Fine Art Publishing Initiative

Transcript

1. Initial Dialogue: 
 Artist’s Inspiration ! 1 SUMMER 2017 Edition: Printing and Publishing Guest Artist: Lorrie Fredette
 UNF ART DEPARTMENT PRESS
2. Artist’s Work 2
3. Initial Sketches 3
4. Sampling
 Class Response to Artist’s Work and
 Introduction to Printmaking Approaches 4
5. Artist Visit: Viewing Student’s Work 5
6. Layering Studies: Composite Drawings 6
7. Prints on Fabric: Transparencies and Combinations 7
8. Prints on Paper: Fragility and Possibilities 8
9. Final Print: Nodules and Synapsis Three-layer screenprint on Japanese Tengucho paper (5gr and 9gr), mounted on museum rag board, 100% cotton, 12” x 16”, 2017 9
10. Print Details: Relationship with Installation 10
11. Framing: Model with Floating Layers in Acrylic Box Print layers are overlapped and mounted on museum board and encapsulated in a 16” 20” acrylic box. Museum Board will be signed, numbered and stamped with publisher chop and printer’s chop. 11
12. Materials Each Print 12” x 16” Layer Top: Tengucho 5gr
 Layer Center: Tengucho 5gr
 Layer Bottom: Tengucho 9gr Edition and Proofs Breakdown Edition 
 Total Numbered Edition: 30 
 Proofs:
 B.A.T. 1
 Printer Proof 2
 Artist Proof 5
 Trial Proof 1
 HC 1 Waist Proofs 10 (Due to fragility of paper and no vacuum press.) 
 WP will be destroyed or manipulated by artist. Edition Split
 Publisher 2/3 - Artist 1/3 12
13. 
 Publisher 2/3 
 UNF A&D: 20 and HC (Out of Commerce)*
 
 Artist 1/3 
 Artist:10 Numbered, Trial Proof and 5 Artist’s Proofs Master Printer
 Sheila Goloborotko: BAT (1) and Printer’s Proof (2) *UNF A&D will hold HC and one numbered print.
 UNF A&D will be responsible for cost of edition and will provide edition documentation to artist and collectors. Sales of Edition 1-5 Pre-publishing Price $425 x 5 $2,125.00 6-10 Post published $475 x 5 $2,375.00 11-16 Half sold $550 x 6 $3,300.00 17-20 UNF Collections NFS 21-30 Artist Edition Artist will price edition sales with value equal or above UNF A&D last sale. Artist will hold sales of edition until UNF A&D sells out their portion (17 prints) or 24 months from publishing date. 13
14. CLASS SELECTED ESSAYS Broken Stones and Whooping Cranes, June Wayne, Paper presented to the National Print Symposium, Australia, 1990. In Context, Goloborotko’s Studio 20th Anniversary Edition, Agnes Murray, pg 61 The Concept of Collaboration, Pat Gilmour, Ken Tyler Master Printer, Australian National Gallery,1986 In Sustained Commitment: A Printer’s Perspective, Arif Khan and Bill Laguta, Tamarind Touchstones: Fabulous at Fifty, Tamarind Institute, page 53, 2010. The History of Printmaking, Collaboration and Their Roles in the University, David Keister, Marks from the Matrix, Finch Rives, pg 11, 2007; Prints Vs. Reproductions, Carolyn Proeber; The Psychology of Multiples, Eric Maisel; What is a Print?, Jack Jeffers, Art Calendar, February 2007, pg 8-14. The Curious Pavane, Pat Gilmour, Tamarind Forty Years, Tamarind Institute, 2000, pg. 37. Graphic Studio: Introduction, Ruth E. Fine, National Gallery of Art, 1992, pg 11. BOOOKS SUGGESTED BY LORRIE FREDETTE Li - Dynamic Form in Nature, David Wade Sciencia - Matthematics, Physics, Chemistry, Biology, and Astronomy for all Published by Walker Publishing Design in Nature, Adrian Bejan and J. Peder Zane On Growth and Form, D’Arcy Thompson The Geometry of Art and Life, Matila Ghyka Patterns in Nature, Peter S. Stevens Survival of the Beautiful - Art, Science, and Evolution, David Rothenberg The Self-Made Tapestry - Pattern formation in Nature, Philip Ball I Contain Multitudes - The Microbes within us and a Grander View of Life, Ed Yong Core Books Art & Fear - Observations on the Perils (and Rewards) of Artmaking, David Bayles & Ted Orland The Accidental Masterpiece, Michael Kimmelman 14
15. The War of Art - Break Through the Blocks and Win Your Inner Creative Battles, Steven Pressfield Wabi-Sabi for Artists, Designers, Poets and Philosphers, Leonard Koren The Language of Vision - Meditations on Myth and Metaphor, Jamake Highwater What is Art For?, Ellen Dissanayake The Poetics of Space - The Classic Look at How We Experience Intimate Places, Gaston Bachelard 15