Upgrade to Pro — share decks privately, control downloads, hide ads and more …

American Orpheus: Bob Dylan

Sam Ryan
December 10, 2011

American Orpheus: Bob Dylan

These are the complete slides for my DeCal course on the life and work of Bob Dylan (sans music and videos). I taught the class in the spring of 2011 at UC Berkeley, for the English department.

Sam Ryan

December 10, 2011
Tweet

Other Decks in Education

Transcript

  1. WHAT IS THIS CLASS? ★ DeCal: Democratic Education at Cal

    ★ 2 units, pass/no-pass ★ We’ll talk about enrollment in a few minutes ★ Format: lecture/presentation, then discussion
  2. BOB DYLAN ★ 47 official albums and thousands of bootlegs

    since 1961 ★ 50 years of critical acclaim and recognition ★ “DONT LOOK BACK”, a three- word career synopsis
  3. WHAT IS THIS CLASS? ★ The music ★ The context

    ★ The man Three major things we’ll focus on: There’s all this great music, an interesting century, and a guy living it. They’re all worth exploring.
  4. WHY ORPHEUS? ★ “The Greeks of the Classical age venerated

    the legendary figure of Orpheus as chief among poets and musicians...” (Wikipedia)
  5. WHY ORPHEUS? ★ “Orpheus [is] semantically close to goao, ‘to

    lament, sing wildly, cast a spell,’ uniting his seemingly disparate roles as disappointed lover, transgressive musician and mystery-priest into a single lexical whole.” (Wikipedia)
  6. THE ORPHIC CULTS ★ “Characterized human souls as... doomed to

    live in a “grievous circle” of successive bodily lives through metempsychosis or the transmigration of souls.” Souls are “bound to the wheel of rebirth.” (Wikipedia) Eventually you can escape. ★ “Warned of postmortem punishment for certain transgressions committed during life.” (Wikipedia)
  7. Orfeu Négre (Black Orpheus) - 1959 “There was an Orpheus

    before me, and there will be one after me.”
  8. FIRST THINGS FIRST ★ Please take a card & fill

    it out ★ CCNs will be emailed tonight to 25 people
  9. NEWPORT ★ Newport Folk Festival, July 25, 1965 ★ The

    “Elston Gunn Blues Band” ★ “I ain’t gonna work on Maggie’s farm no more...”
  10. BRINGING IT ALL BACK HOME ★ The first in a

    trilogy ★ Surreal poetry and electric guitars mixed in with the traditional format ★ The first music video?
  11. HIGHWAY 61 REVISITED ★ Recorded in six days ★ #4

    Best Album ever, according to Rolling Stone
  12. DESOLATION ROW They’re selling postcards of the hanging They’re painting

    the passports brown The beauty parlor is lled with sailors The circus is in town
  13. DESOLATION ROW They’re selling postcards of the hanging They’re painting

    the passports brown The beauty parlor is lled with sailors The circus is in town
  14. JUDAS! ★ Touring England ★ Manchester Free Trade Hall ★

    “Royal Albert Hall” ★ “A performance of Gothic immensity” (Kershaw) ★ The Bootleg Series, Vol. 4
  15. THE “CHIEF COMMANDER” [VIDEO: On 60 Minutes, Dylan describes his

    career as motivated by a “bargain” he made with “the, uh, chief commander,” in “this world as well as the world we can’t see.”]
  16. THE “CROSSROADS” [VIDEO: In an interview, Bob Dylan recalls “goin’

    down to the crossroads and makin’ that deal, you know, whoosh!”]
  17. THE ANTHOLOGY OF AMERICAN FOLK MUSIC ★ Dock Boggs, “Country

    Blues” - a taste of the old, weird America
  18. BOB DYLAN (1962) ★ Two original songs: ★ “Talkin’ New

    York” ★ “Song to Woody” ★ 11 covers
  19. “SONG TO WOODY” I’m out here a thousand miles from

    my home Walkin’ a road other men have gone down I’m seein’ your world of people and things Your paupers and peasants and princes and kings Hey, hey, Woody Guthrie, I wrote you a song ’Bout a funny ol’ world that’s a-comin’ along Seems sick an’ it’s hungry, it’s tired an’ it’s torn It looks like it’s a-dyin’ an’ it’s hardly been born Hey, Woody Guthrie, but I know that you know All the things that I’m a-sayin’ an’ a-many times more I’m a-singin’ you the song, but I can’t sing enough ’Cause there’s not many men that done the things that you’ve done Here’s to Cisco an’ Sonny an’ Leadbelly too An’ to all the good people that traveled with you Here’s to the hearts and the hands of the men That come with the dust and are gone with the wind I’m a-leavin’ tomorrow, but I could leave today Somewhere down the road someday The very last thing that I’d want to do Is to say I’ve been hittin’ some hard travelin’ too
  20. “YOU’RE INVISIBLE NOW, YOU GOT NO SECRETS TO CONCEAL” ★

    The “Dylanologists” ★ Robert Shelton ★ B. J. Rolfzen and Hibbing High School
  21. NEXT WEEK: Now that we know who he is, where

    he’s from... What is Bob Dylan doing at the March on Washington?
  22. WHERE WE LEFT OFF It’s 1962. Bob Dylan just came

    out. Woody Guthrie’s apostle is dominating the New York folk scene.
  23. THE FREEWHEELIN’ BOB DYLAN ★ Mostly original compositions, mostly great

    ★ Suze Rotolo ★ Ed Sullivan Show ★ Bigger crowds
  24. SONGS: ★ “Blowin’ in the Wind” ★ “Girl from the

    North Country” ★ “Masters of War” ★ “Down the Highway” ★ “Bob Dylan’s Blues” ★ “A Hard Rain’s A- Gonna Fall” ★ “Don’t Think Twice, It’s All Right” ★ “Bob Dylan’s Dream” ★ “Oxford Town” ★ “Talkin’ World War III Blues” ★ “Corrina, Corrina” ★ “Honey, Just Allow Me One More Chance” ★ “I Shall Be Free”
  25. THE TIMES THEY ARE A-CHANGIN’ ★ More Civil Rights ★

    Joan Baez ★ Anthem of “the Times”
  26. SONGS: ★ “The Times They Are A-Changin’” ★ “Ballad of

    Hollis Brown” ★ “With God on Our Side” ★ “One Too Many Mornings” ★ “Only a Pawn in Their Game” ★ “Boots of Spanish Leather” ★ “When the Ship Comes In” ★ “The Lonesome Death of Hattie Carroll” ★ “Restless Farewell”
  27. AND YET: ★ “Blowin’ In The Wind”: 1027 performances ★

    “Masters of War”: 875 performances ★ “The Times They Are A-Changin’”: 637 performances
  28. ‘CROSS THE GREEN MOUNTAIN ★ Gods and Generals (2003) ★

    Reenactor culture ★ Southern sympathies?
  29. “PAT GARRETT & BILLY THE KID” ★ Sam Peckinpah ★

    Kris Kristofferson ★ Garrett and the Kid
  30. TELL HIM WE HAD A DRINK [VIDEO: PAT GARRETT LETS

    DYLAN LIVE AFTER A BAR FIGHT; SIGNIFICANT GAZING]
  31. BLACK POWER ★ Davey Moore ★ Medgar Evers ★ Hattie

    Carroll ★ Ruben Carter ★ George Jackson ★ Blind Willie McTell
  32. BEFORE THE FLOOD ★ Has Dylan always been a “Christian

    artist”? ★ Some early hints: evidence for and against this claim by Stephen Webb & co. ★ (Related: is he a conservative?)
  33. BORN AGAIN ★ What does it mean to be born

    again? ★ California and new Christianities ★ The Vineyard Fellowship
  34. TAKIN’ IT TO THE STREETS ★ Saturday Night Live, October

    20, 1979 ★ San Francisco, November 1-16, 1979 ★ The “gospel raps”
  35. GOSPEL RAPS ★ Believe it or not, he used to

    talk to the audience. But it’s not “How ya doin’, Cleveland.”
  36. AFTER THE DELUGE ★ After Slow Train Coming (1979), Saved

    (1980), and Shot of Love (1981) the music slowly turns more secular. ★ Does Dylan himself?
  37. NEXT WEEK ★ The Basement Tapes and the tangled roots

    of an old, weird America ★ Some notes on bootleg culture
  38. THE BAND ★ Robbie Robertson ★ Garth Hudson ★ Rick

    Danko ★ Richard Manuel ★ Levon Helm
  39. THE BASEMENT TAPES ★ 1975 ★ An album “with the

    windows open and a dog lying on the floor”
  40. THE OLD, WEIRD AMERICA ★ Greil Marcus book, 1997 ★

    Sourcing and understanding the Basement Tapes ★ Alt. title: “Invisible Republic”
  41. SOURCES ★ Harry Smith’s Anthology of American Folk Music ★

    Johnny Cash ★ The “American Songbag,” broadly speaking
  42. MEANINGS ★ What are these songs about? Why do they

    matter? ★ One possibility: escaping the self, especially for the first time...
  43. NEXT MEETING ★ “Orpheus in the Pantheon”: Collaborations and Covers

    ★ Read Wilentz on the Beats ★ Listen to Collaborations playlist
  44. MORE WRITERS ★ Sam Shepherd ★ Jacques Levy ★ Henry

    Rollins ★ Gen. Nathan Bedford Forrest ★ Ovid
  45. SOME MORE THEMES ★ Time ★ Jail ★ Mother ★

    Tennessee ★ Lock and Key ★ President’s Day ★ Hair ★ Christmas ★ Laughter ★ Death & Taxes ★ The Devil ★ Eyes ★ Trains ★ Danger
  46. THE LIVES OF THE POETS ★ Woody Guthrie ★ Hank

    Williams ★ Tom Waits ★ Shakespeare
  47. “HEY, IT’S MAVIS STAPLES!” ★ This was nominated for a

    Grammy in 2003 ★ Some things can be explained. (Not the Grammy)
  48. DYLAN ★ 1973: The revenge of Columbia ★ In my

    opinion, the worst ★ “Mr. Bojangles”
  49. CHRISTMAS IN THE HEART ★ 2009 ★ Is this a

    joke? It’s not for money ★ “Adeste Fideles”
  50. FILMS ★ “Dont Look Back” ★ “Eat the Document” ★

    “Renaldo and Clara” ★ Documentaries ★ “Masked and Anonymous” ★ “I’m Not There”
  51. NEXT WEEK ★ Orpheus looks back: Time Out of Mind,

    “Love & Theft,” and Modern Times (and maybe Tell Tale Signs)
  52. FINAL ESSAYS ★ 4 pages minimum, open-ended topic ★ Definitely

    required ★ Potential topics: album/movie review, autobiography, epic poem
  53. 1983-2011 ★ Skipping seven albums, perhaps unfairly, to get to

    1997. Go get ‘em yourself. ★ With Time Out Of Mind, Dylan is indisputably relevant again. It kicks off a creative renaissance. Here are the 5 albums since then, not counting Christmas in the Heart.
  54. “GONNA RAISE ME AN ARMY” ★ Time Magazine ★ The

    Civil War again ★ Mark Twain, Henry Rollins, Thomas Wolfe, and more ★ A Japanese crime novel ★ Ovid
  55. “If you ever try to interfere with me or cross

    my path again You do so at the peril of your own life I’m not quite as cool or forgiving as I sound I’ve seen enough heartaches and strife” —Bob Dylan, “Floater (Too Much To Ask),” “Love & Theft” “You have played the part of a damned scoundrel, and are a coward, and if you were any part of a man I would slap your jaws and force you to resent it. You may as well not issue any orders to me, for I will not obey them… I say to you that if you ever again try to interfere with me or cross my path it will be at the peril of your life.” —Nathan Bedford Forrest to Gen. Braxton Bragg (letter), 1863
  56. HENRY TIMROD “A round of precious hours. Oh! here, where

    in that summer noon I basked, And strove, with logic frailer than the owers...” — “A Rhapsody of a Southern Winter Night” “More frailer than the owers, these precious hours.” — “When the Deal Goes Down” “How then, O weary one! explain the sources of that hidden pain?” — “Two Portraits” “I can’t explain The sources of this hidden pain” — “Spirit on the Water” “There is a wisdom that grows up in strife...” — “Retirement” “Where wisdom grows up in strife” — “When the Deal Goes Down” “Which, ere they feel a lover’s breath, Lie in a temporary death,” — “Two Portraits” “I can hear a lover’s breath I sleep in the kitchen with my feet in the hall Sleep is like a temporary death” — “Workingman’s Blues #2”
  57. MARK TWAIN “The stars were shining, and the leaves rustled

    in the woods ever so mournful; and I heard an owl, away off, who-whooing about somebody that was dead, and a whippowill and a dog crying about somebody that was going to die; and the wind was trying to whisper something to me, and I couldn't make out what it was, and so it made the cold shivers run over me.” — Twain, The Adventures of Huckleberry Finn “Last night the wind was whisperin’ somethin’ I was trying to make out what it was I tell myself something’s comin’ But it never does.” — “Lonesome Day Blues” (Love & Theft) “I tell myself that something’s coming. I don't know what, but it’s coming... but it never does and I knew that it wouldn’t in the rst place.” — Henry Rollins, Art to Choke Hearts & Pissing in the Gene Pool “Last night the wind was whisperin’ somethin’ I was trying to make out what it was I tell myself something’s comin’ But it never does.” — “Lonesome Day Blues” (Love & Theft)
  58. HENRY ROLLINS “I know my truth in that I know

    I'll never be able to say anything back to them that isn't coming from the dark room that is my mind.” —Rollins, Now Watch Him Die “Big Joe Turner lookin’ east and west From the dark room of his mind” — “High Water (for Charlie Patton)” (Love & Theft) “You're weak and in need. You want something to hold so you can have something to blame. Don't reach out to me. I'm drowning too.” —Rollins, Art to Choke Hearts & Pissing in the Gene Pool “‘Don’t reach out to me,’ she said, ‘Can’t you see I’m drowning too?’” — “High Water (for Charlie Patton)” (Love & Theft) “I would like to think that I could control myself at all times, but it just isn’t true / I catch mself slipping all the time —Rollins, Now Watch Him Die “I’d like to think I could control myself, but it isn’t true” — “Can’t Wait” (Time Out of Mind) “I don’t want to know you You went years without me You might as well keep on going” —Rollins, See a Grown Man Cry “You went years without me, might as well keep goin’ now” — “Sugar Baby” (Love & Theft)
  59. THOMAS WOLFE (343) You mention the fact that I have

    worked hard in an effort to learn how to use my material in the most effective way. (341) ...that the story has been written to the glory of man and not to his defeat. (368) the poems that I have liked the best and that have meant the most to me are those that meant nothing at all to me when I rst read them. (389) All these things I suppose are simple and matter-of-fact enough, but all the strangeness and mystery of time and chance and of the human destiny is in them for me and they seem wonderful. I try to use my material in the most effective way. The songs were written to the glory of man and not to his defeat, but all of these songs added together doesn't even come close to my whole vision of life. Sometimes the things that you liked the best and that have meant the most to you are the things that meant nothing at all to you when you rst heard or saw them. Some of these songs t into that category. I suppose all these things are simple, matter of fact enough.
  60. JUNICHI SAGA “My old man would sit there like a

    feudal lord...” — Confessions of a Yakuza “My old man, he’s like some feudal lord / Got more lives than a cat” — “Floater (Too Much to Ask)” “I won’t come anymore if it bothers you.” — Confessions of a Yakuza “Some things are too terrible to be true/I won’t come here no more if it bothers you” — “Honest With Me” “Actually, though, I'm not as cool or forgiving as I might have sounded.” — Confessions of a Yakuza “I’m not quite as cool or forgiving as I sound /I’ve seen enough heartaches and strife” — “Floater (Too Much to Ask)” “There was nothing sentimental about him–it didn’t bother him at all that some of his pals had been killed.” — Confessions of a Yakuza “My captain, he’s decorated—he’s well schooled and he’s skilled / He’s not sentimental—don’t bother him at all / How many of his pals have been killed” — “Lonesome Day Blues”
  61. OVID (FROM “THE ART OF LOVE,” “TRISTIA,” AND “BLACK SEA

    LETTERS”) DYLAN “every nook and corner had its tears” “Every nook and cranny has its tears” “loyal and much loved companions, bonded in brotherhood” “All my loyal and my much-loved companions” “let me make the most of one last extra hour “I’ll make the most of one last extra hour” “I practice terms long abandoned “I practice a faith that’s been long abandoned” “tear my mind from the contemplation of my woes” “They will tear your mind away from contemplation” “who approve, and share, your code” “They approve of me and share my code” “Who says I can’t get heavenly aid when a god’s angry with me?” “Who says I can’t get heavenly aid?” “Night attacks are a great thing. Catch your opponents sleeping and unarmed. Just slaughter them where they lie.” “If I catch my opponents ever sleepin’ / I’ll just slaughter them where they lie.”
  62. HOW DOES IT FEEL? ★ Joni Mitchell: “Bob is not

    authentic at all. He's a plagiarist, and his name and voice are fake.” ★ Suzanne Vega: “He’s never pretended to be an academic, or even a nice guy. He is more likely to present himself as, well, a thief. Renegade, outlaw, artist. That’s why we are passionate about him.”