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Author Rights Minitalk

Author Rights Minitalk

Carrie A. L. Nelson

May 18, 2016
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  1. : Carrie A. L. Nelson | UW-Madison Libraries | May

    18, 2016 a digital scholarship mini-talk author rights
  2. speaking the language • Copyright transfer • Work-for-hire • Author’s

    manuscript • License to publish • Pre-prints and post-prints • Non-exclusive license • Authors’ addendum • Embargos
  3. exclusive rights to reproduce the copyrighted work to prepare derivative

    works based upon the copyrighted work to distribute copies to the public by sale, rental, lease, or lending to perform the copyrighted work publicly to display the copyrighted work publicly
  4. other details •copyrights automatically belong to the author as soon

    as the work is “fixed in a tangible medium” •co-authorship may or may not lead to “joint works” •“derivative works” could include revised versions or books based on articles
  5. copyright transfer •written contract •exclusive vs. non- exclusive rights •publishers

    need permission to reproduce and distribute •non-exclusive right to publish vs. copyright transfer
  6. in practice •select publishers based on standard terms (SHERPA/RoMEO) •author

    addenda •read the fine print •retaining copyright means managing permissions
  7. what’s negotiable? authors’ future uses • in teaching • in

    related publications others’ future uses • within institution • public sharing • repository and posting options • embargo periods rights reversion
  8. what’s negotiable? Publishers’ future uses: I hereby assign publisher with

    full title guarantee all rights of copyright and related publishing rights in my article, in all forms and all media (whether known at this time or developed at any time in the future) throughout the world, in all languages, where our rights include but are not limited to the right to translate, create adaptations, extracts, or derivative works and to sublicense such rights, for the full term of copyright (including all renewals and extensions of that term), to take effect if and when the article is accepted for publication.
  9. Slide 1 Leonid Pasternak, The Passion of Creation via Wikimedia

    Commons. https://commons.wikimedia.org/wiki/File%3ALeonid_Pasternak_- _The_Passion_of_creation.jpg Slide 2 Pieter Bruegel the Elder, The Tower of Babel via Wikimedia Commons. https://commons.wikimedia.org/wiki/File%3APieter_Bruegel_the_Elder_- _The_Tower_of_Babel_(Vienna)_-_Google_Art_Project_-_edited.jpg Slide 8 Print of The Caxton Celebration, William Caxton showing specimens of his printing to King Edward IV and his Queen, published in The Graphic, 1877 via Wikimedia Commons. https://commons.wikimedia.org/wiki/File%3AThe_Caxton_Celebration_- _William_Caxton_showing_specimens_of_his_printing_to_King_Edward_IV_and_his_ Queen.jpg Slide 9 Francisco de Goya y Lucientes, Gaspar Melchor de Jovellanos via Wikimedia Commons. https://commons.wikimedia.org/wiki/File%3AFrancisco_de_Goya_y_Lucientes_- _Gaspar_Melchor_de_Jovellanos.jpg image credits
  10. thank you Carrie A. L. Nelson, [email protected] University of Wisconsin-Madison

    Libraries Please adapt and share this presentation. Creative Commons Attribution