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Multiple Ones: Contemporary Perspectives in Printmedia

goloborotko
April 12, 2020
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Multiple Ones: Contemporary Perspectives in Printmedia

Multiple Ones: Contemporary Perspectives in Printmedia was curated in 2018 for the Hunterdon Art Museum in NJ by Sheila Goloborotko. It was exhibited at Kwan Fong Gallery and William Rolland Gallery at the California Lutheran University in Thousand Oaks, CA in 2019 and it is currently at the Museum of Contemporary Art in Jacksonville, FL, 2020

goloborotko

April 12, 2020
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Transcript

  1. MULTIPLE ONES
    Contemporary Perspectives in Printmedia
    Curated by Sheila Goloborotko

    View Slide

  2. MULTIPLE ONES
    Contemporary Perspectives in Printmedia
    Hunterdon Art Museum
    Clinton, NJ

    May 12 - September 2, 2018

    Kwan Fong Gallery and William Rolland Gallery

    California Lutheran University

    Thousand Oaks, CA

    August 22, 2019 - October 23, 2019

    Museum of Contemporary Art
    University of North Florida

    Jacksonville, FL

    April 1 - August 30, 2020

    View Slide

  3. Justin Barfield, IN

    Shawn Bitters, KS

    Vanessa B. Cruz, FL

    Florence Gidez, NY

    Rebecca Gilbert, PA

    Ruthann Godollei, MN

    Sheila Goloborotko, FL

    Brandie Grogan, CA

    John Hitchcock, WI

    Andrew Kozlowski, FL

    Lauren Kussro, TX

    Nathan Meltz, NY

    Guen Montgomery, IL

    Jill Parisi, NY

    Andrew Raftery, RI

    Samantha Parker Salazar, IL

    Marliee Salvator, KY

    Mizin Shin, NY

    Swoon, NY
    Eszter Sziksz, TN

    View Slide

  4. SHEILA GOLOBOROTKO

    Sistema: Screenprinted handcut Mylar variable dimensions, 2016
    Opalka Gallery

    View Slide

  5. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016
    Lufrano Gallery
    SHEILA GOLOBOROTKO

    Corrientes: Handcut aluminum, variable dimensions, 2016
    CENTRO CULTURAL ATARAZANAS PIEDRA MÚCARA

    View Slide

  6. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016
    Lufrano Gallery
    SHEILA GOLOBOROTKO

    Sistema: Screenprinted handcut Mylar, variable dimensions, 2016
    Centro Cultural Atarazanas

    View Slide

  7. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, variable dimensions, 2016
    Opalka Galery

    View Slide

  8. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, Variable Dimensions, 2016
    Lufrano Gallery
    Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, variable dimensions, 2016
    Kwan Fong Galery

    View Slide

  9. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, variable dimensions, 2016
    Lufrano Gallery

    View Slide

  10. Sheila Goloborotko

    Sistema: Screenprinted handcut Mylar, variable dimensions, 2016
    Opalka Gallery (left) / Kwan Fong Gallery (right)

    View Slide

  11. SHEILA GOLOBOROTKO /VANESSA B. CRUZ

    Synaesthesia, Video Animation, 2017
    Kwan Fong Gallery

    View Slide

  12. SHEILA GOLOBOROTKO /VANESSA B. CRUZ

    Synaesthesia, Video Animation, 2017
    Kwan Fong Gallery

    View Slide

  13. SHEILA GOLOBOROTKO /VANESSA B. CRUZ

    Synaesthesia, Video Animation, 2017
    Kwan Fong Gallery

    View Slide

  14. SHEILA GOLOBOROTKO /VANESSA B. CRUZ

    Synaesthesia, Video Animation, 2017
    MOCA Jacksonville (top), UNF Recital Hall (bottom)

    View Slide

  15. JOHN HITCHCOCK (left) /JUSTIN BARFIELD (floor)

    SHEILA GOLOBOROTKO/VANESSA B. CRUZ (center) / MARILEE SALVATOR (right) /

    Kwan Fong Gallery

    View Slide

  16. JUSTIN BARFIELD

    Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions, 2014.
    Kwan Fong Gallery
    JUSTIN BARFIELD

    Scrap Pile: Paper, rust, wheat paste, variable dimensions, 2014.
    Kwan Fong Gallery

    View Slide

  17. JUSTIN BARFIELD

    Scrap Pile: Paper, rust, wheat paste, variable dimensions, 2014.
    Kwan Fong Gallery

    View Slide

  18. JUSTIN BARFIELD

    Scrap Pile: Paper, Rust, Wheat Paste, variable dimensions, 2014.
    Kwan Fong Gallery

    View Slide

  19. JUSTIN BARFIELD

    Scrap Pile: Paper, Rust, Wheat Paste, variable dimensions, 2014.
    Kwan Fong Gallery

    View Slide

  20. MARILEE SALVATOR

    Growth Patterns: Etching, screenprint and wood, variable dimensions, 2017
    Kwan Fong Gallery

    View Slide

  21. MARILEE SALVATOR

    Growth Patterns: Etching, screenprint and wood, variable dimensions, 2017
    Kwan Fong Gallery

    View Slide

  22. MARILEE SALVATOR

    Growth Patterns: Etching, screenprint and wood, variable dimensions, 2017
    Hunterdon Art Museum

    View Slide

  23. MARILEE SALVATOR

    Growth Patterns: Etching, screenprint and wood, variable dimensions, 2017
    Kwan Fong Gallery

    View Slide

  24. MARILEE SALVATOR

    Growth Patterns: Etching, screenprint and wood, variable dimensions, 2017
    Kwan Fong Gallery

    View Slide

  25. JOHN HITCHCOCK

    America, America: Inkjet on fabric flags, variable dimensions, 2019
    Kwan Fong Gallery

    View Slide

  26. JOHN HITCHCOCK

    America, America: Inkjet on fabric flags, variable dimensions, 2019
    Kwan Fong Gallery

    View Slide

  27. JOHN HITCHCOCK

    America, America: Inkjet on fabric flags, variable dimensions, 2019
    Kwan Fong Gallery

    View Slide

  28. JOHN HITCHCOCK

    The Protector: Screenprint on CNC cut wood, variable dimensions, 2017
    Hunterdon Art Museum

    View Slide

  29. View Slide

  30. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    William Rolland Gallery

    View Slide

  31. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    William Rolland Gallery

    View Slide

  32. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    William Rolland Gallery

    View Slide

  33. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    Hunterdon Art Museum

    View Slide

  34. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    Hunterdon Art Museum

    View Slide

  35. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    William Rolland Gallery

    View Slide

  36. ANDREW KOZLOWSKI

    Variable Collection: Vinyl cut, variable dimensions, 2019
    Hunterdon Art Museum

    View Slide

  37. REBECCA GILBERT

    Shine: Reduction woodcut mounted on foam core, 15” x 120”, 2012
    William Rolland Gallery

    View Slide

  38. REBECCA GILBERT

    Shine: Reduction woodcut mounted on foam core, 15” x 120”, 2012
    William Rolland Gallery

    View Slide

  39. REBECCA GILBERT

    Shine: Reduction woodcut mounted on foam core, 15” x 120”, 2012
    William Rolland Gallery

    View Slide

  40. REBECCA GILBERT

    Raise Bed Fortune Patch: Photo etchings, 24” x 36” x 36”, 2010-12
    Hunterdon Art Museum

    View Slide

  41. REBECCA GILBERT

    Raise Bed Fortune Patch: Photo etchings, 24” x 36” x 36”, 2010-12
    Hunterdon Art Museum

    View Slide

  42. REBECCA GILBERT

    Raise Bed Fortune Patch: Photo etchings, 24” x 36” x 36”, 2010-12
    William Rolland Gallery

    View Slide

  43. MIZIN SHIN

    How Things Are Made Vol.1 / Virtual City_1000: Handprinted woodcuts, variable dimensions, 2017
    William Rolland Gallery

    View Slide

  44. MIZIN SHIN

    How Things Are Made Vol.1: Handprinted woodcuts, variable dimensions, 2017
    William Rolland Gallery

    View Slide

  45. MIZIN SHIN

    How Things Are Made Vol.1: Handprinted woodcuts, variable dimensions, 2017
    William Rolland Gallery

    View Slide

  46. MIZIN SHIN

    How Things Are Made Vol.1: Handprinted woodcuts, variable dimensions, 2017
    William Rolland Gallery

    View Slide

  47. MIZIN SHIN

    How Things Are Made Vol.1 / Virtual City_1000: Handprinted woodcuts, Variable Dimensions, 2017
    William Rolland Gallery

    View Slide

  48. MIZIN SHIN

    How Things Are Made Vol.1 / Virtual City_1000: Handprinted woodcuts, variable dimensions, 2017
    Hunterdom Art Museum

    View Slide

  49. MIZIN SHIN

    How Things Are Made Vol.1 / Virtual City_1000: Handprinted woodcuts, variable dimensions, 2017
    William Rolland Gallery

    View Slide

  50. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

    View Slide

  51. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

    View Slide

  52. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

    View Slide

  53. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

    View Slide

  54. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

    View Slide

  55. LAUREN KUSSRO

    We Held to Each Other so Tightly, We became as One: Screenprint and monotype,
    threads, beads, variable dimensions, 2013
    William Rolland Gallery

    View Slide

  56. JILL PARISI

    Celestial: Etchings on Yushuki handmade paper, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  57. JILL PARISI

    Celestial: Etchings on Yushuki handmade paper, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  58. JILL PARISI

    Celestial: Etchings on Yushuki handmade paper, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  59. JILL PARISI

    Celestial: Etchings on Yushuki handmade paper, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  60. SHAWN BITTERS

    Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter x 12”, 2017
    William Rolland Gallery

    View Slide

  61. SHAWN BITTERS

    Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter x 12”, 2017
    William Rolland Gallery

    View Slide

  62. SHAWN BITTERS

    Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter x 12”, 2017
    Hunterdon Art Museum

    View Slide

  63. SHAWN BITTERS

    Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter x 12”, 2017
    William Rolland Gallery

    View Slide

  64. SHAWN BITTERS

    Yellowstone Dawn: Screenprint, gouache, and plexiglass, 27.5 diameter x 12”, 2017
    Hunterdon Art Museum

    View Slide

  65. NATHAN MELTZ

    Are You Ready for that Great Atomic Power? Part 6: Screenprint, variable dimensions, 2018
    William Rolland Gallery

    View Slide

  66. NATHAN MELTZ

    Are You Ready for that Great Atomic Power? Part 6: Screenprint, variable dimensions, 2018
    William Rolland Gallery

    View Slide

  67. NATHAN MELTZ

    Are You Ready for that Great Atomic Power? Part 6: Screenprint, variable dimensions, 2018
    William Rolland Gallery

    View Slide

  68. NATHAN MELTZ

    Are You Ready for that Great Atomic Power? Part 6: Screenprint, variable dimensions, 2018
    William Rolland Gallery

    View Slide

  69. NATHAN MELTZ

    Are You Ready for that Great Atomic Power? Part 6: Screenprint, variable dimensions, 2018
    William Rolland Gallery

    View Slide

  70. BRANDI GROGAN

    Excel: Screenprint on reclaimed wood, 28” x 18.5” x 3”, 2018
    William Rolland Gallery

    View Slide

  71. BRANDI GROGAN

    Excel: Screenprint on reclaimed wood, 28” x 18.5” x 3”, 2018
    William Rolland Gallery

    View Slide

  72. BRANDI GROGAN

    What is the Meaning of All This: Screenprint on reclaimed wood, 22.5” x 18” x 3”, 2018
    William Rolland Gallery

    View Slide

  73. BRANDI GROGAN

    What is the Meaning of All This: Screenprint on reclaimed wood, 22.5” x 18” x 3”, 2018
    Hunterdon Art Museum

    View Slide

  74. FLORENCE GIDEZ

    Endangered Architecture: Screenprint, illustration board, acrylic, 23” x 24” x 16”, 2019
    William Rolland Gallery

    View Slide

  75. FLORENCE GIDEZ

    Endangered Architecture: Screenprint, illustration board, acrylic, 23” x 24” x 16”, 2019
    William Rolland Gallery

    View Slide

  76. FLORENCE GIDEZ

    The Last Resort: Screenprint, illustration board, acrylic, 26” x 18.25” x 216.5, 2018
    Hunterdon Art Museum

    View Slide

  77. FLORENCE GIDEZ

    The Last Resort: Screenprint, illustration board, acrylic, 26” x 18.25” x 216.5, 2018
    Hunterdon Art Museum

    View Slide

  78. FLORENCE GIDEZ

    The Last Resort: Screenprint, illustration board, acrylic, 26” x 18.25” x 216.5, 2018
    Hunterdon Art Museum

    View Slide

  79. ANDREW RAFTERY

    The Autobiography of a Garden: Engraving transfer-printed on glazed white earthenware,
    12.5” diameter each, 2009-20016
    Hunterdon Art Museum

    View Slide

  80. ANDREW RAFTERY

    The Autobiography of a Garden: Engraving transfer-printed on glazed white earthenware,
    12.5” diameter each, 2009-20016

    View Slide

  81. ANDREW RAFTERY

    The Autobiography of a Garden: Engraving transfer-printed on glazed white earthenware,
    12.5” diameter each, 2009-20016
    Hunterdon Art Museum

    View Slide

  82. JANUARY

    Reading Seed Catalogs
    APRIL

    Edging the Beds
    JUNE

    Training a Passion Vine
    NOVEMBER

    Digging Dahlia Tubers

    View Slide

  83. ANDREW RAFTERY

    The Autobiography of a Garden: Engraving transfer-printed on glazed white earthenware,
    12.5” diameter each, 2009-20016
    Hunterdon Art Museum

    View Slide

  84. ANDREW RAFTERY

    The Autobiography of a Garden: Engraving transfer-printed on glazed white earthenware,
    12.5” diameter each, 2009-20016
    Rolland William Gallery

    View Slide

  85. ESZTER SZIKSZ

    Scrap Pile: The Space Between Us (front): Screenprint, 6” x 9”, 2018
    William Rolland Gallery

    View Slide

  86. ESZTER SZIKSZ

    Universe (back): Screenprint, 12” diameter, 2018
    William Rolland Gallery

    View Slide

  87. ESZTER SZIKSZ

    Scrap Pile: The Space Between Us (front): Screenprint, 6” x 9”, 2018
    William Rolland Gallery

    View Slide

  88. ESZTER SZIKSZ

    Guardian: Video, screenprint on ice, 2014
    William Rolland Gallery

    View Slide

  89. ESZTER SZIKSZ

    Guardian: Video, screenprint on ice, 2014
    Hunterdon Art Museum

    View Slide

  90. ESZTER SZIKSZ

    Guardian: Video, screenprint on ice, 2014
    William Rolland Gallery

    View Slide

  91. ESZTER SZIKSZ

    Guardian: Video, screenprint on ice, 2014
    William Rolland Gallery

    View Slide

  92. SWOON

    Memento More E.V 2/12: Handprinted block print with coffee stain on cutout Mylar, 84” x 67”, 2018
    William Rolland Gallery

    View Slide

  93. SWOON

    Memento More E.V 2/12: Handprinted block print with coffee stain on cutout Mylar, 84” x 67”, 2018
    William Rolland Gallery

    View Slide

  94. SWOON

    Memento More E.V 2/12: Handprinted block print with coffee stain on cutout Mylar, 84” x 67”, 2018
    William Rolland Gallery

    View Slide

  95. SWOON

    Memento More E.V 2/12: Handprinted block print with coffee stain on cutout Mylar, 84” x 67”, 2018
    William Rolland Gallery

    View Slide

  96. SWOON

    Mini and the Sphynx: Handprinted block print with coffee stain on cutout Mylar, 84” x 76”, 2017
    Hunterdon Art Museum

    View Slide

  97. SWOON

    Mini and the Sphynx: Handprinted block print with coffee stain on cutout Mylar, 84” x 76”, 2017
    Hunterdon Art Museum

    View Slide

  98. GUEN MONTGOMERY

    Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions, 2014
    Kwan Fong Gallery
    GUEN MONTGOMERY

    What Do We Deserve: Silver-plated object with selective tarnish removal, 12” x 4” x 2”, 2017
    William Rolland Gallery

    View Slide

  99. GUEN MONTGOMERY

    What Do We Deserve:
    Silver-plated objects with selective tarnish removal, variable dimensions, 2017
    William Rolland Gallery

    View Slide

  100. GUEN MONTGOMERY

    Parse Knives, Bowl:
    Silver-plated objects with selective tarnish removal, variable dimensions, 2017
    William Rolland Gallery

    View Slide

  101. GUEN MONTGOMERY

    To Each Their Own, Eventually, Parse Knives, Bowl:
    Silver-plated objects with selective tarnish removal, variable dimensions, 2017
    William Rolland Gallery

    View Slide

  102. GUEN MONTGOMERY

    Eventually, Sugar Bowl: Silver-plated object with selective tarnish removal, 4” x 5” x 3”, 2016
    William Rolland Gallery

    View Slide

  103. RUTHANN GODOLLEI

    Infusion (Drink Me, for Flint): Laser cut stencil, sandblasted glass apothecary jar,
    adulterated water, letterpress label, 6” x 6” x 3”, 2017
    William Rolland Gallery

    View Slide

  104. RUTHANN GODOLLEI

    Infusion (Drink Me, for Flint): Laser cut stencil, sandblasted glass apothecary jar,
    adulterated water, letterpress label, 6” x 6” x 3”, 2017
    Hunterdon Art Museum

    View Slide

  105. RUTHANN GODOLLEI

    Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017
    Hunterdon Art Museum

    View Slide

  106. RUTHANN GODOLLEI

    Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions, 2014
    Kwan Fong Gallery
    RUTHANN GODOLLEI

    Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017
    Hunterdon Art Museum

    View Slide

  107. RUTHANN GODOLLEI

    Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017
    William Rolland Gallery

    View Slide

  108. RUTHANN GODOLLEI

    Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017
    Hunterdon Art Museum

    View Slide

  109. RUTHANN GODOLLEI

    Caution Tape (for Philando Castle): Screenprint on plastic ribbon, variable dimensions, 2017
    William Rolland Gallery

    View Slide

  110. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  111. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  112. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  113. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  114. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  115. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  116. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  117. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  118. SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  119. SAMANTHA PARKER SALAZAR

    Scrap Pile: Paper, Rust, Wheat Paste, Variable Dimensions, 2014
    Kwan Fong Gallery
    SAMANTHA PARKER SALAZAR

    Rising (v.3): Handcut monotypes on paper, paint, vinyl, PEX pipe, variable dimensions, 2015
    William Rolland Gallery

    View Slide

  120. Thank you!

    View Slide

  121. UPCOMING PROJECT
    PRINT +
    SAMENESS AND OTHERNESS IN CONTEMPORARY PRINTMEDIA
    AT HUNTERDON ART MUSEUM
    2021
    www.goloborotko.com
    [email protected]

    View Slide