Upgrade to Pro
— share decks privately, control downloads, hide ads and more …
Speaker Deck
Sign up for free
Menu
Search
Features
All features
Private URLs
Password Protection
Custom URLS
Scheduled publishing
Remove Branding
Restrict embedding
Deck Collections
Notes
Features
All features
Private URLs
Password Protection
Custom URLS
Scheduled publishing
Remove Branding
Restrict embedding
Deck Collections
Notes
Explore
Featured decks
Featured speakers
Programming
Technology
Storyboards
Explore
Featured decks
Featured speakers
Programming
Technology
Storyboards
Pricing
Search
Sign in
Sign up for free
Art of the Classical World: Greece and Rome
Search
Sponsored
·
Your Podcast. Everywhere. Effortlessly.
Share. Educate. Inspire. Entertain. You do you. We'll handle the rest.
→
nichsara
March 08, 2012
Education
390
1
Share
Embed
Copy iframe code
Copy JS code
Copy link
Start on current slide
Art of the Classical World: Greece and Rome
Lecture given Thursday March 8, 2012
nichsara
March 08, 2012
More Decks by nichsara
See All by nichsara
African and Australian Rock Art
nichsara
0
270
Mapping the Cosmos: Mandalas
nichsara
0
160
Mapping the Cosmos: Buddhist and Hindu Art in Southeast Asia
nichsara
2
660
Lecture | Art of the Americas
nichsara
1
160
Discussion | Modern Discrediting of Ancient Creativity
nichsara
0
290
Discussion | African "Art" and the "Primitive"
nichsara
1
540
Lecture | African Art and European Contact
nichsara
1
660
Suger vs. Clairvaux
nichsara
0
200
Romanesque and Gothic Architecture
nichsara
1
700
Other Decks in Education
See All in Education
組合せ最適化特論
tasusu
0
230
Fundamentos, Caracteristicas y Aplicaciones de los Modulos NumPy , Matplotlib y Pandas
robintux
0
300
日本における応用言語学・言語教育学これまでとこれから
terasawat
0
170
新入社員を「あの子」と呼ばない運動 -PBL その前に- / Stop Calling New Hires "Kids"
aokiplayer
2
930
Railsチュートリアル × 反転学習の事例紹介
yasslab
PRO
3
190k
SANG PENCIPTA BERBICARA (01ABSG-Q4-2026)
ssmedikasda
0
480
An Experiment in "Cross-Cultural Exchange" as a Method for Content Creation
naoji_taniguchi_ksk_0827
0
290
Sekolah Sabat - Triwulan 3 2026 - Pelajaran 12
hiola
0
12k
El Clima de España. Tema 2 (PPT)
juanmartin2026
0
19k
AIの力を100%引き出すために
frievea
0
630
Science Tokyo University for International Research Excellence scheme_April 2026
sciencetokyo
PRO
0
560
El Geoparque Mundial UNESCO Volcanes de Calatrava de la Investigación Científica a la Transposición Didáctica en el aula
juanmartin2026
1
40k
Featured
See All Featured
Skip the Path - Find Your Career Trail
mkilby
1
260
We Have a Design System, Now What?
morganepeng
55
8.4k
Gemini Prompt Engineering: Practical Techniques for Tangible AI Outcomes
mfonobong
2
590
jQuery: Nuts, Bolts and Bling
dougneiner
66
8.6k
HDC tutorial
michielstock
2
960
Leo the Paperboy
mayatellez
10
2.4k
Side Projects
sachag
456
43k
The #1 spot is gone: here's how to win anyway
tamaranovitovic
4
1.2k
Git: the NoSQL Database
bkeepers
PRO
433
67k
DBのスキルで生き残る技術 - AI時代におけるテーブル設計の勘所
soudai
PRO
68
58k
[Rails World 2026] Durable orchestration on Rails: from continuation to workflow
palkan
1
840
Odyssey Design
rkendrick25
PRO
2
880
Transcript
!"#$%&$#'($)*+,,-.+*$/%"*01$ !2.-(2#$3"((.($+20$4%5($ !"#$%&'( )*+,*-.6$77897:8$ $ !#&'"( ;<<$=)>9?<<$)>$ )*/0#%/(12*""/"34(56#..%/#6(12*""/"34( 7"66"&%.8/(12*""/"34(!,-#&(!"9:;6%/4( !,-#&(<-9%*"(
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
N(#"%F%*-#+2$@%A"%,6$!O.+6$!".'+-.6$.P$8<<$=)>$
None
None
!2+\Q,%,$@%A"%,6$)(5(#("Q$+#$!2+\Q,%,6$2(+"$!#'(2,6$ .P$U:<$=)>$
!".'+-.$D5-*($
!$^A"2-2I$E%-2#$ @"-G%,$=%Q6$!#'(2-+2$ !."%F%*-,6$>+"*Q$)*+,,-.+*6$ .P$?R<$=)>$
NQ"%26$J-,S%_%*%,$BJ-,.A,$^'"%`("C6$ 4%5+2$.%FQ$%&$+2$>+"*Q$)*+,,-.+*6$?]<9??<$ =)>$
>+0`(+"0$NAQ_"-0I(6$B#&(=0*,C%&'(D%./:.6$)%**%#QF($&"%5$I*+,,$ 2(I+G\(6$WRR:9WRR8$
None
J-M("(2#$4%5+2$.%F-(,$BW,#9720$.(2#A"-(,$)>C$%&$NQ"%2a,$U#'9.(2#A"Q$)>$_"%2b($%"-I-2+*P$
/+""-%"6$Y%A20$-2$#'($,(+$%M$4-+.(6$K#+*Q6$>+"*Q$)*+,,-.+*6$?8<9?U<$=)>$
/+""-%"$BJ(#+-*C6$Y%A20$-2$#'($ ,(+$%M$4-+.(6$K#+*Q6$>+"*Q$ )*+,,-.+*6$?8<9?U<$=)>$
/+""-%"$BJ(#+-*C6$Y%A20$-2$#'($ ,(+$%M$4-+.(6$K#+*Q6$>+"*Q$ )*+,,-.+*6$?8<9?U<$=)>$
^'($5#&,&$%&$E%*QS*(-#%,$ E%*QS*(-#%,6$J%"QF'%"%,$BDF(+"$=(+"("C6$4%5+2$)%FQ$&"%5$ 3"((S$L"-I-2+*6$T-I'$)*+,,-.+*$.P$U#'$)(2#A"Q$)>$
c_A#$_(+A#Q6$'($#'-2S,6$0%(,$2%#$"(,-0($-2$#'($F"%F("$ F"%F%"G%2$%&$#'($(*(5(2#,$_A#$-2$#'($F"%F("$F"%F%"G%2$ %&$#'($F+"#,6$,A.'$+,$&%"$(d+5F*($#'+#$%&$[2I("$#%$[2I("$ +20$+**$#'(,($#%$#'($F+*5$+20$_+,($%&$'+206$%&$#'%,($#%$ #'($&%"(+"56$%&$#'($&%"(+"5$#%$#'($AFF("$+"5$+20$%&$ (\("Q#'-2I$#%$(\("Q#'-2I$(*,(6$eA,#$+,$0(,."-_(0$-2$#'($ )+2%2$%&$E%*QS*(-#%,P$Y%"$'+\-2I$#+AI'#$A,$-2$#'+#$`%"S$ +**$#'($F"%F%"G%2,$%&$#'($_%0Q6$E%*QS*(-#%,$,AFF%"#(0$ '-,$#"(+G,($`-#'$+$`%"S$%&$+"#6$5+S-2I$+$,#+#A($ +..%"0-2I$#%$#'($#(2(#,$%&$#'($#"(+G,($+20$.+**-2I$-#6$*-S($
#'($#"(+G,($-#,(*&6$#'($)+2%2P$D%$#'(26$+**$F'-*%,%F'(",$ +20$0%.#%",$+..(F#$#'+#$_(+A#Q$"(,-0(,$-2$#'($0A($ F"%F%"G%2$%&$#'($F+"#,$%&$#'($_%0QPf$
None
None
None
)%2#"+FF%,#%$ EQ#'+I%"(+2$^+_*($%&$LFF%,-#(,$ $ $Y-2-#( $$ $ $K2[2-#($ $L00 $ $$
$>\(2$ $L2( $ $ $N+2Q$ $4-I'# $$ $ $Z(g$ $4(,# $ $ $N%G%2$ $D#"+-I'# $ $)"%%S(0$ $Z-I'# $ $ $J+"S2(,,$ $3%%0 $ $ $>\-*$ $DHA+"($ $ $L_*%2I$
None
^'($)+2%2$%&$ZQ,-FF%,$ ZQ,-FF%,6$!F%dQ%5(2%,$B^'($D."+F("C6$4%5+2$)%FQ$%&$+$3"((S$L"-I-2+*6$ Z+#($)*+,,-.+*6$?#'$.(2#A"Q$)>$
J%"QF'%"%,$ !F%dQ%5(2%,$
Lysippos. Weary Herakles. Roman copy signed by Glykon of Athens
after bronze original of c. 320 BCE. Lysippos. Man Scraping Himself (Apoxyomenos). Roman copy, after a bronze original of c.350-325 BCE. Praxiteles. Aphrodite of Knidos. Roman marble copy after original of c.350 BCE.
V-S($%&$D+5%#'"+.(6$D+2.#A+"Q$%&$#'($3"(+#$3%0,6$ D+5%#'"+.(6$T(**(2-,G.6$.P$WR<$=)>$$
V-S($%&$D+5%#'"+.(6$D+2.#A+"Q$%&$#'($3"(+#$3%0,6$ D+5%#'"+.(6$T(**(2-,G.6$.P$WR<$=)>$$
T+I(,+20"%,6$E%*Q0%"%,$+20$!#'(2%0%"%,$%&$4'%0(,6$Z+%.%h2$+20$ '-,$D%2,6$4%5+2$)%FQ66$.P$W,#$.(2#A"Q$)>$BE%,,-_*Q$%&$E("I+5(2($ -2,F-"+G%2C$
4%5($
!Rome is known fundamentally as an urban civilization N%0(*$%&$#'($)-#Q$%&$K5F("-+*$4%5($ !"#$%&'"(')*+',"--+##'
."/$0'1#)234-'5+4)678'59''
Nîmes
Pont du Gard, Nîmes (France). Late first century BCE. i $!HA(0A.#1$!2$+"G[.-+*$.'+22(*$&%"$#"+2,F%"G2I$`+#("$&"%5$+$0-,#+2#$,%A".($
• Aqueduct: An artificial channel for transporting water from a
distant source Pont du Gard, Nîmes (France). Late first century BCE.
Pont du Gard, Nîmes (France). Late first century BCE.
Pont du Gard, Nîmes (France). Late first century BCE.
• Voussoir: A wedge- shaped block used in the construction
of an arch • The central voussoir is the keystone
^'($0-,#"-_AG%2$%&$`(-I'#$%2$+2$+".+0(P$
Y*+\-+2$!5F-#'(+#("$]79R<$)>$ ^-#A,$"$];9R<$)>$ j(,F+,-+2$"$8;9];$)>$
None
Doric Ionic Corinthian Y*+\-+2$!5F'-#'(+#("$B)%*-,(A5C6$4%5(6$ ]79R<$=)>P$$ Engaged columns !>2I+I(0$.%*A52,$%2*Q$I-\($#'($-5F"(,,-%2$%&$ ,AFF%"#P$$^'($+".+0(,$.%A*0$,AFF%"#$#'(5,(*\(,P$
3"%-2$j+A*#$ Y*+\-+2$!5F'-#'(+#("$B)%*-,(A5C6$K2#("-%"$ j+A*#,6$4%5(6$]79R<$=)>P$$
Diagram of an arch Diagram of a barrel vault j+A*#,$,AFF%"#(0$#'($,(+#,$+20$
,A_,#"A.#A"($%&$#'($)%*-,(A5P$
Diagram of a barrel vault Diagram of a groin vault
3"%-2$\+A*#,$+"($#`%$."%,,(0$_+""(*$\+A*#,P$
Y*+\-+2$!5F'-#'(+#("$B)%*%,,(A5C$ 4(.%2,#"A.G%26$4%5(6$]79R<$=)>P$$
"Inaugural festivities by Emperor Titus: 100 days, in which 9,000
animals and 2,000 gladiators were killed. Y*+\-+2$!5F'-#'(+#("$B)%*-,(A5C6$4%5(6$ ]79R<$=)>P$$
Y*+\-+2$!5F'-#'(+#("$B)%*-,(A5C6$4%5(6$ ]79R<$=)>P$$
3*+0-+#%"-+*$>2#("#+-25(2#,6$ck*-#(2$N%,+-.f6$J+"$=A.$ !55("+$j-**+6$k*-#(26$Z-_Q+6$.P$_(&%"($R<$)>$
3*+0-+#%"-+*$>2#("#+-25(2#,6$ck*-#(2$N%,+-.f6$J+"$=A.$ !55("+$j-**+6$k*-#(26$Z-_Q+6$.P$_(&%"($R<$)>$ NA,-.-+2,$+20$)%,#A5(0$E("&%"5(",$
3*+0-+#%"-+*$>2#("#+-25(2#,6$ck*-#(2$N%,+-.f6$J+"$=A.$ !55("+$j-**+6$k*-#(26$Z-_Q+6$.P$_(&%"($R<$)>$ 3*+0-+#%"$\,P$3*+0-+#%"$
3*+0-+#%"-+*$>2#("#+-25(2#,6$ck*-#(2$N%,+-.f6$J+"$=A.$ !55("+$j-**+6$k*-#(26$Z-_Q+6$.P$_(&%"($R<$)>$ 3*+0-+#%"$\,P$=(+,#$
3*+0-+#%"-+*$>2#("#+-25(2#,6$ck*-#(2$N%,+-.f6$J+"$=A.$ !55("+$j-**+6$k*-#(26$Z-_Q+6$.P$_(&%"($R<$)>$ =(+,#$\,P$=(+,#$
Y*+\-+2$!5F'-#'(+#("$B)%*-,(A5C6$4%5(6$ ]79R<$=)>P$$ ! R<$(d-#,$#%$+..%55%0+#($U<6<<<$,F(.#+#%",$$
^'($E+2#'(%2$ :$-7%$4'"'11;21<='59''
^'($E+2#'(%2$ >$4)*+"4'
! Temple dedicated to all the gods (pan=all and theion=gods)
pediment ?"7&*' -"/+' &8@%4-7%&$@'' -76/' ^'($E+2#'(%26$4%5(6$.P$WWR9W7U$)>P$
Temple, perhaps dedicated to Portunus. In the Cattle Market, Rome.
Late second century BCE. ^'($E+2#'(%26$4%5(6$.P$WWR9W7U$)>P$
A&6@6#' 5"B+7' ^'($E+2#'(%26$4%5(6$.P$WWR9W7U$)>P$ ! 143 feet !CD'(++)' !'3D'(++)'
^'($E+2#'(%26$K2#("-%"6$4%5(6$.P$ WWR9W7U$)>P$ !V-.'(,$%2.($'(*0$#'($,#+#A(,$%&$I%0,6$_A#$`("($"(F*+.(0$ _Q$,+-2#,$$-2$8<;$_Q$E%F($=%2-&+.($KjP$