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Wistles and Bones

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April 01, 2024
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Wistles and Bones

Yamen and Enrego find themselves in over their heads with a monster out of legend. What can save them from the horror of El Silbón?

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TAD

April 01, 2024
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Transcript

  1. TateA_FinalProj_V02

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  3. Shot 020 Duration 02:00 Panel 1 Duration 01:00 Dialog CROWD

    (Chattering) TateA_FinalProj_V02 Page 2/183

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    (Chattering) TateA_FinalProj_V02 Page 3/183

  5. Shot 030 Duration 03:00 Panel 1 Duration 01:00 Dialog MUISICIANS

    (Playing) TateA_FinalProj_V02 Page 4/183

  6. Shot 030 Duration 03:00 Panel 2 Duration 01:00 Dialog MUISICIANS

    (Playing) TateA_FinalProj_V02 Page 5/183

  7. Shot 030 Duration 03:00 Panel 3 Duration 01:00 Dialog MUISICIANS

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    7/183

  9. Shot 040 Duration 02:00 Panel 2 Duration 01:00 Dialog CROWD

    (Chattering) TateA_FinalProj_V02 Page 8/183

  10. Shot 050 Duration 01:22 Panel 1 Duration 01:22 Dialog CROWD

    (Chattering) TateA_FinalProj_V02 Page 9/183

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    10/183

  12. Shot 070 Duration 04:22 Panel 1 Duration 01:22 TateA_FinalProj_V02 Page

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  13. Shot 070 Duration 04:22 Panel 2 Duration 01:12 Dialog YAMEN

    Eh my fine Courier! Is She Not Perfect? TateA_FinalProj_V02 Page 12/183

  14. Shot 070 Duration 04:22 Panel 3 Duration 01:12 Dialog YAMEN

    Eh my fine Courier! Is She Not Perfect? TateA_FinalProj_V02 Page 13/183

  15. Shot 080 Duration 10:09 Panel 1 Duration 01:21 Dialog YAMEN

    The last night of our trip back home, tomorrow I shall see my beautiful Reinna and within the week we will wed. TateA_FinalProj_V02 Page 14/183

  16. Shot 080 Duration 10:09 Panel 2 Duration 01:21 Dialog YAMEN

    The last night of our trip back home, tomorrow I shall see my beautiful Reinna and within the week we will wed. TateA_FinalProj_V02 Page 15/183

  17. Shot 080 Duration 10:09 Panel 3 Duration 01:16 Dialog YAMEN

    And you will be thanked profusely for getting me back home safe, perhaps even a role in the ceremony? TateA_FinalProj_V02 Page 16/183

  18. Shot 080 Duration 10:09 Panel 4 Duration 01:16 Dialog YAMEN

    And you will be thanked profusely for getting me back home safe, perhaps even a role in the ceremony? TateA_FinalProj_V02 Page 17/183

  19. Shot 080 Duration 10:09 Panel 5 Duration 01:19 Dialog YAMEN

    To my best man Enrego!! TateA_FinalProj_V02 Page 18/183

  20. Shot 080 Duration 10:09 Panel 6 Duration 01:12 Dialog YAMEN

    And to my lovely fiancé Reina! TateA_FinalProj_V02 Page 19/183

  21. Shot 090 Duration 04:21 Panel 1 Duration 01:15 Dialog ENREGO

    Aye, that’s enough of that Yamen! – You’ll toast yourself into the ground if you don’t stop. Come on, the horses have had their rest, it’s time for us to go. TateA_FinalProj_V02 Page 20/183

  22. Shot 090 Duration 04:21 Panel 2 Duration 01:15 Dialog ENREGO

    Aye, that’s enough of that Yamen! – You’ll toast yourself into the ground if you don’t stop. Come on, the horses have had their rest, it’s time for us to go. TateA_FinalProj_V02 Page 21/183

  23. Shot 090 Duration 04:21 Panel 3 Duration 01:15 Dialog ENREGO

    Aye, that’s enough of that Yamen! – You’ll toast yourself into the ground if you don’t stop. Come on, the horses have had their rest, it’s time for us to go. TateA_FinalProj_V02 Page 22/183

  24. Shot 100 Duration 05:00 Panel 1 Duration 00:19 Dialog YAMEN

    Alright my friend we will go- but first, a trip to the privy! TateA_FinalProj_V02 Page 23/183

  25. Shot 100 Duration 05:00 Panel 2 Duration 01:01 Dialog YAMEN

    Alright my friend we will go- but first, a trip to the privy! TateA_FinalProj_V02 Page 24/183

  26. Shot 100 Duration 05:00 Panel 3 Duration 01:01 Dialog YAMEN

    Alright my friend we will go- but first, a trip to the privy! TateA_FinalProj_V02 Page 25/183

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    26/183

  28. Shot 100 Duration 05:00 Panel 5 Duration 01:01 TateA_FinalProj_V02 Page

    27/183

  29. Shot 110 Duration 05:07 Panel 1 Duration 01:06 Dialog ERNO

    (Drunk and Slurring) Sho if I leave now I can shtill git to Carmen’s on the way home. TateA_FinalProj_V02 Page 28/183

  30. Shot 110 Duration 05:07 Panel 2 Duration 01:06 Dialog ERNO

    (Drunk and Slurring) Sho if I leave now I can shtill git to Carmen’s on the way home. TateA_FinalProj_V02 Page 29/183

  31. Shot 110 Duration 05:07 Panel 3 Duration 00:13 Dialog RONNIEL

    No Erno! Don’t be so hasty, stay here tonight Chamo TateA_FinalProj_V02 Page 30/183

  32. Shot 110 Duration 05:07 Panel 4 Duration 00:18 Dialog RONNIEL

    No Erno! Don’t be so hasty, stay here tonight Chamo TateA_FinalProj_V02 Page 31/183

  33. Shot 110 Duration 05:07 Panel 5 Duration 00:18 Dialog RONNIEL

    There’s a whistling in the wind and you need your bones Erno. TateA_FinalProj_V02 Page 32/183

  34. Shot 110 Duration 05:07 Panel 6 Duration 00:18 Dialog RONNIEL

    There’s a whistling in the wind and you need your bones Erno. TateA_FinalProj_V02 Page 33/183

  35. Shot 120 Duration 02:00 Panel 1 Duration 01:00 Dialog ENREGO

    Pardon me gents, but I ain’t from around here. What’s this about whistling and bones? TateA_FinalProj_V02 Page 34/183

  36. Shot 120 Duration 02:00 Panel 2 Duration 01:00 Dialog ENREGO

    Pardon me gents, but I ain’t from around here. What’s this about whistling and bones? TateA_FinalProj_V02 Page 35/183

  37. Shot 130 Duration 01:08 Panel 1 Duration 01:08 Dialog RONNIEL

    Ay I Geusss you don’t know friend, - TateA_FinalProj_V02 Page 36/183

  38. Shot 140 Duration 02:22 Panel 1 Duration 01:11 Dialog RONNIEL

    but it’s a bad sign, in the dead of night, if there is whistling in the wind, El Silbón is near, Burda Malo my friend. TateA_FinalProj_V02 Page 37/183

  39. Shot 140 Duration 02:22 Panel 2 Duration 01:11 Dialog RONNIEL

    but it’s a bad sign, in the dead of night, there is whistling in the wind, El Silbón is near, Burda Malo my friend. TateA_FinalProj_V02 Page 38/183

  40. Shot 150 Duration 03:07 Panel 1 Duration 03:07 Dialog ENREGO

    El Silb- The Whistler? Ah you’ve gotta be kidding me. TateA_FinalProj_V02 Page 39/183

  41. RONNIEL It’s no joke stranger. On my eyes this is

    as serious as the plague. TateA_FinalProj_V02 Page 40/183

  42. Shot 160 Duration 08:09 Panel 1 Duration 00:17 Dialog RONNIEL

    You need to know! El Silbón is a curse of the night TateA_FinalProj_V02 Page 41/183

  43. Shot 160 Duration 08:09 Panel 2 Duration 00:13 Dialog RONNIEL

    You need to know! El Silbón is a curse of the night TateA_FinalProj_V02 Page 42/183

  44. Shot 160 Duration 08:09 Panel 3 Duration 00:19 Dialog RONNIEL

    You need to know! El Silbón is a curse of the night TateA_FinalProj_V02 Page 43/183

  45. Shot 160 Duration 08:09 Panel 4 Duration 00:14 TateA_FinalProj_V02 Page

    44/183

  46. Shot 160 Duration 08:09 Panel 5 Duration 00:13 Dialog PATRON

    See he was once a young cattleman TateA_FinalProj_V02 Page 45/183

  47. Shot 160 Duration 08:09 Panel 6 Duration 00:13 Dialog PATRON

    See he was once a young cattleman TateA_FinalProj_V02 Page 46/183

  48. Shot 160 Duration 08:09 Panel 7 Duration 00:13 Dialog PATRON

    on a ranch with his parents and his abuelo. TateA_FinalProj_V02 Page 47/183

  49. Shot 160 Duration 08:09 Panel 8 Duration 00:16 Dialog PATRON

    on a ranch with his parents and his abuelo. TateA_FinalProj_V02 Page 48/183

  50. Shot 160 Duration 08:09 Panel 9 Duration 00:16 Dialog PATRON

    on a ranch with his parents and his abuelo. TateA_FinalProj_V02 Page 49/183

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  55. Shot 160 Duration 08:09 Panel 14 Duration 00:14 TateA_FinalProj_V02 Page

    54/183

  56. Shot 170 Duration 05:23 Panel 1 Duration 00:23 Dialog RONNIEL

    It turned out he was in love with a local courtesan, and she with him- a love some say that transcended life and death. TateA_FinalProj_V02 Page 55/183

  57. Shot 170 Duration 05:23 Panel 2 Duration 00:23 Dialog RONNIEL

    It turned out he was in love with a local courtesan, and she with him- a love some say that transcended life and death. TateA_FinalProj_V02 Page 56/183

  58. Shot 170 Duration 05:23 Panel 3 Duration 00:23 Dialog RONNIEL

    It turned out he was in love with a local courtesan, and she with him- a love some say that transcended life and death. TateA_FinalProj_V02 Page 57/183

  59. Shot 170 Duration 05:23 Panel 4 Duration 00:21 Dialog PATRON

    He told his father his plans to marry her and he forbade it. TateA_FinalProj_V02 Page 58/183

  60. Shot 170 Duration 05:23 Panel 5 Duration 00:21 Dialog PATRON

    He told his father his plans to marry her and he forbade it. TateA_FinalProj_V02 Page 59/183

  61. Shot 170 Duration 05:23 Panel 6 Duration 00:14 Dialog PATRON

    They fought but the father would not be convinced TateA_FinalProj_V02 Page 60/183

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    61/183

  63. Shot 180 Duration 05:04 Panel 1 Duration 00:17 Dialog RONNIEL

    The boy had made up his mind. His father’s blessing or not he would elope with her and they would run away together. TateA_FinalProj_V02 Page 62/183

  64. Shot 180 Duration 05:04 Panel 2 Duration 00:17 Dialog RONNIEL

    The boy had made up his mind. His father’s blessing or not he would elope with her and they would run away together. TateA_FinalProj_V02 Page 63/183

  65. Shot 180 Duration 05:04 Panel 3 Duration 00:13 Dialog RONNIEL

    The boy had made up his mind. His father’s blessing or not he would elope with her and they would run away together. TateA_FinalProj_V02 Page 64/183

  66. Shot 180 Duration 05:04 Panel 4 Duration 00:15 Dialog RONNIEL

    He called on his love, but he found only despair. TateA_FinalProj_V02 Page 65/183

  67. Shot 180 Duration 05:04 Panel 5 Duration 00:12 Dialog RONNIEL

    He called on his love, but he found only despair. TateA_FinalProj_V02 Page 66/183

  68. Shot 180 Duration 05:04 Panel 6 Duration 02:02 Dialog RONNIEL

    He called on his love, but he found only despair. TateA_FinalProj_V02 Page 67/183

  69. Shot 190 Duration 04:07 Panel 1 Duration 00:16 Dialog PATRON

    He ran back to confront his father for he knew what the man had done. TateA_FinalProj_V02 Page 68/183

  70. Shot 190 Duration 04:07 Panel 2 Duration 00:16 Dialog PATRON

    He ran back to confront his father for he knew what the man had done. TateA_FinalProj_V02 Page 69/183

  71. Shot 190 Duration 04:07 Panel 3 Duration 00:13 Dialog PATRON

    He struck fast killing his father and avenging his poor love. TateA_FinalProj_V02 Page 70/183

  72. Shot 190 Duration 04:07 Panel 4 Duration 00:14 Dialog PATRON

    He struck fast killing his father and avenging his poor love. TateA_FinalProj_V02 Page 71/183

  73. Shot 190 Duration 04:07 Panel 5 Duration 00:10 Dialog PATRON

    He struck fast killing his father and avenging his poor love. TateA_FinalProj_V02 Page 72/183

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  76. Shot 190 Duration 04:07 Panel 8 Duration 00:10 TateA_FinalProj_V02 Page

    75/183

  77. Shot 200 Duration 06:05 Panel 1 Duration 00:18 Dialog RONNIEL

    The Abuelo was a hard man, with ties back to the ancients TateA_FinalProj_V02 Page 76/183

  78. Shot 200 Duration 06:05 Panel 2 Duration 00:14 Dialog RONNIEL

    for he cursed the young boy, TateA_FinalProj_V02 Page 77/183

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    78/183

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  81. Shot 200 Duration 06:05 Panel 5 Duration 00:11 Dialog RONNIEL

    His punishment was severe. TateA_FinalProj_V02 Page 80/183

  82. Shot 200 Duration 06:05 Panel 6 Duration 00:11 Dialog RONNIEL

    His punishment was severe. TateA_FinalProj_V02 Page 81/183

  83. Shot 200 Duration 06:05 Panel 7 Duration 00:11 Dialog RONNIEL

    His punishment was severe. TateA_FinalProj_V02 Page 82/183

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    87/183

  89. Shot 210 Duration 05:07 Panel 1 Duration 00:11 TateA_FinalProj_V02 Page

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  90. Shot 210 Duration 05:07 Panel 2 Duration 00:11 Dialog PATRON

    His pain was unimaginable TateA_FinalProj_V02 Page 89/183

  91. Shot 210 Duration 05:07 Panel 3 Duration 00:13 Dialog PATRON

    His pain was unimaginable TateA_FinalProj_V02 Page 90/183

  92. Shot 210 Duration 05:07 Panel 4 Duration 00:08 Dialog PATRON

    His pain was unimaginable TateA_FinalProj_V02 Page 91/183

  93. Shot 210 Duration 05:07 Panel 5 Duration 00:11 Dialog PATRON

    His pain was unimaginable TateA_FinalProj_V02 Page 92/183

  94. Shot 210 Duration 05:07 Panel 6 Duration 00:11 TateA_FinalProj_V02 Page

    93/183

  95. Shot 210 Duration 05:07 Panel 7 Duration 00:14 Dialog RONNIEL

    And his Abuelo a malicious man with many cruel tricks. TateA_FinalProj_V02 Page 94/183

  96. Shot 210 Duration 05:07 Panel 8 Duration 00:14 Dialog RONNIEL

    And his Abuelo a malicious man with many cruel tricks. TateA_FinalProj_V02 Page 95/183

  97. Shot 210 Duration 05:07 Panel 9 Duration 00:11 Dialog RONNIEL

    And his Abuelo a malicious man with many cruel tricks. TateA_FinalProj_V02 Page 96/183

  98. Shot 210 Duration 05:07 Panel 10 Duration 00:11 TateA_FinalProj_V02 Page

    97/183

  99. Shot 210 Duration 05:07 Panel 11 Duration 00:12 Dialog RONNIEL

    He was driven from his home and set upon TateA_FinalProj_V02 Page 98/183

  100. Shot 220 Duration 01:19 Panel 1 Duration 00:08 Dialog RONNIEL

    He was driven from his home and set upon TateA_FinalProj_V02 Page 99/183

  101. Shot 220 Duration 01:19 Panel 2 Duration 00:04 Dialog RONNIEL

    He was driven from his home and set upon TateA_FinalProj_V02 Page 100/183

  102. Shot 220 Duration 01:19 Panel 3 Duration 00:03 Dialog RONNIEL

    He was driven from his home and set upon TateA_FinalProj_V02 Page 101/183

  103. Shot 220 Duration 01:19 Panel 4 Duration 00:03 TateA_FinalProj_V02 Page

    102/183

  104. Shot 220 Duration 01:19 Panel 5 Duration 00:03 Dialog RONNIEL

    cursed him wander forever with the bones of his father in contemplation for what he had done. TateA_FinalProj_V02 Page 103/183

  105. Shot 220 Duration 01:19 Panel 6 Duration 00:03 Dialog RONNIEL

    cursed him wander forever with the bones of his father in contemplation for what he had done. TateA_FinalProj_V02 Page 104/183

  106. Shot 220 Duration 01:19 Panel 7 Duration 00:03 Dialog RONNIEL

    cursed him wander forever with the bones of his father in contemplation for what he had done. TateA_FinalProj_V02 Page 105/183

  107. Shot 220 Duration 01:19 Panel 8 Duration 00:03 Dialog RONNIEL

    cursed him wander forever with the bones of his father in contemplation for what he had done. TateA_FinalProj_V02 Page 106/183

  108. Shot 220 Duration 01:19 Panel 9 Duration 00:03 Dialog RONNIEL

    cursed him wander forever with the bones of his father in contemplation for what he had done. TateA_FinalProj_V02 Page 107/183

  109. Shot 220 Duration 01:19 Panel 10 Duration 00:03 Dialog RONNIEL

    cursed him wander forever with the bones of his father in contemplation for what he had done. TateA_FinalProj_V02 Page 108/183

  110. Shot 220 Duration 01:19 Panel 11 Duration 00:03 TateA_FinalProj_V02 Page

    109/183

  111. Shot 220 Duration 01:19 Panel 12 Duration 00:04 Dialog PATRON

    But they say that a curse is a two sided razor, for the Abuela hadn’t known that he would create a monster TateA_FinalProj_V02 Page 110/183

  112. Shot 230 Duration 03:10 Panel 1 Duration 00:05 Dialog PATRON

    But they say that a curse is a two sided razor, for the Abuela hadn’t known that he would create a monster TateA_FinalProj_V02 Page 111/183

  113. Shot 230 Duration 03:10 Panel 2 Duration 00:10 Dialog PATRON

    But they say that a curse is a two sided razor, for the Abuela hadn’t known that he would create a monster TateA_FinalProj_V02 Page 112/183

  114. Shot 230 Duration 03:10 Panel 3 Duration 00:10 Dialog PATRON

    But they say that a curse is a two sided razor, for the Abuela hadn’t known that he would create a monster TateA_FinalProj_V02 Page 113/183

  115. Shot 230 Duration 03:10 Panel 4 Duration 00:13 TateA_FinalProj_V02 Page

    114/183

  116. Shot 230 Duration 03:10 Panel 5 Duration 00:11 Dialog RONNIEL

    One that now roams the plains of our land searching out drunkards, cheaters and womanizers TateA_FinalProj_V02 Page 115/183

  117. Shot 230 Duration 03:10 Panel 6 Duration 00:11 Dialog RONNIEL

    One that now roams the plains of our land searching out drunkards, cheaters and womanizers TateA_FinalProj_V02 Page 116/183

  118. Shot 230 Duration 03:10 Panel 7 Duration 00:11 Dialog RONNIEL

    One that now roams the plains of our land searching out drunkards, cheaters and womanizers TateA_FinalProj_V02 Page 117/183

  119. Shot 230 Duration 03:10 Panel 8 Duration 00:11 Dialog RONNIEL

    One that now roams the plains of our land searching out drunkards, cheaters and womanizers TateA_FinalProj_V02 Page 118/183

  120. Shot 240 Duration 01:06 Panel 1 Duration 01:06 Dialog RONNIEL

    To revenge the wrongs against him and his ill fated love. TateA_FinalProj_V02 Page 119/183

  121. Shot 250 Duration 01:02 Panel 1 Duration 01:02 Dialog RONNIEL

    To revenge the wrongs against him and his ill fated love. TateA_FinalProj_V02 Page 120/183

  122. Shot 260 Duration 01:06 Panel 1 Duration 01:06 Dialog PATRON

    He cannot be stopped, but they say on rare occasions he may be rebuked by – TateA_FinalProj_V02 Page 121/183

  123. Shot 270 Duration 04:00 Panel 1 Duration 01:08 Dialog YAMEN

    Ah what!? El Silbón is just a myth – TateA_FinalProj_V02 Page 122/183

  124. Shot 270 Duration 04:00 Panel 2 Duration 01:08 Dialog YAMEN

    What next are we gonna toss all green eyed babes to the river boa too? TateA_FinalProj_V02 Page 123/183

  125. Shot 270 Duration 04:00 Panel 3 Duration 01:08 Dialog YAMEN

    El Mata Toro will surely thank you for it! TateA_FinalProj_V02 Page 124/183

  126. Shot 280 Duration 01:09 Panel 1 Duration 01:09 Dialog ENREGO

    Ay- That's Enough Yamen!- It’s time to go, did you settle up? TateA_FinalProj_V02 Page 125/183

  127. Shot 290 Duration 02:18 Panel 1 Duration 01:09 Dialog YAMEN

    Ah, Just about, I’ll take care of that and be right out TateA_FinalProj_V02 Page 126/183

  128. Shot 290 Duration 02:18 Panel 2 Duration 01:09 Dialog YAMEN

    Ah, Just about, I’ll take care of that and be right out TateA_FinalProj_V02 Page 127/183

  129. Shot 300 Duration 06:17 Panel 1 Duration 02:12 Dialog YAMEN

    (hollering) Aye Enrego! This chulo here has paid our tab! In return we’re going to give him a ride to Paraíso. TateA_FinalProj_V02 Page 128/183

  130. Shot 300 Duration 06:17 Panel 2 Duration 02:02 Dialog ENREGO

    (hollering back) You mean the brothel! YAMEN (laughing) Is that not what I said? TateA_FinalProj_V02 Page 129/183

  131. Shot 300 Duration 06:17 Panel 3 Duration 02:03 Dialog ENREGO

    Aye Ladillo TateA_FinalProj_V02 Page 130/183

  132. Shot 310 Duration 05:16 Panel 1 Duration 01:19 Dialog ERNO

    The way I see, I have to stay at Carmels tonight, if I came home at this hour my wife would just have a fit! TateA_FinalProj_V02 Page 131/183

  133. Shot 310 Duration 05:16 Panel 2 Duration 01:19 Dialog ERNO

    The way I see, I have to stay at Carmels tonight, if I came home at this hour my wife would just have a fit! TateA_FinalProj_V02 Page 132/183

  134. Shot 310 Duration 05:16 Panel 3 Duration 02:02 Dialog YAMEN

    That is sad my friend – I know my wife to be will TateA_FinalProj_V02 Page 133/183

  135. Shot 320 Duration 04:13 Panel 1 Duration 00:18 Dialog YAMEN

    That is sad my friend – I know my wife to be will- TateA_FinalProj_V02 Page 134/183

  136. Shot 320 Duration 04:13 Panel 2 Duration 00:18 Dialog YAMEN

    That is sad my friend – I know my wife to be will- TateA_FinalProj_V02 Page 135/183

  137. Shot 320 Duration 04:13 Panel 3 Duration 00:18 Dialog (WISTLING

    THROUGH THE TREES SPOOKS THE HORSES) TateA_FinalProj_V02 Page 136/183

  138. Shot 320 Duration 04:13 Panel 4 Duration 00:05 Dialog (WISTLING

    THROUGH THE TREES SPOOKS THE HORSES) TateA_FinalProj_V02 Page 137/183

  139. Shot 320 Duration 04:13 Panel 5 Duration 00:03 Dialog (WISTLING

    THROUGH THE TREES SPOOKS THE HORSES) TateA_FinalProj_V02 Page 138/183

  140. Shot 320 Duration 04:13 Panel 6 Duration 00:06 Dialog (WISTLING

    THROUGH THE TREES SPOOKS THE HORSES) TateA_FinalProj_V02 Page 139/183

  141. Shot 320 Duration 04:13 Panel 7 Duration 00:10 Dialog (WISTLING

    THROUGH THE TREES SPOOKS THE HORSES) TateA_FinalProj_V02 Page 140/183

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  143. Shot 320 Duration 04:13 Panel 9 Duration 00:19 TateA_FinalProj_V02 Page

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  144. Shot 330 Duration 01:00 Panel 1 Duration 01:00 Dialog YAMEN

    The Horses! TateA_FinalProj_V02 Page 143/183

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  146. Shot 340 Duration 01:05 Panel 2 Duration 00:15 TateA_FinalProj_V02 Page

    145/183

  147. Shot 350 Duration 06:23 Panel 1 Duration 01:03 Dialog ENREGO

    (Grunts) TateA_FinalProj_V02 Page 146/183

  148. Shot 350 Duration 06:23 Panel 2 Duration 01:03 Dialog ENREGO

    (Grunts) TateA_FinalProj_V02 Page 147/183

  149. Shot 350 Duration 06:23 Panel 3 Duration 01:00 Dialog YAMEN

    (Panting) TateA_FinalProj_V02 Page 148/183

  150. Shot 350 Duration 06:23 Panel 4 Duration 01:00 Dialog YAMEN

    (Panting) TateA_FinalProj_V02 Page 149/183

  151. Shot 350 Duration 06:23 Panel 5 Duration 00:22 Dialog ERNO

    (Wheezing) TateA_FinalProj_V02 Page 150/183

  152. Shot 350 Duration 06:23 Panel 6 Duration 00:22 Dialog ERNO

    (Wheezing) TateA_FinalProj_V02 Page 151/183

  153. Shot 350 Duration 06:23 Panel 7 Duration 00:21 Dialog ERNO

    (Gasping for Air) TateA_FinalProj_V02 Page 152/183

  154. Shot 360 Duration 12:03 Panel 1 Duration 00:20 Dialog ERNO

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