Upgrade to Pro
— share decks privately, control downloads, hide ads and more …
Speaker Deck
Sign up for free
Menu
Search
Features
All features
Private URLs
Password Protection
Custom URLS
Scheduled publishing
Remove Branding
Restrict embedding
Deck Collections
Notes
Features
All features
Private URLs
Password Protection
Custom URLS
Scheduled publishing
Remove Branding
Restrict embedding
Deck Collections
Notes
Explore
Featured decks
Featured speakers
Programming
Technology
Storyboards
Explore
Featured decks
Featured speakers
Programming
Technology
Storyboards
Pricing
Search
Sign in
Sign up for free
African Art and the Complexities of Identity
Search
nichsara
April 11, 2013
150
0
Share
Embed
Copy iframe code
Copy JS code
Copy link
Start on current slide
African Art and the Complexities of Identity
nichsara
April 11, 2013
More Decks by nichsara
See All by nichsara
African and Australian Rock Art
nichsara
0
270
Mapping the Cosmos: Mandalas
nichsara
0
160
Mapping the Cosmos: Buddhist and Hindu Art in Southeast Asia
nichsara
2
660
Lecture | Art of the Americas
nichsara
1
160
Discussion | Modern Discrediting of Ancient Creativity
nichsara
0
290
Discussion | African "Art" and the "Primitive"
nichsara
1
540
Lecture | African Art and European Contact
nichsara
1
660
Suger vs. Clairvaux
nichsara
0
200
Romanesque and Gothic Architecture
nichsara
1
700
Featured
See All Featured
Navigating Weather and Climate Data
rabernat
0
560
StorybookのUI Testing Handbookを読んだ
zakiyama
31
7k
Self-Hosted WebAssembly Runtime for Runtime-Neutral Checkpoint/Restore in Edge–Cloud Continuum
chikuwait
0
890
Test your architecture with Archunit
thirion
2
2.4k
Docker and Python
trallard
47
4.2k
Optimizing for Happiness
mojombo
378
71k
The Director’s Chair: Orchestrating AI for Truly Effective Learning
tmiket
1
330
Beyond borders and beyond the search box: How to win the global "messy middle" with AI-driven SEO
davidcarrasco
3
280
Mozcon NYC 2025: Stop Losing SEO Traffic
samtorres
1
580
XXLCSS - How to scale CSS and keep your sanity
sugarenia
250
1.3M
What Being in a Rock Band Can Teach Us About Real World SEO
427marketing
0
1.1k
The Limits of Empathy - UXLibs8
cassininazir
2
720
Transcript
!"#$%&'(!#)(*()+,(-./01,2$3,4(."(56,'3)7( !"#$%&'( )*+,*-.8(9:;<9:=(( ( !#&'"( >>8:::(?-@<A#,4,')( ( /"*-.01,&2"34.( A#$/$3B$4/8(-.1.'$&1$4/8(A.4)< -.1.'$&1$4/8(.C&8(.'$8($7.C&8(
D&1)(-,11(E170+&')8(6$&40.#&( 5"6(7,&8-"&4.9( ! -#.F',6(G,&6(."(&(H$'I( JE'$K8(5",8(L.#MC&8(NO)+<NP)+( -,')M#7(-@( ! G$0(Q&4R(S,0#,4,'3'I(&'( 57.C&(JTUM,,'(Q.)+,#VK8( ?,'$'8(Q$661,(A,#$.68(%W( NPP:(-@( ! 5'$3&3.'(X&11(A&',18(YR&'M( A,.01,8(Z,/.%#&3%( S,0MC1$%(."(-.'I.8(,( O:)+(%W( ! @1(!'&)4M$8(:;#'(<,*(#(=">( ?,*;$(@,>"*8(O::;W(
[$/,1$',( A#,<-.')&%) ( ( (>>8:::(?-@<N;::(-@( • L.#MC&(J&)(5",K ( ( (9P:(?-@(\(A#,4,')(
-.')&%) ( ( ( (N;::(-@]N=P:(-@( • H$'I6./(."(?,'$' ( (N;;:(-@(\(N^=>(-@( -.1.'$&1$4/( ( ( (N^^:(-@(\(N=P:(-@( • YR&'M(J-.'I.K( ( (N_:O(-@]A#,4,')(( Z,<-.1.'$`&3.' ( ( (N=P:(-@]N=^:(-@( A.4)<-.1.'$&1 ( ( (N=^:(-@]A#,4,')(( • @1(!'&)4M$ ( ( (CW(N=;;( • aM1$,(Q,+#,)M ( ( (CW(N=>:(
5",(
5",( 5",(
b.#,4)4(&'6(S$B,#48(E4M'(c#.B,8(Y,&#(5",8(D.M)+,#'( Y$I,#$&W(
5)4(#,4$6,')4(.d,'(#,",##,6().(5",(&4()+,( TY&B,1(."()+,(X.#16WV( N=<_8(b$IM#,(."()+,(E'$8(5)&( L,/..8(5",8(1&),(N9)+<NP)+( %,')M#7W(
A&B,/,')(@#&(?,I$'4($'(N:::(-@(
D7/C.1(."()+,(5'',#(G,&6( J$C.#$K8(F,4),#'(L.#MC&8(%W( N=)+<O:)+(%,')M#7W( -&%+,(."(?#.'`,(G,&64(".M'6(M'6,#()+,(e..#(."()+,( XM'/.'$f,(-./0.M'68(',&#()+,(0&1&%,(."()+,(E'$8(N=9^W(
D.<%&11,6(TE#$(E1.RM'8V(1$R,17(&(%#.F',6( +,&6(."(&(H$'I(JE'$K8(5",8(L.#MC&8(,( O:)+(%,')M#7(%.07(."(N;)+<NP)+(-,')M#7( .#$I$'&1W(
!#%+&,.1.I$4)(&'6(&')+#.0.1.I$4)(g,.( b#.C,'$M48(%WN=N:W(( D.<%&11,6(TE#$(E1.RM'8V(1$R,17(&(%#.F',6(+,&6( ."(&(H$'I(JE'$K8(5",8(L.#MC&8(,(O:)+(%,')M#7( %.07(."(N;)+<NP)+(-,')M#7(.#$I$'&1W( (T5)(hE#$(E1.RM'i($4(,'3#,17(6,B.$6(."(Y,I#.( %+&#&%),#$43%4(&'6()+,#,($4('.(6.MC)()+&)($)( %&''.)(+&B,(C,,'(/&6,(."(1.%&1(%&43'Ijh5i( 6$4%.B,#,6($'6$40M)&C1,(0#.."4(."()+,(,2$4),'%,( ."(A1&).k4(1,I,'6(-.'3',')(."(!)1&'34V(
-#.F',6(G,&6(."(&(H$'I( JE'$K8(5",8(L.#MC&8(NO)+<NP)+( -,')M#7(-@( TQ&7(EC&)&1&("&4+$.'(".#( M4(&(I..6(F.#R(."(&#)WV(
-#.F',6(G,&6(."(&(H$'I( JE'$K8(5",8(L.#MC&8(NO)+<NP)+( -,')M#7(-@( L.#MC&(!,4)+,3%4l( • !"#$#%&'(JB$4$C$1$)7K( • ()*&'(J1M/$'.4$)7K( • +),-'(J4)#&$I+)K((
• .*&(JT$'()+,(0#$/,(."(1$",VK( • /-0(J%..1',44K(( • ()*&,1#2J47//,)#7K( • .,1&,1#2JC&1&'%,K( • .%-'234&2J.#'&/,')&3.'K( • 5)%&$#2J1$R,',44K(
[,##&%.m&(G,&68(5",8( L.#MC&8(NO)+<NP)+(-,')M#7( -@( @/C.6$/,')($'(A.#)#&$)M#,( • 64%782g$",(b.#%,( • !9#82-#,&3B$)7( • 6$#82@B.%&3B,(A.F,#(
[,##&%.m&(G,&68(5",8( L.#MC&8(NO)+<NP)+(-,')M#7( -@( D%&#$n%&3.'($4(4311(0#&%3%,6($'(F,4),#'(!"#$%&( ).6&7W(
?#.'`,(Q&4R(G,&68(5",8( L.#MC&8(NO)+<NP)+(-,')M#7(-@( Q&4oM,#&6,#(F,&#$'I(C,&6,6(B,$1(&)(&( %,#,/.'7(+.'.#$'I(+$4(&'%,4).#48(5f,CM8( Y$I,#$&8(N=^_W(
D1&B,([#&6,(Q&0(
None
-.1.'$`&3.'(Q&0( TG,(C,%&/,(&(-+#$43&'(&'6(&)( 4%+..1(F&4(/7(",11.F(4%+.1&#($'( 1,&#'$'I().(#,&6(&'6(F#$),W(( X+,'(+,(1,d(+,(%.M16(F#$),(B,#7( F,118(C,%&M4,()+,(D&0,4(+&B,(&( )&1,')(&'6(4R$11(&)(,B,#7)+$'I( )+,7(1,&#'WV(J!'6#,(Z.',1+&(.'( ?,%&(?.#,8(&(D&0$(#.7&18($'( NP>:4KW((
A#3%B@,*48'8"."(A46;"(C8&D&'(C,*&E(D$,##&(g,.',8(%W( NPP:(-@(
A#3%B@,*48'8"."(A46;"(C8&D&'(C,*&E(D$,##&(g,.',8(%W( NPP:(-@(
A#3%B@,*48'8"."(A46;"(C8&D&'(C,*&E(D$,##&(g,.',8(%W( NPP:(-@(
A#3%B@,*48'8"."(A46;"(C8&D&'(C,*&E(D$,##&(g,.',8(%W( NPP:(-@(
A#3%B@,*48'8"."(A46;"(C8&D&'(C,*&E(D$,##&(g,.',8(%W( NPP:(-@(
A#3%B@,*48'8"."(A46;"(C8&D&'(C,*&E(D$,##&(g,.',8(%W( NPP:(-@(
[+,(Z&'$4+('&)M#&1$4)(E1,(X.#/p4(%&C$',)(."(%M#$.4$3,48([+$4( $4()+,("#.'340$,%,().(X.#/p4(N_PP(QM4,M/(X.#/$&'$M/W(
None
A#.%,44$.'(."()+,(EC&8(?,'$'(-$)78("#./(F".2*%3D,&(,<()<*%2#8( 0MC1$4+,6($'(!/4),#6&/($'(N__^W((
?,'$'(-$)78("#./(F".2*%3D,&(,<()<*%2#8(0MC1$4+,6($'( !/4),#6&/($'(N__^W((
G$0(Q&4R(S,0#,4,'3'I(&'(57.C&( JTUM,,'(Q.)+,#VK8(?,'$'8( Q$661,(A,#$.68(%W(NPP:(-@( X./&'(F$)+("&%$&1(4%&#$n%&3.'8(?,'$'8(O:N:(
G$0(Q&4R(S,0#,4,'3'I( &'(57.C&(JTUM,,'( Q.)+,#VK8(?,'$'8(Q$661,( A,#$.68(%W(NPP:(-@(
!1),#'&3'I(A&m,#'(."(E1.RM'(&'6(A.#)MIM,4,(Q,#%+&')48(G$0( Q&4R(S,0#,4,'3'I(&'(57.C&(JTUM,,'(Q.)+,#VK8(?,'$'8( Q$661,(A,#$.68(%W(NPP:(-@( E1.RM'( E1.RM'( Q,#%+&')(
E1.RM'8(G$0(Q&4R(S,0#,4,'3'I(&'( 57.C&(JTUM,,'(Q.)+,#VK8(?,'$'8( Q$661,(A,#$.68(%W(NPP:(-@( ?#.'`,(D)&)M,(."(E1.RM'8((@C.< E1.RM'8(Y$I,#$&8(%W(NO)+<NP)+( %,')M#$,4W(
Q,/C,#4(."()+,(?#$34+(AM'$3B,(S&$68(?,'$'(A&1&%,8( N^=>W( Q,/C,#4(."()+,(?#$34+(AM'$3B,(S&$6(F$)+(40.$148( ?,'$'(A&1&%,8(N^=>W(
?#$34+(S&$6$'I(A&#)7(&)()+,(A&1&%,(."()+,(EC&8(?,'$'8(N^=>W(
None
None
None
5'$3&),4(A%$0&3'I($'(S$)M&1(Z&'%,8(YR&'M(A,.01,8( Z,/.%#&3%(S,0MC1$%(."(-.'I.8(%W(N==:W(
5'$3&),4(F,&#$'I(#$)M&1(/&4R48(YR&'M(A,.01,8(Z,/.%#&3%( S,0MC1$%(."(-.'I.8(,(O:)+(%W(
H$R&RM(F$)+(A&',14(&'6(D%M10)M#,8(YR&'M(A,.01,8(Z,/.%#&3%( S,0MC1$%(."(-.'I.8(,(O:)+(%W(
5'$3&3.'(X&11(A&',18(YR&'M(A,.01,8(Z,/.%#&3%(S,0MC1$%(."( -.'I.8(,(O:)+(%W(
None
None
5IC.(c$#1(A&$'),6(F$)+(q1$(A&m,#'48(Y$I,#$&8(%W(N=^_W(
@1(!'&)4M$8(1G#**"$(?,,$"&(/,4"-.8(N==:4(
@1(!'&)4M$8(/G"()&2".4,*.(1,&H"*'"$()'#%&8(N==:4((
H,'),(JQ&'k4(-1.)+K8(!4&'),(A,.01,48(c+&'&8(%W(N=_:W(
@1(!'&)4M$8(:;#'( <,*(#(=">( ?,*;$(@,>"*8( O::;W(
@1(!'&)4M$8(I"4>""&(C"#H"&(#&$(J#*4G8(O::_W((
@1(!'&)4M$8(Z,)&$1l(b.$1(?.m1,([.048(K&4"*-%L"&4( A%'&#;.8(O::=W(
@1(!'&)4M$8(Z,)&$1l(-M)(-&'48(I"4>""&(C"#H"&(#&$(J#*4G8(O::_W((
@1(!'&)4M$8(Z,)&$1l(?.m1,(-&048(I"4>""&(C"#H"&(#&$(J#*4G8( O::_W((
aM1$,(Q,+#,)M8(F%.3"*.%,&8(O::OW(
aM1$,(Q,+#,)M8(D)&6$&(558(O::;(