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Scene 038 Panel A Dialogue 79 LOIS (FED UP) I'm
goin' to bed. Scene 038 Panel B Action Notes Lois exits. NO PANEL Page 2 -
Scene 039 Panel A Dialogue 81 STEWIE You know, Action
Notes Stewie turns to Brian. Scene 039 Panel B Dialogue Lois is right, Scene 039 Panel C Dialogue Brian. Page 3 -
Scene 039 Panel D Dialogue You think you're Scene 039
Panel E Dialogue Peter's pal, Scene 039 Panel F Dialogue but you're really not. Page 4 -
Scene 039 Panel G Dialogue You're just his Scene 039
Panel H Dialogue dog. Scene 039 Panel I Dialogue 82 BRIAN Well, that's Page 5 -
Scene 039 Panel J Dialogue where you're wrong. Scene 039
Panel K Dialogue Watch this. Scene 039 Panel L Dialogue (TO PETER) Hey, Peter, you wanna go hit the Clam? Page 6 -
Scene 039 Panel M Dialogue 83 PETER Nah, Scene 039
Panel N Dialogue there's no way she's in the mood. Let's just go to the bar. Page 7 -
Scene 039 Panel O Scene 039 Panel P Dialogue 84
BRIAN Sounds good. Page 8 -
Scene 039 Panel Q Dialogue (TO STEWIE AS HE EXITS)
Headin' to the bar with my Scene 039 Panel R Dialogue friend, Scene 039 Panel S Dialogue Peter. Page 9 -
Scene 039 Panel T Dialogue 85 STEWIE You're lyin' Scene
039 Panel U Dialogue to yourself, Brian. Scene 039 Panel V Dialogue Like girls who insist their best friends Page 10 -
Scene 039 Panel W Dialogue are attractive. NO PANEL NO
PANEL Page 11 -
Scene 040 Panel A Dialogue 86 GIRL Oh, Stewie, I
can't wait for you Action Notes INT. CAFE - DAY (FLASHBACK) Stewie and a GIRL sit at an outdoor table. Scene 040 Panel B Dialogue to meet my best friend. Scene 040 Panel C Dialogue She is so Page 12 -
Scene 040 Panel D Dialogue cute. Scene 040 Panel E
Dialogue 87 STEWIE Yeah, she sounds awesome. Scene 040 Panel F Dialogue 88 GIRL Oh my god, yeah. Page 13 -
Scene 040 Panel G Dialogue People ask her if she's
a model all the time. Scene 040 Panel H Dialogue (THEN, NOTICING SOMETHING O.S.) Here she comes! NO PANEL Page 14 -
Scene 040 Panel I Action Notes WIDEN TO REVEAL a
homely girl Scene 040 Panel J Action Notes who is casually holding her own disembodied head under her arm. Page 15 -
Scene 040 Panel K Scene 040 Panel L Dialogue 89
STEWIE (GOOD-NATURED CHUCKLE TO CAMERA) Scene 040 Panel M Page 16 -
Scene 040 Panel N Scene 040 Panel O Dialogue Okay,..
Scene 040 Panel P Dialogue ..okay, that was an extreme example, Page 17 -
Scene 040 Panel Q Dialogue but face it, ladies. Scene
040 Panel R Dialogue Your best friends are not hot. NO PANEL Page 18 -
Scene 041 Panel A Scene 041 Panel B Scene 041
Panel C Page 19 -
Scene 042 Panel BG1 Slugging ANIMATED BG Scene 042 Panel
BG2 Slugging ANIMATED BG Scene 042 Panel BG3 Slugging ANIMATED BG Page 21 -
Scene 042 Panel A Dialogue 90 BRIAN You know, how
Action Notes INT. GRIFFINS' CAR - NIGHT Peter drives as Brian, Joe, and Quagmire sit in the car. Scene 042 Panel B Dialogue dare they question our friendship. Scene 042 Panel BG0 Dialogue W-we're Page 22 -
Scene 042 Panel BG0_A Dialogue friends, right, Peter? Scene 042
Panel BG0_B Dialogue 91 PETER 'Course we are, Brian. Scene 042 Panel BG0_C Dialogue That's why we always talk about goin' to Vegas but never do. Page 23 -
Scene 042 Panel BG0_A_0 Dialogue (SHORT BEAT) Scene 042 Panel
BG0_B_1 Dialogue We gotta get back there, by the way. Scene 042 Panel BG0_B_2 Dialogue 92 BRIAN Totally. Page 24 -
Scene 043 Panel A Scene 043 Panel B Dialogue 93
JOE Ah, Peter, Scene 043 Panel C Dialogue your seatbelt Page 26 -
Scene 043 Panel D Dialogue back here doesn't work Scene
043 Panel E Dialogue right. NO PANEL Page 27 -
Scene 043 Panel F Dialogue 94 QUAGMIRE What's gonna happen
to you Scene 043 Panel G Dialogue that hasn't already happened? Page 28 -
Scene 044 Panel B_2 Scene 044 Panel B_3 Action Notes
Suddenly, Brian notices something O.S. Scene 044 Panel B_4 Dialogue 95 BRIAN Peter, look out for that car! Page 29 -
Scene 045 Panel BG4 Action Notes FROM THEIR POV we
see a BRIGHT LIGHT coming directly towards them. Slugging ANIMATED BG Scene 045 Panel BG5 Slugging ANIMATED BG Scene 045 Panel BG6 Slugging ANIMATED BG Page 30 -
Scene 046 Panel B_3 Scene 046 Panel B_3_A Dialogue 96
PETER That's not a car... Scene 046 Panel B__Z Page 31 -
Scene 046 Panel B_4 Dialogue what is that?! NO PANEL
NO PANEL Page 32 -
Scene 047 Panel B_1 Scene 047 Panel B_1_0 Dialogue 96a.-c.
Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Action Notes They all scream as they're enveloped in WHITE LIGHT. Scene 047 Panel B_1_0_A Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Page 33 -
Scene 047 Panel B__0_Z Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Scene
047 Panel B__0`A Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Scene 047 Panel B__0`B Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Page 34 -
Scene 047 Panel B__0`C Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Scene
047 Panel B__0`D Dialogue 96a.-c. Peter/Brian/Joe/Quagmire AAAAAHHHHHHHHHHH !!! Scene 047 Panel B__0`E Action Notes cut to black. Page 35 -
Scene 352 Panel A Action Notes EXT. SPOONER STREET -
DAY NO PANEL NO PANEL Page 37 -
Scene 353 Panel A Action Notes The guys walk up
to the Griffins' house. Scene 353 Panel B Dialogue 195 PETER Well, Page 38 -
Scene 353 Panel C Dialogue this is Scene 353 Panel
D Dialogue 31 Spooner Street. Scene 353 Panel E Dialogue I'm home. Page 39 -
Scene 353 Panel F Dialogue See you guys. Scene 353
Panel G Scene 353 Panel H Dialogue I'd invite Page 40 -
Scene 353 Panel I Dialogue you in, but I have
got a Scene 353 Panel J Dialogue very busy day tomorrow. Scene 353 Panel K Dialogue Action Notes Peter exits O.S. Page 41 -
Scene 353 Panel L Dialogue 196 JOE Hmm... Scene 353
Panel M Dialogue We've established Page 42 -
Scene 353 Panel N Dialogue that we were all together
Scene 353 Panel O Dialogue in that car. Scene 353 Panel P Dialogue It's possible that we also live in Page 43 -
Scene 354 Panel A Dialogue 197 QUAGMIRE (LOOKS O.S.) I
think you're right. Scene 354 Panel B Dialogue Look at the house next door. NO PANEL Page 45 -
Scene 355 Panel A Scene 355 Panel B Dialogue 198
JOE Oh yeah, it's got a wheelchair ramp. Page 46 -
Scene 355 Panel C Dialogue So what? Scene 355 Panel
D Scene 355 Panel E Dialogue 199 QUAGMIRE Do you think that... Page 47 -
Scene 355 Panel F Dialogue maybe... Scene 355 Panel G
Dialogue it's Scene 355 Panel H Dialogue your house? Page 48 -
Scene 355 Panel I Dialogue 200 JOE (LAUGHING) Scene 355
Panel J Scene 355 Panel K Page 49 -
Scene 355 Panel L Dialogue That makes no sense. Scene
355 Panel M Dialogue Why would Scene 355 Panel N Dialogue I buy a house Page 50 -
Scene 355 Panel O Dialogue with a ramp Scene 355
Panel P Dialogue before I was in a car accident? Scene 355 Panel Q Dialogue 201 BRIAN Well... maybe it's Page 51 -
Scene 355 Panel R Dialogue worth checking out Scene 355
Panel S Dialogue just the same. Scene 355 Panel T Dialogue 202 JOE Fine, I'll go, Page 52 -
Scene 355 Panel U Dialogue but I'll take Scene 355
Panel V Dialogue great delight in Scene 355 Panel W Dialogue proving you wrong. Page 53 -
Scene 356 Panel A Scene 356 Panel B Scene 356
Panel C Action Notes Joe wheels up to the front door of his house Page 55 -
Scene 356 Panel D Scene 356 Panel E Action Notes
and goes inside. Scene 356 Panel F Dialogue 203 JOE (O.S.) (CONT'D) (LOUD DISAPPOINTMENT) Yeah, it's my house. Action Notes He leaves the front door open. A beat, then: Page 56 -
Scene 357 Panel A Scene 357 Panel B Dialogue 204
BRIAN (SNIFFS) Action Notes Brian starts sniffing. Scene 357 Panel C Dialogue (SNIFFS cont.) Page 57 -
Scene 357 Panel D Dialogue (SNIFFS cont.) Action Notes He
noticeably catches a scent. Scene 357 Panel E Dialogue Hang on, Scene 357 Panel F Dialogue I got something. Page 58 -
Scene 358 Panel A Action Notes Brian follows the scent
over to Quagmire's lawn (next to Quagmire's mailbox, which reads "G. Quagmire"). Scene 358 Panel B Scene 358 Panel C Page 60 -
Scene 358 Panel D Scene 358 Panel E Scene 358
Panel F Page 61 -
Scene 358 Panel G Scene 358 Panel H Scene 358
Panel I Page 62 -
Scene 358 Panel J Scene 358 Panel K Dialogue 205
BRIAN (CONT'D) I poop Page 63 -
Scene 358 Panel L Dialogue a lot on Scene 358
Panel M Dialogue this lawn. Scene 358 Panel N Dialogue (REALIZING) Page 64 -
Scene 358 Panel O Dialogue This must Scene 358 Panel
P Dialogue be where I live! Scene 358 Panel Q Page 65 -
Scene 359 Panel A Action Notes Brian runs up to
the door Scene 359 Panel B Scene 359 Panel C Page 66 -
Scene 359 Panel D Scene 359 Panel E Action Notes
and enters the house. Scene 359 Panel F Dialogue 206 BRIAN (O.S.) (CONT'D) Hey! Come in here! Action Notes After a beat: Page 67 -
Scene 359 Panel G Scene 359 Panel H Action Notes
Quagmire enters into: NO PANEL Page 68 -
Scene 360 Panel A Action Notes INT. QUAGMIRE'S LIVING ROOM
- CONTINUOUS Scene 360 Panel B Action Notes Quagmire steps into the house NO PANEL Page 69 -
Scene 360 Panel C Action Notes next to Brian. Scene
360 Panel D Page 70 -
Scene 360 Panel E Action Notes Brian indicates a picture
of Quagmire hanging on the wall. The picture is a cheesy double exposure portrait photo of Quagmire with a serious look on his face. Scene 360 Panel F Dialogue 207 QUAGMIRE (REALIZING, GLEEFUL) Scene 360 Panel G Dialogue Oh my god! Page 71 -
Scene 360 Panel H Dialogue 208 BRIAN (EXCITED) I know,
I know! Scene 360 Panel I Dialogue You're my owner! Scene 360 Panel J Dialogue Page 72 -
Scene 360 Panel K Action Notes Brian and Quagmire hug.
NO PANEL NO PANEL Page 73 -
Scene 361 Panel A Scene 361 Panel B Dialogue 209
QUAGMIRE I - Scene 361 Panel C Dialogue knew it! Page 74 -
Scene 361 Panel D Dialogue I knew Scene 361 Panel
E Dialogue we were Scene 361 Panel F Dialogue pals! Page 75 -
Scene 361 Panel G Dialogue 210 BRIAN Yeah, Scene 361
Panel H Dialogue I mean, th- there's Scene 361 Panel I Dialogue no pictures Page 76 -
Scene 361 Panel J Dialogue of me, Scene 361 Panel
K Dialogue but (INDICATING) Scene 361 Panel L Dialogue I see Page 77 -
Scene 361 Panel M Dialogue you've got Scene 361 Panel
N Dialogue a dog collar Scene 361 Panel O Dialogue and a leash. Page 78 -
Scene 361 Panel P Dialogue 211 QUAGMIRE (POINTING O.S.) And
look how big Scene 361 Panel Q Dialogue your doggie cage is. Scene 361 Panel R Dialogue You could fit a human Page 79 -
Scene 361 Panel S Dialogue in there. Scene 361 Panel
T Dialogue 212 BRIAN Clearly you're a Scene 361 Panel U Dialogue good owner. Page 80 -
Scene 361 Panel V Dialogue (THEN, EXCITED) Alright, Scene 361
Panel W Dialogue this is where Scene 361 Panel X Dialogue I live, Page 81 -
Scene 361 Panel Y Dialogue I live with Scene 361
Panel Z Dialogue you! Scene 361 Panel AA Dialogue 213 QUAGMIRE (SAME INFLECTION THROUGHOUT, MILDLY EXCITED) Yay! And stay off the carpet! Page 82 -
Scene 362 Panel A Action Notes INT. GRIFFINS' LIVING ROOM
- SAME Scene 362 Panel B NO PANEL Page 83 -
Scene 362 Panel C Action Notes Peter wanders through the
living room, looking around the house. Scene 362 Panel D Action Notes He settles on the couch in front of the TV, Page 84 -
Scene 363 Panel A Scene 363 Panel B Scene 363
Panel C Action Notes and turns it on. Page 85 -
Scene 364 Panel A Scene 364 Panel B Action Notes
A menu of recorded shows pops up. NO PANEL Page 86 -
Scene 365 Panel A Dialogue 214 PETER Oh, cool. These
must be some of the TV shows I recorded. Scene 365 Panel B Action Notes Peter hits a button on the remote. Scene 365 Panel C Dialogue 215 TV ANNOUNCER #2 (V.O.) The History Channel now returns to "Zapruder's Other Films". Page 87 -
Scene 366 Panel A Action Notes EXT. BACKYARD - DAY
(ON TV) We hear the familiar whirl of a reel-to-reel projector, and see, in GRAINY CAMERA FOOTAGE, a tableau of an early 60's family enjoying a backyard cookout. Scene 366 Panel B Scene 366 Panel C Page 88 -
Scene 366 Panel D Action Notes CHILDREN run around the
yard. Scene 366 Panel E Scene 366 Panel F Action Notes A MOM places lemonade on a picnic table, as a MAN wearing madras shorts, an apron, and a chef's hat flips burgers on a Weber grill. Page 89 -
Scene 366 Panel G Scene 366 Panel H Scene 366
Panel I Page 90 -
Scene 366 Panel J Action Notes He intermittently mugs and
waves to the camera. Scene 366 Panel K Scene 366 Panel L Page 91 -
Scene 366 Panel M Scene 366 Panel N Scene 366
Panel O Page 92 -
Scene 366 Panel P Scene 366 Panel Q Action Notes
After a beat, he is shot in the head from O.S. Scene 366 Panel R Page 93 -
Scene 366 Panel S Scene 366 Panel T Action Notes
then slumps lifelessly onto the grill. Scene 366 Panel U Page 94 -
Scene 367 Panel A Action Notes EXT. SPOONER STREET -
DAY Scene 367 Panel B Action Notes Scene 367 Panel C Action Notes Quagmire and Brian walk from Quagmire's house Page 96 -
Scene 367 Panel D Action Notes toward the Griffins' house.
NO PANEL NO PANEL Page 97 -
Scene 368 Panel A Dialogue 216 BRIAN ...it's such a
weird situation, Scene 368 Panel B Dialogue I...I just think somebody Page 98 -
Scene 368 Panel C Dialogue should be writing about it...
NO PANEL Page 99 -
Scene 368 Panel E Dialogue 218 BRIAN Do y- do
you think it should be me? NO PANEL Page 101 -
Scene 368 Panel F Dialogue Sh-should I be the one
writing about this? NO PANEL Page 102 -
Scene 368 Panel G Dialogue 219 QUAGMIRE (WEARY) I don't
know. NO PANEL Page 103 -
Scene 368 Panel H Dialogue 220 BRIAN I think it
should Scene 368 Panel I Dialogue be me... Page 104 -
Scene 368 Panel J Dialogue 221 QUAGMIRE Then just do
it, Scene 368 Panel K Dialogue stop talking about it Scene 368 Panel L Dialogue for god's sake. Page 105 -
Scene 368 Panel M Action Notes They arrive at the
Griffins' front door and knock. Scene 368 Panel N Scene 368 Panel O Page 106 -
Scene 368 Panel P Action Notes Peter opens the door.
Scene 368 Panel Q Scene 368 Panel R Dialogue 222 PETER Oh, hey, Page 107 -
Scene 368 Panel S Dialogue guys. Scene 368 Panel T
Dialogue 223 QUAGMIRE Well, we got it all figured out. Turns out Scene 368 Panel U Dialogue my name is Glenn Quagmire, Page 108 -
Scene 368 Panel V Dialogue and this is my dog.
Scene 368 Panel W Dialogue 224 JOE (O.S.) Hey, you guys! NO PANEL Page 109 -
Scene 368 Panel X Action Notes A beat later, Joe
enters from O.S. Scene 368 Panel Y Dialogue 225 JOE (CONT'D) Turns out Page 110 -
Scene 368 Panel Z Dialogue my name's Scene 368 Panel
AA Dialogue Joe Swanson, Scene 368 Panel AB Dialogue and I figured out what I do for living. Page 111 -
Scene 368 Panel AC Dialogue (HOLDS UP POLICE UNIFORM) I'm
a Scene 368 Panel AD Dialogue stripper! NO PANEL Page 112 -
Scene 369 Panel A Action Notes Joe, Quagmire, and Brian
all enter into: INT. GRIFFINS' LIVING ROOM - CONTINUOUS Scene 369 Panel B Scene 369 Panel C Page 113 -
Scene 369 Panel D Scene 369 Panel E Scene 369
Panel F Page 114 -
Scene 369 Panel G Scene 369 Panel H Scene 369
Panel I Page 115 -
Scene 369 Panel J Action Notes The guys all enter
and sit down. Scene 369 Panel K Dialogue 226 JOE Well, it's good we found out who Scene 369 Panel L Dialogue we all are, Page 116 -
Scene 369 Panel M Dialogue but we still haven't found
out what the hell happened Scene 369 Panel N Dialogue to everybody else. Scene 369 Panel O Dialogue 227 QUAGMIRE Yeah, I've been thinking about that, Page 117 -
Scene 369 Panel P Dialogue and I think the best
course of action is for us to just Scene 369 Panel Q Dialogue go ahead and start repopulating the earth. Scene 369 Panel R Dialogue 228 BRIAN But there aren't any women. Page 118 -
Scene 369 Panel S Dialogue 229 QUAGMIRE Well, let's Scene
369 Panel T Dialogue try some stuff. NO PANEL Page 119 -
Scene 370 Panel A Dialogue 230 PETER Hey, Scene 370
Panel B Dialogue you guys wanna see Scene 370 Panel C Dialogue somethin' cool? Page 120 -
Scene 370 Panel D Dialogue I found an old Mad
Lib I did, and Scene 370 Panel E Dialogue I don't wanna toot my own horn, Scene 370 Panel F Dialogue but it's some pretty outrageous stuff. Page 121 -
Scene 371 Panel A Scene 371 Panel B Action Notes
Peter exits upstairs. Scene 371 Panel C Page 123 -
Scene 372 Panel A Scene 372 Panel B Scene 372
Panel C Page 124 -
Scene 373 Panel A Action Notes Joe watches him go,
Scene 373 Panel B Action Notes then notices something O.S. His eyes widen. Scene 373 Panel C Dialogue 231 JOE Guys? Page 125 -
Scene 373 Panel D Dialogue You know how we were
thinking that something must've caused this situation... Scene 373 Panel E Dialogue ... or someone? Page 126 -
Scene 373 Panel F Dialogue 232 QUAGMIRE Yeah? Scene 373
Panel G Dialogue 233 JOE (POINTS) Look at that. Scene 373 Panel H Page 127 -
Scene 374 Panel A Action Notes ANGLE ON the wall,
where we see the framed fake newspaper from laser tag featuring Peter and the headline "PETER GRIFFIN ELIMINATES ENEMIES, DESTROYS WORLD". NO PANEL NO PANEL Page 128 -
Scene 375 Panel A Scene 375 Panel B Scene 375
Panel C Page 129 -
Scene 376 Panel A Scene 376 Panel B Scene 376
Panel C Dialogue 234 QUAGMIRE Oh my god. Page 130 -
Scene 376 Panel D Dialogue It's him. Scene 376 Panel
E Dialogue 235 JOE He did this. Scene 376 Panel F Dialogue 236 BRIAN What do we do? Page 131 -
Scene 377 Panel A Scene 377 Panel B Dialogue 237
PETER Check it out. Action Notes Peter comes excitedly down the stairs holding a "Mad Libs" booklet. Page 132 -
Scene 377 Panel C Dialogue (THEN, READING) "The Scene 377
Panel D Dialogue underwear Scene 377 Panel E Dialogue went to the store last Page 133 -
Scene 377 Panel F Dialogue underwear." Scene 377 Panel G
Dialogue (COCKY) And that's just the beginning. Scene 377 Panel H Dialogue Action Notes End of act two Page 134 -
Scene 675 Panel A Action Notes INT. STEWIE'S ROOM -
DAY CLOSE ON Brian, Scene 675 Panel B Action Notes who is startled awake. Scene 675 Panel C Page 136 -
Scene 675 Panel D Slugging ANIMATED TRUCK OUT Scene 675
Panel E Dialogue 320 BRIAN Aaaa! Action Notes We PULL OUT TO REVEAL that he has electrodes attached to his head, which are attached to a machine. Page 137 -
Scene 675 Panel F Scene 675 Panel G Action Notes
He sits up and looks around, disoriented, NO PANEL Page 138 -
Scene 676 Panel A Action Notes and sees Peter, Joe,
and Quagmire, asleep, also with electrodes attached to their heads. Scene 676 Panel B Dialogue 321 BRIAN (CONT'D) What the hell?! NO PANEL Page 139 -
Scene 677 Panel A Scene 677 Panel B Dialogue What's
going on?! Scene 677 Panel C Page 140 -
Scene 677 Panel D Scene 677 Panel E Scene 677
Panel F Page 141 -
Scene 677 Panel G Dialogue (THEN, NOTICING) Stewie?! Action Notes
Stewie enters frame. Scene 677 Panel H Dialogue 322 STEWIE Well, Brian, Page 142 -
Scene 677 Panel I Dialogue you proved me wrong. Scene
677 Panel J Dialogue 323 BRIAN What the hell are you talking about? Scene 677 Panel K Dialogue What is all this? Page 143 -
Scene 677 Panel L Dialogue 324 STEWIE You see, Brian,
Scene 677 Panel M Dialogue I conducted a NO PANEL Page 144 -
Scene 677 Panel N Dialogue little experiment. Action Notes WIDEN
TO REVEAL a bank of nearby TV monitors. One of them displays the kitchen with Quagmire and Joe holding their guns as Peter clutches a dead Brian. Other monitors display various scenes from earlier in the episode: the deserted hospital, the empty NO PANEL Drunken Clam, Peter's crashed car, etc. Page 145 -
Scene 677 Panel O Dialogue 325 STEWIE (CONT'D) Remember our
Scene 677 Panel P Dialogue little argument Scene 677 Panel Q Dialogue about whether Page 146 -
Scene 677 Panel R Dialogue you and Peter Scene 677
Panel S Dialogue were actually Scene 677 Panel T Dialogue friends? Page 147 -
Scene 677 Panel U Dialogue Scene 677 Panel V NO
PANEL Page 148 -
Scene 678 Panel A Dialogue Well, I wanted to prove
to you Scene 678 Panel B Dialogue that I was right, Page 149 -
Scene 678 Panel C Dialogue that your friendship was purely
a result Scene 678 Panel D Dialogue of circumstance. Scene 678 Panel E Dialogue So I created a scenario Page 150 -
Scene 678 Panel F Dialogue in which everyone's memories Scene
678 Panel G Dialogue were erased, to demonstrate Scene 678 Panel H Dialogue that you and Peter would never naturally associate Page 151 -
Scene 678 Panel I Dialogue with one another. NO PANEL
NO PANEL Page 152 -
Scene 679 Panel A Dialogue But I was wrong. Scene
679 Panel B Dialogue It appears you two have a genuine bond Scene 679 Panel C Dialogue after all. Page 153 -
Scene 680 Panel A Scene 680 Panel B Action Notes
Brian looks at the sleeping Peter and smiles. Page 154 -
Scene 680 Panel C Dialogue 326 BRIAN Wow. NO PANEL
NO PANEL Page 155 -
Scene 681 Panel A Scene 681 Panel B Dialogue Action
Notes Scene 681 Panel C Dialogue So we really were meant to be friends. Action Notes Page 156 -
Scene 681 Panel D Dialogue 327 STEWIE I guess you
were, yes. Action Notes Scene 681 Panel E Action Notes A beat, NO PANEL Page 157 -
Scene 681 Panel F Dialogue 328 BRIAN So, are they
gonna Action Notes then Brian indicates Peter, Quagmire, and Joe. NO PANEL Page 158 -
Scene 681 Panel G Dialogue remember any of this? Action
Notes NO PANEL NO PANEL Page 159 -
Scene 681A Panel A Dialogue 329 STEWIE No, I'll wipe
out their whole day. Scene 681A Panel B Dialogue It'll be like it never happened. Scene 681A Panel C Dialogue 330 BRIAN Wow. Page 160 -
Scene 681A Panel D Dialogue (THEN) Scene 681A Panel E
Dialogue Hey, what's going on over there? Scene 681A Panel F Dialogue Hey, what's going on over there? Page 161 -
Scene 682 Panel A Action Notes ANGLE ON a sleeping
Lois, BONNIE, and Meg, also hooked up to electrodes. Scene 682 Panel B Dialogue 331 STEWIE Oh, I wanted to see Scene 682 Panel C Dialogue how three women would react Page 162 -
Scene 682 Panel D Dialogue in the same situation. NO
PANEL NO PANEL Page 163 -
Scene 683 Panel A Action Notes ANGLE ON one of
the monitors. Lois, Bonnie, and Meg are in the same deserted hospital hallway, engaged in a vicious catfight (screaming, scratching each other, pulling hair, etc.). Scene 683 Panel B Dialogue 332 STEWIE (CONT'D) They've only been in there for three minutes. Page 164 -
Scene 683 Panel C Dialogue Haven't even tried to figure
out each other's names yet. Action Notes End of show NO PANEL NO PANEL Page 165