Upgrade to Pro — share decks privately, control downloads, hide ads and more …

Track a track

Bernhard Kahles
May 27, 2012
51

Track a track

Track a track - A Hyper Island project for the record label INGRID

The record label INGRID consists of members such as: Miike Snow, Lykke Li, Peter Bjorn and John, Nicole Morier, Jocke Åhlund, Johanna Beckman, Jonas Torvestig, Tomas Nordmark and Nille Perned. INGRID plans to offer a home for the new guard of musicians and artists.

Track a Track is a unique project that use your social graph in social media platforms to spread a song. The idea was to take the advantages of both, analogue and digital music, to create a unique experience in music listening.

Project group:
Charlie Montagut
Gareth Lymer
Bernhard Kahles

Bernhard Kahles

May 27, 2012
Tweet

Transcript

  1. RESEARCH – THE BRIEF “Ingrid has great possibilities to become

    the music label of a new generation, but as we are just starting out, we are lacking awareness within our future audience. We therefore wish to develop and create digital ideas and presence for increased notion of Ingrid. So, how would you be a contributing part of Ingrid and take her further creatively, visually and communication-wise?”
  2. RESEARCH – MUSIC INDUSTRY Price of concert tickets doubled in

    a Decade EMI – Publishing supplied 29% of revenues and 45% profits (2010) 19 of every 20 tracks downloaded are illegal LIVE!
  3. RESEARCH – MUSIC INDUSTRY TRADITIONAL MUSIC LABELS - Collect copyrights

    etc. - Complicated approval process - Artists as products - Clinging to the past
  4. RESEARCH – MUSIC INDUSTRY - Scarce/Valuable - Permanent - Authentic

    - Hard to track - Trending towards “free” - Easy to access & spread - Always available on multiple platforms - Trackable
  5. RESEARCH – MUSIC INDUSTRY - Convenience - Cost effective -

    Engages senses - Album as art - Music as emotional exchange Why are we forced to choose?
  6. RESEARCH – INGRID DNA PONTUS WINNBERG “Why does music have

    to be delivered in the most boring way?”
  7. - Create stories around people and music - A collective

    hub for musicians and artists - Focus on producing music experiences - “No assets other than it’s members” RESEARCH – INGRID DNA
  8. INSIGHTS There is an emotional, almost primordial bond that we

    have with music, this bond connects us all. The way we choose to participate in the music experience reflects the people we have been, the people we are and the people we would like to become.
  9. INSIGHTS What is scarce increases in value, what is readily

    available, decreases in value. Tension Scarcity Abundance
  10. STRATEGY 1. WHAT DO WE WANT ACHIEVE? Vision 2. WHAT

    DO WE DO BEST? Competence 3. WHO ARE WE FOR? Consumer 4. HOW ARE WE DIFFERENT? Differentiation 5. WHAT DO WE PROMISE? Promise 6. WHAT DO WE STAND FOR? Values 7. WHAT ARE WE LIKE AS A PERSON? Personality 8. WHAT DO WE FIGHT FOR? Mission
  11. STRATEGY – VISION 1. WHAT DO WE WANT ACHIEVE? A

    collective of influential artists creating and sharing authentic experiences using all available platforms.
  12. STRATEGY – COMPETENCE 2. WHAT DO WE DO BEST? Producing

    music experiences that are of personal importance to the artist and the audience.
  13. STRATEGY – CONSUMER 3. WHO ARE WE FOR? Open-minded people

    that seek new experiences and inspiration through music.
  14. STRATEGY – DIFFERENTIATION 4. HOW ARE WE DIFFERENT? - Quality

    over quantity - Unpredictable - Co-operative label - Physical representation (Café Mellqvist)
  15. STRATEGY - PROMISE 5. WHAT DO WE PROMISE? Follow the

    creative process wherever it may lead, allowing the artist to speak.
  16. STRATEGY – VALUES 6. WHAT DO WE STAND FOR? -

    Family - Authenticity - Exploratory - Collaborative
  17. STRATEGY – PERSONALITY 7. WHAT ARE WE LIKE AS A

    PERSON? - Has integrity - Dares to be different - Inquisitive - Passionate - Discrete
  18. STRATEGY – MISSION 8. WHAT DO WE FIGHT FOR? To

    connect the artist with their purpose and their audience.
  19. STRATEGY MOMA “Draft the scripts that allow people and things

    to develop and improvise a dialogue...(around the music)”
  20. STRATEGY - THOUGHT INTO ACTION PYRAMID VISION PROMISE HOW Balance

    Digital & Analogue Telling stories around music Engage the Social Graph PLATFORMS / CAMPAIGNS
  21. STRATEGY – STORY OF AN IDEA ANALOGUE TWIST Insight Idea

    Stage 1 Idea Stage 2 Idea Stage 3 Idea Stage 4 Concept ANALOGUE TWIST DIGITAL TWIST DIGITAL TWIST DIGITAL TWIST
  22. CREATIVE DIRECTION Develop campaigns that create and develop stories around

    the music, engage the social graph and work effectively in digital and analogue form.
  23. CREATIVE IDEA 1 – TRACK A TRACK “Put it out

    there and let people discover it for themselves”
  24. CREATIVE Discovery & Scarcity Music Hand To Hand Location based,

    Spread like virus Track like a marked dollar. Encourage sharing. Reward sharing, Vinyl limited edition Track a Track ANALOGUE TWIST ANALOGUE TWIST DIGITAL TWIST DIGITAL TWIST DIGITAL TWIST Idea development
  25. CREATIVE WHY IS THIS A GOOD IDEA? - Analogue sharing

    & discovery utilising social graph - Creates a story around a release - Establishes Stockholm & INGRID as a music influencer
  26. THANK YOU FOR LISTENING ANY QUESTIONS PONTUS WINNBERG “Do what

    you love and the world becomes a more diverse place”