created from a convex (sphere) and concave (hemisphere) mounted on a radio mast, this communications mast was set within the body of an upturned ship • Projections were accompanied by a densely layered sound track on radio headphones and a novel by Ole Hagen (given freely with the exhibition at Tin Tabernacle in Cambridge Avenue, London, 2012). They’re black and white because of the color-blindness that runs in the family, hence the room is dark • Triadic relationship between the dates of the characters and the building is the starting point for an endless amount of 'coincidences' that Seers discovers as she travels through history searching for the truth. • Her method is based on reenactment/evocations that are created to reveal qualitative relationships between things, these connections may be conceptual, historical or visual and emerge as she travels to relevant locations. • The film has no preset script and emerges from thousands of fragments from multiple devices (the work can only be written in the making). • The resultant installation has an excess of narrative streams and a collage of imagery as time (past, present, future) is compacted. • Myriad of connections in the work spill out from the film into objects housed in the building, some planted and some not - and then into the form of the architecture itself which was already made into a ship of sorts in the 1950's. ecem