Boland_EB_FOUN250_AndScene-1.pdf

Transcript

1. A L I E N Written by Ridley Scott Shuttle Final Encounter Storyboards by E.B. Boland
2. 1 MEDIUM SHOT Ripley is breathing heavily.
3. 2 CLOSE UP
4. 3 EXTREME CLOSE UP Then, the Alien appears in the glass, illuminated by the blare of a red alarm light.
5. 4 The Alien hisses quietly. MEDIUM SHOT, DUTCH ANGLE
6. 5 Then, something nearby makes a sound. MEDIUM SHOT, DUTCH ANGLE
7. 6 MEDIUM SHOT, DUTCH ANGLE
8. 7 LOW ANGLE, DUTCH ANGLE
9. 8 LOW ANGLE, DUTCH ANGLE Morris is meowing.
10. 9 LOW ANGLE, DUTCH ANGLE
11. 10 LOW ANGLE, DUTCH ANGLE
12. 11 Ripley gasps. OTS
13. 12 She tries to distract the Alien by tapping on the glass. OTS
14. 13 OTS
15. 14 OTS
16. 15 MEDIUM CLOSE UP
17. 16 The Alien growls. HIGH ANGLE OTS, DUTCH ANGLE
18. 17 HIGH ANGLE OTS, DUTCH ANGLE it turns away when it gets no further reaction from Ripley.
19. 18 HIGH ANGLE OTS, DUTCH ANGLE
20. 19 OTHIGH ANGLE OTS, DUTCH ANGLE
21. 20 BIRD’S EYE VIEW
22. 21 Morris meows again. BIRD’S EYE VIEW
23. 22 BIRD’S EYE VIEW
24. 23 WORM’S EYE VIEW
25. 24 OTS There’s a commotion of hissing and scratching coming from where the Alien is hunched.
26. 25 OTS
27. 26 OTS, DUTCH ANGLE
28. 27 OTS, DUTCH ANGLE
29. 28 OTS, DUTCH ANGLE
30. 29 WORM’S EYE VIEW
31. 30 OTS
32. 31 OTS
33. 32 OTS
34. 33 EXTREME CLOSE UP
35. 34 The box thuds on the ground with Morris inside. EXTREME CLOSE UP
36. 35 It’s chaos outside as Ripley rushes to put on the old pressure suit. MEDIUM SHOT, DUTCH ANGLE
37. 36 MEDIUM SHOT, DUTCH ANGLE
38. 37 There’s a loud slam as the alien wedges the cat box into a corner. MEDIUM SHOT, DUTCH ANGLE
39. 38 OTS
40. 39 The alien jams the cat box further into the crevice. OTS
41. 40 It roars. EXTREME CLOSE UP OTS
42. 41 And Morris hisses back. EXTREME CLOSE UP
43. 42 There’s a “fwoosh” As ripley pressurizes the suit. WORM’S EYE VIEW
44. 43 WORM’S EYE VIEW
45. 44 BIRD’S EYE VIEW She sees the old rubber-capped spears sitting on the rack to her side.
46. 45 BIRD’S EYE VIEW
47. 46 Morris and the Alien grow more wild in their face-off, things are reaching a breaking point. EXTREME CLOSE UP
48. 47 EXTREME CLOSE UP
49. 48 CLOSEUP The outside noise is muffled. There is the sound of the spear being un-capped.
50. 49 CLOSEUP
51. 50 Ripley inhales deeply, steeling herself for what’s about to happen. MEDIUM CLOSE UP
52. 51 MEDIUM CLOSE UP
53. 52 She kicks the locker door open with such force that is slams back against the wall HIGH HAT SHOT
54. 53 The Alien goes silent. HIGH HAT SHOT
55. 54 TWO SHOT It rises, dwarfing Ripley, and begins to hiss.
56. 55 It whips around and snarls. WORM’S EYE VIEW