Technology alone is not enough (TMDU)

Transcript

1. pineapple.cc Technology alone is not enough Ichi Kanaya, Ph.D. The University of Nagasaki, Pineapple Computer, TEDxSaikai
2. pineapple.cc Ichi Kanaya
3. pineapple.cc Tsukuba Expo 1985 Sumitomo Pavilion
4. Baby robot by Luigi Colani Fuyo Group, 1985 Image courtesy of Gakken
5. pineapple.cc The Universe Fujitsu, 1985
6. pineapple.cc Technology Alone Is Not Enough Steve Jobs, 2011
7. pineapple.cc The Creative Compass by John Maeda & Joi Ito (2013) Science Art Engineering Design Image courtesy of How Stuff Works Image courtesy of Dyson
8. pineapple.cc Ferrari F40 Image courtesy of MariaCenoura.pt Divergent curves
9. pineapple.cc Toyota GT86 Image courtesy of AutoEvolution Convergent curves
10. pineapple.cc c(u) = (x(u), y(u)) s(u) = ∫ (· x2 + · y2) 1/2 du r(u) = (· x2 + · y2) 3/2 · x·· y − ·· x· y where · z ≡ d du z x y 0 c(u)
11. pineapple.cc K(u) ≡ (log r(u), log ∂s(u) ∂ log r(u)) I. Kanaya, Y. Nakano, K. Sato: Classification of Aesthetic Curves and Surfaces for Industrial Designs; Design Discourse, 2007.
12. pineapple.cc Designer’s view Divergent Convergent Industrial design Ferrari Toyota Aviation design Spitfire Zero fighter Fine arts David Basara Construction Eiffel Tower Tokyo Tower Math functions y=sin(x) y=log(x) dK(u)/du Negative Positive
13. pineapple.cc HyperDraw
14. pineapple.cc PerspectiveDraw
15. pineapple.cc MaterialDraw
16. Analytical Psychology Carl Gustav Jung (1875–1961)
17. pineapple.cc Thinking Emotion (Affect) Feeling Inspiration Conscious Subconscious Unconscious Universe The Jungian Model of the Psyche (Jung, Myers, Kawai)
18. pineapple.cc Emotional Programming
19. pineapple.cc The Creative Compass by John Maeda & Joi Ito (2013) Science Art Engineering Design Image courtesy of How Stuff Works Image courtesy of Dyson
20. The art challenges the technology, and the technology inspires the art. John Lasseter, 2012 Image courtesy of Getty Images
21. pineapple.cc Challenge 挑戦 (cha-ren-ji) チャレンジ 1. dispute the truth or validity of: it is possible to challenge the report's assumptions. 2. invite (someone) to engage in a contest: he challenged one of my men to a duel | organizations challenged the government in by- elections. 1. try, attempt 2. challenge 3. defy ! "
22. ars ART ඒज़ τέχνη TECHNOLOGY ٕज़
23. Life is short, art is long. Ὁ βίος βραχύς, ἡ δὲ τέχνη μακρή. Vita brevis, ars longa. Hippocrates (460–370BC)
24. pineapple.cc Image courtesy of W Bradley Steam engine Arts & Crafts Trellis by William Morris (1862) Bauhaus Typography by Herbert Bayer (1927?)
25. pineapple.cc T3 Radio by Braun (1958) Braun Dieter Rams Apple Jony Ive iPod by Apple (2001) Air Multiplier by Dyson (2009) Dyson James Dyson
26. pineapple.cc The Birth of the Sixth (Seventh) Art by Ricciotto Canudo (1911) 1. Architecture 2. Sculpture 3. Painting 4. Music (Drama) 5. Poetry 6. Dance 7. Film 8. TV drama 9. Bande dessinée (Comic) 10.Video game 11.Media art
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29. pineapple.cc The RGBy desk by Studio Mongoose and Ichi Kanaya
30. pineapple.cc Apple II, Raspberry Pi 2, Arduino Pro Mini v.2
31. Image courtesy of Wired
32. pineapple.cc Making Artist-friendly Computer
33. Pineapple II https://github.com/kanaya/Pineapple_II OpenSource
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35. Tomoaki Akasaka Photographer
36. pineapple.cc Image courtesy of Tomoaki Akasaka
37. pineapple.cc
38. pineapple.cc The Mirror of Transfiguration
39. Mayuko Kanazawa Media Artist
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41. Image courtesy of Lucent Design
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43. pineapple.cc Image courtesy of Shiseido, Seiko
44. First step to make your creative impulse satisfied Ichi Kanaya | TEDxKobe
46. pineapple.cc MIT Technology Preview, 2014
47. pineapple.cc Art Hack Day 回灯演舞
48. pineapple.cc アートの代数構造?
49. pineapple.cc y = (g • f) x Y = (G F) X =<< right monadic bind
50. pineapple.cc
51. pineapple.cc TED and our social activities
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53. TED カンファレンス 1984—サロン 2002—クリス・アンダーソン加⼊入 2006—動画配信開始 2008—TEDxプログラム開始
54. Info. Architecture of TED • T-1ワントピック • T-2 最⼤大18分 • T-3 質疑応答なし • T-4 導⼊入なし • T-5 スライド・ビデオの推奨 • T-6 ポインタの⾮非推奨 • T-7 ポディウムの不不使⽤用
55. pineapple.cc TEDxKyoto Rules • T-8 ストーリーは以下のいずれかの構造を持つ • a. Chronological 時系列列に情報を紹介する • b. Cause and Effect 結果と原因（問題と解法）を示す • c. Contrast and Similarity 情報を⽐比較する • d. Classification and Definition 情報を分割する
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57. pineapple.cc J. TEDx Experience medium.com/tedx-experience
58. pineapple.cc IPSJ-ONE 情報処理理学会
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60. pineapple.cc STEAM (un)conference EAJ
61. pineapple.cc The STEAM steam.fm
62. pineapple.cc S E A D T E A M ੓ࡦఏݴ͢ΔएखΞʔςΟετɾαΠΤϯςΟετɾΤϯδχΞɾσβΠφͷձ facebook.com/groups/seadteam
63. pineapple.cc One more thing…
64. ars ART ඒज़ τέχνη TECHNOLOGY ٕज़ civilis CIVILIZATION จԽ
65. pineapple.cc Reverse-Engineering World Heritages Yuki Kawae and Giza 3D Survey Team
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76. pineapple.cc Synchronizing everything
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78. pineapple.cc Jasmine Revolution (2011)
79. pineapple.cc !NBTBTPO
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80. pineapple.cc
83. pineapple.cc Pineapple II
84. Pyramid Quest Yuki Kawae | TEDxKyoto
85. pineapple.cc One last thing…
86. pineapple.cc Nijntje Pluis | Dick Bruna Kitty White | Sanrio
87. pineapple.cc Geminoid F (Ishiguro), Pepper (Softbank), Unibo (Unirobot)
88. pineapple.cc “I, Robot”, Star Wars, WALL-E
89. What we are doing 1. 表情パタンの作成と感情による分類類 2. 表情空間の仮定と検証 3. 表情構成のためのモデル作成 Sixteen faces expressing the human passions coloured engraving by J. Pass, 1821, after Charles Le Brun
90. pineapple.cc Eyes and mouth • ⽬目の重要性 • Ellis et al.,1979;Shepherd et al,.1981;Young wt L,.1985 • 顔配置に対する偏好反応 • Goren et al.,1975; Johnson & Morton,1991 • 初等幾何形状・左右対称 • 開示性・傾斜性
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92. pineapple.cc Survey 1/2
93. pineapple.cc Survey 2/2 • 幸福(喜び)・怒怒り・悲しみ・嫌悪・恐怖・驚き • Ekman, 1972, 1973, 1992; Ekman & Friesen, 1971; Ekman et al., 1969,1982, 1987 • 無表情(快)・無表情(不不快) • 渡邊ら,1988; Carrera & Fernandez-Dols, 1994; 渡邊・⼭山⽥田,2002 • 回答者140名（10代〜60代の男⼥女女） • 平均年年齢20代，男性40%，⼥女女性60%，視⼒力力健全
94. pineapple.cc ओ੒෼ ओ੒෼ ओ੒෼ ໨ ܏ࣼੑ    ։ࣔੑ    ޱ ܏ࣼੑ    ։ࣔੑ    ޱͷ܏ࣼੑ ໨ͷ܏ࣼੑ إͷ։ࣔੑ շʔෆշ
    Takehara, Suzuki, 2001 Yamada et.al., 1993 ֮੧౓
    ౉ᬑΒ
     • 開示性=⽬目の開き・⼝口の開き • 傾斜性=⽬目の傾き・⼝口のゆがみ 第3主成分までの累積寄与率=0.807
95. pineapple.cc 3 -3 -2.5 -2 -1.5 -1 -0.5 0.5 1 1.5 2 2.5 3 -3 -2.5 -2 -1.5 -1 -0.5 0.5 1 1.5 2 2.5 ޱ܏ࣼੑ(շ—ෆշ)ɿओ੒෼1, PC1 إͷ։ࣔੑ(׆ಈੑɾ֮੧౓)ɿओ੒෼3, PC3 ޱͷ܏ࣼੑ إͷ։ࣔੑ ޱͷ܏ࣼੑ Š إͷ։ࣔੑ շෆշ Š ֮੧౓ շෆշ ֮੧౓ Takehara, Suzuki, 2001 Comparison with the previous work 1/2 ޾෱ ڻ͖ ڪා ൵͠Έ ౖΓ ݏѱ ڻ͖ ڪා ౖΓ ݏѱ ൵͠Έ ޾෱
96. pineapple.cc 3 -3 -2.5 -2 -1.5 -1 -0.5 0.5 1 1.5 2 2.5 3 -3 -2.5 -2 -1.5 -1 -0.5 0.5 1 1.5 2 2.5 ޱ܏ࣼੑ(շ—ෆշ)ɿओ੒෼1, PC1 إͷ։ࣔੑ(׆ಈੑɾ֮੧౓)ɿओ੒෼3, PC3 ޱͷ܏ࣼੑ إͷ։ࣔੑ ޱͷ܏ࣼੑ Š إͷ։ࣔੑ Comparison with the previous work 2/2 ڻ͖ ڪා ౖΓ ݏѱ ൵͠Έ ޾෱ 3 -3 -2.5 -2 -1.5 -1 -0.5 0.5 1 1.5 2 2.5 3 -3 -2.5 -2 -1.5 -1 -0.5 0.5 1 1.5 2 2.5 ໨ͷ܏ࣼੑɿओ੒෼2, PC2 إͷ։ࣔੑ(׆ಈੑɾ֮੧౓)ɿओ੒෼3, PC3 إͷ։ࣔੑ ໨ͷ܏ࣼੑ ໨ͷ܏ࣼੑ Š إͷ։ࣔੑ ൵͠Έ ݏѱ ౖΓ
97. pineapple.cc ڻ͖ ޾෱ ౖΓ ൵͠Έ ݏѱ ڪා ౖΓ ڪා ແද৘ ෆշ ແද৘ շ
98. pineapple.cc Connection of Complexion
99. pineapple.cc ޾෱ ແද৘
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100. pineapple.cc :-( :-) :-} :-> :-< (>_<) (^_^) (*_*) (;_;) (@_@)
101. pineapple.cc Research fields Kyoto Institute of Technology University of Nagasaki Tokyo Medical and Dental Univ. King Mongkut's University of Technology Thonburi Thailand Aalborg University Denmark Royal Institute of Engineering Sweden Egypt-Japan University of Science Egypt (Tentative)
102. pineapple.cc @kanaya