Multiple Ones: Contemporary Perspectives in Printmedia

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April 12, 2020
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Multiple Ones: Contemporary Perspectives in Printmedia

Multiple Ones: Contemporary Perspectives in Printmedia was curated in 2018 for the Hunterdon Art Museum in NJ by Sheila Goloborotko. It was exhibited at Kwan Fong Gallery and William Rolland Gallery at the California Lutheran University in Thousand Oaks, CA in 2019 and it is currently at the Museum of Contemporary Art in Jacksonville, FL, 2020

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goloborotko

April 12, 2020
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  1. MULTIPLE ONES Contemporary Perspectives in Printmedia Curated by Sheila Goloborotko

  2. MULTIPLE ONES Contemporary Perspectives in Printmedia Hunterdon Art Museum Clinton,

    NJ May 12 - September 2, 2018 Kwan Fong Gallery and William Rolland Gallery California Lutheran University Thousand Oaks, CA August 22, 2019 - October 23, 2019 Museum of Contemporary Art University of North Florida Jacksonville, FL April 1 - August 30, 2020
  3. Justin Barfield, IN Shawn Bitters, KS Vanessa B. Cruz, FL

    Florence Gidez, NY Rebecca Gilbert, PA Ruthann Godollei, MN Sheila Goloborotko, FL Brandie Grogan, CA John Hitchcock, WI Andrew Kozlowski, FL Lauren Kussro, TX Nathan Meltz, NY Guen Montgomery, IL Jill Parisi, NY Andrew Raftery, RI Samantha Parker Salazar, IL Marliee Salvator, KY Mizin Shin, NY Swoon, NY Eszter Sziksz, TN
  4. SHEILA GOLOBOROTKO Sistema: Screenprinted handcut Mylar variable dimensions, 2016 Opalka

    Gallery
  5. Sheila Goloborotko Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016 Lufrano

    Gallery SHEILA GOLOBOROTKO Corrientes: Handcut aluminum, variable dimensions, 2016 CENTRO CULTURAL ATARAZANAS PIEDRA MÚCARA
  6. Sheila Goloborotko Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016 Lufrano

    Gallery SHEILA GOLOBOROTKO Sistema: Screenprinted handcut Mylar, variable dimensions, 2016 Centro Cultural Atarazanas
  7. Sheila Goloborotko Sistema: Screenprinted handcut Mylar, variable dimensions, 2016 Opalka

    Galery
  8. Sheila Goloborotko Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016 Lufrano

    Gallery Sheila Goloborotko Sistema: Screenprinted handcut Mylar, variable dimensions, 2016 Kwan Fong Galery
  9. Sheila Goloborotko Sistema: Screenprinted handcut Mylar, variable dimensions, 2016 Lufrano

    Gallery
  10. Sheila Goloborotko Sistema: Screenprinted handcut Mylar, variable dimensions, 2016 Opalka

    Gallery (left) / Kwan Fong Gallery (right)
  11. SHEILA GOLOBOROTKO /VANESSA B. CRUZ Synaesthesia, Video Animation, 2017 Kwan

    Fong Gallery
  12. SHEILA GOLOBOROTKO /VANESSA B. CRUZ Synaesthesia, Video Animation, 2017 Kwan

    Fong Gallery
  13. SHEILA GOLOBOROTKO /VANESSA B. CRUZ Synaesthesia, Video Animation, 2017 Kwan

    Fong Gallery
  14. SHEILA GOLOBOROTKO /VANESSA B. CRUZ Synaesthesia, Video Animation, 2017 MOCA

    Jacksonville (top), UNF Recital Hall (bottom)
  15. JOHN HITCHCOCK (left) /JUSTIN BARFIELD (floor) SHEILA GOLOBOROTKO/VANESSA B. CRUZ

    (center) / MARILEE SALVATOR (right) / Kwan Fong Gallery
  16. JUSTIN BARFIELD Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions,

    2014. Kwan Fong Gallery JUSTIN BARFIELD Scrap Pile: Paper, rust, wheat paste, variable dimensions, 2014. Kwan Fong Gallery
  17. JUSTIN BARFIELD Scrap Pile: Paper, rust, wheat paste, variable dimensions,

    2014. Kwan Fong Gallery
  18. JUSTIN BARFIELD Scrap Pile: Paper, Rust, Wheat Paste, variable dimensions,

    2014. Kwan Fong Gallery
  19. JUSTIN BARFIELD Scrap Pile: Paper, Rust, Wheat Paste, variable dimensions,

    2014. Kwan Fong Gallery
  20. MARILEE SALVATOR Growth Patterns: Etching, screenprint and wood, variable dimensions,

    2017 Kwan Fong Gallery
  21. MARILEE SALVATOR Growth Patterns: Etching, screenprint and wood, variable dimensions,

    2017 Kwan Fong Gallery
  22. MARILEE SALVATOR Growth Patterns: Etching, screenprint and wood, variable dimensions,

    2017 Hunterdon Art Museum
  23. MARILEE SALVATOR Growth Patterns: Etching, screenprint and wood, variable dimensions,

    2017 Kwan Fong Gallery
  24. MARILEE SALVATOR Growth Patterns: Etching, screenprint and wood, variable dimensions,

    2017 Kwan Fong Gallery
  25. JOHN HITCHCOCK America, America: Inkjet on fabric flags, variable dimensions,

    2019 Kwan Fong Gallery
  26. JOHN HITCHCOCK America, America: Inkjet on fabric flags, variable dimensions,

    2019 Kwan Fong Gallery
  27. JOHN HITCHCOCK America, America: Inkjet on fabric flags, variable dimensions,

    2019 Kwan Fong Gallery
  28. JOHN HITCHCOCK The Protector: Screenprint on CNC cut wood, variable

    dimensions, 2017 Hunterdon Art Museum
  29. None
  30. ANDREW KOZLOWSKI Variable Collection: Vinyl cut, variable dimensions, 2019 William

    Rolland Gallery
  31. ANDREW KOZLOWSKI Variable Collection: Vinyl cut, variable dimensions, 2019 William

    Rolland Gallery
  32. ANDREW KOZLOWSKI Variable Collection: Vinyl cut, variable dimensions, 2019 William

    Rolland Gallery
  33. ANDREW KOZLOWSKI Variable Collection: Vinyl cut, variable dimensions, 2019 Hunterdon

    Art Museum
  34. ANDREW KOZLOWSKI Variable Collection: Vinyl cut, variable dimensions, 2019 Hunterdon

    Art Museum
  35. ANDREW KOZLOWSKI Variable Collection: Vinyl cut, variable dimensions, 2019 William

    Rolland Gallery
  36. ANDREW KOZLOWSKI Variable Collection: Vinyl cut, variable dimensions, 2019 Hunterdon

    Art Museum
  37. REBECCA GILBERT Shine: Reduction woodcut mounted on foam core, 15”

    x 120”, 2012 William Rolland Gallery
  38. REBECCA GILBERT Shine: Reduction woodcut mounted on foam core, 15”

    x 120”, 2012 William Rolland Gallery
  39. REBECCA GILBERT Shine: Reduction woodcut mounted on foam core, 15”

    x 120”, 2012 William Rolland Gallery
  40. REBECCA GILBERT Raise Bed Fortune Patch: Photo etchings, 24” x

    36” x 36”, 2010-12 Hunterdon Art Museum
  41. REBECCA GILBERT Raise Bed Fortune Patch: Photo etchings, 24” x

    36” x 36”, 2010-12 Hunterdon Art Museum
  42. REBECCA GILBERT Raise Bed Fortune Patch: Photo etchings, 24” x

    36” x 36”, 2010-12 William Rolland Gallery
  43. MIZIN SHIN How Things Are Made Vol.1 / Virtual City_1000:

    Handprinted woodcuts, variable dimensions, 2017 William Rolland Gallery
  44. MIZIN SHIN How Things Are Made Vol.1: Handprinted woodcuts, variable

    dimensions, 2017 William Rolland Gallery
  45. MIZIN SHIN How Things Are Made Vol.1: Handprinted woodcuts, variable

    dimensions, 2017 William Rolland Gallery
  46. MIZIN SHIN How Things Are Made Vol.1: Handprinted woodcuts, variable

    dimensions, 2017 William Rolland Gallery
  47. MIZIN SHIN How Things Are Made Vol.1 / Virtual City_1000:

    Handprinted woodcuts, Variable Dimensions, 2017 William Rolland Gallery
  48. MIZIN SHIN How Things Are Made Vol.1 / Virtual City_1000:

    Handprinted woodcuts, variable dimensions, 2017 Hunterdom Art Museum
  49. MIZIN SHIN How Things Are Made Vol.1 / Virtual City_1000:

    Handprinted woodcuts, variable dimensions, 2017 William Rolland Gallery
  50. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  51. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  52. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  53. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  54. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  55. LAUREN KUSSRO We Held to Each Other so Tightly, We

    became as One: Screenprint and monotype, threads, beads, variable dimensions, 2013 William Rolland Gallery
  56. JILL PARISI Celestial: Etchings on Yushuki handmade paper, variable dimensions,

    2015 William Rolland Gallery
  57. JILL PARISI Celestial: Etchings on Yushuki handmade paper, variable dimensions,

    2015 William Rolland Gallery
  58. JILL PARISI Celestial: Etchings on Yushuki handmade paper, variable dimensions,

    2015 William Rolland Gallery
  59. JILL PARISI Celestial: Etchings on Yushuki handmade paper, variable dimensions,

    2015 William Rolland Gallery
  60. SHAWN BITTERS Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter

    x 12”, 2017 William Rolland Gallery
  61. SHAWN BITTERS Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter

    x 12”, 2017 William Rolland Gallery
  62. SHAWN BITTERS Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter

    x 12”, 2017 Hunterdon Art Museum
  63. SHAWN BITTERS Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter

    x 12”, 2017 William Rolland Gallery
  64. SHAWN BITTERS Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter

    x 12”, 2017 Hunterdon Art Museum
  65. NATHAN MELTZ Are You Ready for that Great Atomic Power?

    Part 6: Screenprint, variable dimensions, 2018 William Rolland Gallery
  66. NATHAN MELTZ Are You Ready for that Great Atomic Power?

    Part 6: Screenprint, variable dimensions, 2018 William Rolland Gallery
  67. NATHAN MELTZ Are You Ready for that Great Atomic Power?

    Part 6: Screenprint, variable dimensions, 2018 William Rolland Gallery
  68. NATHAN MELTZ Are You Ready for that Great Atomic Power?

    Part 6: Screenprint, variable dimensions, 2018 William Rolland Gallery
  69. NATHAN MELTZ Are You Ready for that Great Atomic Power?

    Part 6: Screenprint, variable dimensions, 2018 William Rolland Gallery
  70. BRANDI GROGAN Excel: Screenprint on reclaimed wood, 28” x 18.5”

    x 3”, 2018 William Rolland Gallery
  71. BRANDI GROGAN Excel: Screenprint on reclaimed wood, 28” x 18.5”

    x 3”, 2018 William Rolland Gallery
  72. BRANDI GROGAN What is the Meaning of All This: Screenprint

    on reclaimed wood, 22.5” x 18” x 3”, 2018 William Rolland Gallery
  73. BRANDI GROGAN What is the Meaning of All This: Screenprint

    on reclaimed wood, 22.5” x 18” x 3”, 2018 Hunterdon Art Museum
  74. FLORENCE GIDEZ Endangered Architecture: Screenprint, illustration board, acrylic, 23” x

    24” x 16”, 2019 William Rolland Gallery
  75. FLORENCE GIDEZ Endangered Architecture: Screenprint, illustration board, acrylic, 23” x

    24” x 16”, 2019 William Rolland Gallery
  76. FLORENCE GIDEZ The Last Resort: Screenprint, illustration board, acrylic, 26”

    x 18.25” x 216.5, 2018 Hunterdon Art Museum
  77. FLORENCE GIDEZ The Last Resort: Screenprint, illustration board, acrylic, 26”

    x 18.25” x 216.5, 2018 Hunterdon Art Museum
  78. FLORENCE GIDEZ The Last Resort: Screenprint, illustration board, acrylic, 26”

    x 18.25” x 216.5, 2018 Hunterdon Art Museum
  79. ANDREW RAFTERY The Autobiography of a Garden: Engraving transfer-printed on

    glazed white earthenware, 12.5” diameter each, 2009-20016 Hunterdon Art Museum
  80. ANDREW RAFTERY The Autobiography of a Garden: Engraving transfer-printed on

    glazed white earthenware, 12.5” diameter each, 2009-20016
  81. ANDREW RAFTERY The Autobiography of a Garden: Engraving transfer-printed on

    glazed white earthenware, 12.5” diameter each, 2009-20016 Hunterdon Art Museum
  82. JANUARY Reading Seed Catalogs APRIL Edging the Beds JUNE Training

    a Passion Vine NOVEMBER Digging Dahlia Tubers
  83. ANDREW RAFTERY The Autobiography of a Garden: Engraving transfer-printed on

    glazed white earthenware, 12.5” diameter each, 2009-20016 Hunterdon Art Museum
  84. ANDREW RAFTERY The Autobiography of a Garden: Engraving transfer-printed on

    glazed white earthenware, 12.5” diameter each, 2009-20016 Rolland William Gallery
  85. ESZTER SZIKSZ Scrap Pile: The Space Between Us (front): Screenprint,

    6” x 9”, 2018 William Rolland Gallery
  86. ESZTER SZIKSZ Universe (back): Screenprint, 12” diameter, 2018 William Rolland

    Gallery
  87. ESZTER SZIKSZ Scrap Pile: The Space Between Us (front): Screenprint,

    6” x 9”, 2018 William Rolland Gallery
  88. ESZTER SZIKSZ Guardian: Video, screenprint on ice, 2014 William Rolland

    Gallery
  89. ESZTER SZIKSZ Guardian: Video, screenprint on ice, 2014 Hunterdon Art

    Museum
  90. ESZTER SZIKSZ Guardian: Video, screenprint on ice, 2014 William Rolland

    Gallery
  91. ESZTER SZIKSZ Guardian: Video, screenprint on ice, 2014 William Rolland

    Gallery
  92. SWOON Memento More E.V 2/12: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 67”, 2018 William Rolland Gallery
  93. SWOON Memento More E.V 2/12: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 67”, 2018 William Rolland Gallery
  94. SWOON Memento More E.V 2/12: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 67”, 2018 William Rolland Gallery
  95. SWOON Memento More E.V 2/12: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 67”, 2018 William Rolland Gallery
  96. SWOON Mini and the Sphynx: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 76”, 2017 Hunterdon Art Museum
  97. SWOON Mini and the Sphynx: Handprinted block print with coffee

    stain on cutout Mylar, 84” x 76”, 2017 Hunterdon Art Museum
  98. GUEN MONTGOMERY Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions,

    2014 Kwan Fong Gallery GUEN MONTGOMERY What Do We Deserve: Silver-plated object with selective tarnish removal, 12” x 4” x 2”, 2017 William Rolland Gallery
  99. GUEN MONTGOMERY What Do We Deserve: Silver-plated objects with selective

    tarnish removal, variable dimensions, 2017 William Rolland Gallery
  100. GUEN MONTGOMERY Parse Knives, Bowl: Silver-plated objects with selective tarnish

    removal, variable dimensions, 2017 William Rolland Gallery
  101. GUEN MONTGOMERY To Each Their Own, Eventually, Parse Knives, Bowl:

    Silver-plated objects with selective tarnish removal, variable dimensions, 2017 William Rolland Gallery
  102. GUEN MONTGOMERY Eventually, Sugar Bowl: Silver-plated object with selective tarnish

    removal, 4” x 5” x 3”, 2016 William Rolland Gallery
  103. RUTHANN GODOLLEI Infusion (Drink Me, for Flint): Laser cut stencil,

    sandblasted glass apothecary jar, adulterated water, letterpress label, 6” x 6” x 3”, 2017 William Rolland Gallery
  104. RUTHANN GODOLLEI Infusion (Drink Me, for Flint): Laser cut stencil,

    sandblasted glass apothecary jar, adulterated water, letterpress label, 6” x 6” x 3”, 2017 Hunterdon Art Museum
  105. RUTHANN GODOLLEI Caution Tape (for Philando Castle): Screenprint on plastic

    ribbon, variable dimensions, 2017 Hunterdon Art Museum
  106. RUTHANN GODOLLEI Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions,

    2014 Kwan Fong Gallery RUTHANN GODOLLEI Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017 Hunterdon Art Museum
  107. RUTHANN GODOLLEI Caution Tape (for Philando Castle): Screenprint on plastic

    ribbon, variable dimensions, 2017 William Rolland Gallery
  108. RUTHANN GODOLLEI Caution Tape (for Philando Castle): Screenprint on plastic

    ribbon, variable dimensions, 2017 Hunterdon Art Museum
  109. RUTHANN GODOLLEI Caution Tape (for Philando Castle): Screenprint on plastic

    ribbon, variable dimensions, 2017 William Rolland Gallery
  110. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  111. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  112. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  113. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  114. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  115. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  116. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  117. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  118. SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint,

    vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  119. SAMANTHA PARKER SALAZAR Scrap Pile: Paper, Rust, Wheat Paste, Variable

    Dimensions, 2014 Kwan Fong Gallery SAMANTHA PARKER SALAZAR Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015 William Rolland Gallery
  120. Thank you!

  121. UPCOMING PROJECT PRINT + SAMENESS AND OTHERNESS IN CONTEMPORARY PRINTMEDIA

    AT HUNTERDON ART MUSEUM 2021 www.goloborotko.com s.goloborotko@unf.edu