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Final Cut Pro X: Dispelling the Myths About Apple’s FCP Update (ACP CMA National College Media Convention 2012)

721933370511ddfcefa5ba0564306e9e?s=47 Adam Smeets
November 01, 2012

Final Cut Pro X: Dispelling the Myths About Apple’s FCP Update (ACP CMA National College Media Convention 2012)

OK, so maybe you’re like a lot of editors who scoffed at FCP X – you loved FCP 7 and think Apple went off the rails with the new version. Well, come to this session and an Apple-certified trainer in both FCP 7 and X will discuss the perks and benefits of FCP X – and how to ease your transition to the new version.

721933370511ddfcefa5ba0564306e9e?s=128

Adam Smeets

November 01, 2012
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Transcript

  1. Final Cut Pro X: Dispelling the Myths About Apple’s FCP

    Update OK, so maybe you’re like a lot of editors who scoffed at FCP X – you loved FCP 7 and think Apple went off the rails with the new version. Well, come to this session and an Apple-certified trainer in both FCP 7 and X will discuss the perks and benefits of FCP X – and how to ease your transition to the new version. Adam Smeets Manager, Digital Media Services Loyola University Chicago Broadcast 1 (Superior A) 1:30pm - 2:20pm | November 1, 2012
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  4. Media and Editor Communities http://www.petitiononline.com/finalcut/petition.html http://arstechnica.com/apple/2011/09/apple-relents-begins-selling-old-final-cut-studio-again

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  6. Myth 1: The magnetic timeline is horrible! Using the position

    tool - Poof! Crisis averted.
  7. Myth 2: You can’t save in and out points in

    a clip! Mark several favorites in a single clip and filter in the Events Library
  8. Myth 3: Multicam is missing! Oops! Update to version 10.0.6

    and it’s back.
  9. Myth 4: You still have to transcode media! Nope, and

    you never had to in FCP X.
  10. Myth 5: You can’t import old projects! Yes you can.

  11. Myth 6: Reconnecting Offline Media doesn’t work! Yes it does...

    just update.
  12. Myth 7: Photoshop file imports no longer function. Found the

    trend, yet? Update.
  13. Myth 8: Apple has abandoned the Pro market. Patience is/was

    key in the FCP X rollout.
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  15. Final Cut Pro X Improvements by Release 10.0.1 • Import

    and export XML to support third-party workflows • Set custom starting timecode for your projects • Enable full-screen view in OS X Lion 10.0.2 • Resolves an issue that could cause files recorded with certain third-party mobile devices to play back incorrectly • Addresses a stability issue caused by changing the start time on a Compound Clip 10.0.3 • Multicam editing with automatic sync and support for mixed formats, mixed frame rates, and up to 64 camera angles • XML 1.1 with support for primary color grades, effect parameters, and audio keyframes • Multiple improvements to the Color Board, including new key commands, editable numeric fields, and adjustable parameters that act like infinite sliders when dragged • Beta version of broadcast monitoring with third-party PCIe and Thunderbolt I/O devices
  16. 10.0.4 • Adds a Share option for 1080p video on

    compatible iOS devices. • Includes multicam metadata in XML project export. • Improves image quality and responsiveness of broadcast monitoring with compatible third-party PCIe and Thunderbolt I/O devices. 10.0.5 • Improves performance when switching between projects on a SAN. • Fixes an issue which could lead to Multicam Clips losing their Roles after relaunching Final Cut Pro X. 10.0.6 • Expand multichannel audio files directly in the timeline for precise editing of individual audio channels. • Dual viewers, each with a video scope display, let you compare shots to match action and color. • Range selection now preserves start and end points on clips in the Event Browser. Use the Command key to create multiple range selections, even on a single clip. • Add a freeze frame to your timeline with a single keystroke (Option-F). • RED camera support with native REDCODE RAW editing.
  17. Final Cut Pro X

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  20. Performance Improvements

  21. 64-Bit Support & Memory Limitations

  22. Cocoa Framework

  23. Thunderbolt I/O Technology (10GBps)

  24. ColorSync Pipeline

  25. Native Format Support

  26. Anytime Apple ProRes Transcoding (full-frame, 10-bit, 4:2:2 and 4:4:4:4 video

    sources)
  27. Resolution Independence

  28. Grand Central Dispatch and GPU (Background Processing)

  29. Speaking of background processing...

  30. Workflow and Organization Changes

  31. Content Auto-Analysis

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  39. Range-based Keywords

  40. Sunset

  41. Overpass

  42. Smart Collections

  43. Audio Only Stills Video Only Video with Audio Group CloseUp

    Shot Excessive Shake Wide Shot Without Excessive Shake Two Persons Medium Shot One Person
  44. Audio Only Stills Video Only Video with Audio Group CloseUp

    Shot Excessive Shake Wide Shot Without Excessive Shake Two Persons Medium Shot One Person 2012
  45. CloseUp Shot Excessive Shake Wide Shot Without Excessive Shake Medium

    Shot Medium Shot Audio Only Stills Video Only Video with Audio Group Two Persons One Person 2012
  46. Revolutionary Editing

  47. Final Cut Pro 7

  48. Final Cut Pro 7

  49. Final Cut Pro 7

  50. Clip Connections

  51. Final Cut Pro X

  52. Final Cut Pro X

  53. Final Cut Pro 7

  54. Final Cut Pro 7

  55. Final Cut Pro 7

  56. Final Cut Pro 7

  57. Final Cut Pro 7

  58. Final Cut Pro 7

  59. Magnetic Timeline

  60. Final Cut Pro X

  61. Final Cut Pro X

  62. Compound Clips

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  68. Inline Precision Editor

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  70. Auditions

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  74. Multichannel Audio Editing

  75. Multichannel Audio Editing

  76. Multichannel Audio Editing

  77. Multichannel Audio Editing

  78. Multichannel Audio Editing

  79. Multichannel Audio Editing

  80. Multichannel Audio Editing

  81. Multichannel Audio Editing

  82. Multichannel Audio Editing

  83. Multicam

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  102. XML

  103. Event Project

  104. XML Import

  105. XML Export Import

  106. Revolutionary Editing

  107. Final Cut Pro X