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The Third Story

Avatar for John Hudson John Hudson
November 07, 2025
Storyboards
100
0

The Third Story

Avatar for John Hudson

John Hudson

November 07, 2025

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Transcript

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  33. Dialog BENJAMIN Cleo, please be careful!

  34. Dialog BENJAMIN Cleo, please be careful!

  35. Dialog BENJAMIN Cleo, please be careful!

  36. Dialog BENJAMIN Cleo, please be careful!

  37. Dialog BENJAMIN Cleo, please be careful!

  38. Dialog BENJAMIN Cleo, please be careful!

  39. Dialog BENJAMIN Cleo, please be careful!

  40. Dialog BENJAMIN Cleo, please be careful!

  41. Dialog BENJAMIN Cleo, please be careful!

  42. Dialog BENJAMIN Cleo, please be careful!

  43. Dialog BENJAMIN Cleo, please be careful!

  44. Dialog BENJAMIN Cleo, please be careful!

  45. Dialog CLEO I’m fine, Benny, don’t get your tail in

    a twist.

  46. Dialog CLEO I’m fine, Benny, don’t get your tail in

    a twist.

  47. Dialog CLEO I’m fine, Benny, don’t get your tail in

    a twist.

  48. Dialog CLEO I’m fine, Benny, don’t get your tail in

    a twist.

  49. Dialog CLEO I’m fine, Benny, don’t get your tail in

    a twist.

  50. Dialog CLEO I’m fine, Benny, don’t get your tail in

    a twist.

  51. Dialog CLEO I’m fine, Benny, don’t get your tail in

    a twist.

  52. Dialog CLEO I’m fine, Benny, don’t get your tail in

    a twist.

  53. Dialog CLEO I’m fine, Benny, don’t get your tail in

    a twist.

  54. Dialog BENJAMIN But you really shouldn’t play with knives

  55. Dialog BENJAMIN But you really shouldn’t play with knives

  56. Dialog BENJAMIN But you really shouldn’t play with knives

  57. Dialog MIA Hey! The lady’s here!

  58. None
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  60. Dialog LILY You wanted to see me?

  61. Dialog LILY You wanted to see me?

  62. Dialog LILY You wanted to see me?

  63. Dialog DOUGLAS Yes, Ms. Lily, so kind of you to

    finally join us.

  64. Dialog DOUGLAS Yes, Ms. Lily, so kind of you to

    finally join us.

  65. Dialog DOUGLAS Yes, Ms. Lily, so kind of you to

    finally join us.

  66. Dialog DOUGLAS

  67. Yes, Ms. Lily, so kind of you to finally join

    us.

  68. Dialog DOUGLAS Yes, Ms. Lily, so kind of you to

    finally join us.

  69. Dialog LILY It’s not kindness, it’s a mild interest.

  70. Dialog LILY It’s not kindness, it’s a mild interest.

  71. Dialog LILY It’s not kindness, it’s a mild interest.

  72. Dialog DOUGLAS Of course, I expect nothing less.

  73. Dialog LILY Get on with it. I’m not a lady

    with a lot of free time.

  74. Dialog LILY Get on with it. I’m not a lady

    with a lot of free time.

  75. Dialog DOUGLAS Yes of course, Benjamin?

  76. Dialog DOUGLAS Yes of course, Benjamin?

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  78. Dialog BENJAMIN Right, right. As you see in my outline

    here-

  79. Dialog BENJAMIN Right, right. As you see in my outline

    here-

  80. Dialog BENJAMIN Right, right. As you see in my outline

    here-

  81. Dialog BENJAMIN Right, right. As you see in my outline

    here-

  82. Dialog BENJAMIN Right, right. As you see in my outline

    here-

  83. Dialog BENJAMIN Right, right. As you see in my outline

    here-

  84. Dialog BENJAMIN Right, right. As you see in my outline

    here-

  85. Dialog BENJAMIN Right, right. As you see in my outline

    here-

  86. Dialog BENJAMIN Just one second-

  87. Dialog BENJAMIN Just one second-

  88. Dialog BENJAMIN Just one second-

  89. Dialog BENJAMIN Just one second-

  90. Dialog BENJAMIN Just one second-

  91. Dialog BENJAMIN Just one second-

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  100. Dialog MIA We’re gonna rob a bank!

  101. Dialog MIA We’re gonna rob a bank!

  102. Dialog MIA We’re gonna rob a bank!

  103. Dialog MIA We’re gonna rob a bank!

  104. Dialog MIA

  105. We’re gonna rob a bank!

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  119. Dialog LILY Not interested.

  120. Dialog LILY Not interested.

  121. Dialog LILY Not interested.

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  131. Dialog SASHA Fifteen million dollars.

  132. Dialog SASHA Fifteen million dollars.

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  137. Dialog SASHA And that’s just your cut.

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  139. Dialog LILY Alright, I’m listening.

  140. Dialog LILY Alright, I’m listening.

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  147. Dialog BENJAMIN Right. The target is () bank, which holds

    on hand roughly -

  148. Dialog BENJAMIN Right. The target is () bank, which holds

    on hand roughly -

  149. Dialog LILY 1.2 billion in cash and jewels. I’m familiar.

  150. Dialog BENJAMIN Oh. Well in that case, I’m sure you

    already know-
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  152. Dialog BENJAMIN -uh… know, has two different levels of security.

    A main floor where the majority of cash is held, then a second deeper level where jewels are kept under high security clearance.

  153. Dialog BENJAMIN -uh… know, has two different levels of security.

    A main floor where the majority of cash is held, then a second deeper level where jewels are kept under high security clearance.

  154. Dialog BENJAMIN -uh… know, has two different levels of security.

    A main floor where the majority of cash is held, then a second deeper level where jewels are kept under high security clearance.

  155. Dialog BENJAMIN -uh… know, has two different levels of security.

    A main floor where the majority of cash is held, then a second deeper level where jewels are kept under high security clearance.

  156. Dialog BENJAMIN -uh… know, has two different levels of security.

    A main floor where the majority of cash is held, then a second deeper level where jewels are kept under high security clearance.

  157. Dialog LILY I might be familiar.

  158. Dialog LILY I might be familiar.

  159. Dialog LILY I might be familiar.

  160. Dialog DOUGLAS Knew you were the right one for the

    gig.

  161. Dialog DOUGLAS Knew you were the right one for the

    gig.

  162. Dialog MIA Yeah, I like ‘er!

  163. Dialog BENJAMIN The second floor elevator is operated by a

    physical key and an electronic one. Sasha feels confident she can handle the electronic aspects but-

  164. Dialog BENJAMIN The second floor elevator is operated by a

    physical key and an electronic one. Sasha feels confident she can handle the electronic aspects but-
  165. None

  166. Dialog BENJAMIN The second floor elevator is operated by a

    physical key and an electronic one. Sasha feels confident she can handle the electronic aspects but-

  167. Dialog BENJAMIN The second floor elevator is operated by a

    physical key and an electronic one. Sasha feels confident she can handle the electronic aspects but-

  168. Dialog BENJAMIN The second floor elevator is operated by a

    physical key and an electronic one. Sasha feels confident she can handle the electronic aspects but-
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  172. Dialog BENJAMIN Will you stop doing that!?

  173. Dialog BENJAMIN Will you stop doing that!?

  174. Dialog CLEO Why? You scared?

  175. Dialog CLEO Why? You scared?

  176. Dialog CLEO Why? You scared?

  177. Dialog CLEO Why? You scared?

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  189. Dialog CLEO (Scoffing) Baby.

  190. Dialog DOUGLAS The long and short of it is, even

    if we get through everything security wise, we need either a lockpick or the physical key to operate the elevator.

  191. Dialog DOUGLAS The long and short of it is, even

    if we get through everything security wise, we need either a lockpick or the physical key to operate the elevator.

  192. Dialog DOUGLAS The long and short of it is, even

    if we get through everything security wise, we need either a lockpick or the physical key to operate the elevator.

  193. Dialog DOUGLAS The long and short of it is, even

    if we get through everything security wise, we need either a lockpick or the physical key to operate the elevator.

  194. Dialog Otherwise, we get to blow a hole in the

    floor, which destroys any chance we have of subtlety.

  195. Dialog DOUGLAS So, what do ya think? Do you want

    in?

  196. Dialog LILY I’m one step ahead of you.

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  214. Dialog LILY What’s the next part?

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