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Romanesque Art: Pilgrimage and the Crusades

nichsara
November 15, 2012

Romanesque Art: Pilgrimage and the Crusades

Lecture given Thursday November 15, 2012

nichsara

November 15, 2012
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  2. 10˚ 0˚ 40˚ Paris Tours Orléans Conques Rome Naples Anagni

    Catania Palma de Mallorca Pisa Ferrara Trieste Roscoff Cluny Cologne Nantes Syracuse Cahors Zamora Lisbon Seville Cartagena Nantes Barcelona Palermo Winchester Bury St Edmunds Canterbury Amalfi Maiori Monte Cassino Carcassonne Monte Sant’ Angelo Genoa Chartres Poitiers St Jean d’Angély Saintes Silos Moissac St Gilles-du-Gard Arles St Guilhem le Desert Toulouse Avilés Salerno Atrani Venice Santiago de Compostela Vézelay Kermaria Chatelaudren Limoges Périgueux Le Puy León Bordeaux Roncesvalles Puente-la-Reina A T L A N T I C O C E A N A D R I A T I C S E A P Y R EN E E S A L P S M E D I T E R R A N E A N S E A A F R I C A N 0 0 250 miles 350 kms 2 Trade and Artistic Influence major pilgrimage route city on pilgrimage route with major site movements of artistic style stylistic influence from the Holy Land movement of Arab gold and gems centre for trade of gems and bone centre for import of alabaster from England bronze doors from Constantinople SOU in Germany. A major confrontation developed CRUSADES AND ISLAM order to keep t Muslim contro and good cont opened up new artistic exchan Saint James fus that of the Reco Spain. Between Córdoba was a Despite this co enjoyed cultur TRADE AND A Mediterranean From the Islam were imported towns like Gen trading centres the south and
  3. 15-6, Reconstruction drawing of Cathedral, Santiago de Compostela, 1078-1122. 15-5,

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