9-29.pdf

Transcript

1. Action Notes EXT. TOKYO DOCKS -- NIGHT A creepy fog has settled onto the docks. B102 MASTER Page 1/59
2. Action Notes EXT. TOKYO DOCKS -- NIGHT A creepy fog has settled onto the docks. B102 MASTER Page 2/59
3. Action Notes EXT. TOKYO DOCKS -- NIGHT A creepy fog has settled onto the docks. B102 MASTER Page 3/59
4. Action Notes EXT. TOKYO DOCKS -- NIGHT A creepy fog has settled onto the docks. B102 MASTER Page 4/59
5. Action Notes EXT. WAREHOUSE -- NIGHT Monkey and Bryce approach the Warehouse from Episode One. B102 MASTER Page 5/59
6. Action Notes EXT. WAREHOUSE -- NIGHT Monkey and Bryce approach the Warehouse from Episode One. B102 MASTER Page 6/59
7. Action Notes EXT. WAREHOUSE -- NIGHT Monkey and Bryce approach the Warehouse from Episode One. B102 MASTER Page 7/59
8. Action Notes EXT. WAREHOUSE -- NIGHT Monkey and Bryce approach the Warehouse from Episode One. B102 MASTER Page 8/59
9. Action Notes EXT. WAREHOUSE -- NIGHT Monkey and Bryce approach the Warehouse from Episode One. B102 MASTER Page 9/59
10. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 10/59
11. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 11/59
12. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 12/59
13. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 13/59
14. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 14/59
15. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 15/59
16. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 16/59
17. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 17/59
18. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 18/59
19. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 19/59
20. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 20/59
21. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 21/59
22. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 22/59
23. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 23/59
24. Dialog BRYCE Okay, so this broad was my only real point of contact. I think we just play it old school... walk in there, hold a gun to her face and demand the info. And remember the whole goal is maximum intimidation, so act like you’re a little unhinged. Which shouldn’t be a problem for you. B102 MASTER Page 24/59
25. Action Notes Monkey seems worried, “ooks”a question. B102 MASTER Page 25/59
26. Action Notes Monkey seems worried, “ooks”a question. B102 MASTER Page 26/59
27. Dialog BRYCE (CONT’D) Of course it’s safe. B102 MASTER Page 27/59
28. Dialog BRYCE (CONT’D) Of course it’s safe. B102 MASTER Page 28/59
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30. Action Notes Monkey jumps in his arms and FAT COBRA HURLS MONKEY OUT OF THE POOL AND ON TOP OF THE STACK OF CANDY BOXES! B102 MASTER Page 30/59
31. Action Notes Monkey jumps in his arms and FAT COBRA HURLS MONKEY OUT OF THE POOL AND ON TOP OF THE STACK OF CANDY BOXES! B102 MASTER Page 31/59
32. Action Notes Monkey jumps in his arms and FAT COBRA HURLS MONKEY OUT OF THE POOL AND ON TOP OF THE STACK OF CANDY BOXES! B102 MASTER Page 32/59
33. Action Notes Monkey jumps in his arms and FAT COBRA HURLS MONKEY OUT OF THE POOL AND ON TOP OF THE STACK OF CANDY BOXES! B102 MASTER Page 33/59
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42. Action Notes MONKEY RIPS OPEN THE BOXES AND THROWS THE CANDY OUT TO THE PRISONERS. IT’S FALLING LIKE CONFETTI. THE INMATES CHEER! B102 MASTER Page 42/59
43. Action Notes MONKEY RIPS OPEN THE BOXES AND THROWS THE CANDY OUT TO THE PRISONERS. IT’S FALLING LIKE CONFETTI. THE INMATES CHEER! B102 MASTER Page 43/59
44. Action Notes MONKEY RIPS OPEN THE BOXES AND THROWS THE CANDY OUT TO THE PRISONERS. IT’S FALLING LIKE CONFETTI. THE INMATES CHEER! B102 MASTER Page 44/59
45. Action Notes MONKEY RIPS OPEN THE BOXES AND THROWS THE CANDY OUT TO THE PRISONERS. IT’S FALLING LIKE CONFETTI. THE INMATES CHEER! B102 MASTER Page 45/59
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