Establishing shot of a misty street as the two figures emerge from the mist and the camera pans to the left to turn into a profile shot. Vin and Kelsier go over the wall Page 1/361
Establishing shot of a misty street as the two figures emerge from the mist and the camera pans to the left to turn into a profile shot. Vin and Kelsier go over the wall Page 2/361
Establishing shot of a misty street as the two figures emerge from the mist and the camera pans to the left to turn into a profile shot. Vin and Kelsier go over the wall Page 3/361
Establishing shot of a misty street as the two figures emerge from the mist and the camera pans to the left to turn into a profile shot. Vin and Kelsier go over the wall Page 4/361
Establishing shot of a misty street as the two figures emerge from the mist and the camera pans to the left to turn into a profile shot. Vin and Kelsier go over the wall Page 5/361
Establishing shot of a misty street as the two figures emerge from the mist and the camera pans to the left to turn into a profile shot. Vin and Kelsier go over the wall Page 6/361
Establishing shot of a misty street as the two figures emerge from the mist and the camera pans to the left to turn into a profile shot. Vin and Kelsier go over the wall Page 7/361
Establishing shot of a misty street as the two figures emerge from the mist and the camera pans to the left to turn into a profile shot. Vin and Kelsier go over the wall Page 8/361
Establishing shot of a misty street as the two figures emerge from the mist and the camera pans to the left to turn into a profile shot. Vin and Kelsier go over the wall Page 9/361
close up profile shot of the two as they come to a sto and the taller on {Kelsier} looks up then the smaller one {Vin} looks at him then she looks up and then her jaw drops. Vin and Kelsier go over the wall Page 10/361
close up profile shot of the two as they come to a sto and the taller on {Kelsier} looks up then the smaller one {Vin} looks at him then she looks up and then her jaw drops. Vin and Kelsier go over the wall Page 11/361
close up profile shot of the two as they come to a sto and the taller on {Kelsier} looks up then the smaller one {Vin} looks at him then she looks up and then her jaw drops. Vin and Kelsier go over the wall Page 12/361
close up profile shot of the two as they come to a sto and the taller on {Kelsier} looks up then the smaller one {Vin} looks at him then she looks up and then her jaw drops. Vin and Kelsier go over the wall Page 13/361
close up profile shot of the two as they come to a sto and the taller on {Kelsier} looks up then the smaller one {Vin} looks at him then she looks up and then her jaw drops. Vin and Kelsier go over the wall Page 14/361
close up profile shot of the two as they come to a sto and the taller on {Kelsier} looks up then the smaller one {Vin} looks at him then she looks up and then her jaw drops. Vin and Kelsier go over the wall Page 15/361
close up profile shot of the two as they come to a sto and the taller on {Kelsier} looks up then the smaller one {Vin} looks at him then she looks up and then her jaw drops. Vin and Kelsier go over the wall Page 16/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 28/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 29/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 30/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 31/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 32/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 33/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 34/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 35/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 36/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 37/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 38/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 39/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 40/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 41/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 42/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 43/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 44/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 45/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 46/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 47/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 48/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 49/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 50/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 51/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 52/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 53/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 54/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 55/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 56/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 57/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 58/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 59/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 60/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 61/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 62/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 63/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 64/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 65/361
You're insane Kelsier: I think thats the second time today you've said that to me. You need to pay better attention-if you'd been listening to everyone else, you'd know that my sanity departed long ago. Vin and Kelsier go over the wall Page 66/361
the camera Vin looks back and forth between him and the wall and she speaks then move to go stand beside him and the camera pedestal's up and turns into a close up of the two as they speak to eachother. Vin and Kelsier go over the wall Page 67/361
can't...I mean, I've never really even used Allomancy before this evening! Kelsier:Yes, but you're such a quick learner, Here put this on. Its got metal weights strapped to it. If something goes wrong I'll probably be able to catch you. Vin and Kelsier go over the wall Page 72/361
Vin and then the camera pulls out to show Kelsier in the shot. Kelsier gives Vin a weighted belt and then walks towards the camera and out of the shot. Vin and Kelsier go over the wall Page 73/361
can't...I mean, I've never really even used Allomancy before this evening! Kelsier:Yes, but you're such a quick learner, Here put this on. Its got metal weights strapped to it. If something goes wrong I'll probably be able to catch you. Vin and Kelsier go over the wall Page 74/361
Vin and then the camera pulls out to show Kelsier in the shot. Kelsier gives Vin a weighted belt and then walks towards the camera and out of the shot. Vin and Kelsier go over the wall Page 75/361
can't...I mean, I've never really even used Allomancy before this evening! Kelsier:Yes, but you're such a quick learner, Here put this on. Its got metal weights strapped to it. If something goes wrong I'll probably be able to catch you. Vin and Kelsier go over the wall Page 76/361
Vin and then the camera pulls out to show Kelsier in the shot. Kelsier gives Vin a weighted belt and then walks towards the camera and out of the shot. Vin and Kelsier go over the wall Page 77/361
can't...I mean, I've never really even used Allomancy before this evening! Kelsier:Yes, but you're such a quick learner, Here put this on. Its got metal weights strapped to it. If something goes wrong I'll probably be able to catch you. Vin and Kelsier go over the wall Page 78/361
Vin and then the camera pulls out to show Kelsier in the shot. Kelsier gives Vin a weighted belt and then walks towards the camera and out of the shot. Vin and Kelsier go over the wall Page 79/361
can't...I mean, I've never really even used Allomancy before this evening! Kelsier:Yes, but you're such a quick learner, Here put this on. Its got metal weights strapped to it. If something goes wrong I'll probably be able to catch you. Vin and Kelsier go over the wall Page 80/361
Vin and then the camera pulls out to show Kelsier in the shot. Kelsier gives Vin a weighted belt and then walks towards the camera and out of the shot. Vin and Kelsier go over the wall Page 81/361
can't...I mean, I've never really even used Allomancy before this evening! Kelsier:Yes, but you're such a quick learner, Here put this on. Its got metal weights strapped to it. If something goes wrong I'll probably be able to catch you. Vin and Kelsier go over the wall Page 82/361
Vin and then the camera pulls out to show Kelsier in the shot. Kelsier gives Vin a weighted belt and then walks towards the camera and out of the shot. Vin and Kelsier go over the wall Page 83/361
can't...I mean, I've never really even used Allomancy before this evening! Kelsier:Yes, but you're such a quick learner, Here put this on. Its got metal weights strapped to it. If something goes wrong I'll probably be able to catch you. Vin and Kelsier go over the wall Page 84/361
Vin and then the camera pulls out to show Kelsier in the shot. Kelsier gives Vin a weighted belt and then walks towards the camera and out of the shot. Vin and Kelsier go over the wall Page 85/361
can't...I mean, I've never really even used Allomancy before this evening! Kelsier:Yes, but you're such a quick learner, Here put this on. Its got metal weights strapped to it. If something goes wrong I'll probably be able to catch you. Vin and Kelsier go over the wall Page 86/361
Vin and then the camera pulls out to show Kelsier in the shot. Kelsier gives Vin a weighted belt and then walks towards the camera and out of the shot. Vin and Kelsier go over the wall Page 87/361
can't...I mean, I've never really even used Allomancy before this evening! Kelsier:Yes, but you're such a quick learner, Here put this on. Its got metal weights strapped to it. If something goes wrong I'll probably be able to catch you. Vin and Kelsier go over the wall Page 88/361
Vin and then the camera pulls out to show Kelsier in the shot. Kelsier gives Vin a weighted belt and then walks towards the camera and out of the shot. Vin and Kelsier go over the wall Page 89/361
can't...I mean, I've never really even used Allomancy before this evening! Kelsier:Yes, but you're such a quick learner, Here put this on. Its got metal weights strapped to it. If something goes wrong I'll probably be able to catch you. Vin and Kelsier go over the wall Page 90/361
Vin and then the camera pulls out to show Kelsier in the shot. Kelsier gives Vin a weighted belt and then walks towards the camera and out of the shot. Vin and Kelsier go over the wall Page 91/361
can't...I mean, I've never really even used Allomancy before this evening! Kelsier:Yes, but you're such a quick learner, Here put this on. Its got metal weights strapped to it. If something goes wrong I'll probably be able to catch you. Vin and Kelsier go over the wall Page 92/361
Vin and then the camera pulls out to show Kelsier in the shot. Kelsier gives Vin a weighted belt and then walks towards the camera and out of the shot. Vin and Kelsier go over the wall Page 93/361
Worms eye shot of Kelsier entering the frame as he pulls out a metal bar and drops it to the ground and comes towards the camera, cut on action. Vin and Kelsier go over the wall Page 94/361
Worms eye shot of Kelsier entering the frame as he pulls out a metal bar and drops it to the ground and comes towards the camera, cut on action. Vin and Kelsier go over the wall Page 95/361
Worms eye shot of Kelsier entering the frame as he pulls out a metal bar and drops it to the ground and comes towards the camera, cut on action. Vin and Kelsier go over the wall Page 96/361
Worms eye shot of Kelsier entering the frame as he pulls out a metal bar and drops it to the ground and comes towards the camera, cut on action. Vin and Kelsier go over the wall Page 97/361
Worms eye shot of Kelsier entering the frame as he pulls out a metal bar and drops it to the ground and comes towards the camera, cut on action. Vin and Kelsier go over the wall Page 98/361
Worms eye shot of Kelsier entering the frame as he pulls out a metal bar and drops it to the ground and comes towards the camera, cut on action. Vin and Kelsier go over the wall Page 99/361
Worms eye shot of Kelsier entering the frame as he pulls out a metal bar and drops it to the ground and comes towards the camera, cut on action. Vin and Kelsier go over the wall Page 100/361
Worms eye shot of Kelsier entering the frame as he pulls out a metal bar and drops it to the ground and comes towards the camera, cut on action. Vin and Kelsier go over the wall Page 101/361
Worms eye shot of Kelsier entering the frame as he pulls out a metal bar and drops it to the ground and comes towards the camera, cut on action. Vin and Kelsier go over the wall Page 102/361
Worms eye shot of Kelsier entering the frame as he pulls out a metal bar and drops it to the ground and comes towards the camera, cut on action. Vin and Kelsier go over the wall Page 103/361
Worms eye shot of Kelsier entering the frame as he pulls out a metal bar and drops it to the ground and comes towards the camera, cut on action. Vin and Kelsier go over the wall Page 104/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 108/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 110/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 112/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 114/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 116/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 118/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 120/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 122/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 124/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 126/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 128/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 130/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 132/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 134/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 136/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 138/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 140/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 142/361
the ingot directly below you, and remember to Steelpush, not Ironpull. Don't stop until you reach the top of the wall Vin and Kelsier go over the wall Page 144/361
birds eye shot of Kelsier launching into the air and the camera follows him then pulls out to see Vin still on the ground. Vin and Kelsier go over the wall Page 161/361
birds eye shot of Kelsier launching into the air and the camera follows him then pulls out to see Vin still on the ground. Vin and Kelsier go over the wall Page 162/361
birds eye shot of Kelsier launching into the air and the camera follows him then pulls out to see Vin still on the ground. Vin and Kelsier go over the wall Page 163/361
Profile shot of Vin at first looking up then looking scared then becoming more confident as she moves forward. Vin and Kelsier go over the wall Page 164/361
Profile shot of Vin at first looking up then looking scared then becoming more confident as she moves forward. Vin and Kelsier go over the wall Page 165/361
Profile shot of Vin at first looking up then looking scared then becoming more confident as she moves forward. Vin and Kelsier go over the wall Page 166/361
Profile shot of Vin at first looking up then looking scared then becoming more confident as she moves forward. Vin and Kelsier go over the wall Page 167/361
Profile shot of Vin at first looking up then looking scared then becoming more confident as she moves forward. Vin and Kelsier go over the wall Page 168/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 175/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 176/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 177/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 178/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 179/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 180/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 181/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 182/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 183/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 184/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 185/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 186/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 187/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 188/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 189/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 190/361
start with a full shot of Vin squatting down and laying her hand on the metal ingot. then the camer arcs and zooms into a profile shot of Vin with her eyes closed and she opens them and looks up and begins to get up and cut on action. Vin and Kelsier go over the wall Page 191/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 214/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 215/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 216/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 217/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 218/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 219/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 220/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 221/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 222/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 223/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 224/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 225/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 226/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 227/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 228/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 229/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 230/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 231/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 232/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 233/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 234/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 235/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 236/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 237/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 238/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 239/361
action shot of Vin rising through the mist then then to the top of the wall and the camera zoom's into Vin as she is in the air. Vin and Kelsier go over the wall Page 240/361
You dont have to worry too much. It's easier to balance in the air if you have a tripod of anchors, but you can do fine with a single anchor. Your body is used to balancing itslef. Part of what you've been doing since you learned to walk transferes to Allomancy. As long as you stay still Vin and Kelsier go over the wall Page 266/361
, you'll be pretty stable-your mind and body will correctany slight deviations from the base center of your anchor below, keeping you from falling to the sides. Vin and Kelsier go over the wall Page 267/361
You dont have to worry too much. It's easier to balance in the air if you have a tripod of anchors, but you can do fine with a single anchor. Your body is used to balancing itslef. Part of what you've been doing since you learned to walk transferes to Allomancy. As long as you stay still Vin and Kelsier go over the wall Page 268/361
, you'll be pretty stable-your mind and body will correctany slight deviations from the base center of your anchor below, keeping you from falling to the sides. Action Notes over the shoulder shot of Kelsier explaining the balancing in Allomancy. Vin and Kelsier go over the wall Page 269/361
You dont have to worry too much. It's easier to balance in the air if you have a tripod of anchors, but you can do fine with a single anchor. Your body is used to balancing itslef. Part of what you've been doing since you learned to walk transferes to Allomancy. As long as you stay still Vin and Kelsier go over the wall Page 270/361
, you'll be pretty stable-your mind and body will correctany slight deviations from the base center of your anchor below, keeping you from falling to the sides. Vin and Kelsier go over the wall Page 271/361
You dont have to worry too much. It's easier to balance in the air if you have a tripod of anchors, but you can do fine with a single anchor. Your body is used to balancing itslef. Part of what you've been doing since you learned to walk transferes to Allomancy. As long as you stay still Vin and Kelsier go over the wall Page 272/361
, you'll be pretty stable-your mind and body will correctany slight deviations from the base center of your anchor below, keeping you from falling to the sides. Vin and Kelsier go over the wall Page 273/361
If you were to Push on something else, or move too much to one side, though... well, you'd lose your anchor below and wouldn't be able pushing directly up anymore. Then you'd have problems-you'd tip over like a lead weight on top of a very tall pole. Vin and Kelsier go over the wall Page 274/361
If you were to Push on something else, or move too much to one side, though... well, you'd lose your anchor below and wouldn't be able pushing directly up anymore. Then you'd have problems-you'd tip over like a lead weight on top of a very tall pole. Vin and Kelsier go over the wall Page 275/361
If you were to Push on something else, or move too much to one side, though... well, you'd lose your anchor below and wouldn't be able pushing directly up anymore. Then you'd have problems-you'd tip over like a lead weight on top of a very tall pole. Vin and Kelsier go over the wall Page 276/361
If you were to Push on something else, or move too much to one side, though... well, you'd lose your anchor below and wouldn't be able pushing directly up anymore. Then you'd have problems-you'd tip over like a lead weight on top of a very tall pole. Vin and Kelsier go over the wall Page 277/361
If you were to Push on something else, or move too much to one side, though... well, you'd lose your anchor below and wouldn't be able pushing directly up anymore. Then you'd have problems-you'd tip over like a lead weight on top of a very tall pole. Vin and Kelsier go over the wall Page 278/361
If you were to Push on something else, or move too much to one side, though... well, you'd lose your anchor below and wouldn't be able pushing directly up anymore. Then you'd have problems-you'd tip over like a lead weight on top of a very tall pole. Vin and Kelsier go over the wall Page 279/361
I'm...not...afraid...of...heights...But I'm also not accustomed to hanging in the air a hundred feet above the bloody street! Vin and Kelsier go over the wall Page 296/361
I'm...not...afraid...of...heights...But I'm also not accustomed to hanging in the air a hundred feet above the bloody street! Vin and Kelsier go over the wall Page 298/361
I'm...not...afraid...of...heights...But I'm also not accustomed to hanging in the air a hundred feet above the bloody street! Vin and Kelsier go over the wall Page 300/361
out to the camera. Then Kelsier walks to the edge and extends his hand to the camera holding a bar of metal and Vin looks worried to go back down. Vin and Kelsier go over the wall Page 344/361
out to the camera. Then Kelsier walks to the edge and extends his hand to the camera holding a bar of metal and Vin looks worried to go back down. Vin and Kelsier go over the wall Page 346/361
out to the camera. Then Kelsier walks to the edge and extends his hand to the camera holding a bar of metal and Vin looks worried to go back down. Vin and Kelsier go over the wall Page 348/361
out to the camera. Then Kelsier walks to the edge and extends his hand to the camera holding a bar of metal and Vin looks worried to go back down. Vin and Kelsier go over the wall Page 350/361
out to the camera. Then Kelsier walks to the edge and extends his hand to the camera holding a bar of metal and Vin looks worried to go back down. Vin and Kelsier go over the wall Page 352/361
out to the camera. Then Kelsier walks to the edge and extends his hand to the camera holding a bar of metal and Vin looks worried to go back down. Vin and Kelsier go over the wall Page 354/361
upward shot of Kelsiers hand over the wall and he drops the metal bar towards the camera to transition to a black screen. Vin and Kelsier go over the wall Page 355/361
upward shot of Kelsiers hand over the wall and he drops the metal bar towards the camera to transition to a black screen. Vin and Kelsier go over the wall Page 356/361
upward shot of Kelsiers hand over the wall and he drops the metal bar towards the camera to transition to a black screen. Vin and Kelsier go over the wall Page 357/361
upward shot of Kelsiers hand over the wall and he drops the metal bar towards the camera to transition to a black screen. Vin and Kelsier go over the wall Page 358/361
upward shot of Kelsiers hand over the wall and he drops the metal bar towards the camera to transition to a black screen. Vin and Kelsier go over the wall Page 359/361
upward shot of Kelsiers hand over the wall and he drops the metal bar towards the camera to transition to a black screen. Vin and Kelsier go over the wall Page 360/361
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