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Modernism, Part III

nichsara
December 09, 2011
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Modernism, Part III

12/06/11

nichsara

December 09, 2011
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  1. Modernism,  Part  III   Reading   Ar+orms,  373-­‐411    

    Range   1917-­‐1962   Dadaism,  Surrealism,  Regionalism,   Abstract  Expressionism,   Pop  Art     Key  Terms/Concepts   Free-­‐Associa;on,  Freudian  Psychology,   Readymade,  Assisted  Readymade,       Monument  List     22.1  Marcel  Duchamp,  L.H.O.O.Q.,  1919.     22.4  Hannah  Hoch,  The  MulG-­‐Millionaire,   1923.     22.6  Salvador  Dali,  The  Persistence  of   Memory,  1931.     22.8  Rene  MagriIe,  Portrait,  1935.     22.36  Edward  Hopper,  Nighthawks,  1942.     22.27  Grant  Wood,  American  Gothic,   1930.     23.2  Jackson  Pollock,  Autumn  Rhythm,   1950.     23.20  Richard  Hamilton,  Just  What  is  it   that  Makes  Today’s  Homes  So  Different,   So  Appealing?  1956.     23.22  Andy  Warhol,  Marilyn  Diptych,   1962.  
  2. Figure 2. Moulage (painted plaster), Mus:e du Val-de-GrAce, Paris. Photo

    courtesy of Musce du service de sant6 des Arm6es, Val-de-GrAce, Paris. I C . . ALL L.. ? ? .bO'/zLLECIN'N"O Wax  casts  of  war  injuries,  Val-­‐de-­‐Grace   Museum,  c.  1917  
  3. it visible. In its formation of an aesthetic practice aimed

    at critiquing ...... ..... ',? ,% Figure 3. Pair of moulages (painted wax), Musee du Val-de-Grace, Paris. Photo courtesy of Musee du service de sante des Armees, Val-de-Grace, Paris. Wax  casts  of  war  injuries,  Val-­‐de-­‐Grace   Museum,  c.  1917  
  4. 23.20  Richard  Hamilton,  Just  What  is  it  that  Makes  

    Today’s  Homes  So  Different,  So  Appealing?  1956.   Pop  Art