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More Poetry, Less Demo

Taeyoon Choi
October 19, 2015
0
260

More Poetry, Less Demo

at Codecademy

Taeyoon Choi

October 19, 2015
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Transcript

  1. None

  2. School for poetic computation

  3. School for Poetic computation

  4. School for poetic Computation

  5. wait. Poetry?

  6. code and Poetry

  7. text and Textile

  8. text and Distance

  9. code poetry

  10. @tchoi8

  11. None
  12. None
  13. None
  14. None
  15. None
  16. None
  17. None
  18. None

  19. “School” for poetic computation

  20. None
  21. None

  22. The Public School New York

  23. 177 Livingston street

  24. None

  25. Recess Activities

  26. Learning is Teaching is Making is Doing

  27. Institut fuer Raumexperimente

  28. SFPC begins in Fall 2013

  29. 33 Flatbush ave, Brooklyn

  30. None

  31. New space @ Westbeth, 155 Bank st

  32. Claude Shannon. Bell Labs. Formerly at current SFPC location

  33. Custom furniture by artist Nick Doyle

  34. Fall 2015 class

  35. School for Poetic Skateboarding

  36. School for “Poetic” computation

  37. Handmade Computer

  38. None
  39. None
  40. None
  41. None
  42. None

  43. In Search of Personalized Time Collaboration with E Roon Kang

    LACMA Art + Technology Lab

  44. http://i-s-o-p-t.com/

  45. Version Controlled Poetry https://github.com/tchoi8/poetry/

  46. None
  47. None
  48. None
  49. None
  50. None

  51. Incomplete Text #6 “E” By Charles Gaines http://whitney.org/Events/99ObjectsIncompleteText

  52. Christine Sun Kim

  53. None
  54. None

  55. https://vimeo.com/132199863

  56. School for poetic Computation

  57. Ishac Bertran’s code-poems.com

  58. Code poems can be submitted in any coding language -

    there are only two rules: ! - 0,5 KB maximum size. - Required to compile.
  59. None

  60. Mariko Kosaka's 64sts.com

  61. None
  62. None
  63. None

  64. Katie Rose-Pipkin’s picking figs in the ˚ ̥̞̞̽̽ͯ garden while

    my world eats Itself
  65. None
  66. None
  67. None

  68. Katie Rose-Pipkin’s Cloud OCR

  69. “learning to inhabit the world in a better way”; instead

    of looking forward to a future utopia, this art sets up functioning “microtopias” in the present ! from Relational Aesthetics by Nicholas Bourriaud.

  70. Richard Buckminster Fuller and his students in Black Mountain College,

    1949

  71. Utopia can be an exploratory process, organic and evolutionary as

    opposed to definitive and rigid structure.

  72. Lygia Clark’s proposition Rede de elásticos (Elastic net), 1974