Family Guy - "Tea Peter"

1. Scene 1_5 Panel A Action Notes Act one EXT./ESTAB. GOLDMAN'S PHARMACY - DAY There is a sign hanging which reads, "Grand Re-Opening!" Scene 1_5 Panel B NO PANEL Page 1
2. Scene 3_1 Panel A Action Notes INT. GOLDMAN'S PHARMACY - SAME The GRIFFINS and various other QUAHOGIANS browse MORT's store. Scene 3_1 Panel B NO PANEL Page 2
3. Scene 3_1 Panel C Scene 3_1 Panel D Page 3
4. Scene 3_1 Panel E Dialogue 1 MORT Welcome, Scene 3_1 Panel F Dialogue everybody! Scene 3_1 Panel G Dialogue Help yourself Page 4
5. Scene 3_1 Panel H Dialogue to some free popcorn! NO PANEL NO PANEL Page 5
6. Scene 4_3 Panel A Dialogue (THEN) We are Scene 4_3 Panel B Dialogue asking four dollars Scene 4_3 Panel C Dialogue for the bag. Page 6
7. Scene 5_1 Panel A Dialogue 2 LOIS Congratulations Scene 5_1 Panel B Dialogue on your Grand Scene 5_1 Panel C Dialogue Re-Opening, Mort. Looks like your customers are comin' back. Page 7
8. Scene 5_1 Panel D Dialogue 3 PETER Yeah, I hated goin' Scene 5_1 Panel E Dialogue to that other pharmacy. Scene 5_1 Panel F Dialogue They are not discreet at all. Page 8
9. Scene 6 Panel A Action Notes INT. DIFFERENT PHARMACY - DAY (FLASHBACK) Peter stands at the front counter. The PHARMACIST has several magazines in a rack behind him. Scene 6 Panel B Dialogue 4 PETER (SOFTLY, INDICATING MAGAZINES) Ah, Scene 6 Panel C Dialogue One issue of "Ramrod". Page 9
10. Scene 6 Panel D Scene 6 Panel E Scene 6 Panel F Page 10
11. Scene 6 Panel G Dialogue 5 PHARMACIST (PLACING DOWN MAGAZINE DISCREETLY) Ah, Scene 6 Panel H Dialogue good Scene 6 Panel I Dialogue month. Page 11
12. Scene 6 Panel J Dialogue 6 PETER Uh, Scene 6 Panel K Dialogue "Tip to Tip". Scene 6 Panel L Page 12
13. Scene 6 Panel M Scene 6 Panel N Scene 6 Panel O Dialogue 7 PHARMACIST (PLACING DOWN MAGAZINE DISCREETLY) No disappointments Page 13
14. Scene 6 Panel P Dialogue there. Scene 6 Panel Q Dialogue 8 PETER Uh, Scene 6 Panel R Dialogue "Power Tool". Page 14
15. Scene 6 Panel S Scene 6 Panel T Scene 6 Panel U Page 15
16. Scene 6 Panel V Scene 6 Panel W Dialogue 9 PHARMACIST (PLACING DOWN MAGAZINE DISCREETLY) Bingo. Scene 6 Panel X Dialogue 10 PETER And a pack Page 16
17. Scene 6 Panel Y Dialogue of Tums. Scene 6 Panel Z Dialogue of Tums. Scene 6 Panel AA Dialogue 11 PHARMACIST (PLACING DOWN PACK OF TUMS LOUDLY) One pack Page 17
18. Scene 6 Panel AB Dialogue of Tums! Scene 6 Panel AC Dialogue 12 PETER (QUICKLY) Never mind! Scene 6 Panel AD Action Notes Peter ducks his head and quickly exits. Page 18
19. Scene 6 Panel AE NO PANEL NO PANEL Page 19
20. Scene 7_1 Panel A Action Notes INT. GOLDMAN'S PHARMACY - DAY (BACK TO SCENE) Peter browses the gum rack. Scene 7_1 Panel B Scene 7_1 Panel C Page 20
21. Scene 7_1 Panel D Scene 7_1 Panel E Scene 7_1 Panel F Dialogue 13 PETER Oh, wow, Page 21
22. Scene 7_1 Panel G Dialogue Jewish gum! Scene 7_1 Panel H Scene 7_1 Panel I Dialogue (READING) "Bubble Yuk". Page 22
23. Scene 7_1 Panel J Scene 7_1 Panel K Scene 7_1 Panel L Dialogue (TRIES A PIECE) Page 23
24. Scene 7_1 Panel M Scene 7_1 Panel N Scene 7_1 Panel O Page 24
25. Scene 7_1 Panel P Scene 7_1 Panel Q Scene 7_1 Panel R Page 25
26. Scene 7_1 Panel S Scene 7_1 Panel T Scene 7_1 Panel U Dialogue Tastes like herring and coffee breath. Page 26
27. Scene 9 Panel A Action Notes ANGLE ON another part of the store, where Chris stands before a rotating rack of sunglasses, Scene 9 Panel B Action Notes trying on different pairs. Scene 9 Panel C Page 27
28. Scene 9 Panel D Scene 9 Panel E Scene 9 Panel F Page 28
29. Scene 9 Panel G Scene 9 Panel H Scene 9 Panel I Page 29
30. Scene 9 Panel J Scene 9 Panel K Scene 9 Panel L Page 30
31. Scene 9 Panel M Scene 9 Panel N Scene 9 Panel O Page 31
32. Scene 9 Panel P Action Notes WIDEN TO INCLUDE SEAMUS standing at a similar rack that has a variety of eye patches. Scene 9 Panel Q Page 32
33. Scene 11 Panel A Dialogue 14 SEAMUS Hm, Scene 11 Panel B Dialogue maybe this one. Scene 11 Panel C Page 33
34. Scene 11 Panel D Scene 11 Panel E Scene 11 Panel F Page 34
35. Scene 11 Panel G Scene 11 Panel H Action Notes He puts on the patch, Scene 11 Panel I Action Notes which gives him the appearance of a guy with one freakishly large eye. Page 35
36. Scene 11 Panel J NO PANEL NO PANEL Page 36
37. Scene 9_1 Panel A Action Notes Scene 9_1 Panel B Dialogue 15 SEAMUS Hey. Action Notes He turns to Chris. Scene 9_1 Panel C Dialogue Lookin' at you pretty normal, Action Notes Page 37
38. Scene 9_1 Panel D Dialogue huh? Action Notes Scene 9_1 Panel E Action Notes Scene 9_1 Panel F Action Notes Page 38
39. Scene 9_1 Panel G Action Notes Scene 9_1 Panel H Dialogue 16 CHRIS (FREAKED OUT) No! Action Notes Scene 9_1 Panel I Action Notes Page 39
40. Scene 9_1 Panel J Action Notes NO PANEL NO PANEL Page 40
41. Scene 11_1 Panel A Dialogue 17 SEAMUS Aw, fudge. Scene 11_1 Panel B Scene 11_1 Panel C Dialogue (THEN) Wait, Page 41
42. Scene 11_1 Panel D Dialogue I know! Scene 11_1 Panel E Scene 11_1 Panel F Page 42
43. Scene 11_1 Panel G Action Notes Seamus grabs an identical patch Scene 11_1 Panel H Action Notes and puts it over his other eye. Scene 11_1 Panel I Action Notes He now appears to have two freakishly large eyes. Page 43
44. Scene 11_2 Panel A Scene 11_2 Panel B Action Notes He turns to exit NO PANEL Page 44
45. Scene 11_2 Panel C Scene 11_2 Panel D Action Notes and walks into a shelf, jostling it slightly. Page 45
46. Scene 11_2 Panel E Scene 11_2 Panel F Scene 11_2 Panel G Page 46
47. Scene 11_2 Panel H Dialogue 18 SEAMUS I'll figure this out. Scene 11_2 Panel I Dialogue The pieces are Scene 11_2 Panel J Dialogue all there. Page 47
48. Scene 11_2 Panel K Dialogue I'll go home and figure this out. NO PANEL NO PANEL Page 48
49. Scene 11_3 Panel A Action Notes ANGLE BACK ON Peter. Scene 11_3 Panel B Scene 11_3 Panel C Action Notes He notices a sign hanging in the window. Page 49
50. Scene 11_3 Panel D Scene 11_3 Panel E Action Notes He turns it around, Scene 11_3 Panel F Action Notes revealing that it's Mort's "Come In, We're Open!" sign. Page 50
51. Scene 11_3 Panel G Scene 11_3 Panel H Dialogue 19 PETER (RE: SIGN) Aw, cool. Scene 11_3 Panel I Dialogue Hey Mort, Page 51
52. Scene 11_3 Panel J Dialogue what's this thing? Scene 11_3 Panel K Dialogue 20 MORT Oh, that? Page 52
53. Scene 11_3 Panel L Dialogue That's my "Come In, We're Open!" sign. Scene 11_3 Panel M Dialogue It's the only thing Scene 11_3 Panel N Dialogue that survived the fire. Page 53
54. Scene 11_3 Panel O Dialogue And it's my last connection to my Scene 11_3 Panel P Dialogue dear, departed Muriel. Scene 11_3 Panel Q Dialogue 21 PETER Wish I had one of those. Page 54
55. Scene 11_3 Panel R Dialogue 22 MORT (QUICKLY) I'll sell it Scene 11_3 Panel S Dialogue to you. Scene 11_3 Panel T Page 55
56. Scene 11_4 Panel A Action Notes EXT./ESTAB. GRIFFINS' HOUSE - DAY NO PANEL NO PANEL Page 56
57. Scene 11_5 Panel A Dialogue 23 TV ANNOUNCER (V.O.) We now return to "Law and Order: Extra Special Victims Unit". Action Notes INT. GRIFFINS' LIVING ROOM - SAME The Griffins, minus Peter, sit on the couch watching television. NO PANEL NO PANEL Page 57
58. Scene 11_6 Panel A Dialogue 24 POLICE OFFICER #1 Can you pick out Action Notes INT. POLICE STATION - DAY (ON TV) TWO POLICE OFFICERS stand with a DEVELOPMENTALLY DISABLED MAN at a pane of glass, gesturing to an off-screen lineup of suspects in an adjoining room. Scene 11_6 Panel B Dialogue the man who assaulted you, sir? Scene 11_6 Panel C Dialogue 25 DEVELOPMENTALLY DISABLED MAN Blue! Page 58
59. Scene 11_6 Panel D Dialogue 26 POLICE OFFICER #1 No, sir, Scene 11_6 Panel E Dialogue blue is not Scene 11_6 Panel F Dialogue a person. Page 59
60. Scene 11_6 Panel G Dialogue 27 DEVELOPMENTALLY DISABLED MAN Blue! Scene 11_6 Panel H Scene 11_6 Panel I Dialogue Blue! Page 60
61. Scene 11_6 Panel J Dialogue Scene 11_6 Panel K Dialogue 28 POLICE OFFICER #2 Jeez, this is gonna be harder than we thought. Scene 11_6 Panel L Dialogue (SPEAKING INTO NEARBY MICROPHONE) Okay, everyone, you're free to go. Page 61
62. Scene 11_7 Panel A Action Notes We ANGLE THROUGH THE WINDOW to see the suspects Scene 11_7 Panel B Scene 11_7 Panel C Action Notes as they exit the adjoining room. Page 62
63. Scene 11_7 Panel D Action Notes Five of them are MEN and one is an AMORPHOUS BLUE BLOB with limbs and an angry face. Scene 11_7 Panel E Scene 11_7 Panel F Page 63
64. Scene 11_7 Panel G Scene 11_7 Panel H Scene 11_7 Panel I Page 64
65. Scene 11_7 Panel J Scene 11_7 Panel K Scene 11_7 Panel L Page 65
66. Scene 11_7 Panel M NO PANEL NO PANEL Page 66
67. Scene 11_8 Panel A Action Notes INT. GRIFFINS' LIVING ROOM - DAY (BACK TO SCENE) Scene 11_8 Panel B Action Notes We hear a pounding sound on the door. Scene 11_8 Panel C Action Notes Lois gets up to investigate. Page 67
68. Scene 11_8 Panel D Scene 11_8 Panel E NO PANEL Page 68
69. Scene 11_9 Panel A Scene 11_9 Panel B Scene 11_9 Panel C Dialogue 29 LOIS Peter, Action Notes She opens the door, revealing Peter standing on the front step with a hammer. He has just hung the "Come In, We're Open!" sign on the front door. Page 69
70. Scene 11_9 Panel D Dialogue what are you doing? Scene 11_9 Panel E Dialogue 30 PETER Eh, I'm Scene 11_9 Panel F Dialogue just Page 70
71. Scene 11_9 Panel G Dialogue puttin' up Action Notes (Peter hooks hammer onto belt) Scene 11_9 Panel H Dialogue my new Scene 11_9 Panel I Dialogue sign. Page 71
72. Scene 11_9 Panel J Scene 11_9 Panel K Action Notes (Peter adjusts/straightens sign) Scene 11_9 Panel L Dialogue 31 LOIS Don't put that thing on our door. Page 72
73. Scene 11_9 Panel M Dialogue If you wanna hang it somewhere, Scene 11_9 Panel N Dialogue hang it in the basement. Scene 11_9 Panel O Dialogue 32 PETER Oh, why? Page 73
74. Scene 11_9 Panel P Dialogue So you can hog it Scene 11_9 Panel Q Dialogue while you're doin' laundry? NO PANEL Page 74
75. Scene 11_9 Panel R Dialogue No way. Scene 11_9 Panel S Page 75
76. Scene 11_9 Panel T Dialogue 33 LOIS Peter, we're not Scene 11_9 Panel U Dialogue a business. Action Notes A MAN approaches up the walkway. Scene 11_9 Panel V Dialogue 34 MAN #1 Hey, Page 76
77. Scene 11_9 Panel W Dialogue I saw your sign. Scene 11_9 Panel X Dialogue So, you're open? Scene 11_9 Panel Y Dialogue 35 PETER That's right. Page 77
78. Scene 11_9 Panel Z Dialogue 36 MAN #1 What do you do? Scene 11_9 Panel AA Dialogue 37 PETER What do you need? Scene 11_9 Panel AB Dialogue 38 MAN #1 Milk. Page 78
79. Scene 11_9 Panel AC Dialogue 39 PETER (PLEASED) We have milk. NO PANEL NO PANEL Page 79
80. Scene 1 Panel A Action Notes EXT./ESTAB. GRIFFINS' HOUSE - DAY There are numerous cars parked along the street, and PEOPLE are entering and exiting the house. Scene 1 Panel B NO PANEL Page 80
81. Scene 020 Panel A Action Notes INT. GRIFFINS' LIVING ROOM - SAME There are now many PEOPLE in the Griffins' living room, browsing the Griffins' belongings. Scene 020 Panel B Page 81
82. Scene 020 Panel C NO PANEL NO PANEL Page 82
83. Scene 4 Panel A Scene 4 Panel B NO PANEL Page 83
84. Scene 4 Panel C NO PANEL Page 84
85. Scene 4 Panel D Scene 4 Panel E Dialogue 40 LOIS Peter, Page 85
86. Scene 4 Panel F Dialogue I told you, Scene 4 Panel G Dialogue I don't like all these strangers walkin' around Scene 4 Panel H Dialogue in our house. Page 86
87. Scene 4 Panel I Dialogue 41 PETER They're not strangers, Lois. They're our valued customers. Scene 4 Panel J Dialogue And if we don't show them we appreciate their loyalty, Scene 4 Panel K Dialogue they're gonna go someplace else. Page 87
88. Scene 4 Panel L Dialogue 42 LOIS For what?! Scene 4 Panel M Dialogue 43 STEWIE Not to Page 88
89. Scene 4 Panel N Dialogue alarm anyone, Scene 4 Panel O Dialogue but some guy took me in the closet and tried me on. Scene 4 Panel P Dialogue 44 MEG She's right, Dad. Page 89
90. Scene 4 Panel Q Dialogue None of this makes any sense. Scene 4 Panel R Dialogue 45 PETER Meg, go take your ten. And you may consider this a verbal warning. Scene 4 Panel S Dialogue Page 90
91. Scene 4 Panel T Scene 4 Panel U Dialogue 46 LOIS Peter, I want these people to leave. Scene 4 Panel V Dialogue 47 STEWIE I fit, by the way. Page 91
92. Scene 7 Panel A Dialogue 48 PETER Lois, I'd love nothin' more than to sit here and Scene 7 Panel B Dialogue chat with you, but I have a Scene 7 Panel C Dialogue business to run. Page 92
93. Scene 7 Panel D Dialogue 49 PETER Hi there. Action Notes Peter turns to a nearby MAN, who holds a piece of paper. Scene 7 Panel E Dialogue What can I Page 93
94. Scene 7 Panel F Dialogue do for you? Scene 7 Panel G Dialogue 50 MAN #2 (HANDING PAPER TO PETER) I'd like Scene 7 Panel H Dialogue fifty Page 94
95. Scene 7 Panel I Dialogue photocopies. Scene 7 Panel J Dialogue 51 PETER I'll get those for you right away. Scene 7 Panel K Page 95
96. Scene 7 Panel L NO PANEL NO PANEL Page 96
97. Scene 7_A Panel A NO PANEL NO PANEL Page 97
98. Scene 8 Panel A Action Notes INT. GRIFFINS' KITCHEN - A BIT LATER Peter sits at the kitchen table, copying the flyer laboriously by hand. He is surrounded by other pieces of paper, many of which are crumpled up. Scene 8 Panel B Action Notes Brian enters. Page 98
99. Scene 8 Panel C Scene 8 Panel D Dialogue 52 BRIAN Peter, what are you Scene 8 Panel E Dialogue doing in Page 99
100. Scene 8 Panel F Dialogue here? Scene 8 Panel G Dialogue 53 PETER Makin' photocopies. Scene 8 Panel H Dialogue Hey, do me a favor and tell that guy in the livin' room his order will be ready in February Page 100
101. Scene 8 Panel I Dialogue and it'll be nine hundred dollars. Scene 8 Panel J Dialogue Dammit! Scene 8 Panel K Page 101
102. Scene 8 Panel L Dialogue (THEN, CRUMPLING UP PAPER) Tell him Scene 8 Panel M Dialogue March. Scene 8 Panel N Page 102
103. Scene 8 Panel O Scene 8 Panel P Scene 8 Panel Q Page 103
104. Scene 1_1 Panel A Action Notes EXT./ESTAB. GRIFFINS' HOUSE - DAY NO PANEL NO PANEL Page 104
105. Scene 026 Panel A Action Notes INT. GRIFFINS' LIVING ROOM - SAME Peter is in the living room as CUSTOMERS mill about. Scene 026 Panel B Notes HOOKUP PETER NO PANEL Page 105
106. Scene 1_2 Panel A Scene 1_2 Panel B Page 106
107. Scene 1_2 Panel C Dialogue 54 PETER May I help Scene 1_2 Panel D Dialogue you folks? Scene 1_2 Panel E Dialogue 55 FATHER Yes, Page 107
108. Scene 1_2 Panel F Dialogue my Scene 1_2 Panel G Dialogue family and I Scene 1_2 Panel H Dialogue would like our portrait painted. Page 108
109. Scene 1_2 Panel I Dialogue 56 PETER Well, you came to the right place. Scene 1_2 Panel J Scene 1_2 Panel K Action Notes Peter produces a blank canvas and some paints. Page 109
110. Scene 1_3 Panel A Action Notes We CUT TO BLACK, with a chyron which reads "TWO HOURS LATER..." NO PANEL NO PANEL Page 110
111. Scene 1_4 Panel A Action Notes We then CUT BACK TO SCENE to see the family holding their pose as Peter paints. Scene 1_4 Panel B Scene 1_4 Panel C Dialogue 57 PETER (WHILE PAINTING) Looking Page 111
112. Scene 1_4 Panel D Dialogue good. Scene 1_4 Panel E Scene 1_4 Panel F Dialogue Almost Page 112
113. Scene 1_4 Panel G Dialogue done. Scene 1_4 Panel H Scene 1_4 Panel I Page 113
114. Scene 1_4 Panel J Scene 1_4 Panel K Dialogue And... Scene 1_4 Panel L Dialogue there! Page 114
115. Scene 1_4 Panel M Dialogue Done! Scene 1_4 Panel N Scene 1_4 Panel O Action Notes Peter displays the portrait. Page 115
116. Scene 1_4 Panel P NO PANEL NO PANEL Page 116
117. Scene 1_10 Panel A Action Notes It's a perfect likeness of the family, except Peter has painted the Attractive Daughter and Wife in just bras and panties, making out with each other. NO PANEL NO PANEL Page 117
118. Scene 1_6 Panel A Dialogue 58 FATHER What have Scene 1_6 Panel B Dialogue you Scene 1_6 Panel C Dialogue done?! Page 118
119. Scene 1_6 Panel D Dialogue 59 PETER (IMPORTANT) I painted Scene 1_6 Panel E Dialogue the truth. Scene 1_6 Panel F Page 119
120. Scene 1_6 Panel G Dialogue I painted Scene 1_6 Panel H Dialogue my truth. NO PANEL Page 120
121. Scene 1_8 Panel A Action Notes EXT./ESTAB. GRIFFINS' HOUSE - DAY NO PANEL NO PANEL Page 121
122. Scene 1_7 Panel A Action Notes INT. GRIFFINS' LIVING ROOM - SAME Peter kneels in front of a YOUNG GIRL wearing a bridal gown. He has several pins in his mouth. The Young Girl's MOTHER stands next to them. Scene 1_7 Panel B Action Notes Scene 1_7 Panel C Page 122
123. Scene 1_7 Panel D Dialogue 60 PETER (WITH PINS IN MOUTH) Gimme a Scene 1_7 Panel E Dialogue spin, sweetie. Scene 1_7 Panel F Dialogue Page 123
124. Scene 1_7 Panel G Dialogue Action Notes The Young Girl twirls Scene 1_7 Panel H Dialogue Action Notes as Peter sticks the pins into his wrist pin cushion. Scene 1_7 Panel I Dialogue Page 124
125. Scene 1_7 Panel J Dialogue Scene 1_7 Panel K Scene 1_7 Panel L Page 125
126. Scene 1_7 Panel M Dialogue 61 PETER What do you think, Mom? Scene 1_7 Panel N Dialogue Is that the most beautiful bride you've ever seen? Scene 1_7 Panel O Dialogue 62 YOUNG GIRL I love Page 126
127. Scene 1_7 Panel P Dialogue it! Scene 1_7 Panel Q Dialogue 63 MOTHER Oh, it's just Scene 1_7 Panel R Dialogue so much money. Page 127
128. Scene 1_7 Panel S Dialogue 64 PETER It's true. It's true. Scene 1_7 Panel T Dialogue (THEN, HARSH) Take the dress off, sweetheart. Your mother says you can't have it. Scene 1_7 Panel U Dialogue 65 MOTHER W-wa-wait...wait a minute. Page 128
129. Scene 1_7 Panel V Dialogue Do you really Scene 1_7 Panel W Dialogue love it? Scene 1_7 Panel X Dialogue 66 YOUNG GIRL I do. Page 129
130. Scene 1_7 Panel Y Dialogue It just feels like my wedding dress. Scene 1_7 Panel Z Dialogue 67 PETER Aw. (PRESSURING) Mom, Scene 1_7 Panel AA Dialogue she loves it. Page 130
131. Scene 1_7 Panel AB Dialogue 68 MOTHER Okay. We'll take it. Scene 1_7 Panel AC Dialogue 69 LOIS Peter, Action Notes Lois enters. Page 131
132. Scene 1_7 Panel AD Dialogue what is that girl Scene 1_7 Panel AE Dialogue doin' in my Scene 1_7 Panel AF Dialogue wedding dress?! Page 132
133. Scene 1_7 Panel AG Dialogue 70 PETER (TO MOTHER) Oh, don't Scene 1_7 Panel AH Dialogue mind her. Scene 1_7 Panel AI Dialogue That's just our crabby seamstress, Page 133
134. Scene 1_7 Panel AJ Dialogue Ms. Stitch-n-sew. Scene 1_7 Panel AK Dialogue (TO LOIS) Back Scene 1_7 Panel AL Dialogue upstairs, Page 134
135. Scene 1_7 Panel AM Dialogue Ms. Stitch Scene 1_7 Panel AN Dialogue n-sew. Scene 1_7 Panel AO Page 135
136. Scene 1_7 Panel AP Scene 1_7 Panel AQ Scene 1_7 Panel AR Page 136
137. Scene 1_7 Panel AS Scene 1_7 Panel AT Dialogue (TO MOTHER, WHISPERING) Never found Scene 1_7 Panel AU Dialogue a husband, Page 137
138. Scene 1_7 Panel AV Dialogue poor thing. Scene 1_7 Panel AW NO PANEL Page 138
139. Scene 1_9 Panel A Action Notes EXT./ESTAB. GRIFFINS' HOUSE - DAY NO PANEL NO PANEL Page 139
140. Scene 1_A Panel A Action Notes INT. GRIFFINS' LIVING ROOM - SAME Peter stands at a makeshift counter as a few CUSTOMERS mill about. Scene 1_A Panel B Scene 1_A Panel C Page 140
141. Scene 1_A Panel D NO PANEL NO PANEL Page 141
142. Scene 2 Panel A Action Notes He wraps a small item in paper Scene 2 Panel B Scene 2 Panel C Dialogue 71 PETER There you go. Page 142
143. Scene 2 Panel D Dialogue A half pound of Scene 2 Panel E Dialogue honey maple turkey, sliced Action Notes Scene 2 Panel F Dialogue thin. Action Notes and hands it to a MALE CUSTOMER. Page 143
144. Scene 2 Panel G Action Notes Scene 2 Panel H Action Notes Scene 2 Panel I Dialogue 72 MALE CUSTOMER I wanted a Action Notes Page 144
145. Scene 2 Panel J Dialogue duplicate key Action Notes Scene 2 Panel K Dialogue made. Action Notes Scene 2 Panel L Dialogue 73 PETER You have a good one. Action Notes Page 145
146. Scene 2 Panel M Action Notes Scene 2 Panel N Action Notes Scene 2 Panel O Action Notes Page 146
147. Scene 2 Panel P Action Notes Scene 2 Panel Q Dialogue 74 PETER Oh, hey, Joe. Action Notes Scene 2 Panel R Dialogue What's goin' on? Action Notes Page 147
148. Scene 2 Panel S Dialogue 75 JOE Peter, I'm afraid I'm here Action Notes Scene 2 Panel T Dialogue to shut down your business. Action Notes NO PANEL Page 148
149. Scene 2_2 Panel A Dialogue 76 PETER What?! Scene 2_2 Panel B Dialogue That's crazy! I'm providing important goods and services Scene 2_2 Panel C Dialogue to the community. Page 149
150. Scene 3 Panel A Dialogue 77 JOE You've been running an Scene 3 Panel B Dialogue unlicensed business in your home. Scene 3 Panel C Dialogue That's against city law. Page 150
151. Scene 2_1 Panel A Dialogue 78 PETER Aw, Scene 2_1 Panel B Dialogue that is such bullcrap. NO PANEL Page 151
152. Scene 4_2 Panel A Dialogue 79 JOE Yeah, the law says Scene 4_2 Panel B Dialogue you need a business license. Scene 4_2 Panel C Dialogue Takes about thirty seconds. Page 152
153. Scene 4_2 Panel D Dialogue Just gotta fill out a form. Scene 4_2 Panel E Dialogue Doesn't cost anything. NO PANEL Page 153
154. Scene 5 Panel A Dialogue 80 PETER Oh, Scene 5 Panel B Dialogue come Scene 5 Panel C Dialogue on! Page 154
155. Scene 5 Panel D Dialogue 81 JOE Yeah, I Scene 5 Panel E Dialogue brought you the form. (HOLDS UP FORM) Scene 5 Panel F Dialogue And I took the liberty of filling it out for you Page 155
156. Scene 5 Panel G Dialogue ahead of time, Scene 5 Panel H Dialogue so all you have Scene 5 Panel I Dialogue to do is just Action Notes (Joe reaches in shirt pocket for pen.) Page 156
157. Scene 5 Panel J Dialogue sign it, and we're good Scene 5 Panel K Dialogue 82 PETER Son of a Scene 5 Panel L Dialogue bitch! Page 157
158. Scene 5 Panel M Dialogue 85 JOE Yeah, Scene 5 Panel N Dialogue so I already signed it Scene 5 Panel O Dialogue on your behalf, Page 158
159. Scene 5 Panel P Dialogue so all you gotta do is mark an "X" next to my signature Scene 5 Panel Q Dialogue and you'll be all set. Scene 5 Panel R Dialogue 84 PETER This is an Page 159
160. Scene 5 Panel S Dialogue outrage! Scene 5 Panel T Dialogue 85 JOE Yeah, Scene 5 Panel U Dialogue so I already put half of the "X" down on the page Page 160
161. Scene 5 Panel V Dialogue so I already put half of the "X" down on the page Scene 5 Panel W Dialogue for you, Scene 5 Panel X Dialogue so all you have to do is just take this pen Page 161
162. Scene 5 Panel Y Dialogue and put a single diagonal slash here, Scene 5 Panel Z Dialogue in such a way as to bisect this other diagonal slash, Scene 5 Panel AA Dialogue and you are good to go. Page 162
163. Scene 5 Panel AB Scene 5 Panel AC Scene 5 Panel AD Page 163
164. Scene 5 Panel AE Action Notes Joe places a pen into Peter's limp hand Scene 5 Panel AF Action Notes and closes Peter's fingers around it. Scene 5 Panel AG Page 164
165. Scene 5 Panel AH Dialogue 86 PETER How'm I supposed to run a business Scene 5 Panel AI Dialogue with all this Scene 5 Panel AJ Dialogue red Page 165
166. Scene 5 Panel AK Dialogue tape?! Scene 5 Panel AL Scene 5 Panel AM Dialogue You know what, forget it! Page 166
167. Scene 5 Panel AN Dialogue Just take Scene 5 Panel AO Dialogue the damn sign! Action Notes Peter hands the "Come In, We're Open!" sign to Joe. Scene 5 Panel AP Dialogue 87 JOE I'm sorry, Page 167
168. Scene 5 Panel AQ Dialogue Peter. Scene 5 Panel AR Dialogue 88 PETER I don't believe this, Joe. Scene 5 Panel AS Dialogue This is like Page 168
169. Scene 5 Panel AT Dialogue livin' in Russia. Scene 5 Panel AU Dialogue I might as well Scene 5 Panel AV Dialogue just move Page 169
170. Scene 5 Panel AW Dialogue there. Scene 5 Panel AX Dialogue 89 JOE You don't want to do that. Scene 5 Panel AY Dialogue It's dark, it's cold, Page 170
171. Scene 5 Panel AZ Dialogue and hooking up is Scene 5 Panel BA Dialogue just a crapshoot Scene 5 Panel BB Dialogue 'cause of all the Page 171
172. Scene 5 Panel BC Dialogue big coats. NO PANEL NO PANEL Page 172