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Dead End Paranormal Park ep8 SC1

Dead End Paranormal Park ep8 SC1

Dan Hamman

August 24, 2022
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Transcript

  1. Shot 002 Panel 1 Dialog NORMA AS PATIENCE BONAPARTE (V.O.)

    What does it mean to be truly alone? DE_108_PPE_PART1 Page 5/238
  2. Shot 002 Panel 2 Dialog NORMA AS PATIENCE BONAPARTE (V.O.)

    What does it mean to be truly alone? DE_108_PPE_PART1 Page 6/238
  3. Shot 002 Panel 3 Dialog NORMA AS PATIENCE BONAPARTE (V.O.)

    What does it mean to be truly alone? DE_108_PPE_PART1 Page 7/238
  4. Shot 002 Panel 4 Dialog NORMA AS PATIENCE BONAPARTE (V.O.)

    What does it mean to be truly alone? DE_108_PPE_PART1 Page 8/238
  5. Shot 002 Panel 5 Dialog NORMA AS PATIENCE BONAPARTE (V.O.)

    What does it mean to be truly alone? DE_108_PPE_PART1 Page 9/238
  6. Shot 003 Panel 1 Dialog NORMA : I have had

    ample time DE_108_PPE_PART1 Page 10/238
  7. Shot 003 Panel 2 Dialog to ponder this question all

    these long years, DE_108_PPE_PART1 Page 11/238
  8. Shot 003 Panel 3 Dialog to ponder this question all

    these long years, DE_108_PPE_PART1 Page 12/238
  9. Shot 003 Panel 4 Dialog to ponder this question all

    these long years, DE_108_PPE_PART1 Page 13/238
  10. Shot 003 Panel 5 Dialog to ponder this question all

    these long years, DE_108_PPE_PART1 Page 14/238
  11. Shot 004 Panel 1 Dialog wandering these halls from witching

    hour to dawn, DE_108_PPE_PART1 Page 15/238
  12. Shot 004 Panel 2 Dialog wandering these halls from witching

    hour to dawn, DE_108_PPE_PART1 Page 16/238
  13. Shot 004 Panel 3 Dialog wandering these halls from witching

    hour to dawn, DE_108_PPE_PART1 Page 17/238
  14. Shot 004 Panel 4 Dialog wandering these halls from witching

    hour to dawn, DE_108_PPE_PART1 Page 18/238
  15. Shot 004 Panel 5 Dialog wandering these halls from witching

    hour to dawn, DE_108_PPE_PART1 Page 19/238
  16. Shot 004 Panel 6 Dialog wandering these halls from witching

    hour to dawn, DE_108_PPE_PART1 Page 20/238
  17. Shot 005 Panel 1 Dialog and the whisper of wind

    through eaves to keep me company. DE_108_PPE_PART1 Page 21/238
  18. Shot 005 Panel 2 Dialog and the whisper of wind

    through eaves to keep me company. DE_108_PPE_PART1 Page 22/238
  19. Shot 005 Panel 3 Dialog and the whisper of wind

    through eaves to keep me company. DE_108_PPE_PART1 Page 23/238
  20. Shot 006 Panel 1 Dialog with only the creak of

    foot on floor DE_108_PPE_PART1 Page 24/238
  21. Shot 006 Panel 2 Dialog with only the creak of

    foot on floor DE_108_PPE_PART1 Page 25/238
  22. Shot 006 Panel 3 Dialog with only the creak of

    foot on floor DE_108_PPE_PART1 Page 26/238
  23. Shot 006 Panel 4 Dialog with only the creak of

    foot on floor DE_108_PPE_PART1 Page 27/238
  24. Shot 006 Panel 5 Dialog with only the creak of

    foot on floor DE_108_PPE_PART1 Page 28/238
  25. Shot 007 Panel 1 Dialog and the whisper of wind

    through eaves to keep me company. DE_108_PPE_PART1 Page 29/238
  26. Shot 007 Panel 2 Dialog and the whisper of wind

    through eaves to keep me company. DE_108_PPE_PART1 Page 30/238
  27. Shot 007 Panel 3 Dialog and the whisper of wind

    through eaves to keep me company. DE_108_PPE_PART1 Page 31/238
  28. Shot 008 Panel 1 Dialog and the whisper of wind

    through eaves to keep me company. DE_108_PPE_PART1 Page 32/238
  29. Shot 009 Panel 1 Dialog But in my heart, I

    am alone... DE_108_PPE_PART1 Page 35/238
  30. Shot 009 Panel 2 Dialog But in my heart, I

    am alone... DE_108_PPE_PART1 Page 36/238
  31. Shot 009 Panel 3 Dialog But in my heart, I

    am alone... DE_108_PPE_PART1 Page 37/238
  32. Shot 009 Panel 4 Dialog But in my heart, I

    am alone... DE_108_PPE_PART1 Page 38/238
  33. Shot 009 Panel 5 Dialog But in my heart, I

    am alone... DE_108_PPE_PART1 Page 39/238
  34. Shot 009 Panel 6 Dialog But in my heart, I

    am alone... DE_108_PPE_PART1 Page 40/238
  35. Shot 009 Panel 7 Dialog But in my heart, I

    am alone... DE_108_PPE_PART1 Page 41/238
  36. Shot 009 Panel 8 Dialog But in my heart, I

    am alone... DE_108_PPE_PART1 Page 42/238
  37. Shot 009 Panel 9 Dialog But in my heart, I

    am alone... DE_108_PPE_PART1 Page 43/238
  38. Shot 011 Panel 1 Dialog BARNEY AS REGINALD BONAPARTE 3

    My darling sister, DE_108_PPE_PART1 Page 49/238
  39. Shot 012 Panel 1 Dialog BARNEY AS REGINALD BONAPARTE 3

    why are you awake at this late, late hour. It is almost a thirty to nine. A beautiful young woman such as yourself should be tucked up in her boudoir as soon as the night cockerel has sungeth his sweet lullaby. DE_108_PPE_PART1 Page 50/238
  40. Shot 012 Panel 2 Dialog BARNEY AS REGINALD BONAPARTE 3

    why are you awake at this late, late hour. It is almost a thirty to nine. A beautiful young woman such as yourself should be tucked up in her boudoir as soon as the night cockerel has sungeth his sweet lullaby. DE_108_PPE_PART1 Page 51/238
  41. Shot 012 Panel 3 Dialog BARNEY AS REGINALD BONAPARTE 3

    why are you awake at this late, late hour. It is almost a thirty to nine. A beautiful young woman such as yourself should be tucked up in her boudoir as soon as the night cockerel has sungeth his sweet lullaby. DE_108_PPE_PART1 Page 52/238
  42. Shot 012 Panel 4 Dialog BARNEY AS REGINALD BONAPARTE 3

    why are you awake at this late, late hour. It is almost a thirty to nine. A beautiful young woman such as yourself should be tucked up in her boudoir as soon as the night cockerel has sungeth his sweet lullaby. DE_108_PPE_PART1 Page 53/238
  43. Shot 012 Panel 5 Dialog BARNEY AS REGINALD BONAPARTE 3

    why are you awake at this late, late hour. It is almost a thirty to nine. A beautiful young woman such as yourself should be tucked up in her boudoir as soon as the night cockerel has sungeth his sweet lullaby. DE_108_PPE_PART1 Page 54/238
  44. Shot 012 Panel 6 Dialog BARNEY AS REGINALD BONAPARTE 3

    why are you awake at this late, late hour. It is almost a thirty to nine. A beautiful young woman such as yourself should be tucked up in her boudoir as soon as the night cockerel has sungeth his sweet lullaby. DE_108_PPE_PART1 Page 55/238
  45. Shot 012 Panel 7 Dialog BARNEY AS REGINALD BONAPARTE 3

    why are you awake at this late, late hour. It is almost a thirty to nine. A beautiful young woman such as yourself should be tucked up in her boudoir as soon as the night cockerel has sungeth his sweet lullaby. DE_108_PPE_PART1 Page 56/238
  46. Shot 012 Panel 8 Dialog BARNEY AS REGINALD BONAPARTE (CONT’D)

    4 Wouldn’t you agree Uncle? DE_108_PPE_PART1 Page 57/238
  47. Shot 013 Panel 1 Dialog BARNEY AS REGINALD BONAPARTE (CONT’D)

    4 Wouldn’t you agree Uncle? DE_108_PPE_PART1 Page 58/238
  48. Shot 013 Panel 2 Dialog PUGSLEY 5 It is not

    for me to agree or disagree with the choices of man... DE_108_PPE_PART1 Page 59/238
  49. Shot 013 Panel 3 Dialog PUGSLEY 5 It is not

    for me to agree or disagree with the choices of man... DE_108_PPE_PART1 Page 60/238
  50. Shot 014 Panel 1 Dialog PUGSLEY 5 -- for I

    am -- DE_108_PPE_PART1 Page 61/238
  51. Shot 014 Panel 2 Dialog PUGSLEY 5 -- something beyond

    humanity now-- DE_108_PPE_PART1 Page 62/238
  52. Shot 014 Panel 3 Dialog PUGSLEY 5 And when the

    full moon emerges from the clouds outside you’ll see. DE_108_PPE_PART1 Page 63/238
  53. Shot 014 Panel 4 Dialog PUGSLEY 5 And when the

    full moon emerges from the clouds outside you’ll see. DE_108_PPE_PART1 Page 64/238
  54. Shot 018 Panel 1 Dialog PAULINE (voice like creepy kid,

    sleepy) : I can't sleep DE_108_PPE_PART1 Page 74/238
  55. Shot 018 Panel 2 Dialog PAULINE (voice like creepy kid,

    sleepy) : I can't sleep DE_108_PPE_PART1 Page 75/238
  56. Shot 019 Panel 1 Dialog NORMA AS PATIENCE BONAPARTE 6

    Cousin Gail ! DE_108_PPE_PART1 Page 76/238
  57. Shot 019 Panel 2 Dialog NORMA AS PATIENCE BONAPARTE 6

    Cousin Gail ! DE_108_PPE_PART1 Page 77/238
  58. Shot 019 Panel 3 Dialog NORMA AS PATIENCE BONAPARTE 6

    Cousin Gail ! DE_108_PPE_PART1 Page 78/238
  59. Shot 020 Panel 1 Dialog NORMA AS PATIENCE BONAPARTE (CONT’D)

    7 -- your bed time! DE_108_PPE_PART1 Page 79/238
  60. Shot 020 Panel 2 Dialog NORMA AS PATIENCE BONAPARTE (CONT’D)

    7 -- your bed time! DE_108_PPE_PART1 Page 80/238
  61. Shot 020 Panel 3 Dialog NORMA AS PATIENCE BONAPARTE (CONT’D)

    7 -- your bed time! DE_108_PPE_PART1 Page 81/238
  62. Shot 021 Panel 1 Dialog PAULINE AS GAIL GHOUL 8

    Forgive me, DE_108_PPE_PART1 Page 82/238
  63. Shot 021 Panel 2 Dialog but I had such --

    DE_108_PPE_PART1 Page 83/238
  64. Shot 021 Panel 3 Dialog but I had such --

    DE_108_PPE_PART1 Page 84/238
  65. Shot 024 Panel 4 Dialog PAULINE AS GAIL GHOUL 10

    Something is wrong! DE_108_PPE_PART1 Page 105/238
  66. Shot 024 Panel 5 Dialog PAULINE AS GAIL GHOUL 10

    One of you… DE_108_PPE_PART1 Page 106/238
  67. Shot 025 Panel 1 Dialog 10 PAULINE AS GAIL GHOUL

    10 -- all of you… you are not meant to be here! DE_108_PPE_PART1 Page 107/238
  68. Shot 025 Panel 2 Dialog 10 PAULINE AS GAIL GHOUL

    10 -- all of you… you are not meant to be here! DE_108_PPE_PART1 Page 108/238
  69. Shot 025 Panel 3 Dialog 10 PAULINE AS GAIL GHOUL

    10 -- all of you… you are not meant to be here! DE_108_PPE_PART1 Page 109/238
  70. Shot 025 Panel 4 Dialog 10 PAULINE AS GAIL GHOUL

    10 -- all of you… you are not meant to be here! DE_108_PPE_PART1 Page 110/238
  71. Shot 026 Panel 2 Dialog NORMA : Now now, back

    to bed with you. DE_108_PPE_PART1 Page 112/238
  72. Shot 027 Panel 1 Dialog COURTNEY AS MILDRED 9 Alright

    dear, Let me fetch you some bubbly milk and see you back to your slumber. DE_108_PPE_PART1 Page 114/238
  73. Shot 027 Panel 2 Dialog COURTNEY AS MILDRED 9 Alright

    dear, Let me fetch you some bubbly milk and see you back to your slumber. DE_108_PPE_PART1 Page 115/238
  74. Shot 028 Panel 1 Dialog COURTNEY AS MILDRED 9 Alright

    dear, Let me fetch you some bubbly milk and see you back to your slumber. DE_108_PPE_PART1 Page 116/238
  75. Shot 028 Panel 2 Dialog COURTNEY AS MILDRED 9 Alright

    dear, Let me fetch you some bubbly milk and see you back to your slumber. DE_108_PPE_PART1 Page 117/238
  76. Shot 028 Panel 3 Dialog COURTNEY AS MILDRED 9 Alright

    dear, Let me fetch you some bubbly milk and see you back to your slumber. DE_108_PPE_PART1 Page 118/238
  77. Shot 028 Panel 4 Dialog PAULINE : This is wrong

    ! DE_108_PPE_PART1 Page 119/238
  78. Shot 028 Panel 5 Dialog PAULINE : This is wrong

    ! DE_108_PPE_PART1 Page 120/238
  79. Shot 029 Panel 1 Dialog PAULINE : You're not supposed

    to be here ! DE_108_PPE_PART1 Page 121/238
  80. Shot 029 Panel 2 Dialog PAULINE : You're not supposed

    to be here ! DE_108_PPE_PART1 Page 122/238
  81. Shot 029 Panel 3 Dialog PAULINE : You're not supposed

    to be here ! DE_108_PPE_PART1 Page 123/238
  82. Shot 029 Panel 4 Dialog PAULINE : You're not supposed

    to be here ! DE_108_PPE_PART1 Page 124/238
  83. Shot 029 Panel 5 Dialog PAULINE : You're not supposed

    to be here ! DE_108_PPE_PART1 Page 125/238
  84. Shot 030 Panel 1 Dialog PAULINE : You ! All

    of you ! DE_108_PPE_PART1 Page 126/238
  85. Shot 031 Panel 1 Dialog PAULINE : You're not supposed

    to be HERE !! DE_108_PPE_PART1 Page 127/238
  86. Shot 031 Panel 2 Dialog PAULINE : You're not supposed

    to be HERE !! DE_108_PPE_PART1 Page 128/238
  87. Shot 031 Panel 3 Dialog PAULINE : You're not supposed

    to be HERE !! DE_108_PPE_PART1 Page 129/238
  88. Shot 031 Panel 4 Dialog PAULINE : You're not supposed

    to be HERE !! DE_108_PPE_PART1 Page 130/238
  89. Shot 034 Panel 5 Dialog PUGLSEY : What the --

    DE_108_PPE_PART1 Page 140/238
  90. Shot 034 Panel 6 Dialog PUGLSEY : What the --

    DE_108_PPE_PART1 Page 141/238
  91. Shot 034 Panel 7 Dialog PUGLSEY : Barney! I asked

    you to stop dressing me up-- DE_108_PPE_PART1 Page 142/238
  92. Shot 034 Panel 8 Dialog PUGLSEY : Barney! I asked

    you to stop dressing me up-- DE_108_PPE_PART1 Page 143/238
  93. Shot 034 Panel 9 Dialog PUGLSEY : Barney! I asked

    you to stop dressing me up-- DE_108_PPE_PART1 Page 144/238
  94. Shot 035 Panel 1 Dialog PUGLSEY : -- when I

    fall asleep. DE_108_PPE_PART1 Page 145/238
  95. Shot 035 Panel 2 Dialog BARNEY AS REGINALD BONAPARTE 12

    Dressing you up ? DE_108_PPE_PART1 Page 146/238
  96. Shot 037 Panel 1 Dialog BARNEY AS REGINALD BONAPARTE 12

    And who is this Barney you speak of? DE_108_PPE_PART1 Page 150/238
  97. Shot 041 Panel 2 Dialog BARNEY Wait...why are you black

    and white? DE_108_PPE_PART1 Page 167/238
  98. Shot 041 Panel 3 Dialog BARNEY Why is everything black

    and white ? DE_108_PPE_PART1 Page 168/238
  99. Shot 041 Panel 4 Dialog BARNEY Why is everything black

    and white ? DE_108_PPE_PART1 Page 169/238
  100. Shot 041 Panel 5 Dialog BARNEY Why is everything black

    and white ? DE_108_PPE_PART1 Page 170/238
  101. Shot 042 Panel 1 Dialog PUGLSEY : It looks the

    same to me. DE_108_PPE_PART1 Page 171/238
  102. Shot 042 Panel 2 Dialog PUGLSEY : It looks the

    same to me. DE_108_PPE_PART1 Page 172/238
  103. Shot 042 Panel 3 Dialog PUGLSEY : I think we're

    in the TV ! DE_108_PPE_PART1 Page 173/238
  104. Shot 043 Panel 1 Dialog BARNEY : In the TV

    ? But this doesn't look like Pauline's Insurance Commercial !! DE_108_PPE_PART1 Page 174/238
  105. Shot 043 Panel 2 Dialog BARNEY : In the TV

    ? But this doesn't look like Pauline's Insurance Commercial !! DE_108_PPE_PART1 Page 175/238
  106. Shot 043 Panel 3 Dialog BARNEY : In the TV

    ? But this doesn't look like Pauline's Insurance Commercial !! DE_108_PPE_PART1 Page 176/238
  107. Shot 043 Panel 4 Dialog BARNEY : In the TV

    ? But this doesn't look like Pauline's Insurance Commercial !! DE_108_PPE_PART1 Page 177/238
  108. Shot 043 Panel 5 Dialog COURTNEY : I just put

    the young Madam back to sleep. DE_108_PPE_PART1 Page 178/238
  109. Shot 043 Panel 6 Dialog NORMA : Thank you Mildred.

    Now go polish all the silver in the house. DE_108_PPE_PART1 Page 179/238
  110. Shot 043 Panel 11 Dialog BARNEY : Hey NORMA !

    DE_108_PPE_PART1 Page 184/238
  111. Shot 043 Panel 14 Dialog BARNEY : How do we

    get home ? DE_108_PPE_PART1 Page 187/238
  112. Shot 043 Panel 15 Dialog BARNEY : How do we

    get home ? DE_108_PPE_PART1 Page 188/238
  113. Shot 046 Panel 1 Dialog PUGLSEY : Maybe that's the

    exi-- DE_108_PPE_PART1 Page 205/238
  114. Shot 046 Panel 2 Dialog PUGLSEY : Maybe that's the

    exi-- DE_108_PPE_PART1 Page 206/238
  115. Shot 046 Panel 3 Dialog PUGLSEY : Maybe that's the

    exi-- DE_108_PPE_PART1 Page 207/238
  116. Shot 046 Panel 4 Dialog PUGLSEY : Maybe that's the

    exi-- DE_108_PPE_PART1 Page 208/238
  117. Shot 049 Panel 1 Dialog PUGSLEY Barney!!!! Come back!! oh

    no oh no no DE_108_PPE_PART1 Page 228/238
  118. Shot 049 Panel 2 Dialog PUGSLEY Barney!!!! Come back!! oh

    no oh no no DE_108_PPE_PART1 Page 229/238
  119. Shot 049 Panel 3 Dialog PUGSLEY Barney!!!! Come back!! oh

    no oh no no DE_108_PPE_PART1 Page 230/238
  120. Shot 049 Panel 4 Dialog PUGSLEY Barney!!!! Come back!! oh

    no oh no no DE_108_PPE_PART1 Page 231/238