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Multiple Ones: Contemporary Perspectives in Printmedia

goloborotko
April 12, 2020
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Multiple Ones: Contemporary Perspectives in Printmedia

Multiple Ones: Contemporary Perspectives in Printmedia was curated in 2018 for the Hunterdon Art Museum in NJ by Sheila Goloborotko. It was exhibited at Kwan Fong Gallery and William Rolland Gallery at the California Lutheran University in Thousand Oaks, CA in 2019 and it is currently at the Museum of Contemporary Art in Jacksonville, FL, 2020

goloborotko

April 12, 2020
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  1. MULTIPLE ONES
    Contemporary Perspectives in Printmedia
    Curated by Sheila Goloborotko

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  2. MULTIPLE ONES
    Contemporary Perspectives in Printmedia
    Hunterdon Art Museum
    Clinton, NJ

    May 12 - September 2, 2018

    Kwan Fong Gallery and William Rolland Gallery

    California Lutheran University

    Thousand Oaks, CA

    August 22, 2019 - October 23, 2019

    Museum of Contemporary Art
    University of North Florida

    Jacksonville, FL

    April 1 - August 30, 2020

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  3. Justin Barfield, IN

    Shawn Bitters, KS

    Vanessa B. Cruz, FL

    Florence Gidez, NY

    Rebecca Gilbert, PA

    Ruthann Godollei, MN

    Sheila Goloborotko, FL

    Brandie Grogan, CA

    John Hitchcock, WI

    Andrew Kozlowski, FL

    Lauren Kussro, TX

    Nathan Meltz, NY

    Guen Montgomery, IL

    Jill Parisi, NY

    Andrew Raftery, RI

    Samantha Parker Salazar, IL

    Marliee Salvator, KY

    Mizin Shin, NY

    Swoon, NY
    Eszter Sziksz, TN

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  4. SHEILA GOLOBOROTKO

    Sistema: Screenprinted handcut Mylar variable dimensions, 2016
    Opalka Gallery

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  5. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016
    Lufrano Gallery
    SHEILA GOLOBOROTKO

    Corrientes: Handcut aluminum, variable dimensions, 2016
    CENTRO CULTURAL ATARAZANAS PIEDRA MÚCARA

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  6. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016
    Lufrano Gallery
    SHEILA GOLOBOROTKO

    Sistema: Screenprinted handcut Mylar, variable dimensions, 2016
    Centro Cultural Atarazanas

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  7. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, variable dimensions, 2016
    Opalka Galery

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  8. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016
    Lufrano Gallery
    Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, variable dimensions, 2016
    Kwan Fong Galery

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  9. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, variable dimensions, 2016
    Lufrano Gallery

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  10. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, variable dimensions, 2016
    Opalka Gallery (left) / Kwan Fong Gallery (right)

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  11. SHEILA GOLOBOROTKO /VANESSA B. CRUZ

    Synaesthesia, Video Animation, 2017
    Kwan Fong Gallery

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  12. SHEILA GOLOBOROTKO /VANESSA B. CRUZ

    Synaesthesia, Video Animation, 2017
    Kwan Fong Gallery

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  13. SHEILA GOLOBOROTKO /VANESSA B. CRUZ

    Synaesthesia, Video Animation, 2017
    Kwan Fong Gallery

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  14. SHEILA GOLOBOROTKO /VANESSA B. CRUZ

    Synaesthesia, Video Animation, 2017
    MOCA Jacksonville (top), UNF Recital Hall (bottom)

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  15. JOHN HITCHCOCK (left) /JUSTIN BARFIELD (floor)

    SHEILA GOLOBOROTKO/VANESSA B. CRUZ (center) / MARILEE SALVATOR (right) /

    Kwan Fong Gallery

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  16. JUSTIN BARFIELD

    Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions, 2014.
    Kwan Fong Gallery
    JUSTIN BARFIELD

    Scrap Pile: Paper, rust, wheat paste, variable dimensions, 2014.
    Kwan Fong Gallery

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  17. JUSTIN BARFIELD

    Scrap Pile: Paper, rust, wheat paste, variable dimensions, 2014.
    Kwan Fong Gallery

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  18. JUSTIN BARFIELD

    Scrap Pile: Paper, Rust, Wheat Paste, variable dimensions, 2014.
    Kwan Fong Gallery

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  19. JUSTIN BARFIELD

    Scrap Pile: Paper, Rust, Wheat Paste, variable dimensions, 2014.
    Kwan Fong Gallery

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  20. MARILEE SALVATOR

    Growth Patterns: Etching, screenprint and wood, variable dimensions, 2017
    Kwan Fong Gallery

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  21. MARILEE SALVATOR

    Growth Patterns: Etching, screenprint and wood, variable dimensions, 2017
    Kwan Fong Gallery

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  22. MARILEE SALVATOR

    Growth Patterns: Etching, screenprint and wood, variable dimensions, 2017
    Hunterdon Art Museum

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  23. MARILEE SALVATOR

    Growth Patterns: Etching, screenprint and wood, variable dimensions, 2017
    Kwan Fong Gallery

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  24. MARILEE SALVATOR

    Growth Patterns: Etching, screenprint and wood, variable dimensions, 2017
    Kwan Fong Gallery

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  25. JOHN HITCHCOCK

    America, America: Inkjet on fabric flags, variable dimensions, 2019
    Kwan Fong Gallery

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  26. JOHN HITCHCOCK

    America, America: Inkjet on fabric flags, variable dimensions, 2019
    Kwan Fong Gallery

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  27. JOHN HITCHCOCK

    America, America: Inkjet on fabric flags, variable dimensions, 2019
    Kwan Fong Gallery

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  28. JOHN HITCHCOCK

    The Protector: Screenprint on CNC cut wood, variable dimensions, 2017
    Hunterdon Art Museum

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  29. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    William Rolland Gallery

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  30. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    William Rolland Gallery

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  31. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    William Rolland Gallery

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  32. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    Hunterdon Art Museum

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  33. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    Hunterdon Art Museum

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  34. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    William Rolland Gallery

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  35. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    Hunterdon Art Museum

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  36. REBECCA GILBERT

    Shine: Reduction woodcut mounted on foam core, 15” x 120”, 2012
    William Rolland Gallery

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  37. REBECCA GILBERT

    Shine: Reduction woodcut mounted on foam core, 15” x 120”, 2012
    William Rolland Gallery

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  38. REBECCA GILBERT

    Shine: Reduction woodcut mounted on foam core, 15” x 120”, 2012
    William Rolland Gallery

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  39. REBECCA GILBERT

    Raise Bed Fortune Patch: Photo etchings, 24” x 36” x 36”, 2010-12
    Hunterdon Art Museum

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  40. REBECCA GILBERT

    Raise Bed Fortune Patch: Photo etchings, 24” x 36” x 36”, 2010-12
    Hunterdon Art Museum

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  41. REBECCA GILBERT

    Raise Bed Fortune Patch: Photo etchings, 24” x 36” x 36”, 2010-12
    William Rolland Gallery

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  42. MIZIN SHIN

    How Things Are Made Vol.1 / Virtual City_1000: Handprinted woodcuts, variable dimensions, 2017
    William Rolland Gallery

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  43. MIZIN SHIN

    How Things Are Made Vol.1: Handprinted woodcuts, variable dimensions, 2017
    William Rolland Gallery

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  44. MIZIN SHIN

    How Things Are Made Vol.1: Handprinted woodcuts, variable dimensions, 2017
    William Rolland Gallery

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  45. MIZIN SHIN

    How Things Are Made Vol.1: Handprinted woodcuts, variable dimensions, 2017
    William Rolland Gallery

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  46. MIZIN SHIN

    How Things Are Made Vol.1 / Virtual City_1000: Handprinted woodcuts, Variable Dimensions, 2017
    William Rolland Gallery

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  47. MIZIN SHIN

    How Things Are Made Vol.1 / Virtual City_1000: Handprinted woodcuts, variable dimensions, 2017
    Hunterdom Art Museum

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  48. MIZIN SHIN

    How Things Are Made Vol.1 / Virtual City_1000: Handprinted woodcuts, variable dimensions, 2017
    William Rolland Gallery

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  49. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

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  50. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

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  51. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

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  52. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

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  53. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

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  54. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

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  55. JILL PARISI

    Celestial: Etchings on Yushuki handmade paper, variable dimensions, 2015
    William Rolland Gallery

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  56. JILL PARISI

    Celestial: Etchings on Yushuki handmade paper, variable dimensions, 2015
    William Rolland Gallery

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  57. JILL PARISI

    Celestial: Etchings on Yushuki handmade paper, variable dimensions, 2015
    William Rolland Gallery

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  58. JILL PARISI

    Celestial: Etchings on Yushuki handmade paper, variable dimensions, 2015
    William Rolland Gallery

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  59. SHAWN BITTERS

    Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter x 12”, 2017
    William Rolland Gallery

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  60. SHAWN BITTERS

    Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter x 12”, 2017
    William Rolland Gallery

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  61. SHAWN BITTERS

    Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter x 12”, 2017
    Hunterdon Art Museum

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  62. SHAWN BITTERS

    Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter x 12”, 2017
    William Rolland Gallery

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  63. SHAWN BITTERS

    Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter x 12”, 2017
    Hunterdon Art Museum

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  64. NATHAN MELTZ

    Are You Ready for that Great Atomic Power? Part 6: Screenprint, variable dimensions, 2018
    William Rolland Gallery

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  65. NATHAN MELTZ

    Are You Ready for that Great Atomic Power? Part 6: Screenprint, variable dimensions, 2018
    William Rolland Gallery

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  66. NATHAN MELTZ

    Are You Ready for that Great Atomic Power? Part 6: Screenprint, variable dimensions, 2018
    William Rolland Gallery

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  67. NATHAN MELTZ

    Are You Ready for that Great Atomic Power? Part 6: Screenprint, variable dimensions, 2018
    William Rolland Gallery

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  68. NATHAN MELTZ

    Are You Ready for that Great Atomic Power? Part 6: Screenprint, variable dimensions, 2018
    William Rolland Gallery

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  69. BRANDI GROGAN

    Excel: Screenprint on reclaimed wood, 28” x 18.5” x 3”, 2018
    William Rolland Gallery

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  70. BRANDI GROGAN

    Excel: Screenprint on reclaimed wood, 28” x 18.5” x 3”, 2018
    William Rolland Gallery

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  71. BRANDI GROGAN

    What is the Meaning of All This: Screenprint on reclaimed wood, 22.5” x 18” x 3”, 2018
    William Rolland Gallery

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  72. BRANDI GROGAN

    What is the Meaning of All This: Screenprint on reclaimed wood, 22.5” x 18” x 3”, 2018
    Hunterdon Art Museum

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  73. FLORENCE GIDEZ

    Endangered Architecture: Screenprint, illustration board, acrylic, 23” x 24” x 16”, 2019
    William Rolland Gallery

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  74. FLORENCE GIDEZ

    Endangered Architecture: Screenprint, illustration board, acrylic, 23” x 24” x 16”, 2019
    William Rolland Gallery

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  75. FLORENCE GIDEZ

    The Last Resort: Screenprint, illustration board, acrylic, 26” x 18.25” x 216.5, 2018
    Hunterdon Art Museum

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  76. FLORENCE GIDEZ

    The Last Resort: Screenprint, illustration board, acrylic, 26” x 18.25” x 216.5, 2018
    Hunterdon Art Museum

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  77. FLORENCE GIDEZ

    The Last Resort: Screenprint, illustration board, acrylic, 26” x 18.25” x 216.5, 2018
    Hunterdon Art Museum

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  78. ANDREW RAFTERY

    The Autobiography of a Garden: Engraving transfer-printed on glazed white earthenware,
    12.5” diameter each, 2009-20016
    Hunterdon Art Museum

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  79. ANDREW RAFTERY

    The Autobiography of a Garden: Engraving transfer-printed on glazed white earthenware,
    12.5” diameter each, 2009-20016

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  80. ANDREW RAFTERY

    The Autobiography of a Garden: Engraving transfer-printed on glazed white earthenware,
    12.5” diameter each, 2009-20016
    Hunterdon Art Museum

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  81. JANUARY

    Reading Seed Catalogs
    APRIL

    Edging the Beds
    JUNE

    Training a Passion Vine
    NOVEMBER

    Digging Dahlia Tubers

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  82. ANDREW RAFTERY

    The Autobiography of a Garden: Engraving transfer-printed on glazed white earthenware,
    12.5” diameter each, 2009-20016
    Hunterdon Art Museum

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  83. ANDREW RAFTERY

    The Autobiography of a Garden: Engraving transfer-printed on glazed white earthenware,
    12.5” diameter each, 2009-20016
    Rolland William Gallery

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  84. ESZTER SZIKSZ

    Scrap Pile: The Space Between Us (front): Screenprint, 6” x 9”, 2018
    William Rolland Gallery

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  85. ESZTER SZIKSZ

    Universe (back): Screenprint, 12” diameter, 2018
    William Rolland Gallery

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  86. ESZTER SZIKSZ

    Scrap Pile: The Space Between Us (front): Screenprint, 6” x 9”, 2018
    William Rolland Gallery

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  87. ESZTER SZIKSZ

    Guardian: Video, screenprint on ice, 2014
    William Rolland Gallery

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  88. ESZTER SZIKSZ

    Guardian: Video, screenprint on ice, 2014
    Hunterdon Art Museum

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  89. ESZTER SZIKSZ

    Guardian: Video, screenprint on ice, 2014
    William Rolland Gallery

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  90. ESZTER SZIKSZ

    Guardian: Video, screenprint on ice, 2014
    William Rolland Gallery

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  91. SWOON

    Memento More E.V 2/12: Handprinted block print with coffee stain on cutout Mylar, 84” x 67”, 2018
    William Rolland Gallery

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  92. SWOON

    Memento More E.V 2/12: Handprinted block print with coffee stain on cutout Mylar, 84” x 67”, 2018
    William Rolland Gallery

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  93. SWOON

    Memento More E.V 2/12: Handprinted block print with coffee stain on cutout Mylar, 84” x 67”, 2018
    William Rolland Gallery

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  94. SWOON

    Memento More E.V 2/12: Handprinted block print with coffee stain on cutout Mylar, 84” x 67”, 2018
    William Rolland Gallery

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  95. SWOON

    Mini and the Sphynx: Handprinted block print with coffee stain on cutout Mylar, 84” x 76”, 2017
    Hunterdon Art Museum

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  96. SWOON

    Mini and the Sphynx: Handprinted block print with coffee stain on cutout Mylar, 84” x 76”, 2017
    Hunterdon Art Museum

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  97. GUEN MONTGOMERY

    Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions, 2014
    Kwan Fong Gallery
    GUEN MONTGOMERY

    What Do We Deserve: Silver-plated object with selective tarnish removal, 12” x 4” x 2”, 2017
    William Rolland Gallery

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  98. GUEN MONTGOMERY

    What Do We Deserve:
    Silver-plated objects with selective tarnish removal, variable dimensions, 2017
    William Rolland Gallery

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  99. GUEN MONTGOMERY

    Parse Knives, Bowl:
    Silver-plated objects with selective tarnish removal, variable dimensions, 2017
    William Rolland Gallery

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  100. GUEN MONTGOMERY

    To Each Their Own, Eventually, Parse Knives, Bowl:
    Silver-plated objects with selective tarnish removal, variable dimensions, 2017
    William Rolland Gallery

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  101. GUEN MONTGOMERY

    Eventually, Sugar Bowl: Silver-plated object with selective tarnish removal, 4” x 5” x 3”, 2016
    William Rolland Gallery

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  102. RUTHANN GODOLLEI

    Infusion (Drink Me, for Flint): Laser cut stencil, sandblasted glass apothecary jar,
    adulterated water, letterpress label, 6” x 6” x 3”, 2017
    William Rolland Gallery

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  103. RUTHANN GODOLLEI

    Infusion (Drink Me, for Flint): Laser cut stencil, sandblasted glass apothecary jar,
    adulterated water, letterpress label, 6” x 6” x 3”, 2017
    Hunterdon Art Museum

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  104. RUTHANN GODOLLEI

    Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017
    Hunterdon Art Museum

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  105. RUTHANN GODOLLEI

    Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions, 2014
    Kwan Fong Gallery
    RUTHANN GODOLLEI

    Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017
    Hunterdon Art Museum

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  106. RUTHANN GODOLLEI

    Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017
    William Rolland Gallery

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  107. RUTHANN GODOLLEI

    Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017
    Hunterdon Art Museum

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  108. RUTHANN GODOLLEI

    Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017
    William Rolland Gallery

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  109. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

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  110. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

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  111. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

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  112. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

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  113. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

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  114. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

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  115. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

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  116. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

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  117. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

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  118. SAMANTHA PARKER SALAZAR

    Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions, 2014
    Kwan Fong Gallery
    SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

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  119. UPCOMING PROJECT
    PRINT +
    SAMENESS AND OTHERNESS IN CONTEMPORARY PRINTMEDIA
    AT HUNTERDON ART MUSEUM
    2021
    www.goloborotko.com
    [email protected]

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