Red's snowmobile jumps IN over a snowbank, bounces on the ground and speeds away, going out of frame Slugging *new Backgrounds RK_ch_00001aa Characters RK_pr_00001aa , RK_pr_00063aa Scene 048 Duration 02:21 Panel 2 Duration 00:12 Scene 048 Duration 02:21 Panel 3 Duration 00:15 RK_Pilot Page 1/86
countdown going down to 00:00:01 Slugging reuse 049 Notes This is a crop in of 049 Characters RK_pr_00001aa Scene 050 Duration 02:03 Panel 2 Duration 00:20 Dialog . Scene 050 Duration 02:03 Panel 3 Duration 00:11 RK_Pilot Page 3/86
25:00 Scene 100 Duration 01:17 Panel 1 Duration 01:17 Notes INT. MILITARY HOSPITAL ROOM - DAY 2 Red on a hospital bed, in a comatose state, connected to fluids and a life support. RK_Pilot Page 9/86
(O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). Scene 102 Duration 06:15 Panel 1 Duration 00:15 Dialog DOCTOR (O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). Scene 102 Duration 06:15 Panel 2 Duration 00:15 Dialog DOCTOR (O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). RK_Pilot Page 10/86
(O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). Scene 102 Duration 06:15 Panel 4 Duration 01:07 Dialog DOCTOR (O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). Scene 102 Duration 06:15 Panel 5 Duration 00:13 Dialog DOCTOR (O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). RK_Pilot Page 11/86
(O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). Scene 102 Duration 06:15 Panel 7 Duration 00:14 Dialog DOCTOR (O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). Scene 102 Duration 06:15 Panel 8 Duration 00:02 Dialog DOCTOR (O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). RK_Pilot Page 12/86
(O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). Scene 102 Duration 06:15 Panel 10 Duration 00:14 Dialog DOCTOR (O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). Scene 102 Duration 06:15 Panel 11 Duration 00:10 Dialog DOCTOR (O.S.) 6 He’s finished, basically a vegetable now... except not edible. Notes A DOCTOR and TWO FBI MEN look on from behind a thick protective glass. EDGAR G. SULLIVAN, Chief of Special Operations, FBI (early 60s, African- American) and PETER GOTOH PLYWOOD, junior agent (30s, trim, half-Japanese). RK_Pilot Page 13/86
SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. Scene 103 Duration 03:20 Panel 2 Duration 00:05 Dialog 7 SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. Scene 103 Duration 03:20 Panel 3 Duration 00:07 Dialog 7 SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. RK_Pilot Page 14/86
SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. Scene 103 Duration 03:20 Panel 5 Duration 00:09 Dialog 7 SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. Scene 103 Duration 03:20 Panel 6 Duration 00:10 Dialog 7 SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. RK_Pilot Page 15/86
SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. Scene 104 Duration 02:07 Panel 2 Duration 00:09 Dialog 7 SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. Scene 104 Duration 02:07 Panel 3 Duration 00:09 Dialog 7 SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. RK_Pilot Page 16/86
SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. Scene 104 Duration 02:07 Panel 5 Duration 00:06 Dialog 7 SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. Scene 104 Duration 02:07 Panel 6 Duration 00:06 Dialog 7 SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. RK_Pilot Page 17/86
SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. Scene 104 Duration 02:07 Panel 8 Duration 00:04 Dialog 7 SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. Scene 104 Duration 02:07 Panel 9 Duration 00:05 Dialog 7 SULLIVAN 7 His vitals and brain activity are going into the toilet. Soon he’ll be gone. 8 PLYWOOD 8 It’s tragic, sir. One less bunny-eyed weirdo to make everyone uncomfortable at the office. (then) At least we won’t have to listen to his wild theories about Dr. K anymore. RK_Pilot Page 18/86
PLYWOOD 10 You seem almost happy to lose such a dedicated agent, Chief. Scene 105 Duration 01:16 Panel 2 Duration 00:22 Dialog 10 PLYWOOD 10 You seem almost happy to lose such a dedicated agent, Chief. Scene 105 Duration 01:16 Panel 3 Duration 00:09 Dialog 10 PLYWOOD 10 You seem almost happy to lose such a dedicated agent, Chief. RK_Pilot Page 19/86
SULLIVAN 11 Just thinking of all the future paperwork I won’t have to deal with... Scene 106 Duration 03:06 Panel 2 Duration 00:17 Dialog 11 SULLIVAN 11 Just thinking of all the future paperwork I won’t have to deal with... Scene 106 Duration 03:06 Panel 3 Duration 00:23 Dialog 11 SULLIVAN 11 Just thinking of all the future paperwork I won’t have to deal with... RK_Pilot Page 20/86
SULLIVAN 11 Just thinking of all the future paperwork I won’t have to deal with... Scene 107 Duration 03:18 Panel 1 Duration 00:06 Dialog 11 SULLIVAN 11 Just thinking of all the future paperwork I won’t have to deal with... Scene 107 Duration 03:18 Panel 2 Duration 03:06 Dialog 11 SULLIVAN 11 Just thinking of all the future paperwork I won’t have to deal with... RK_Pilot Page 21/86
SULLIVAN 11 Just thinking of all the future paperwork I won’t have to deal with... Scene 108 Duration 03:19 Panel 1 Duration 00:03 Dialog 11 SULLIVAN 11 Just thinking of all the future paperwork I won’t have to deal with... Scene 108 Duration 03:19 Panel 2 Duration 03:10 Dialog 11 SULLIVAN 11 Just thinking of all the future paperwork I won’t have to deal with... RK_Pilot Page 22/86
SULLIVAN 11 Just thinking of all the future paperwork I won’t have to deal with... Scene 109 Duration 09:01 Panel 1 Duration 00:06 Action Notes They exit. Scene 109 Duration 09:01 Panel 2 Duration 01:03 Action Notes They exit. RK_Pilot Page 23/86
00:21 Action Notes They exit. Scene 110 Duration 03:00 Panel 2 Duration 00:22 Dialog SULLIVAN (V.O.) 12 Dr. K... Dr. K... Dr. K... Action Notes We see a SLIGHT TWITCH on Red’s unconscious face as the memory of Sullivan’s voice echoes RK_Pilot Page 27/86
(V.O.) 12 Dr. K... Dr. K... Dr. K... Action Notes We see a SLIGHT TWITCH on Red’s unconscious face as the memory of Sullivan’s voice echoes Scene 111 Duration 03:00 Panel 1 Duration 03:00 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. Scene 112 Duration 02:11 Panel 1 Duration 00:09 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. RK_Pilot Page 28/86
SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. Scene 112 Duration 02:11 Panel 3 Duration 00:04 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. Scene 112 Duration 02:11 Panel 4 Duration 00:04 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. RK_Pilot Page 29/86
SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. Scene 112 Duration 02:11 Panel 6 Duration 01:10 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. Scene 113 Duration 01:13 Panel 1 Duration 01:13 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. RK_Pilot Page 30/86
SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. Scene 115 Duration 06:11 Panel 1 Duration 00:14 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. Scene 115 Duration 06:11 Panel 2 Duration 00:17 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. RK_Pilot Page 31/86
SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. Scene 115 Duration 06:11 Panel 4 Duration 00:20 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. Scene 115 Duration 06:11 Panel 5 Duration 01:02 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. RK_Pilot Page 32/86
SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. Scene 115 Duration 06:11 Panel 7 Duration 00:16 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. Scene 115 Duration 06:11 Panel 8 Duration 01:12 Notes INT. SALLY’S LOFT – MONTREAL - CONTINUOUS 4 SALLY KETCHUP reads a tabloid called AMAZING FACTS. Behind her is a visual wall where she keeps a collection of clippings of Red’s past missions, etc. RK_Pilot Page 33/86
SALLY 14 (to herself) My dear fucked up brother... What are you up to this time? Notes We now reveal what Sally just saw in the magazine: a photo of Red in an article about the nuclear explosion in Nunavut. Scene 117 Duration 04:03 Panel 1 Duration 02:05 Action Notes A knock at the door. Scene 117 Duration 04:03 Panel 2 Duration 00:13 Action Notes A knock at the door. RK_Pilot Page 34/86
A knock at the door. Scene 117 Duration 04:03 Panel 4 Duration 00:08 Action Notes A knock at the door. Scene 117 Duration 04:03 Panel 5 Duration 00:09 Action Notes A knock at the door. RK_Pilot Page 35/86
Sally opens it to reveal: Sullivan and Plywood, holding up their FBI badges. Sullivan is all business, Plywood is sympathetic. They wear overcoats. Scene 118 Duration 03:02 Panel 2 Duration 00:06 Action Notes Sally opens it to reveal: Sullivan and Plywood, holding up their FBI badges. Sullivan is all business, Plywood is sympathetic. They wear overcoats. Scene 118 Duration 03:02 Panel 3 Duration 00:07 Action Notes Sally opens it to reveal: Sullivan and Plywood, holding up their FBI badges. Sullivan is all business, Plywood is sympathetic. They wear overcoats. RK_Pilot Page 36/86
Sally opens it to reveal: Sullivan and Plywood, holding up their FBI badges. Sullivan is all business, Plywood is sympathetic. They wear overcoats. Scene 118 Duration 03:02 Panel 5 Duration 00:21 Action Notes Sally opens it to reveal: Sullivan and Plywood, holding up their FBI badges. Sullivan is all business, Plywood is sympathetic. They wear overcoats. Scene 118 Duration 03:02 Panel 6 Duration 00:23 Action Notes Sally opens it to reveal: Sullivan and Plywood, holding up their FBI badges. Sullivan is all business, Plywood is sympathetic. They wear overcoats. RK_Pilot Page 37/86
15 Aren’t you guys a little north of your jurisdiction? Is this about my brother? Scene 119 Duration 05:21 Panel 2 Duration 01:05 Dialog SALLY 15 Aren’t you guys a little north of your jurisdiction? Is this about my brother? Scene 119 Duration 05:21 Panel 3 Duration 01:12 Dialog SALLY 15 Aren’t you guys a little north of your jurisdiction? Is this about my brother? RK_Pilot Page 38/86
15 Aren’t you guys a little north of your jurisdiction? Is this about my brother? Scene 119 Duration 05:21 Panel 5 Duration 01:04 Dialog SALLY 15 Aren’t you guys a little north of your jurisdiction? Is this about my brother? Scene 119 Duration 05:21 Panel 6 Duration 00:16 Dialog SALLY 15 Aren’t you guys a little north of your jurisdiction? Is this about my brother? RK_Pilot Page 39/86
15 Aren’t you guys a little north of your jurisdiction? Is this about my brother? Scene 120 Duration 11:22 Panel 1 Duration 00:10 Dialog PLYWOOD 16 Sally Ketchup, we’re sorry to report that your brother, Red, was killed on duty. If it’s any comfort, he died doing what he did best: serving justice. 17 SULLIVAN 17 ...while causing massive destruction. Notes Pan between Plywood and Sullivan Scene 120 Duration 11:22 Panel 2 Duration 00:21 Dialog PLYWOOD 16 Sally Ketchup, we’re sorry to report that your brother, Red, was killed on duty. If it’s any comfort, he died doing what he did best: serving justice. 17 SULLIVAN 17 ...while causing massive destruction. Notes Pan between Plywood and Sullivan RK_Pilot Page 40/86
16 Sally Ketchup, we’re sorry to report that your brother, Red, was killed on duty. If it’s any comfort, he died doing what he did best: serving justice. 17 SULLIVAN 17 ...while causing massive destruction. Notes Pan between Plywood and Sullivan Scene 120 Duration 11:22 Panel 4 Duration 01:02 Dialog PLYWOOD 16 Sally Ketchup, we’re sorry to report that your brother, Red, was killed on duty. If it’s any comfort, he died doing what he did best: serving justice. 17 SULLIVAN 17 ...while causing massive destruction. Notes Pan between Plywood and Sullivan Scene 120 Duration 11:22 Panel 5 Duration 01:06 Dialog PLYWOOD 16 Sally Ketchup, we’re sorry to report that your brother, Red, was killed on duty. If it’s any comfort, he died doing what he did best: serving justice. 17 SULLIVAN 17 ...while causing massive destruction. Notes Pan between Plywood and Sullivan RK_Pilot Page 41/86
16 Sally Ketchup, we’re sorry to report that your brother, Red, was killed on duty. If it’s any comfort, he died doing what he did best: serving justice. 17 SULLIVAN 17 ...while causing massive destruction. Notes Pan between Plywood and Sullivan Scene 120 Duration 11:22 Panel 7 Duration 01:19 Dialog PLYWOOD 16 Sally Ketchup, we’re sorry to report that your brother, Red, was killed on duty. If it’s any comfort, he died doing what he did best: serving justice. 17 SULLIVAN 17 ...while causing massive destruction. Notes Pan between Plywood and Sullivan Scene 120 Duration 11:22 Panel 8 Duration 02:17 Dialog PLYWOOD 16 Sally Ketchup, we’re sorry to report that your brother, Red, was killed on duty. If it’s any comfort, he died doing what he did best: serving justice. 17 SULLIVAN 17 ...while causing massive destruction. Notes Pan between Plywood and Sullivan RK_Pilot Page 42/86
16 Sally Ketchup, we’re sorry to report that your brother, Red, was killed on duty. If it’s any comfort, he died doing what he did best: serving justice. 17 SULLIVAN 17 ...while causing massive destruction. Notes Pan between Plywood and Sullivan Scene 121 Duration 02:00 Panel 1 Duration 00:19 Dialog SALLY 18 Bullshit. It’s a cover up. Action Notes The magazine still in her hand, Sally shows them the article. Scene 121 Duration 02:00 Panel 2 Duration 01:05 Dialog SALLY 18 Bullshit. It’s a cover up. Action Notes The magazine still in her hand, Sally shows them the article. RK_Pilot Page 43/86
19 All due respect, ma’am, but that’s a tabloid. We’re the FBI! In fact I’m the Chief of-- Scene 122 Duration 04:22 Panel 2 Duration 01:03 Dialog SULLIVAN 19 All due respect, ma’am, but that’s a tabloid. We’re the FBI! In fact I’m the Chief of-- Scene 122 Duration 04:22 Panel 3 Duration 02:01 Dialog SULLIVAN 19 All due respect, ma’am, but that’s a tabloid. We’re the FBI! In fact I’m the Chief of-- RK_Pilot Page 44/86
19 All due respect, ma’am, but that’s a tabloid. We’re the FBI! In fact I’m the Chief of-- Scene 123 Duration 07:19 Panel 1 Duration 00:05 Dialog 3. 4. 20 SALLY 20 (cutting him off) --I know who you are, Chief Sullivan but clearly you don’t know my brother. It’s impossible to kill him. Even with ten thousand nuclear bombs! Scene 123 Duration 07:19 Panel 2 Duration 02:00 Dialog 3. 4. 20 SALLY 20 (cutting him off) --I know who you are, Chief Sullivan but clearly you don’t know my brother. It’s impossible to kill him. Even with ten thousand nuclear bombs! RK_Pilot Page 45/86
4. 20 SALLY 20 (cutting him off) --I know who you are, Chief Sullivan but clearly you don’t know my brother. It’s impossible to kill him. Even with ten thousand nuclear bombs! Scene 123 Duration 07:19 Panel 4 Duration 02:01 Dialog 3. 4. 20 SALLY 20 (cutting him off) --I know who you are, Chief Sullivan but clearly you don’t know my brother. It’s impossible to kill him. Even with ten thousand nuclear bombs! Scene 123 Duration 07:19 Panel 5 Duration 00:08 Dialog 3. 4. 20 SALLY 20 (cutting him off) --I know who you are, Chief Sullivan but clearly you don’t know my brother. It’s impossible to kill him. Even with ten thousand nuclear bombs! RK_Pilot Page 46/86
4. 20 SALLY 20 (cutting him off) --I know who you are, Chief Sullivan but clearly you don’t know my brother. It’s impossible to kill him. Even with ten thousand nuclear bombs! Scene 123 Duration 07:19 Panel 7 Duration 00:16 Dialog 3. 4. 20 SALLY 20 (cutting him off) --I know who you are, Chief Sullivan but clearly you don’t know my brother. It’s impossible to kill him. Even with ten thousand nuclear bombs! Scene 124 Duration 11:15 Panel 1 Duration 00:12 Dialog PLYWOOD 21 Ma’am, we’re prepping his funeral as we speak. You should come with us to Washington. (then) I’m Peter Plywood, Canadian Secret Service, I’m with the FBI on an exchange program-- 22 SULLIVAN 22 (interrupting) Shut up Plywood, no one cares! RK_Pilot Page 47/86
21 Ma’am, we’re prepping his funeral as we speak. You should come with us to Washington. (then) I’m Peter Plywood, Canadian Secret Service, I’m with the FBI on an exchange program-- 22 SULLIVAN 22 (interrupting) Shut up Plywood, no one cares! Scene 124 Duration 11:15 Panel 3 Duration 01:20 Dialog PLYWOOD 21 Ma’am, we’re prepping his funeral as we speak. You should come with us to Washington. (then) I’m Peter Plywood, Canadian Secret Service, I’m with the FBI on an exchange program-- 22 SULLIVAN 22 (interrupting) Shut up Plywood, no one cares! Scene 124 Duration 11:15 Panel 4 Duration 04:07 Dialog PLYWOOD 21 Ma’am, we’re prepping his funeral as we speak. You should come with us to Washington. (then) I’m Peter Plywood, Canadian Secret Service, I’m with the FBI on an exchange program-- 22 SULLIVAN 22 (interrupting) Shut up Plywood, no one cares! RK_Pilot Page 48/86
21 Ma’am, we’re prepping his funeral as we speak. You should come with us to Washington. (then) I’m Peter Plywood, Canadian Secret Service, I’m with the FBI on an exchange program-- 22 SULLIVAN 22 (interrupting) Shut up Plywood, no one cares! Scene 124 Duration 11:15 Panel 6 Duration 01:19 Dialog PLYWOOD 21 Ma’am, we’re prepping his funeral as we speak. You should come with us to Washington. (then) I’m Peter Plywood, Canadian Secret Service, I’m with the FBI on an exchange program-- 22 SULLIVAN 22 (interrupting) Shut up Plywood, no one cares! Scene 125 Duration 02:14 Panel 1 Duration 00:09 Action Notes Sally walks to her visual wall and pulls down a CHILDHOOD PICTURE of her at age 12 and Red at age 7. RK_Pilot Page 49/86
Sally walks to her visual wall and pulls down a CHILDHOOD PICTURE of her at age 12 and Red at age 7. Scene 125 Duration 02:14 Panel 3 Duration 00:11 Action Notes Sally walks to her visual wall and pulls down a CHILDHOOD PICTURE of her at age 12 and Red at age 7. Scene 125 Duration 02:14 Panel 4 Duration 00:11 Action Notes Sally walks to her visual wall and pulls down a CHILDHOOD PICTURE of her at age 12 and Red at age 7. RK_Pilot Page 50/86
23 Steve and I, we’re... survivors. So I’ll believe he’s dead when I see his body in the coffin. Action Notes Sally walks to her visual wall and pulls down a CHILDHOOD PICTURE of her at age 12 and Red at age 7. Scene 126 Duration 02:04 Panel 1 Duration 02:04 Scene 127 Duration 08:10 Panel 1 Duration 01:00 RK_Pilot Page 51/86
01:04 Action Notes We see Sally standing a bit apart, looking skeptical, arms stubbornly crossed (in the manner of her brother Red). Notes Title: WASHINGTON, D.C. EXT. WASHINGTON, D.C. - CEMETERY - DAY 5 Red Ketchup’s funeral in a large cemetery, where Sally and a few FBI REPRESENTATIVES are gathered around the grave site. Scene 128 Duration 05:21 Panel 2 Duration 00:04 Action Notes We see Sally standing a bit apart, looking skeptical, arms stubbornly crossed (in the manner of her brother Red). Notes Title: WASHINGTON, D.C. EXT. WASHINGTON, D.C. - CEMETERY - DAY 5 Red Ketchup’s funeral in a large cemetery, where Sally and a few FBI REPRESENTATIVES are gathered around the grave site. RK_Pilot Page 53/86
We see Sally standing a bit apart, looking skeptical, arms stubbornly crossed (in the manner of her brother Red). Notes Title: WASHINGTON, D.C. EXT. WASHINGTON, D.C. - CEMETERY - DAY 5 Red Ketchup’s funeral in a large cemetery, where Sally and a few FBI REPRESENTATIVES are gathered around the grave site. Scene 128 Duration 05:21 Panel 4 Duration 00:04 Action Notes We see Sally standing a bit apart, looking skeptical, arms stubbornly crossed (in the manner of her brother Red). Notes Title: WASHINGTON, D.C. EXT. WASHINGTON, D.C. - CEMETERY - DAY 5 Red Ketchup’s funeral in a large cemetery, where Sally and a few FBI REPRESENTATIVES are gathered around the grave site. Scene 128 Duration 05:21 Panel 5 Duration 00:07 Action Notes We see Sally standing a bit apart, looking skeptical, arms stubbornly crossed (in the manner of her brother Red). Notes Title: WASHINGTON, D.C. EXT. WASHINGTON, D.C. - CEMETERY - DAY 5 Red Ketchup’s funeral in a large cemetery, where Sally and a few FBI REPRESENTATIVES are gathered around the grave site. RK_Pilot Page 54/86
We see Sally standing a bit apart, looking skeptical, arms stubbornly crossed (in the manner of her brother Red). Notes Title: WASHINGTON, D.C. EXT. WASHINGTON, D.C. - CEMETERY - DAY 5 Red Ketchup’s funeral in a large cemetery, where Sally and a few FBI REPRESENTATIVES are gathered around the grave site. Scene 128 Duration 05:21 Panel 7 Duration 01:21 Action Notes We see Sally standing a bit apart, looking skeptical, arms stubbornly crossed (in the manner of her brother Red). Notes Title: WASHINGTON, D.C. EXT. WASHINGTON, D.C. - CEMETERY - DAY 5 Red Ketchup’s funeral in a large cemetery, where Sally and a few FBI REPRESENTATIVES are gathered around the grave site. Scene 129 Duration 04:04 Panel 1 Duration 02:14 Dialog SULLIVAN 24 (eulogizing) By all accounts Red Ketchup was... Action Notes Sullivan holding a card. RK_Pilot Page 55/86
24 (eulogizing) By all accounts Red Ketchup was... Action Notes Sullivan holding a card. Scene 129 Duration 04:04 Panel 3 Duration 00:12 Dialog SULLIVAN 24 (eulogizing) By all accounts Red Ketchup was... Action Notes Sullivan holding a card. Scene 129 Duration 04:04 Panel 4 Duration 00:07 Dialog SULLIVAN 24 (eulogizing) By all accounts Red Ketchup was... Action Notes Sullivan holding a card. RK_Pilot Page 56/86
(reads from note card, coughs a bit) Action Notes Sally rolling her eyes. Scene 130 Duration 01:07 Panel 2 Duration 00:18 Dialog SULLIVAN (reads from note card, coughs a bit) Action Notes Sally rolling her eyes. Scene 131 Duration 07:22 Panel 1 Duration 00:06 Dialog SULLIVAN ...a man of over-average height. RK_Pilot Page 57/86
...a man of over-average height. Scene 131 Duration 07:22 Panel 3 Duration 01:07 Dialog SULLIVAN ...a man of over-average height. Scene 131 Duration 07:22 Panel 4 Duration 02:15 Dialog SULLIVAN Jeez, that’s the most positive thing we can say about the guy? Action Notes Plywood shrugs his shulders RK_Pilot Page 58/86
Jeez, that’s the most positive thing we can say about the guy? Action Notes Plywood shrugs his shulders Scene 132 Duration 01:20 Panel 1 Duration 00:10 Action Notes Sally steps forward Scene 132 Duration 01:20 Panel 2 Duration 00:07 Action Notes Sally steps forward RK_Pilot Page 59/86
Sally KICKS the coffin hard, which swings to the side and OPENS for all to see. General dismay: THE COFFIN IS EMPTY! Scene 133 Duration 01:16 Panel 2 Duration 00:09 Action Notes Sally KICKS the coffin hard, which swings to the side and OPENS for all to see. General dismay: THE COFFIN IS EMPTY! Scene 133 Duration 01:16 Panel 3 Duration 00:12 Action Notes Sally KICKS the coffin hard, which swings to the side and OPENS for all to see. General dismay: THE COFFIN IS EMPTY! RK_Pilot Page 61/86
Sally KICKS the coffin hard, which swings to the side and OPENS for all to see. General dismay: THE COFFIN IS EMPTY! Scene 133 Duration 01:16 Panel 5 Duration 00:08 Action Notes Sally KICKS the coffin hard, which swings to the side and OPENS for all to see. General dismay: THE COFFIN IS EMPTY! Scene 134 Duration 02:12 Panel 1 Duration 00:14 Action Notes General dismay: THE COFFIN IS EMPTY! RK_Pilot Page 62/86
General dismay: THE COFFIN IS EMPTY! Scene 134 Duration 02:12 Panel 3 Duration 00:18 Action Notes General dismay: THE COFFIN IS EMPTY! Scene 134 Duration 02:12 Panel 4 Duration 00:14 Action Notes General dismay: THE COFFIN IS EMPTY! RK_Pilot Page 63/86
SALLY 25 (to the FBI agents) See? Told ya! Action Notes Sally steps in Scene 136 Duration 02:11 Panel 4 Duration 00:18 Dialog 25 SALLY 25 (to the FBI agents) See? Told ya! Action Notes Sally steps in Scene 137 Duration 04:10 Panel 1 Duration 00:12 Dialog PLYWOOD 26 Well he was practically dead! And the caterers were only available today! RK_Pilot Page 65/86
26 Well he was practically dead! And the caterers were only available today! Scene 137 Duration 04:10 Panel 3 Duration 02:05 Dialog PLYWOOD 26 Well he was practically dead! And the caterers were only available today! Scene 137 Duration 04:10 Panel 4 Duration 00:04 Dialog PLYWOOD 26 Well he was practically dead! And the caterers were only available today! RK_Pilot Page 66/86
27 Where’s my very not-dead brother?! Action Notes Sally starts walking towards the cemetery exit. Scene 138 Duration 04:21 Panel 2 Duration 01:23 Dialog SALLY 27 Where’s my very not-dead brother?! Action Notes Sally starts walking towards the cemetery exit. Scene 138 Duration 04:21 Panel 3 Duration 00:22 Dialog SALLY 27 Where’s my very not-dead brother?! Action Notes Sally starts walking towards the cemetery exit. RK_Pilot Page 67/86
27 Where’s my very not-dead brother?! Action Notes Sally starts walking towards the cemetery exit. Scene 138 Duration 04:21 Panel 5 Duration 01:05 Action Notes Sally starts walking towards the cemetery exit. ON THIS WE HEAR THE LOUD SOUND OF A TRAIN APPROACHING... Notes ON THIS WE HEAR THE LOUD SOUND OF A TRAIN APPROACHING... Dissolve Duration 00:18 RK_Pilot Page 68/86
FLASHBACK INSERT: Emerging from the darkness, the headlight of a locomotive shoots straight at the camera. D Scene 139 Duration 05:05 Panel 2 Duration 00:23 Action Notes FLASHBACK INSERT: Emerging from the darkness, the headlight of a locomotive shoots straight at the camera. D Scene 139 Duration 05:05 Panel 3 Duration 00:19 Action Notes FLASHBACK INSERT: Emerging from the darkness, the headlight of a locomotive shoots straight at the camera. D RK_Pilot Page 69/86
FLASHBACK INSERT: Emerging from the darkness, the headlight of a locomotive shoots straight at the camera. D Scene 139 Duration 05:05 Panel 5 Duration 01:22 Action Notes FLASHBACK INSERT: Emerging from the darkness, the headlight of a locomotive shoots straight at the camera. D Dissolve Duration 01:00 RK_Pilot Page 70/86
Red Ketchup awakens with a start. Notes INT. MILITARY HOSPITAL - DAY Scene 140 Duration 03:13 Panel 2 Duration 00:06 Action Notes Red Ketchup awakens with a start. Notes INT. MILITARY HOSPITAL - DAY Scene 140 Duration 03:13 Panel 3 Duration 00:09 Action Notes Red Ketchup awakens with a start. RK_Pilot Page 71/86
Red Ketchup awakens with a start. Scene 140 Duration 03:13 Panel 5 Duration 00:18 Action Notes Red Ketchup awakens with a start. Scene 140 Duration 03:13 Panel 6 Duration 00:06 Action Notes Red Ketchup awakens with a start. RK_Pilot Page 72/86
He rises, TEARS OFF the needles and the life support Scene 141 Duration 02:17 Panel 2 Duration 00:12 Action Notes He rises, TEARS OFF the needles and the life support Scene 141 Duration 02:17 Panel 3 Duration 00:11 Action Notes He rises, TEARS OFF the needles and the life support RK_Pilot Page 73/86
He rises, TEARS OFF the needles and the life support Scene 142 Duration 02:22 Panel 1 Duration 00:13 Action Notes He rises, walks through the hallway Scene 142 Duration 02:22 Panel 2 Duration 00:10 Action Notes He rises, walks through the hallway RK_Pilot Page 74/86
He rises, walks through the hallway Scene 142 Duration 02:22 Panel 4 Duration 00:12 Action Notes He rises, walks through the hallway Scene 142 Duration 02:22 Panel 5 Duration 00:08 Action Notes He rises, walks through the hallway RK_Pilot Page 75/86
He rises, walks through the hallway Scene 142 Duration 02:22 Panel 7 Duration 00:08 Action Notes He rises, walks through the hallway Scene 143 Duration 02:00 Panel 1 Duration 00:07 Action Notes Red grabs the medication RK_Pilot Page 76/86
Red grabs the medication Scene 143 Duration 02:00 Panel 3 Duration 00:07 Action Notes Red grabs the medication Scene 143 Duration 02:00 Panel 4 Duration 00:06 Action Notes Red grabs the medication RK_Pilot Page 77/86
Red grabs the medication Scene 143 Duration 02:00 Panel 6 Duration 00:08 Action Notes Red grabs the medication Scene 143 Duration 02:00 Panel 7 Duration 00:05 Action Notes Red grabs the medication RK_Pilot Page 78/86
Red EMPTIES every bottle into his mouth. He swallows them, feels the effects Scene 144 Duration 01:09 Panel 2 Duration 00:13 Action Notes Red EMPTIES every bottle into his mouth. He swallows them, feels the effects Scene 144 Duration 01:09 Panel 3 Duration 00:08 Action Notes Red EMPTIES every bottle into his mouth. He swallows them, feels the effects RK_Pilot Page 79/86
28 I’m comin’ for you, Dr. K... Scene 149 Duration 03:10 Panel 2 Duration 00:10 Dialog RED 28 I’m comin’ for you, Dr. K... Scene 149 Duration 03:10 Panel 3 Duration 01:00 Dialog RED 28 I’m comin’ for you, Dr. K... RK_Pilot Page 85/86
28 I’m comin’ for you, Dr. K... Scene 149 Duration 03:10 Panel 5 Duration 00:11 Dialog RED 28 I’m comin’ for you, Dr. K... NO PANEL RK_Pilot Page 86/86
dash83
jcasabona
uxyall
rkendrick25
watany
codingconduct
samanthasiow
schroneko
stuffmc
csswizardry
carmenintech
tammyeverts
skipperchong
