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The Science of Font Selection

Drew Powers
April 14, 2015

The Science of Font Selection

Design Orlando #31: The Science of Font Selection

See also: http://madewithenvy.com/ecosystem/articles/2015/how-to-systematically-pick-fonts/

Drew Powers

April 14, 2015
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  1. Typographer Family Avant Garde Style, Weight Gothic (Pro), Bold Designer(s)

    Herb Lubalin, Tom Carnase Year 1970–1977 Genre Sans serif Subgenre Geometric Digital Cut ITC (2005) X-height 75% 0054 0079 0070 006F 0067 0072 0061 0070 0068 0065 0072
  2. I think of myself an
 
 The thing I design

    is manufactured and it has a function:
 to be read, to convey meaning. INDUSTRIAL DESIGNER. Matthew Carter Georgia, Verdana, Tahoma, Kepler, Miller
  3. 1. Old Style 2. 3. 1400 – 1600 1600 –

    1900 1900 – PRESENT Sans Serifs Modern Serifs
  4. 1 2 3 Q Q Q Q Q p p

    p p p e e e e e T T T T T
  5. 1 2 3 Sans serif G G G Q Q

    Q t t t 1900 - present
  6. Carefully consider what the typography needs to before scrolling through

    that bloated font menu. KEN BARBERS House Industries ACCOMPLISH