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How should we read new media?

How should we read new media?

co-existence and co-institution between new and old media. What has been at play through out history? What are the consequences of the new?

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Eren Gokcek

May 21, 2012
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  1. What is New Media? “The Internet, websites, computer multimedia, computer

    games, CD- ROMS and DVD, virtual reality” (Manovich, 2001: 19).
  2. What is New Media? Networked computer and the ways that

    this machine is held to have transformed work in other media: from books to movies, from telephones to television. (Lister et al., 2009: 1)
  3. The analogue past standalone media their role in politics, economy,

    and culture Communication Individual Customized Public Reach Content Provider Service Information Mass Standardized Public Information Mass Standardized Public Entertainment Mass Standardized Private Communication Individual Customized Public Information Mass Standardized Public
  4. Why ‘New Media’? • not completely new: in conversation with

    analogue media • Positiveness of the new: ‘new is always better than old’ • Inclusive and “portmanteau” term • Not reductionist such as interactive media, digital media.
  5. New Media • Associated with convergence and interactivity • Not

    substitution or replacement of analogue media • Rather; Continuity, conversation.
  6. The convergence ‘revolution’ driven by innovation and profit _ Technological

    enhancement _ Signal compression _ Provider consolidation _ User interaction _ Market profitability
  7. Convergence “Television, online video delivery,internet communications and telecommunications combined in

    one ‘black box’ that will look something like a phone” (Lister et al.,2009: 202).
  8. Remediation ‘mediation of mediation’ (Bolter and Grusin, 1999) Co-existence between

    new and old Their relationship is cyclical Refashioning, recycling and, repurposing. Continuity not cut off
  9. Remediation New media Old media “The past is never nished.

    It cannot be wrapped up like package, or a scrapbook, or an acknowledgment; we never leave it and it never leaves us” (Barad, 2007: I)
  10. Remediation ‘No medium today, and certainly no single media event,

    seems to do its cultural work in isolation from other media, any more than it works in isolation from other social and economic forces.’ (Bolter & Grusin, 1999: 15)
  11. Remediation The double logic Those two elements have been in

    interplay throughout history (Bolter & Grusin, 1999: 31)
  12. Remediation The double logic ‘The true novelty a new medium

    would be a new medium that did not refer for its old meaning to older media at all. For our culture such mediation without remediation seems to be impossible’ (Botler and Grusin, 1999, 271)
  13. Interactivity (of a computer or other electronic device) allowing a

    two-way flow of information between it and a user, responding to the user's input. (Noad)
  14. Interactivity • Foucauldian theory (1991) • Discipline > ‘You must’

    and ‘learn!’ • Interactivity > ‘You may’ and ‘discover!’
  15. Interactivity • individualist discourses • consumerism • “consumers” who are

    now enjoying the “freedom of choice” • Active v.s. Passive media
  16. Hypertext and Remediation What is the relationship between digital technology

    and hypertext? In its rivalry with print, hypertext presents itself as an intensi cation, a hypermediation, of the older medium.
  17. Remediation hypertext Remediation is a cultural process of competition between

    among technologies. Hypertext in all its electronic forms –World Wide Web as well as the many stand alone systems– is remediation of print.
  18. Remediation Book and text The idea of book is changing.

    Reader becomes author. Rede nition of writing space both as conceptual and visual