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Artist Statement

Taeyoon Choi
January 05, 2014
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Artist Statement

Taeyoon Choi

January 05, 2014
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  1. Taeyoon Choi
    Artist statement and work sample
    Compiled in January 5th, 2014
    [email protected]
    * Contact the artist before using any material in this document
    http:/
    /taeyoonchoi.com

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  2. My recent work revolve around the concept of
    Software Fiction and Hardware Noir.*
    I build custom hardware that contrast the
    common ‘Black Box’ products in the market.
    The series of working prototypes examine the
    possibility of modular, open source computer
    that operate on affects and percepts beyond
    binary logic.
    *Word choice is inspired by ‘Design Fiction and Design Noir’ used by
    Dunne & Raby and others.
    8 Bit Modular Computer, Custom designed hardware (2013)
    http:/
    /taeyoonchoi.com/2013/07/modular-input/

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  3. I make working prototypes in order to
    imagine alternatives ways of computing and
    communicating.
    Note explaining workings of JK Flip Flop, Integrated Circuits and hand drawn images, video (2013)
    http:/
    /taeyoonchoi.com/2013/03/open-source-kit/

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  4. Although my artistic process often involve
    technical research and development, the end goal
    is social and aesthetic exploration of our
    relationship with technology.
    Postpostoffice, Drawings and digital photographs, postcards (2013)
    http:/
    /taeyoonchoi.com/2013/04/storage-to-memory/
    http:/
    /www.flickr.com/photos/95057526@N04/

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  5. Bird Call Video Link: https:/
    /vimeo.com/83232785
    Sine wave circuit video: http:/
    /www.youtube.com/watch?
    v=n9dJJ72Xa9I
    Signals and code command machines.
    Affects bring presence in human.

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  6. There is poetics in the moment
    when boolean logic meets
    electricity (hardware) and when
    language meets mathematics
    (software).
    Noise Collector, sound performance in Liberty Park, NYC (2012)
    Performance https:/
    /vimeo.com/46561833
    Exhibition at 319 Scholes, Brooklyn https:/
    /vimeo.com/56892511
    Documents http:/
    /taeyoonchoi.com/2012/06/noisecollector/

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  7. I sketch odd interface and systems, hardware with sinister complexity that reminds of
    characters in film noir and a software that is absurd to the point of existential crisis.
    Studio view

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  8. 8 Bit Adder/Subtractor, working prototype, Integrated Circuits, electronics (2013)
    http:/
    /taeyoonchoi.com/2013/08/sfpc-kit/
    http:/
    /taeyoonchoi.com/2013/07/full-adder-with-nor-gate/
    Building circuit is like writing
    poetry, there is play of words,
    rhythm and metaphor.
    Connecting electricity to
    discrete components is like
    placing characters in plots and
    programming is like writing a
    novel.

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  9. INPUT=OUTPUT
    “This module is a fully configurable, primitive
    binary computer that can be used for signal
    generation, memory and arithmetic purpose. It
    can be programmed by connecting exposed pins
    with jumper wires. It’s a hardware where input is
    output, the circuit is signal and data is program.” -
    2013
    Custom made circuit, NAND & HEX Inverter chip, electronics (2013)
    Video Link: https:/
    /vimeo.com/83232557

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  10. Bit Shifter
    “This is a hand wired Shift Register made from D
    type Flip Flop Integrated circuits. This module can
    be configured for storing data as well as to multiply
    binary numbers by connecting to other modules” -
    2013
    Custom made circuit, D type Flip Flop chip, electronics (2013)
    Video Link: http:/
    /www.youtube.com/watch?v=S0iO5MZeKPo&feature=youtu.be

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  11. Software Fiction is working with imaginative applications that are technically impossible
    and unrealistic. It also means writing stories about using such software.
    User Experience, Web comic (2013)
    http:/
    /taeyoonchoi.com/2013/03/user-experience-1/

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  12. Some of my writings and
    drawings are made into objects
    (paintings, ceramics, and
    robotics).
    The objects are used for video,
    installation and performance.
    Melancholy Pad, Acrylics on canvas (2013)
    http:/
    /taeyoonchoi.com/2013/03/app-paintings/

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  13. My writings and drawings make most sense as a book.
    I’ve self published zines, books in print and digital format.
    Anti-Manifesto, designed by Hyo Kwon. Shanghai Biennale 2012
    http:/
    /taeyoonchoi.com/antimanifesto/

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  14. I try to share what I care the most by
    teaching, curating and activism.
    I co-founded School for Poetic
    Computation, 10 weeks intensive school
    based in Brooklyn.
    I also direct Making Lab at 4th APAP, a
    community makerspace in Anyang, South
    Korea. We organized 25+ workshops and
    commissioned custom kits.
    School for Poetic Computation: The First Class
    http:/
    /sfpc.io/
    Making Lab
    http:/
    /apap.or.kr/makinglab/

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  15. “Occu-bot can protest in places that human civil
    disobedience is not allowed, and it can also replace
    human protesters.” - 2011
    Occu-bott, robot and performance (2011)
    http:/
    /taeyoonchoi.com/2011/12/occu-bot-and-financier-bot/
    Speakers Corners, exhibition at EYEBEAM (2012)
    “Let’s talk about Democracies. Democracy as in
    IKEA and shipping containers, as in Open Source
    and Free Stuff, as in Organic and Facebook, as in
    Christmas lights at Occupy Wall Street.” - 2012
    http:/
    /taeyoonchoi.com/speakerscorners/

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  16. “My friends, there is no friend!
    but there is...
    IFriend (Instant Friend: a DIY Kit of a friend,
    includes face, hand and feet made of laser cut
    acrylics, wood and electronics ), IDog (A dog with
    many legs, made of mirrored acrylics and projects
    a beam of laser, which is reflected by a disco ball
    spinning on a screw driver.”-2011
    IFriend, customa made hardware, powerpoint, performance (2011)
    http:/
    /taeyoonchoi.com/2011/12/ifriend/
    http:/
    /www.youtube.com/watch?v=vzLq_KNVg8M
    http:/
    /www.youtube.com/watch?v=sa5CrOKtKbc

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  17. Hacking IKEA
    “In IKEA Mega store near Malmø, the second largest store in the
    world and the largest in Europe, I made a field recording while
    making noise with motors and microcontroller in the showroom,
    often interacting with the shoppers and the products on display.
    These six sets of improvisational performance, or ‘the action’ does
    nothing much to change the soundscape of the shop or challenge
    the Capitalist system or to have any means of direct action toward
    the Machine.” - 2011
    http:/
    /taeyoonchoi.com/2011/12/hacking-i-k-e-a/
    https:/
    /vimeo.com/33985709
    Hacking IKEA, performance, Malmø, Sweden (2011)

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  18. Camerautomata, custom made robot, performance (2008)
    http:/
    /taeyoonchoi.com/2010/12/camerautomata/
    Camerautomata Charlie
    “I questioned, while new technology is making our life more convenient,
    automatic home electronics are replacing our labor, why is there no a
    camera that takes photograph on its own. So I decided to liberate cameras
    from human operation.” - 2008

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  19. Object of desire, custom made software, hardware and performance (2005)
    http:/
    /taeyoonchoi.com/2010/01/object-of-desire/
    Object of Desire
    “The project started by trying to understand
    tourists’ desire to photograph relentlessly.I
    joined a tour group and experienced Seoul, my
    home town, in the tourists’ point of view.”- 2005

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  20. Education
    The School of the Art Institute of Chicago. B.F.A 2004 Department of Performance and New media
    The Korea Advanced Institute of Science and Technology. M.S. 2007 Department of Culture Technology
    Residency and grants
    Fellowship, Eyebeam Art and Technology Center 2011~2012 Residency, Eyebeam Art and Technology Center
    2008 Residency, Art Center Nabi, Seoul, South Korea 2006
    Grant, The Arts Council of Korea. 2007, 2009, 2011
    College Art Award, Chicago Cultural Center 2003
    Solo exhibition
    Speakers Corners, Eyebeam Art and Technology Center, New York, USA 2012 My friends, there is no friend.
    Spanien 13c, Aarhus, Denmark 2011
    When Technology Fails, Reality Prevails. Art Space Hue, Seoul, South Korea 2007
    Selected exhibition
    Anti-Manifesto Shanghai Biennale, Daejon pavilion, Shanghai, China 2012 Codes of Contingency, 319 Scholes,
    New York, USA 2012
    Teleport, Centre des Arts, Enghien les Bains, Paris, France 2010
    From point A to point B, University of Georgia, Athens, USA 2009
    Liars Picnic, Conflux City Festival, New York, USA 2009
    Coffee with Sugar, Akbank Gallery, Istanbul, Turkey 2008
    DISLOCATE; Art, Technology and Locality, ZAIM, Yokohama, Yokohama,Japan, 2007
    Taeyoon Choi
    Artist based in Brooklyn, New York and Seoul
    Co-founder, School for Poetic Computation 2013~
    Director, Making Lab of the 4th APAP 2013~

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  21. Teaching and workshop
    The Public School New York, New York USA 2010~current Dorkbot, Location One, New York, USA 2012
    ARTALK, Culture Hub, New York, USA 2012
    NAND to XOR, City College of New York, New York, USA, 2012
    Art of Tourism, The Creators Project, Seoul, South Korea 2011
    Digital Day Camp, Eyebeam Art and Technology Center, New York, USA 2011
    Interactivos? Medialab Prado, Madrid, Spain 2010
    Drawing +-, Parsons New School for Design, New York, USA 2009
    OFLAB, Ars Electronica, Linz, Austria 2008
    Interactivos? Eyebeam Art and Technology Center, New York, USA 2008
    Urban Programming 101, Upgrade! International, Skopje, Macedonia 2008
    Publication
    Invisible Cities, Moleskine Special edition, 2012
    Roadshow South Korea, New Normal Business, Total Museum of Art, 2012
    Anti-Manifesto, New Normal Business, New York 2012
    Urban programming 101: Stage direction, Mediabus, Seoul, 2011
    Press:
    Dazed and Confused, London, United Kingdom 2013
    Kaleidoscope, Spring 2012
    Architizer.com 2012
    Dazed and Confused, Seoul, South Korea 2011
    Younger than Jesus, New Museum, New York USA 2009 CNET, 2011
    Kontrol; Issue#1 “The pornography of fabricating fear”. Nomad.tv 2006
    Container Culture. Leornardo, Volume 39, Issue 4 - August 2006. MIT Press

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