHOP 17 JAN 07 FEB FEATURED FOOL FOR LOVE 19 JAN 11 FEB THE CLEAN HOUSE 20 JAN 04 FEB 
249. Condoleeza Rice and Oprah, or James Rosenquist’s use of collage. Cornwell says that Rosenquist is thought of as “sort of the father of multimedia.” You’ll also see this multimedia trend in the modern prints by women in the exhibition entitled The Other: Nurturing A New Ecology in Printmaking. photo: Thomas Hager photo: Thomas Hager photo: Thomas Hager One of the other trends is use of printmaking in messy abstract pieces, something that surfaced for printmaking in the 1980s and is showing up again in modern pieces. Traditionally, more abstract pieces in printmaking tended to be like the graphic and crisp, playing with definite lines and strong colors, but slightly more Pollock-like pieces are sprinkled in the exhibitions. There’s sometimes a misconception that printmaking is merely a reproduction of a work of art, that it’s less valued because there can be more than one. For artists, who put a lot of time and effort into a work of art, it’s a way to make more money without devaluing an original piece. But it is, make no mistake, an artistry in itself. What can be done with printmaking simply can’t be achieved with a digital copy of a work, as you’ll find when you go to the MOCA Jacksonville to view these stunning works. Words to know when you go! AS YOU LOOK CLOSELY AT THE PRINTS IN THE MOCA JACKSONVILLE, YOU MIGHT NOTICE COLOR TRAPPING. THIS OCCURS WHEN THE EDGE OF ONE COLOR IS ADJACENT TO ANOTHER, AND INSTEAD OF THERE BEING A GAP, THE COLORS COMBINE IN A SMALL AREA. SOMETIMES THE TRAP IS LARGER, BECAUSE THE ARTIST WANTS TO CREATE A SPECIFIC COLOR COMBINATION, AND SOMETIMES IT IS VERY SMALL BECAUSE THE ARTIST DOESN’T WANT YOU TO NOTICE IT. HALFTONE SIMULATES TONE THROUGH THE USE OF DOTS, VARYING EITHER IN SIZE OR IN SPACING, GENERATING A GRADIENT-LIKE EFFECT. CAN BE DONE DRAMATICALLY, AS IN WARHOL’S “ELECTRIC CHAIR,” OR VERY SUBTLY, SO THAT THE DOTS ARE ONLY VISIBLE WITH A MAGNIFYING GLASS. VENARDOS CIRCUS IN ST. AUGUSTINE, FL 24 JAN 10 FEB SCANNERS AT THE HIPPODROME CINEMA 26 JAN 04 FEB THE SHAKESPEARE CODE WITH DAVID PATRICK FORD AT THE HIPP 29 JAN 05 MAR IMPROV FOR BUSINESS SKILLS AT THE HIPP MONDAYS AT 6:15 P.M 29 JAN 05 MAR SNOOZY SNOWFLAKE MUSICAL 30 JAN 20 FEB FIRST STEPS IN MUSIC PRESCHOOL MUSIC PROGRAM 31 JAN 11 APR DISNEY'S THE LION KING 31 JAN 11 FEB ANTON IN SHOW BUSINESS 01 FEB 03 TAFFY CLASS TAFFY CLASS 01 FEB 29 MAR HENRY CHO AT THE COMEDY ZONE! 01 FEB 03 HARVEY FEBRUARY 1-17 MAIN STAGE 01 FEB 17 YOJIMBO AT THE HIPPODROME CINEMA 02 FEB 12 REQUIEM FOR AN ANGEL 02 FEB 03
250. ETCHING MEANS THAT ACID WAS USED ON A METAL PLATE TO ETCH LINES, AND AN ACID RESISTANT SUBSTANCE SUCH AS WAX IS USED TO KEEP THE BLANK SPACES FROM BEING ETCHED. BEFORE IT WAS APPLIED TO PRINTMAKING, IT WAS USED IN METALWORK. SAYS CORNWELL, “IT’S VERY PHYSICALLY TAXING AND THE CHEMICALS ARE PRETTY NASTY. YOU CAN DO SOME FINE WORK, BUT THE NUMBER OF COLORS YOU CAN DO IS OFTEN LIMITED BY THE PROCESS.” AQUATINT IS A VARIANT OF ETCHING. GEORGE CORNWELL SAYS OF THE PROCESS, “YOU’RE ABLE TO GET TEXTURE, AND AS THE PLATES ARE WORKED, IT’S CHALLENGING TO DO A LARGE RUN WITH UNIFORMITY. THEY COME IN SMALLER EDITIONS.” THERE ARE DIFFERENT TECHNIQUES USED IN THE PROCESS. PAINTING THE ACID UNEVENLY OVER THE PREPARED AQUATINT SURFACE, IS CALLED A SPIT BITE AQUATINT. THIS TECHNIQUE HAS AN EFFECT SIMILAR TO WATERCOLOR WASH. IF THE ARTIST PAINTS A LIQUID SOAP MIXTURE ON THE PLATE INSTEAD OF VARNISH TO PROTECT PARTS OF THE PLATE FROM THE ACID, THE PRINT IS CALLED A SOAP GROUND AQUATINT. SOAP BREAKS DOWN IN ACID, RESULTING IN IRREGULAR TONES. A SUGAR LIFT AQUATINT IS MADE BY PAINTING ON THE PLATE WITH A SOLUTION OF SUGAR AND WATER. THE SUGAR SOLUTION MUST BE REMOVED, OR LIFTED, BEFORE THE PLATE GOES IN THE ACID. THE PRINTER THEN APPLIES THE AQUATINT, AND THE ACID BITES INTO THE PLACES THAT WERE PAINTED BY THE ARTIST WITH THE SUGAR SOLUTION. A LITHOGRAPH USES AN IMAGE DRAWN WITH OIL-LIKE SUBSTANCE OR WAX ONTO THE SURFACE OF A SMOOTH LIMESTONE, THEN TREATED WITH A MIXTURE OF ACID AND GUM ARABIC GUM ARABIC, ETCHING THE PARTS NOT PROTECTED BY THE OIL-BASED IMAGE. WHEN THE STONE IS MOISTENED, THESE ETCHED AREAS RETAIN WATER; AN OIL-BASED INK IS APPLIED AND WHICH IS REPELLED BY THE WATER. THE INK IS FINALLY TRANSFERRED TO A BLANK PAPER. MODERN FINE-ART PRINTMAKERS USE THE SAME BASIC PRINCIPLES. GEORGE FINDS THAT “LITHOGRAPHS LACK THE HIGH COLOR IMPACT OF SCREEN PRINTING, BUT THEY CAN GET AMAZINGLY ACCURATE IMAGES.” WOOD CUT IS ONE OF THE OLDEST PRINTMAKING TECHNIQUES AND IS A TYPE OF RELIEF PRINTING TECHNIQUE. THE CARVED PORTIONS AREN’T USED; IT’S WHAT’S LEFT RAISED ON THE WOOD IS THAT THE INK IS APPLIED TO, THEN THE INKED BLOCK IS PRESSED TO THE PAPER TO CREATE THE PRINT. PRINT MISALIGNMENT CAN BE FOUND MOST DRAMATICALLY IN WARHOL’S MARILYN PORTRAITS. THE OUTLINE OF HER EYES OR LIPS ARE ONE PLACE, AND THE COLOR MEANT TO BE APPLIED TO THEM IS SET OUTSIDE THOSE LINES. IN MOST PRINTS THIS IS A MISTAKE, BUT WARHOL CHOSE TO DO IT DELIBERATELY. FIRST FRIDAY FEBRUARY EDITION 02 FEB 03 WE THE PLUG PRESENTS: ELIMINATE AT MYTH NIGHTCLUB 02.02.18 02 FEB 03 2018 GIVE KIDS A SMILE: FREE DENTAL SERVICES FOR KIDS SAT 03 FEB 2018 FIGHT FOR AIR CLIMB JACKSONVILLE SAT 03 FEB HENRY SAT 03 FEB FIRST WEEKEND UNION GARRISON 03 FEB 04 FIRST STEPS IN MUSIC PRESCHOOL MUSIC PROGRAM 03 FEB 14 APR CHARIOTS OF FUR 5K BEACH RUN & FESTIVAL SAT 03 FEB LONG WEEKEND MUSIC FESTIVAL - GAINESVILLE SAT 03 FEB MARY WILSON OF THE SUPREMES SAT 03 FEB SPAFFORD AT JACK RABBITS - JACKSONVILLE SAT 03 FEB EQUALITY FLORIDA GREATER JACKSONVILLE GALA SAT 03 FEB JACKSONVILLE ICEMEN VS SOUTH CAROLINA STINGRAYS SAT 03 FEB
251. Share  Facebook  Twitter  Google +  Stumbleupon  LinkedIn  Pinterest About Erin Thursby Museum Of Contemporary Ar… 333 N Laura St, Jacksonville, FL 32202 Directio… Save 4.4 132 reviews View larger map Sign in Map data ©2018 Google Terms of Use Tags Sign up for the #EUJax Newsletter Get the weekend's events and latest #904Giveaways emailed to your inbox! Email Address* First Name Last Name THU 01 JAN THU 01 JAN THU 01 JAN GEORGE CORNWELL MARY WILSON OF THE SUPREMES SAT 03 FEB SUN-DRIED VIBES / SOL RYDAH 03 FEB 04 ORANGE PARK FARMER SUN 04 FEB YOGA PHILOSOPHY: A SUTRA DISCUSSION SUN 04 FEB FEEDING FINGERS - LIVE@NIGHTHAWKS WITH PASS/AGES & SEVERED+SAID SUN 04 FEB THE VERVE PIPE SUN 04 FEB FEEDING FINGERS @ NIGHTHAWKS SUN 04 FEB
252. * = required field unsubscribe from list powered by MailChimp! Previous Hot Shot Bakery & Cafe « Next Calm Listening: Relax Radio » Subscribe Follow EU! Recent Posts The Verve Pipe Come to St. Augustine Beach  February 2, 2018 Search
253. Current Print Issue About EU Jacksonville Terms of Use / Privacy Policy Limelight Theatre Review: Fool for Love by Sam Shepard  February 2, 2018 The Circle of Life: Disney’s The Lion King On The Broadway Stage  January 23, 2018 Atlantic Beach Experimental Theatre: THE CLEAN HOUSE  January 23, 2018 Something For Everyone at the St. Augustine Film Festival This Weekend  January 19, 2018 Gone to the Dogs: Sylvia at Players by the Sea  January 17, 2018 #904Giveaways: Enter To Win Tickets To See Disney’s The Lion King  January 16, 2018 THE LAST NIGHT OF BALLYHOO  January 14, 2018 Creative Spaces: Patrick Fisher, Cultural Council of Greater Jacksonville  January 12, 2018 Shutter to Think: MOCA’s Unverified Photo Exhibit Plays with Reality  January 9, 2018 ALHAMBRA THEATRE & DINING REVIEW: THE MARVELOUS WONDERETTES  January 9, 2018 ALHAMBRA THEATRE & DINING NEW YEAR’S EVE GALA  January 5, 2018 #904Giveaways: Complimentary Movies Passes To See Paddington 2  December 27, 2017 Discussing Desserts with Cowford Chophouse’s Michael Bump  December 27, 2017 Last Call Pitches: “PITCH PERFECT 3” Opens in Theaters  December 22, 2017 Funnyman Jim Gaffigan: It’s Just Chaos  December 21, 2017 LOVE’S LABOUR’S LOST: Shakespeare’s Sound Stage Comedy  December 18, 2017 Alhambra Theatre & Dining’s 50th Birthday Bash        
254.  December 17, 2017 Q&A with Jonny Pierce of the Drums  December 17, 2017 Run Santa Run: Gift Your Time and Talent  December 11, 2017 Reverend Horton Heat – Godfathers of Psychobilly  December 11, 2017 Duck Dynasty Meets Carnegie Hall: 3 Redneck Tenors  December 11, 2017 Eyes Wide Open: Discovering Nature in Jacksonville’s Backyard  December 11, 2017 On The River: Getting Litter Out Of Our River  December 11, 2017 THE ULTIMATE CHRISTMAS SHOW (abridged)  December 11, 2017 A Holiday Spectacular! CHRISTMAS WONDERLAND  December 8, 2017 Changing Fashion for Changing Times: Dressing Downton Abbey in St. Augustine  December 8, 2017 STAY HEALTHY – make all your New Year’s Resolutions come true  December 8, 2017 Creative Spaces: E.J. McIntyre, Gingerbread Builder  December 8, 2017 Coney Island Christmas: What it Means to be an American During the Holidays  December 8, 2017 © Copyright 2018, All Rights Reserved
255. 8Share The First Art Newspaper on the Net Established in 1996 United States Saturday, February 3, 2018 Two floors at MOCA Jacksonville feature James Rosenquist, Andy Warhol and much more Josef Albers, Homage to the Square, 1967. Screenprint, 24 1/4 x 24 1/4 inches. Collection of Jordan D. Schnitzer. © 2015 The Josef and Anni Albers Foundation / Artists Rights Society (ARS), New York. Photo credit: Strode Photographic. 1:40 pm / Home Last Week Artists Galleries Museums Photographers Games Subscribe Comments Search Contact      
256. JACKSONVILLE, FLA.- Printmaking is taking over the Museum of Contemporary Art Jacksonville, a cultural institute of the University of North Florida. Two floors display the art of printmaking, including two featured exhibitions, the UNF Gallery at MOCA, and the Permanent Collection. “Time Zones: James Rosenquist and Printmaking at the Millennium” is MOCA Jacksonville’s self-curated exhibition running February 13 through May 15 on the second floor. Rosenquist, a pioneering Pop artist who first earned his living as a billboard painter, came of age in the booming economy of post-World War II America. Finding his subject matter in the detritus of consumer culture and the remnants of everyday images, his idiosyncratic visual language is one saturated in the American vernacular. Rosenquist’s imagery is dense, compacted, eccentric, and often hard to decipher. His implausible juxtapositions, strident DayGlo colors, and seemingly discordant couplings often bombard the viewer. For an artist whose career has spanned more than seven decades, time is an apt topic. With the Deutsche Guggenheim project “The Swimmer in the Econo-mist” as a touchstone, “Time Zones” traces this evolution and exchange of ideas and motifs across media into the present day. Although Rosenquist will deny any chronology or linear narratives in his work, “The Swimmer in the Econo-mist” is a history painting of our time—a summation of the past and one steeped in optimism for the future. At the intersection of two centuries, this series afforded the artist the opportunity to reflect back upon the twentieth century while looking forward into the twenty-first. “Time Zones” examines Rosenquist’s late career—from his visual inventions to innovations in painting and printmaking—and its continuing impact. “In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan D. Schnitzer and His Family Foundation” takes over the third floor. Organized by the Joslyn Art Museum in Omaha, Nebraska, the exhibition opens February 13 and runs through May 15. Andy Warhol (1928-1987) depicted the world with the volume turned up. Employing a seemingly endless palette, his work has challenged our perceptions of popular culture, politics, and consumerism for more than fifty years. Warhol was the central figure of American Pop Art, a genre that emerged in the late 1950s in reaction to the heroism of Abstract Expressionism. For Pop artists, social and political turbulence coupled with unprecedented consumerism meant that art was no longer about the persona of the heroic individual artist, as it had been in the years immediately following World War II. Warhol and his contemporaries sought to eradicate the notion of the “genius artist” and downplay the role of originality in art, adopting mechanical means of generating images, such as screen-printing, which theoretically allowed for an endless production of images. In drawing inspiration from the rapidly changing world around them, Pop artists sought to be more inclusive in their subjects, and more aware of the day-to-day conditions of contemporary existence. Spanning three decades of Warhol’s career, this exhibition features some of the artist’s most iconic screen prints, including his portraits of Marilyn Monroe and Mao Zedong, the splashy camouflage series, and the controversial Electric Chair portfolio. Drawn exclusively from the rich collections of Jordan Schnitzer and his Family Foundation, “In Living Color” is divided into five sections—experimentation, emotion, experience, subversion, and attitude. In each, Warhol’s work is placed in conversation with other artists of the postwar era who use color as a tool to shape how we interpret and respond to images. “The Other: Nurturing a New Ecology in Printmaking” features twenty-three women who expand the definition of printmaking in the UNF Gallery at MOCA. The exhibition runs January 23 through April 10. Printmaking is, by its nature, a fecund artistic environment. In 1960, it was a woman—June Wayne, the founder of Tamarind Institute (from which so many of these works are graciously on loan)—who went so far as to call it “an ecology.” Women, many of them unsung, have been printmaking pioneers, exploring, publishing, and defining the boundaries of the medium over the decades. They push against traditional methods of production (cutting their prints by hand; pinning them to the wall). They embrace larger contents (social media, crowdsourcing). They are true to their bodies and themselves. Their means of production may be diverse, but still, as is ADVERTISING
257. printmaking’s true nature, ever democratic and accessible. Prints from MOCA Jacksonville’s Permanent Collection are on display in the David A. Stein Family Gallery on the second floor. Works by Vito Acconci, Jim Dine, Helen Frankenthaler, David Hockney, Roy Lichtenstein, Robert Rauschenberg, Larry Rivers, and Rosenquist complement the three exhibitions. MOCA Jacksonville collaborated with John Hutcheson, a Tamarind master printer and instructor of printmaking at UNF, to create audio guides for twelve objects throughout two floors with details about how the objects were created and Hutcheson’s personal stories. Today's News Most Popular Last Seven Days You May Like by Taboola Sponsored Links Ponte Vedra Beach, Florida: This Brilliant, Tiny Company Is Disrupting a $200 Billion… EverQuote Insurance Quotes Jaw-Dropping "Fix" For Lip Lines & Eye Bags (Try This Tonight) South Beach Skin Lab Try Not To Gasp When You See What Dog's Wife Looks Like Now Miss Penny Stocks Hollywood Actress Tells All: “I Hope My Story Will Help Other Women” ActivatedYou Feel Years Younger By Boosting Your Stem Cells At Home LCR Health Supplements Award-Winning Dermatologist: "It's The Best Thinning Hair Fix No One's… JuveTress It's Like Ebay, but Everything Sells in 90 Seconds Tophatter Say Goodbye to iPhone: This Could Be 40X Better The Motley Fool She Had No Idea Why the Crowd Started to Cheer Livestly We Tried HelloFresh: Here's What Happened Popdust for HelloFresh Homeowners Born Before 1985 Get A Big Pay Day Homeowner Patrol 15 Discounts Seniors Get Only If They Know Improve Budget
258. February 12, 2016 Archaeological treasure's tour continues at The Patricia & Phillip Frost Art Museum FIU Art Institute of Chicago invites you to sleep in a replica of Van Gogh's bedroom for $10 Pre-Raphaelite beauty stars in first public display at the Walker Art Gallery in Liverpool British artists lead strong results for Post-War and Contemporary Art Auction at Christie's BB Americas raises the art of banking to new levels: Announces partnership with Romero Britto $946 million in spending in New York generated by visitors to three exhibitions at Metropolitan Museum 'Lavar Munroe: Journey Elsewhere: Musings from a Boundless Zoo' on view at SCAD Palm Beach Modern presents boutique selections by sought-after artists/designers in Feb. 20 auction A 600-year-old china Ming cup, valued at £2m is to be offered in Hong Kong by Auctioneers Lyon & Turnbull Ragnar Kjartansson and the unique world he conveys on view at the Musée d'art contemporain de Montréal Exhibition at Hirshhorn Museum and Sculpture Garden features artists working with digital animation Exhibition of new paintings by London based artist, James White opens at Sean Kelly Exhibition of the work of British photographer Jo Spence opens at Richard Saltoun Gallery How to hold your own solo exhibition The Rose Art Museum opens "Rosalyn Drexler: Who Does She Think She Is?" Julia Randall departs from her familiar hyperrealist drawings in new exhibition at Garvey/Simon Young musicians offer new take on Chinese instruments First exhibition to examine the history and impact of the Monster Roster opens at the Smart Museum Exhibition of works by thirteen artists on view at Martos Gallery "Kehinde Wiley: A New Republic" arrives at the Seattle Art Museum Art Rotterdam: The fair to discover upcoming talent Newark Museum exhibition showcases extraordinary holdings of Islamic art Two floors at MOCA Jacksonville feature James Rosenquist, Andy Warhol and much more The Armory Show announces details of 2016 Design Projects 1.- National Air and Space Museum releases "VR Hangar" app 2.- Inrap discovers a mikveh in the medieval Jewish quarter of Saint-Paul-Trois-Châteaux 3.- Wellcome Collection acquires 17th century portrait of internationally renowned and hirsute Barbara van Beck 4.- The Colonial Williamsburg Foundation names Ghislain d'Humieres to oversee its core operations 5.- LACMA exhibits for the first time two photographic series by Richard Prince 6.- Jade and gold burial suit, finest to survive ancient China, featured in Nelson-Atkins exhibition 7.- Peru recovers 79 pre-Hispanic textiles from the Museum of Gothenburg in Sweden 8.- Vincent van Gogh's 'Watermill at Kollen' on display at Het Noordbrabants Museum 9.- Saint Louis Art Museum will acquire 'Portrait of Charlotte Cram' by John Singer Sargent 10.- British Museum opens the Sir Joseph Hotung Gallery of China and South Asia Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, . ArtDaily Search Founder: Ignacio Villarreal
259. ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org Founder's Site. The most varied versions of this beautiful prayer. Hommage to a Mexican poet. Hommage Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr. Art Director: Juan José Sepúlveda Ramírez Royalville Communications, Inc produces:
260. Subscribe Now WELCOME TO THE NEW WEBSITE. CLICK HERE TO LEARN MORE. MOST POPULAR Never Miss A Story Entertainment MOCA showcases work of Andy Warhol, James Rosenquist, other printmakers 13 Jacksonville and its food scene gets high praise from Food & Wine Feb 1 at 1:10 PM 14 Duval Teacher of Year stayed with same class three years Feb 2 at 9:59 PM 15 Magill retiring as head of Jacksonville-based Jessie Ball duPont Fund Feb 1 at 8:11 PM 16 Leonard ‘Doc’ Silver, 1927-2018: Ran iconic drugstore in Neptune Beach for 31 years Feb 2 at 6:40 PM  HIDE CAPTION Three MOCA Jacksonville exhibits currently feature printmaking. They are “Time Zones: James Rosenquist and Printmaking at the Millenium,” “In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan D. Schnitzer and his Family Foundation” and “The Other: Nurturing a New Ecology in Printmaking.” All will be the subject of a Sunday, Feb. 14, Lifestyle centerpiece. Artist Andy Warhol Previous Next Education crucial to improving outcomes for juvenile o enders Fashion show bene t to feature child cancer patients, survivors Welcome to the new jacksonville.com Jackso inciden night Previous News Sports Entertainment Life Obits Classi eds Homes Cars Jobs e-Edition Sections  Jacksonville 59° 
261. Subscribe to The Florida Times-Union Subscribe Now By Charlie Patton Posted Feb 20, 2016 at 10:31 AM Born in 1928, Andy Warhol launched his career in the 1950s as a magazine illustrator and commercial artist. Born in 1933, James Rosenquist began his career in the 1950s as a billboard painter. By the early 1960s, Warhol and Rosenquist had translated the commercial techniques they had mastered into fine art and become leading figures in the movement known as Pop Art. Both also became proponents of the art of printmaking, Warhol in the 1960s, Rosenquist in the 1990s. Now their work comprises a major part of a celebration of printmaking that occupies two floors of the Museum of Contemporary Art Jacksonville. Rosenquist’s work is featured in “Time Zones: James Rosenquist and Printmaking at the Millennium,” which occupies the central galleries on the museum’s second floor. Warhol’s work is featured in the exhibit “In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan Schnitzer and His Family Foundation,” which fills the museum’s third floor. Sharing second floor space with Rosenquist are two other printmaking exhibits. “The Other: Nurturing a New Ecology in Printmaking,” curated by University of North Florida printmaking professor Sheila Goloborotko, consists of the work of 23 female printmakers. Also occupying second floor space are 13 prints from MOCA’s permanent collection, including three Rosenquist prints as well as prints by Larry Rivers, David Hockney, Robert Rauschenberg, Roy Lichtenstein and Helen Frankenthaler. The work in “Time Zones,” from the late 1990s into the 2010s, shows Rosenquist, who had a studio in Hernando County, north of Tampa-St. Petersburg on the Gulf Coast of Florida, preoccupied with the passage of time and its effects. Several of the prints in the MOCA exhibit are studies for “The Summer in the Econo-Mist,” which he created in 1997-98 for Deutsche Guggenheim in Berlin. The central panel of “The Summer in the Econo-Mist” is 11½ feet high and 90¾ feet wide. A photograph is included in the MOCA exhibit. By 2008, Rosenquist’s preoccupation with the passage of time had become quite literal with “Hole in the Center of the Clock.” 2011′s “The Memory Continues but the Clock Disappears” features a mirrored clock that makes the viewer a part of the image. Great printmaking is often a collaboration between an artist and a craftsman, the printmaker, said Jamie DiSimone. Rosenquist’s complex color schemes demanded much of his printmakers but they rose to the occasion, she said. “The Other” features many works done at Tamarind Institute, a lithography workshop which is a division of the University of New Mexico. It was founded in 1960 in Los Angeles as Tamarind Lithography Workshop, created to promote what its founders perceived to be a dying art form. Warhol preferred the silk screen printmaking process. “In Living Color” features prints from such iconic Warhol OUR PICKS Check us out on Twitter         Previous
262. series as Marilyn Monroe, Mao Zedong, the Electric Chair, Camouflage and even prints of flowers and sunsets. The prints in “In Living Color” are grouped in five sections, Experimentation, Emotion, Experience, Attitude and Subversion, with prints by Warhol juxtaposed in each section with work from 15 other artists including Josef Albers, Chuck Close, Helen Frankenthaler, Keith Haring and Frank Stella. Two audio guides are available to visitors. There is a guide recorded by Karin Campbell, curator of contemporary art for the Joslyn Art Museum, which organized “In Living Color.” There is also a guide to 12 pieces on the two floors recorded by John Hutcheson, an instructor in printmaking at UNF who is a Tamarind master printer. Charlie Patton: (904) 359-4413 SIGN UP FOR DAILY E-MAIL Wake up to the day’s top news, delivered to your inbox 0 Comments Newest REALTIME Terms of Service Login with: Follow READ NEXT   This man has one of the biggest jobs in television on Super Bowl… Sunday. He runs Posted Feb 2 at 4:03 PM Parents: Be aware of the Blue Whale Challenge Posted Feb 2 at 1:24 PM Paper, bamboo, Twizzlers: Restaurants consider… alternatives to the Posted Feb 2 at 1:45 PM A Texas man vowed to forgive whoever killed most of his famil… Then he learned it Posted Feb 2 at 3:00 PM Co ee in California may soon come with a spoonful of cance… warnings Posted Feb 2 at 11:45 AM 6 things to just let go of this year Posted Feb 2 at 2:00 PM powered by: Write your comment here Submit Submit
263. There are no comments yet. Never miss a story Choose the plan that’s right for you. Digital access or digital and print delivery. Subscribe Now Sign up for daily e-mails Sign up S I T E S E R V I C E S My Pro le Contact Us e-Edition NIE Manage My Subscription S U B M I S S I O N S Announcements Calendar Event Obituaries A D V E R T I S I N G Advertise with Us Classi eds Place an Ad Circulars Business Directory S T A Y C O N N E C T E D Facebook Twitter Instagram YouTube RSS © Copyright 2006-2018 GateHouse Media, LLC. All rights reserved • GateHouse Entertainment Original content available for non-commercial use under a Creative Commons license, except where noted. The Florida Times-Union ~ 1 Riverside Ave., Jacksonville, FL 32202 ~ Privacy Policy ~ Terms Of Service
264. Subscribe Now WELCOME TO THE NEW WEBSITE. CLICK HERE TO LEARN MORE. MOST POPULAR Never Miss A Story Subscribe to The Florida Times-Union By Charlie Patton Posted Feb 6, 2016 at 11:21 AM With the opening Saturday of the exhibits “In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan D. Schnitzer and His Family Foundation” and “Time Zones: James Rosenquist and Printmaking at the Millennium,” both the Entertainment Arts Notes: Printmaking now the focus at MOCA Jacksonville 13 Jacksonville and its food scene gets high praise from Food & Wine Feb 1 at 1:10 PM 14 Duval Teacher of Year stayed with same class three years Feb 2 at 9:59 PM 15 Magill retiring as head of Jacksonville-based Jessie Ball duPont Fund Feb 1 at 8:11 PM 16 Leonard 'Doc' Silver, 1927-2018: Ran iconic drugstore in Neptune Beach… Feb 2 at 6:40 PM  HIDE CAPTION With the opening Saturday of the exhibits “In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan D. Schnitzer and His Family Foundation” and “Time Zones: James Rosenquist and Printmaking at the Millennium,” both the second and the third floor galleries of the Museum of Contemporary Art Jacksonville will be devoted entirely to printmaking.         Education crucial to improving outcomes for… Fashion show bene t to feature child cancer patients, survivors Welcome to the new jacksonville.com Jackso inciden night Previous News Sports Entertainment Life Obits Classi eds Homes Cars Jobs e-Edition Sections  Jacksonville 59° 
265. Subscribe Now second and the third floor galleries of the Museum of Contemporary Art Jacksonville will be devoted entirely to printmaking. Warhol will get the third floor to himself. Rosenquist will share the second floor with “The Other: Nurturing a New Ecology in Printmaking” and prints from MOCA’s permanent collection. MOCA is located at 333 N. Laura St. Go to mocajacksonville.unf.edu/ for more information. Cummer changes names of 2 groups The Cummer Museum of Art & Gardens has rebranded its affinity groups at the Beaches and on Amelia Island. Focus Cummer is now Cummer Beaches. Cummer Cummelia is now Cummer Amelia. Dixon at Artist Guild Nofa Dixon, a professor of painting and drawing at the University of North Florida, will be the guest speaker Monday at the monthly meeting of the Jacksonville Artist Guild. The meeting opens at 5:30 p.m. in Leatherbury Hall at St. Mark’s Episcopal Church, 4129 Oxford Ave. Dixon is scheduled to speak 6-7 p.m. The meeting is open to the public. ‘Radio Golf’ at Ritz “Radio Golf,” the last play in August Wilson’s 10-play “Pittsburgh Cycle,” which chronicles African-American life over the 10 decades of the 20th century, will be performed Thursday through Saturday at the Ritz Theatre & Museum, 829 N. Davis St. The play, set in the 1990s, was the last play Wilson, a two-time Pulitzer Prize winner for drama, wrote. It is being performed by students from Douglas Anderson School of the Arts. Tickets, which are $20, can be purchased by going to ritzjacksonville.com or by calling (904) 807-2010. Blues guitarist Suhler at Beaches Chapel The Beaches Museum & History Park and the Lazzara Family Foundation will present Texas blues guitarist Jim Suhler at 7 p.m. Thursday in the Beaches Museum Chapel. Tickets are $20 in advance, $25 on Thursday. They can be purchased at bit.ly/1Mcm7La. At 6 p.m. dinner will be served on the chapel patio at a suggested donation of $10. The museum and the chapel are located at 381 Beach Blvd., Jacksonville Beach. Voice trio at beaches The vocal trio Voice will perform at 7:30 p.m. Friday at Players by- the-Sea Episcopal Church Sea, 485 11th Ave. N., Jacksonville Beach. The concert, part of the Beaches Fine Arts Series, is free. ‘Romeo + Juliet’ movie at Cummer The 1996 movie “Romeo + Juliet,” starring Leonardo DiCaprio and Claire Danes as Shakespeare’s doomed lovers, will be shown at 7 p.m. Friday at the Cummer Museum of Art & Gardens, 829 Riverside Ave. The film is being shown because one of the Cummer’s current exhibits is “Rockwell Kent: The Shakespeare Portfolio,” an exhibit of 40 prints from the Cummer’s permanent collection, which will be on view through May 15. The museum will open at 6 p.m. to give moviegoers a chance to view the exhibit. Tickets to the movie are $15 for members, $20 for non-members. For more information or to register call (904) 899-6038. OUR PICKS Check us out on Twitter Previous
266. Dance Theatre ‘Duets for Valentine’s Day’ The Jacksonville Dance Theatre will present “Duets for Valentine’s Day” at 8 p.m. Saturday at the 5 & Dime Warehouse, 700 E. Union St., Unit 1-J. There will be performances by the 14-member repertory company as well as guest performers from the acclaimed Nancy Evans Dance Company of Los Angeles. Tickets are $20, $15 for students, seniors and military. Go to bit.ly/1UNUlYK to purchase them. ‘Bela Luna’ at MOSH The Museum of Science & History, 1025 Museum Circle, will host an ’80s themed party from 7 to 11 p.m. Saturday. During “Bella Luna: Forever Young” there will be dancing, love-themed science shows, Cosmic Concerts in the Bryan-Gooding Planetarium, MOSH’s version of “The Newlywed Game” and live music. Guests will have access to all exhibits and to the roof. There will be food and drink including liquid nitrogen ice cream. Tickets which are $75 per couple for members, $90 per couple for non-members, include an open bar. For reservations, which are required, go to themosh.org. String quartet on Amelia Island The American String Quartet, joined by cellist Christopher Rex, will perform at 5 p.m. Sunday at Prince of Peace Lutheran Church, 2600 Atlantic Ave., Fernandina Beach. Tickets to the performance, which is part of the Amelia Island Chamber Music Festival, are $45. They can be purchased at aicmf.com. Lenten Evensong concert at Cathedral Organist/choirmaster Timothy Tuller will conduct the St. Johns Cathedral Choir in a Lenten Evensong concert at 5 p.m. Sunday, Feb. 14, at the cathedral, 256 E. Church St. The concert is free. Jazz fest ‘Big Band Bash’ at Omni Amelia The Amelia Island Jazz Festival will presents its fifth annual “Big Band Bash” from 7 to 10 p.m. Sunday, Feb. 14, in the Amelia ballroom at the Omni Amelia Island Resort, 39 Beach Lagoon Road, Fernandina Beach. There will be dinner followed by dancing as the 17 piece Dynamic Les DeMerle Orchestra, with vocalist Bonnie Eisele, performs. There will also be a Frank Sinatra tribute. Tickets, which are $90, can be purchased at bit.ly/1T0kzt6. Send items for Arts Notes to charlie.patton@jacksonville.com charlie.patton@jacksonville.com charlie.patton@jacksonville.com charlie.patton@jacksonville.com. SIGN UP FOR DAILY E-MAIL Wake up to the day’s top news, delivered to your inbox READ NEXT  
267. 0 Comments Newest REALTIME Terms of Service Login with: Follow There are no comments yet. Never miss a story Choose the plan that’s right for you. Digital access or digital and print delivery. Subscribe Now Sign up for daily e-mails Sign up S I T E S E R V I C E S My Pro le Contact Us e-Edition NIE Manage My Subscription S U B M I S S I O N S Announcements Calendar Event Obituaries A D V E R T I S I N G Advertise with Us Classi eds Place an Ad Circulars Business Directory S T A Y C O N N E C T E D Facebook Twitter Instagram YouTube RSS © Copyright 2006-2018 GateHouse Media, LLC. All rights reserved • GateHouse Entertainment Original content available for non-commercial use under a Creative Commons license, except where noted. The Florida Times-Union ~ 1 Riverside Ave., Jacksonville, FL 32202 ~ Privacy Policy ~ Terms Of Service This man has one of the biggest jobs in television on Super Bowl… Sunday. He runs Posted Feb 2 at 4:03 PM Parents: Be aware of the Blue Whale Challenge Posted Feb 2 at 1:24 PM Paper, bamboo, Twizzlers: Restaurants consider… alternatives to the Posted Feb 2 at 1:45 PM A Texas man vowed to forgive whoever killed most of his famil… Then he learned it Posted Feb 2 at 3:00 PM Co ee in California may soon come with a spoonful of cance… warnings Posted Feb 2 at 11:45 AM 6 things to just let go of this year Posted Feb 2 at 2:00 PM powered by: Write your comment here Submit Submit
269. Subscribe Now WELCOME TO THE NEW WEBSITE. CLICK HERE TO LEARN MORE. MOST POPULAR Never Miss A Story By Charlie Patton Posted Jan 16, 2016 at 1:15 PM Local playwright Olivia Gowan’s new play “Cotton Alley” is now being performed on the studio stage at Players by the Sea, 106 Sixth St. N., Jacksonville Beach. Shows are at 8 p.m. Thursday- Entertainment Arts Notes: Jacksonville playwright’s ‘Cotten Alley’ now at Players by the Sea 13 Jacksonville and its food scene gets high praise from Food & Wine Feb 1 at 1:10 PM 14 Duval Teacher of Year stayed with same class three years Feb 2 at 9:59 PM 15 Magill retiring as head of Jacksonville-based Jessie Ball duPont Fund Feb 1 at 8:11 PM 16 Leonard 'Doc' Silver, 1927-2018: Ran iconic drugstore in Neptune Beach… Feb 2 at 6:40 PM  HIDE CAPTION Associated Press The Jacksonville Symphony will honor the memory of Martin Luther King Jr., with a concert at 8 p.m. Saturday in the Jacoby Concert Hall in the Times-Union Center for the Performing Arts.  BUY PHOTO         Education crucial to improving outcomes for… Fashion show bene t to feature child cancer patients, survivors Welcome to the new jacksonville.com Jackso inciden night Previous News Sports Entertainment Life Obits Classi eds Homes Cars Jobs e-Edition Sections  Jacksonville 59° 
270. Subscribe to The Florida Times-Union Subscribe Now Saturday through Jan. 30 and at 2 p.m. Sunday, Jan. 24. Tickets are $23, $20 for seniors, students and military. They can be purchased at playersbythesea.org/ or by calling (904) 249-0289. Holiday Charity Concert is Tuesday The Jacksonville Beaches Kiwanis Club will present its third annual Holiday Charity Concert at 6:30 p.m. Tuesday at Community Presbyterian Church, 150 Sherry Drive, Atlantic Beach. Mike Shackelford and friends will be performing. Tickets are $10 and can be purchased by calling (217) 343-9755 or at the door. ‘Aida’ Thursday at Moran Theater Verdi’s opera “Aida,” the tragic tale of an Ethiopian princess enslaved by the ancient Egyptians, will be performed at 7:30 p.m. Thursday in the Moran Theater in the Times-Union Center for the Performing Arts, 300 Water St. Tickets, which range from $44.15 to $65.25, can be purchased at fscjartistseries.org/ or by calling (904) 442- 2929. ‘Our Native Past’ free lecture The St. Augustine Art Association, 22 Marine St., St. Augustine, will present a free lecture, “Our Native Past,” at 7 p.m. Thursday. The city of St. Augustine’s archaeologist Carl D. Halbirt will talk about new findings related to 16th century European and Native American artifacts unearthed at the St. Augustine Art Association in 2014. The artifacts are featured in the “First Peoples” exhibition at the gallery, which also includes tribal portraits by Theodore Morris. The lecture is free but requires a reservation. Call (904) 824-2310. Math-inspired sculpture discussed George Hart, a sculptor and mathematician, will discuss his work creating 3-D sculptural forms using software visualization of mathematical algorithms, at 6:30 p.m. Thursday in Room M1140 in the Wilson Center for the Arts on the South Campus of Florida State College at Jacksonville, 11901 Beach Blvd. The event is free. ‘Ordinary Days’ opening at ABET “Ordinary Days,” with music and lyrics by Adam Gwon, opens Friday at Atlantic Beach Experimental Theater, 716 Ocean Blvd., Atlantic Beach. Shows will be at 8 p.m. Friday-Saturday through Feb. 6 with matinees at 2 p.m. Sunday, Jan. 31, and Sunday, Feb. 7. Tickets, which are $20, can be purchased at abettheatre.com. For reservations call (904) 249-7177. Symphony honors King on Saturday The Jacksonville Symphony, conducted by Charles Floyd, will perform “Lift Every Voice,” a concert honoring the memory of Martin Luther King Jr., at 8 p.m. Saturday in the Jacoby Concert Hall in the Times-Union Center for the Performing Arts, 300 Water St. “Lift Every Voice and Sing,” which the NAACP called “The Negro National Anthem” in 1919, was written by Jacksonville native James Weldon Johnson (lyrics) and his brother Rosamund Johnson (music). Tickets to the concert, which range from $19 to $40, can be purchased at jaxsymphony.org or by calling (904) 354-5547. Tenor Amerson at First Presbyterian Tenor Steve Amerson will perform at 6 p.m. Saturday and at 10:30 a.m. Sunday, Jan. 24, at First Presbyterian Church, 118 E. Monroe St. During the Saturday’s concert, which is free, Amerson will sing the music of Broadway. Printmaking exhibit at MOCA Jacksonville OUR PICKS Walking While Black Previous
271. “The Other: Nurturing a New Ecology in Printmaking,” which focuses on women who are printmakers, opens Saturday at the Museum of Contemporary Art Jacksonville. There will be an opening reception for the exhibit from 6 to 8 p.m. Wednesday, Feb. 3. To register for the free reception, go to bit.ly/1n39dYF. The Second City at Terry Theater “Hooking Up with The Second City,” offering sketches, songs and improvisations by the famed comedy group which was established in Chicago during the 1950s, will have two performances Saturday in the Terry Theater at the Times-Union Center for the Performing Arts. Shows are at 5 and 8:30 p.m. Tickets, which are $50.50, can be purchased at fscjartistseries.org/ or by calling (904) 442-2929. Callahan art show The fourth annual Nassau Art at the Callahan Depot, which takes place in the historic Callahan train depot, 45383 Dixie Ave., will be held Saturday. It will be open from 10 a.m. to 12:30 p.m. and from 1:30 to 2:30 p.m., when an awards ceremony will be held. Hermes Quartet at JCA Jan. 24 The Hermes Quartet will perform at 3 p.m. Sunday, Jan. 24, at the Jewish Community Alliance, 8505 San Jose Blvd., as part of the annual Young Concert Artists Series. The concert is free. Photographer Mical earns award Jacksonville photographer Susan Mical was awarded the American Society of Photographers’ Fellowship Degree earlier this month during the organization’s 2016 Imaging USA Expo in Atlanta. ‘Mermaid Magic’ at First Street Gallery “Mermaid Magic V,” an exhibit of mermaid-themed art, is now on display at First Street Gallery, 216-B First St., Neptune Beach. Proceeds will go to the local chapter of Dreams Come True. Charlie Patton: (904) 359-4413 SIGN UP FOR DAILY E-MAIL Wake up to the day’s top news, delivered to your inbox READ NEXT   This man has one of the biggest jobs Parents: Be aware of the Blue Whale Paper, bamboo, Twizzlers: A Texas man vowed to forgive Co ee in California may 6 things to just let go of this year
272. 0 Comments Newest REALTIME Terms of Service Login with: Follow There are no comments yet. Never miss a story Choose the plan that’s right for you. Digital access or digital and print delivery. Subscribe Now Sign up for daily e-mails Sign up S I T E S E R V I C E S My Pro le Contact Us e-Edition NIE Manage My Subscription S U B M I S S I O N S Announcements Calendar Event Obituaries A D V E R T I S I N G Advertise with Us Classi eds Place an Ad Circulars Business Directory S T A Y C O N N E C T E D Facebook Twitter Instagram YouTube RSS © Copyright 2006-2018 GateHouse Media, LLC. All rights reserved • GateHouse Entertainment Original content available for non-commercial use under a Creative Commons license, except where noted. The Florida Times-Union ~ 1 Riverside Ave., Jacksonville, FL 32202 ~ Privacy Policy ~ Terms Of Service in television on Super Bowl… Sunday. He runs Posted Feb 2 at 4:03 PM Challenge Posted Feb 2 at 1:24 PM Restaurants consider… alternatives to the Posted Feb 2 at 1:45 PM whoever killed most of his famil… Then he learned it Posted Feb 2 at 3:00 PM soon come with a spoonful of cance… warnings Posted Feb 2 at 11:45 AM Posted Feb 2 at 2:00 PM powered by: Write your comment here Submit Submit
273. ģǿ șěě ŀěǻřň șųppǿřț bŀǿģ ěǻț čǿňțǻčț Ģǿǿđ mǿřňįňģ! Țħě ģǻŀŀěřįěș ǻřě ǿpěň 11 ǻ.m.-5 p.m. țǿđǻỳ. ŇǾĿǺ MǾČǺ įș čŀǿșěđ bųț ẅįŀŀ ǿpěň ǻģǻįň ǿň Mǿňđǻỳ. İŇȘȚǺĿĿǺȚİǾŇ ǾF ȚĦĚ ǾȚĦĚŘ MǺĶĚȘ ȘǾMĚ ȘẄǾǾŇ JǺŇŲǺŘỲ 23, 2016 // BỲ ĐĚŇİȘĚ M. ŘĚǺĢǺŇ İňșțǻŀŀįňģ ǻ ňěẅ ěxħįbįțįǿň įș ǻŀẅǻỳș ěxčįțįňģ, bųț přěpǻřįňģ țǿ đįșpŀǻỳ țħě ẅǿřķ ǿf țẅěňțỳ-țħřěě ẅǿměň fǿř Țħě Ǿțħěř: Ňųřțųřįňģ ǻ Ňěẅ Ěčǿŀǿģỳ įň Přįňțmǻķįňģ čřěǻțěđ qųįțě ǻ řųșħ fǿř țħě țěǻmș fřǿm MǾČǺ Jǻčķșǿňvįŀŀě ǻňđ țħě Ųňįvěřșįțỳ ǿf Ňǿřțħ Fŀǿřįđǻ. Țħě ěxħįbįțįǿň, ňǿẅ ǿň đįșpŀǻỳ įň țħě ŲŇF Ģǻŀŀěřỳ ǻț MǾČǺ, ẅǻș čųřǻțěđ bỳ ŲŇF přįňțmǻķįňģ přǿfěșșǿř Șħěįŀǻ Ģǿŀǿbǿřǿțķǿ ǻňđ fěǻțųřěș țħě ẅǿřķ ǿf ẅěŀŀ-ķňǿẅň ǻňđ ěměřģįňģ ǻřțįșțș fřǿm ǻřǿųňđ țħě čǿųňțřỳ, mǻňỳ čǿňňěčțěđ țǿ țħě Țǻmǻřįňđ İňșțįțųțě: Țǻỳŀǿř Bįșǻňżįǿ Șųżǻňňě Čǻpǿřǻěŀ Ķǻțě Čǿŀŀỳěř Ǻmỳ Čųțŀěř Ěŀǻįňě đě Ķǿǿňįňģ Ŀěșŀěỳ Đįŀŀ Ķǻřěň Ķųňč Ňįčǿŀǻ Ŀópěż Șħěįŀǻ Ģǿŀǿbǿřǿțķǿ Čǻțħěřįňě Ģřǻffǻm Țǻřỳň Mčmǻħǿň Jįŀŀ Pǻřįșį Jųđỳ Pfǻff Ŀįŀįǻňǻ Pǿřțěř Jǻųňě Qųįčķ-țǿ-Șěě Șmįțħ Ǻŀįșǿň Șǻǻř Ķįķį Șmįțħ Țǻňjǻ Șǿfțįč Jįŀŀįǻň Șǿķșǿ Șẅǿǿň Șħěŀŀěỳ Țħǿřșțěňșěň Mǻřįě Ẅǻțț Jųňě Ẅǻỳňě șěǻřčħ ȘĚǺŘČĦ țǿpİčș ŇĚẄȘ ČŲŘǺȚǾŘİǺĿ ĚĐŲČǺȚİǾŇ ĚVĚŇȚȘ ŇǾĿǺ MǾČǺ ǺŘČĦİVĚ țǿp șțǿřİěș șųbșčřİbě Șěňđ bŀǿģ pǿșțș țǿ ỳǿųř įňbǿx ǻňđ ňěvěř mįșș ǻ pǿșț! FǾĿĿǾẄ ȚĦĚ BĿǾĢ čǿňțřİbųțǿřș
274. Șħěįŀǻ Ģǿŀǿbǿřǿțķǿ ǻňđ Jǻỳ Ňǿčħě ųňřǿŀŀ Șẅǿǿň'ș Břǻđđǿčķ Șțěěŀ. İmǻģě čǿųřțěșỳ ǿf Đěňįșě M. Řěǻģǻň. Ģǿŀǿbǿřǿțķǿ ǻňđ Jįm Đřǻpěř, čǿǿřđįňǻțǿř ǿf ŲŇF Ģǻŀŀěřįěș, fřǻměđ mǻňỳ ǿf țħě ẅǿřķș ẅįțħ șpěčįfįč įňșțřųčțįǿňș fřǿm Țǻmǻřįňđ. Ǿňě ǿf țħě mǿșț đřǻmǻțįč mǿměňțș ǿf țħě įňșțǻŀŀǻțįǿň ẅǻș țħě ųňřǿŀŀįňģ ǿf Șẅǿǿň'ș țẅǿ ẅǿřķș įň țħě ěxħįbįțįǿň, Břǻđđǿčķ Șțěěŀ ǻňđ Ķǻțħěřįňě Ģ. Bǿțħ ǻřě ŀǻřģě-șčǻŀě čųțǿųț bŀǿčķ přįňțș ǿň Mỳŀǻř ẅįțħ čǿffěě șțǻįň ǻňđ ħǻňđ pǻįňțįňģ țħǻț čǻmě řǿŀŀěđ ųp įň ģįǻňț țųběș. Ģǿŀǿbǿřǿțķǿ ǻňđ Đřǻpěř ẅįŀŀ ǻțțěňđ țħě ǿpěňįňģ řěčěpțįǿň fǿřȚħě Ǿțħěř ǻț 6-8 p.m. Ẅěđňěșđǻỳ, Fěbřųǻřỳ 3, đųřįňģ Đǿẅňțǿẅň Ǻřț Ẅǻŀķ. Șẅǿǿň'ș Břǻđđǿčķ Șțěěŀ įș ǻ ŀǻřģě-șčǻŀě čųțǿųț bŀǿčķ přįňț ǿň Mỳŀǻř ẅįțħ čǿffěě șțǻįň ǻňđ ħǻňđ pǻįňțįňģ. İmǻģě čǿųřțěșỳ ǿf Đěňįșě M. Řěǻģǻň. Ģǿŀǿbǿřǿțķǿ pħǿțǿģřǻpħș đěțǻįŀș ǿf Șẅǿǿň'ș Břǻđđǿčķ Șțěěŀ. İmǻģě čǿųřțěșỳ ǿf Đěňįșě M. Řěǻģǻň. Țǻỳŀǿř Bįșǻňżįǿ, Țħě Ǿțħěř, ŲŇF Ģǻŀŀěřỳ, Ěxħįbįțįǿňș, Čųřǻțǿřįǻŀ, Șųżǻňňě Čǻpǿřǻěŀ, Ǻmỳ Čųțŀěř, Ķǻțě Čǿŀŀỳěř, Ěŀǻįňě đě Ķǿǿňįňģ, Ŀěșŀěỳ Đįŀŀ, Ķǻřěň Ķųňč, Ňįčǿŀǻ Ŀópěż, Țǻřỳň MčMǻħǿň, Șħěįŀǻ Ģǿŀǿbǿřǿțķǿ, Čǻțħěřįňě Ģřǻffǻm, Jįŀŀ Pǻřįșį, Șħǻřě: șųppǿřț BĚČǾMĚ Ǻ MĚMBĚŘ ĐǾŇǺȚĚ ĢĚȚ MǾČǺ ĚMǺİĿ
275. Jųđỳ Pfǻff, Ŀįŀįǻňǻ Pǿřțěř, Jǻųňě Qųįčķ-țǿ- Șěě Șmįțħ, Ǻŀįșǿň Șǻǻř, Ķįķį Șmįțħ, Țǻňjǻ Șǿfțįč, Jįŀŀįǻň Șǿķșǿ, Șẅǿǿň, Șħěŀŀěỳ Țħǿřșțěňșěň, Mǻřįě Ẅǻțț, Jųňě Ẅǻỳňě, Čųřǻțǿřįǻŀ Mǻģįč, Ǻřț įňșțǻŀŀěřș, Đěňįșě M. Řěǻģǻň, Șțǻff țħě ŀǻțěșț FǺČĚBǾǾĶ Ǻ bįģ čǿňģřǻțųŀǻțįǿňș țǿ ǿųř čǿŀŀěǻģųě Jįm Đřǻpěř fǿř ẅįňňįňģ țħě Ǻňň MčĐǿňǻŀđ Bǻķěř Ǻřț Věňțųřěș Ǻẅǻřđ! İț įș ǻň ħǿňǿř ẅěŀŀ đěșěřvěđ. Ẅě ǻřě ģřǻțěfųŀ fǿř țħě ẅǿřķ Jįm đǿěș ǻș ǻň ǻřțįșț ǻňđ ǻđvǿčǻțě įň ǿųř čǿmmųňįțỳ ǻňđ fǿř břįňģįňģ ģřěǻț ěxħįbįțįǿňș țǿ țħě ŲŇF Ģǻŀŀěřỳ ǻț MǾČǺ. @MǾČǺjǻčķșǿňvįŀŀě İŇȘȚǺĢŘǺM @mǿčǻjǻx ȚẄİȚȚĚŘ ŇǾĿǺ įș ČĿǾȘĚĐ țǿmǿřřǿẅ fǿř ŀųňčħ fǿř ǻ přįvǻțě ěvěňț.... șǿ ỳǿų ẅįŀŀ ħǻvě țǿ ẅǻįț ųňțįŀ Mǿňđǻỳ țǿ đįģ įňțǿ țħě běș… ħțțpș://ț.čǿ/7ěǺį3ČįțJ9 @MǾČǺjǻx Mųșěųm ǿf Čǿňțěmpǿřǻřỳ Ǻřț Jǻčķșǿňvįŀŀě Ǻ Čųŀțųřǻŀ İňșțįțųțě ǿf țħě Ųňįvěřșįțỳ ǿf Ňǿřțħ Fŀǿřįđǻ 333 Ňǿřțħ Ŀǻųřǻ Șțřěěț Jǻčķșǿňvįŀŀě, Fŀǿřįđǻ 32202 904-366-6911 ħěŀŀǿmǿčǻ@ųňf.ěđų Měđįǻ Pǿřțǻŀ Čǿňțǻčț Țěřmș ǻňđ Čǿňđįțįǿňș Přįvǻčỳ Pǿŀįčỳ © 2016 MǾČǺ Jǻčķșǿňvįŀŀě
276. TH POWR OF PRINTMAKING AT MOCA JACKONVILL February 08, 2016 NW Featuring the latest news and updates from the Jordan Schnitzer Family Foundation. MEDIA INQUIRIES: Caitlin Pihl Content Manager (503) 450-0845 email FRH TWT: JSFF RT @WSU_MOADirector: Love this picture!!! @WSU_CHRO @WSUArtMuseum @WSUPullman @olsonkundig @JSchnitzerFF https://t.co/9VyK8bBn5l 2 days ago JSFF RT @WSU_MOADirector: Just another day indeed...and always the best days @WSUArtMuseum @WSUPullman We LOVE our work @JSchnitzerFF https://t.co/RuzsHDMP3F A week ago Two Floors Feature James Rosenquist, Andy Warhol, and Much More JACKSONVILLE, FLORIDA (January 22, 2016)— Printmaking is taking over the Museum of Contemporary Art Jacksonville, a cultural institute of the University of North Florida. Two floors display the art of printmaking, including two featured exhibitions, the UNF Gallery at MOCA, and the Permanent Collection. Time Zones: James Rosenquist and Printmaking at the Millennium is MOCA Jacksonville’s self-curated exhibition running February 13 through May 15 on the second floor. Rosenquist, a pioneering Pop artist who first earned his living as a billboard painter, came of age in the booming economy of post-World War II America. Finding his subject matter in the detritus of consumer culture and the remnants of everyday images, his idiosyncratic visual language is one saturated in the American vernacular. Rosenquist’s imagery is dense, compacted, eccentric, and often hard to decipher. His implausible juxtapositions, strident DayGlo colors, and seemingly discordant couplings often bombard the viewer. For an artist whose career has spanned more than seven decades, time is an apt topic. With the Deutsche Guggenheim project The Swimmer in the Econo-mist as a touchstone, Time Zones traces this evolution and exchange of ideas and motifs across media into the present day. Although Rosenquist will deny any chronology or linear narratives in his work, The Swimmer in the Econo-mist is a history painting of our time—a summation of the past and one steeped in optimism for the future. At the intersection of two centuries, this series afforded the artist the opportunity to reflect back upon the twentieth century while looking forward into the twenty-first. Time Zones examines Rosenquist’s late career—from his visual inventions to innovations in painting and printmaking—and its continuing impact. The presenting sponsor of Time Zones is Deutsche Bank. In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan D. Schnitzer and His Family Foundation takes over the third floor. Organized by the Joslyn Art Museum in Omaha, Nebraska, the exhibition opens February 13 and runs through May 15. Andy Warhol (1928-1987) depicted the world with the volume turned up. Employing a seemingly endless palette, his work has challenged our perceptions of popular culture, politics, and consumerism for more than fifty years. Warhol was the central figure of American Pop Art, a genre that emerged in the late 1950s in reaction to the heroism of Abstract Expressionism. For Pop artists, social and political turbulence coupled with unprecedented consumerism meant that art was no longer about the HOM FOUNDATION JORDAN D. CHNITZR PROGRAM XHIITION NW PULICATION LNDING PROGRAM INFO CONNCT
277. JSFF RT @artsy: New York gallerists counter art-world elitism by showing every work they’re sent: https://t.co/ogDpxeQtdu https://t.co/8G0JZTsR1a A week ago Follow @JSchnitzerFF persona of the heroic individual artist, as it had been in the years immediately following World War II. Warhol and his contemporaries sought to eradicate the notion of the “genius artist” and downplay the role of originality in art, adopting mechanical means of generating images, such as screen-printing, which theoretically allowed for an endless production of images. In drawing inspiration from the rapidly changing world around them, Pop artists sought to be more inclusive in their subjects, and more aware of the day-to-day conditions of contemporary existence. Spanning three decades of Warhol’s career, this exhibition features some of the artist’s most iconic screen prints, including his portraits of Marilyn Monroe and Mao Zedong, the splashy camouflage series, and the controversial Electric Chair portfolio. Drawn exclusively from the rich collections of Jordan Schnitzer and his Family Foundation, In Living Color is divided into five sections—experimentation, emotion, experience, subversion, and attitude. In each, Warhol’s work is placed in conversation with other artists of the postwar era who use color as a tool to shape how we interpret and respond to images. In addition to Warhol, the exhibition features the work of fifteen artists: • Josef Albers • John Baldessari • Louisiana Bendolph • Ross Bleckner • Louise Bourgeois • Chuck Close • Richard Diebenkorn • Sam Francis • Helen Frankenthaler • Keith Haring • Anish Kapoor • Dorothea Rockburne • Ed Ruscha • Frank Stella • Mickalene Thomas The Other: Nurturing a New Ecology in Printmaking features twenty-three women who expand the definition of printmaking in the UNF Gallery at MOCA. The exhibition runs January 23 through April 10. Printmaking is, by its nature, a fecund artistic environment. In 1960, it was a woman—June Wayne, the founder of Tamarind Institute (from which so many of these works are graciously on loan)—who went so far as to call it “an ecology.” Women, many of them unsung, have been printmaking pioneers, exploring, publishing, and defining the boundaries of the medium over the decades. They push against traditional methods of production (cutting their prints by hand; pinning them to the wall). They embrace larger contents (social media, crowdsourcing). They are true to their bodies and themselves. Their means of production may be diverse, but still, as is printmaking’s true nature, ever democratic and accessible. UNF printmaking professor Sheila Goloborotko curated the exhibition, which features: • Taylor Bisanzio • Suzanne Caporael • Kate Collyer • Amy Cutler • Elaine de Kooning • Lesley Dill • Karen Kunc • Nicola López • Sheila Goloborotko • Catherine Graffam • Taryn Mcmahon • Jill Parisi • Judy Pfaff • Liliana Porter • Jaune Quick-to-See Smith • Alison Saar • Kiki Smith • Tanja Softic
278. MMoCA Highlights Frank Stella's 50-Plus Year Career as a Printmaker → COMMNT (0) Subscribe via e-mail 1 Likes ← "Richard Serra: Prints" Opening at the Fralin Museum of Art Shatters Student Attendance Record • Jillian Sokso • Swoon • Shelley Thorstensen • Marie Watt • June Wayne Prints from MOCA Jacksonville’s Permanent Collection are on display in the David A. Stein Family Gallery on the second floor. Works by Vito Acconci, Jim Dine, Helen Frankenthaler, David Hockney, Roy Lichtenstein, Robert Rauschenberg, Larry Rivers, and Rosenquist complement the three exhibitions. MOCA Jacksonville collaborated with John Hutcheson, a Tamarind master printer and instructor of printmaking at UNF, to create audio guides for twelve objects throughout two floors with details about how the objects were created and Hutcheson’s personal stories. The supporting sponsors of the exhibitions are Judy Eisen, Scottie and Winfield Gartner, and Todd Sack and Barbara Sharp. ABOUT MOCA JACKSONVILLE Founded in 1924 as the Jacksonville Fine Arts Society, MOCA Jacksonville is a private nonprofit visual arts educational institution and a cultural resource of the University of North Florida located in the historic Western Union Telegraph building in the heart of downtown. MOCA Jacksonville serves the community and its visitors through its mission to promote the discovery, knowledge, and advancement of the art, artists, and ideas of our time. For more information, including hours of operation, admission prices, and upcoming exhibitions and programs, visit mocajacksonville.unf.edu or call 904-366-6911.   Share Newest First Preview P O S T C O M M E N T …
279. Eventos Eventos Calendario Cumpleaños Sugerencias Pasados Surviving As a Trans Woman in The Art World” by Catherine Graffam Crear evento Privacidad · Condiciones · Publicidad · · Cookies · Más Facebook © 2018 Español · English (US) · Português (Brasil) · Français (France) · Deutsch Opciones de anuncios Surviving As a Trans Woman in The Art World” by Catherine Graffam Público · Organizado por UNF LGBT Resource Center FEB 4 Me interesa jueves, 4 de febrero de 2016 a las 18:00 EST Hace más de un año Mostrar mapa 1 UNF Dr (Bldg 2, 1001), Jacksonville 32224 Información Conversación 30 asistieron · 58 interesados Comparte este evento con tus amigos Detalles There will be a small VIP reception at 5-6 p.m. -- email jake.moore@unf.edu for more information. Catherine Graffam, Exhibiting artist, MOCA: The Other: Nurturing a New Ecology in Printmaking, is a 22 year-old artist and activist, who recently graduated from The New Hampshire Institute of Art. Her work examines identity through a motif of portraiture, with a focus on queerness and gender, including her own identity as an intersex transgender woman. She is well known for her project Trans-Pose, a collection of portraits of transgender women which utilizes crowdfunding to help support the subjects of the portraits. Through her prints she documents her journey through transition and captures various introspect... Ver más Información sobre UNF LGBT Resource Center UNF LGBT Resource Center Campus Building · Jacksonville UNF Lesbian, Gay, Bisexual and Transgender Resource Center Osprey Rules: We encourage you to leave comments, photos, videos and links. We will review all comments and will remove any that are inappropriate, offensive or contain insults. Acerca del lugar Únete a Facebook o inicia sesión   Registrarte Correo electrónico o teléfono Contraseña ¿Olvidaste tu cuenta? ¿Quieres unirte a Facebook? Iniciar sesión Registrarte UNF Gallery of Art
280. Ir a la página 661 Me gusta 7 personas están hablando de esto UNF Gallery of Art Universidad Ver todos los eventos Más eventos en UNF Gallery of Art Dom 18:20 EST · 15 personas asistirán FEB 11 6 publicaciones en la conversación. Ver conversación Lost Springs at Cinema Verde Environmental Film & Arts Festival
281. Privacy · Terms · Advertising · · Cookies · More Facebook © 2018 English (US) · Español · Português (Brasil) · Français (France) · Deutsch Ad Choices ​Emma Lugo​ Transpositive PDX New Interview up on Transpositive Podcast Catherine Graffam is an incredible artist who was recently featured in a group show at the University of North Florida. Catherine uses painting to help show the experience of being transgender, according to Catherine, "Portraits help me better understand the people in my life, including myself, and by painting or drawing I am able to build upon and express relationships. Self portraiture is a way of cathartically process my emotions, and reflect on my identity as a trans woman. I want to show how it feels to be a trans woman in all facets of life.” Catherine is interviewed with Sheila Goloborotko, curator. https://transpositive.wordpress.com/…/interview-with-cathe…/ http://media.blubrry.com/…/Shayla_and_Catherine_Trans_Arts.… June 5, 2016 · Interview with Catherine Graffam Catherine Graffam is an incredible artist who was recently featured in a group show at the University of North Florida. Catherine uses painting to help show the experience of being transgender, ac… TRANSPOSITIVE.WORDPRESS.COM Share Email or Phone Password Log In Forgot account? Sign Up See more of Transpositive PDX on Facebook or Log In Create New Account
282. The Other MOCA Additional Artifacts The Other and 1001 dreams, Channel 4 News Interview for River City Live with Rance Adams, February 2016. http://www.news4jax.com/river-city-live/the-other-exhibit-at-moca FM community radio KBOO broadcasting from Portland, Oregon, April 2016. Transpositive, interview with Emma Lugo with Catherine Graffam to discuss exhibition The Other. 
 https://transpositive.wordpress.com/…/interview-with-cathe…/ UNF Gallery at MOCA, website
 https://mocajacksonville.unf.edu/exhibitions/unf-gallery/The-Other--Nurturing-a-New- Ecology-in-Printmaking/ The Other: Nurturing a New Ecology in Printmaking
 https://printscholars.org/the-other-nurturing-a-new-ecology-in-printmaking/ Pressing Concerns: The Other at MOCA http://folioweekly.com/PRESSING-CONCERNS,14590 Printmaker’s Perspective: George Cornwell http://eujacksonville.com/2016/04/06/printmakers-perspective/ Two floors at MOCA Jacksonville feature James Rosenquist, Andy Warhol and much more http://artdaily.com/news/85040/Two-floors-at-MOCA-Jacksonville-feature-James- Rosenquist--Andy-Warhol-and-much-more#.WnW-DoJG3q0 MOCA showcases work of Andy Warhol, James Rosenquist, other printmakers http://www.jacksonville.com/entertainment/arts/2016-02-20/story/mocas-galleries- overflowing-work-andy-warhol-james-rosenquist Art Notes Printmaking Now Focus at MOCA Jacksonville http://www.jacksonville.com/entertainment/arts/2016-02-06/story/arts-notes- printmaking-now-focus-moca-jacksonville Art Notes http://www.jacksonville.com/entertainment/arts/2016-01-16/story/arts-notes- jacksonville-playwrights-cotten-alley-now-players-sea Installation of The Other makes some Swoon https://mocajacksonville.unf.edu/blog/Installation-of-The-Other-makes-some-Swoon/ The Power of Printmaking at MOCA Jacksonville http://www.jordanschnitzer.org/news/the-power-of-printmaking-at-moca- jacksonville Surviving As a Trans Woman in The Art World” by Catherine Graffam
 https://es-la.facebook.com/events/1664631133813687/ Interview on KBOO Transpositive Portland https://www.facebook.com/transpositivepdx/posts/10155208581824815
283. THE OTHER: an exhibit at the Museum of Contemporary Arts ART EXHIBITION BOOK + MAILER
284. Age: 20 - 40 yrs. Gender: Male or Female Income: 30,000 + Occupation: Artists / Designers / Students /Professors Education: College Education Family size: Single Family Ethnicity: n/a Geographic location: Jacksonville, FL MARKET ANALYSIS: Demographics
285. Cultural background Religious background and belief Values Political convictions Hobbies/recreational activities Musical preferences Reading preferences Entertainment preferences Eating habits Travel/vacation preferencesa Well rounded cultural background. Has traveled to art hubs like NYC / LA. Our audience admires groundbreaking artwork, unique ideas and philosophies. MARKET ANALYSIS: Psychographics
286. Cultural background Religious background and belief Values Political convictions Hobbies/recreational activities Musical preferences Reading preferences Entertainment preferences Eating habits Travel/vacation preferencesa Most likely not assigned to a specific religion. This person is accepting of people from all walks of life and is interested in learning more about the people they share the world with. MARKET ANALYSIS: Psychographics
287. Cultural background Religious background and belief Values Political convictions Hobbies/recreational activities Musical preferences Reading preferences Entertainment preferences Eating habits Travel/vacation preferencesa Open-minded, interested and understanding of the views of all people they support peace and freedom of expression across the board in terms of the human race. MARKET ANALYSIS: Psychographics
288. Cultural background Religious background and belief Values Political convictions Hobbies/recreational activities Musical preferences Reading preferences Entertainment preferences Eating habits Travel/vacation preferencesa Most likely they do not identify or relate to a conservative political party and they are supportive of equal human rights, women’s rights, as well as, LGBT rights. MARKET ANALYSIS: Psychographics
289. Cultural background Religious background and belief Values Political convictions Hobbies/recreational activities Musical preferences Reading preferences Entertainment preferences Eating habits Travel/vacation preferences Art museums, making art or designs, being creative. MARKET ANALYSIS: Psychographics
290. Cultural background Religious background and belief Values Political convictions Hobbies/recreational activities Musical preferences Reading preferences Entertainment preferences Eating habits Travel/vacation preferences Jazz + classical music MARKET ANALYSIS: Psychographics
291. Cultural background Religious background and belief Values Political convictions Hobbies/recreational activities Musical preferences Reading preferences Entertainment preferences Eating habits Travel/vacation preferences Poetry, philosophical literature, art history, artist biographies MARKET ANALYSIS: Psychographics
292. Cultural background Religious background and belief Values Political convictions Hobbies/recreational activities Musical preferences Reading preferences Entertainment preferences Eating habits Travel/vacation preferences Opera, art shows, speakeasy type lounges MARKET ANALYSIS: Psychographics
293. Cultural background Religious background and belief Values Political convictions Hobbies/recreational activities Musical preferences Reading preferences Entertainment preferences Eating habits Travel/vacation preferences Fine dining, tapas, and healthy food MARKET ANALYSIS: Psychographics
294. Cultural background Religious background and belief Values Political convictions Hobbies/recreational activities Musical preferences Reading preferences Entertainment preferences Eating habits Travel/vacation preferences NYC / LA / San Fransisco MARKET ANALYSIS: Psychographics
295. COMPETITION: Historical references
296. Strengths Weaknesses - pleasant type choices - interesting textures - cohesive color schemes COMPETITION: Historical references
297. Strengths Weaknesses - content clutters the artwork - images are too small - hard-to-read content COMPETITION: Historical references
298. PROJECT ANALYSIS: Main Message “ Gender roles are more fluid today than ever before; this exhibition gives us an opportunity, no matter our gender, to think about the masculine and feminine in all of us. What does it mean to be receptive and nurturing? What does it mean to be powerful and strong? We can learn from each other. So, when you look “without” at the work by these women—black, caucasian, latina, gay, and transgender—artists, don’t forget to look “within.” Amidst all this variety—there is a great deal of Unity. Thanks to women artists, we can see how much we all truly share.“
299. UNF Department of Art and Design at MOCA Jacksonville Presents The Other: Nurturing a New Ecology in Printmaking Jan. 23 – Apr. 10, 2016 Opening Reception Wednesday, Feb. 3, 2016. 6 – 8 p.m. Free and Open to Public UNF Gallery at MOCA Jacksonville 333 N Laura Street Jacksonville, Fl 32202 (904) 366-6911 www.unf.edu/gallery www.mocajacksonville.org (904) 366-6911 mocajacksonville.org unf.edu/gallery Sunday 12:00 AM – 5:00 PM Monday Closed Tuesday 11:00 AM – 5:00 PM Wednesday 11:00 AM – 5:00 PM Thursday 11:00 AM – 9:00 PM Friday 11:00 AM – 5:00 PM Saturday 11:00 AM – 5:00 PM NON-PROFIT ORGANIZATION U.S. Postage Paid Jacksonville, Fl Permit No. 3558 UNF Department of Art and Design at MOCA Jacksonville Presents The Other: Nurturing a New Ecology in Printmaking Jan. 23 – Apr. 10, 2016 Opening Reception Wednesday, Feb. 3, 2016. 6 – 8 p.m. Free and Open to Public UNF Gallery at MOCA Jacksonville 333 N Laura Street Jacksonville, Fl 32202 (904) 366-6911 www.unf.edu/gallery www.mocajacksonville.org (904) 366-6911 mocajacksonville.org unf.edu/gallery Sunday 12:00 AM – 5:00 PM Monday Closed Tuesday 11:00 AM – 5:00 PM Wednesday 11:00 AM – 5:00 PM Thursday 11:00 AM – 9:00 PM Friday 11:00 AM – 5:00 PM Saturday 11:00 AM – 5:00 PM NON-PROFIT ORGANIZATION U.S. Postage Paid Jacksonville, Fl Permit No. 3558 PROJECT ANALYSIS: Experience FRONT BACK UNF Department of Art and Design at MOCA Jacksonville Presents The Other: Nurturing a New Ecology in Printmaking Jan. 23 – Apr. 10, 2016 Opening Reception Wednesday, Feb. 3, 2016. 6 – 8 p.m. Free and Open to Public UNF Gallery at MOCA Jacksonville 333 N Laura Street Jacksonville, Fl 32202 (904) 366-6911 www.unf.edu/gallery www.mocajacksonville.org (904) 366-6911 mocajacksonville.org unf.edu/gallery Sunday 12:00 AM – 5:00 PM Monday Closed Tuesday 11:00 AM – 5:00 PM Wednesday 11:00 AM – 5:00 PM Thursday 11:00 AM – 9:00 PM Friday 11:00 AM – 5:00 PM Saturday 11:00 AM – 5:00 PM NON-PROFIT ORGANIZATION U.S. Postage Paid Jacksonville, Fl Permit No. 3558 20 Gender roles are more  uid today than ever before; this exhibition gives us an opportunity, no matter our gender, to think about the masculine and feminine in all of us. 1 THE OTHER: Nurturing a New Ecology in Printmaking The Other: Nurturing a New Ecology in Printmaking Taylor Bizancio Suzanne Caporael Kate Collyer Amy Cutler Elaine De Kooning Lesley Dill Sheila Goloborotko Catherine Graffam Karen Kunc Nicola López Taryn Mc Mahon Jill Parisi Judy Pfaff Liliana Porter Alison Saar Jaune Quick-To-See Smith Kiki Smith Tanja Softic Jillian Sokso Swoon Shelley Thorstensen Marie Watt June Wayne 20 Gender roles are more  uid today than ever before; this exhibition gives us an opportunity, no matter our gender, to think about the masculine and feminine in all of us. THE OTHER: Nurturing a New Ecolo
300. DESIGN ANALYSIS: Moodboard textures color scheme typography target demographic inspo UNIVERS LT STD 57 Bold Condensed Avenir Light
301. Additions Future Plans DESIGN ANALYSIS: +more - more graphic elements - more artwork - glossary - dynamic layout - artist bios
302. Additions Future Plans DESIGN ANALYSIS: +more Once we receive the complete list of works booklet will be completed, published and available for sale in the UNF Bookstore as well as MOCA Jax in 2016. The Other exhibit will hold its opening reception: Wednesday, Feb. 3, 2016. 6 – 8 p.m. It will also be free & open to the public: Jan. 23 – Apr. 10, 2016
305. Wednesday, February 14, 2018 at 6:24:57 PM Eastern Standard Time Page 1 of 1 Subject: Re: The other - TV news! Date: Wednesday, March 9, 2016 at 9:26:09 AM Eastern Standard Time From: Murphy, Debra To: Goloborotko, Sheila CC: Draper, James, Ashton, Sharon, Norris, Joanna Sheila, This is a wonderful piece. I’ve copied Sharon Ashton and Joanna Norris here. Great publicity and well done! D. Debra Murphy, Ph.D. Chair, Department of Art and Design Professor of Art History (04-620-4037 (O)/904-620-4038 (fax) dmurphy@unf.edu From: "Goloborotko, Sheila" <s.goloborotko@unf.edu> Date: Wednesday, March 9, 2016 at 8:36 AM To: Informa`on Technology Services <dmurphy@unf.edu>, Jim Draper <jim.draper@unf.edu> Subject: The other - TV news! Dear Debra and Jim, Abached the interview with Rance Adams, River City Live celebra`ng Interna`onal Women's Day at exhibi`on "the other" MOCA JAX! I hope I sound "smart" since the edi`ng was done by interviewer!!! I guess I just received my phD by news 4 and became Dr. G! Thank you for all your support! Cheers! Sheila hbp://www.news4jax.com/river-city-live/the-other-exhibit-at-moca Sent from my iPhone
306. Wednesday, February 14, 2018 at 6:26:18 PM Eastern Standard Time Page 1 of 1 Subject: Interna'onal Studies Lecture Series Date: Tuesday, May 3, 2016 at 12:15:54 PM Eastern Daylight Time From: McCarl, Clayton To: McCarl, Clayton Dear colleagues, The International Studies Program would like to express our gratitude to the following UNF faculty members, who spoke in our Fall 2015 ("Movement and Migration") and our Spring 2016 ("Sameness/Difference") lecture series: Chris Baynard (Geography and GIS) Paul Carelli (Philosophy) Aaron Creller (Philosophy) Nicholas de Villiers (English and Film) Brandi Denison (Religious Studies) Patricia Geesey (French) Josh Gellers (Political Science) Sheila Goloborotko (Printmaking) Mitch Haney (Philosophy) Greg Helmick (Spanish) Constanza López (Spanish) Sarah Mattice (Philosophy) Anne Pfister (Anthropology) Sarah Caissie Provost (Music) Margaret C. Stewart (Communication) Karthikeyan Umapathy (Information Systems) Daniel Watkins (History) JeffriAnne Wilder (Sociology) Yongan Wu (Chinese) For their contributions to the lecture series, we’re also grateful to Ben Thompson, Curator of Collections, MOCA Jacksonville; Jaime DeSimone, Assistant Curator of Exhibitions, MOCA Jacksonville; Jim Draper, Coordinator, UNF Art Galleries; visiting artists Ian Johnston and Catherine Graffam; Miguel Martínez, Assistant Professor of Spanish Literature, University of Chicago; Michael Boyles (Center for Instruction and Research Technology); ​and UNF students Saúl Grajeda and Liana Llerandi. The UNF Asia Council; UNF Latin American and Caribbean Regional Council; and the UNF Lesbian, Gay, Bisexual and Transgender Resource Center all generously co-sponsored events in these series. ​ The lectures, along with the student research exhibits that concluded each semester, are documented on the International Studies Facebook page: https://www.facebook.com/unf.intl.studies/ The Fall 2016 lecture series will be titled "Contested Spaces," and will feature faculty from the departments of Economics and Geography; English; History; Languages, Literatures and Cultures; Philosophy and Religious Studies; Political Science; and Sociology, Anthropology and Social Work; as well as the School of Music. Sincerely, Clayton Clayton McCarl Associate Professor of Spanish Director, International Studies Program Interim Chair, Digital Humanities Initiative University of North Florida
307. Wednesday, February 14, 2018 at 6:23:52 PM Eastern Standard Time Page 1 of 2 Subject: Re: The other - TV news! Date: Wednesday, March 9, 2016 at 9:35:04 AM Eastern Standard Time From: Draper, James To: Murphy, Debra CC: Goloborotko, Sheila Dear Debra, Thank you for sharing this with everyone. Wow, what great coverage! CongratulaQons to Sheila for looking like a rock star on the camera. J Jim Draper Galleries Coordinator University of North Florida (904) 620 2534 UNF Gallery of Art, Founders Hall, Building 2 1 UNF Drive Jacksonville, Florida 32224 From: Debra Murphy <dmurphy@unf.edu> Date: Wednesday, March 9, 2016 at 9:28 AM To: "Goloborotko, Sheila" <s.goloborotko@unf.edu> Cc: Jim Draper <jim.draper@unf.edu>, "Traynham, Earle" <traynham@unf.edu>, "Hetrick, Barbara" <barbara.hetrick@unf.edu>, "Fenner, David" <dfenner@unf.edu>, "Kimball, Sam" <skimball@unf.edu> Subject: Re: The other - TV news! Sheila, Warm congratulaQons on this great piece. This is wonderful publicity for the exhibiQon. I’ve copied our provost and deans here so they can see this refreshing clip! D. From: "Goloborotko, Sheila" <s.goloborotko@unf.edu> Date: Wednesday, March 9, 2016 at 8:36 AM To: InformaQon Technology Services <dmurphy@unf.edu>, Jim Draper <jim.draper@unf.edu> Subject: The other - TV news! Dear Debra and Jim, Acached the interview with Rance Adams, River City Live celebraQng InternaQonal Women's Day at exhibiQon "the other" MOCA JAX! I hope I sound "smart" since the ediQng was done by interviewer!!! I guess I just received my phD by news 4 and became Dr. G! Thank you for all your support! Cheers!
308. Page 2 of 2 Sheila hcp://www.news4jax.com/river-city-live/the-other-exhibit-at-moca Sent from my iPhone