the Wagner, and online publica,on. “During the fall of 2011, when the work on Main Hall was going full steam, my Museum Studies class conducted research on the process of Historical Architectural Preserva,on, using Main Hall as a case study. Through research into a variety of topics such as the Collegiate Gothic architectural style, brick and stone conserva,on, historical landmarking, Wagner’s history, the students learned many things. But the concept they found most engaging was the heritage cycle. Buildings acquire a social value far above that of its architectural value. The class and other Wagner students that came before them had developed a subconscious connec,on to Main Hall, and that this, not necessarily the architectural mastery, was the reason the building was valuable and worth preserving. As a class we took mul,ple trips down a Wagner memory lane; they remembered things like orienta,on, Songfest, and hanging out with friends on the Oval; they described people, sounds, smells. But when asked to very pointedly visualize these memories, they all realized that Main Hall rose up as their primary stage set. And as they came to understand that Main Hall was thus the backbone of their collec,ve experiences and memory at Wagner, the building became more than an object. Main Hall was conjured as a sen,ent being, a stalwart, omniscient presence of the Wagner experience. “hHp://wagner.edu/ wagnermagazine/?p=2254