on Classification Summary of “Database as a Symbolic Form” by Lev Manovich 1. The Database Logic The author specifies database as a cultural form of its own. He positions a database as a new symbolic form of a computer age or a new way to structure our experience of ourselves and the world. He argues that the world today is an unstructured collection of images, tests and data records and emphasizes that we need to organize it with a database. 2. Data and Algorithm Not all new media objects are databases. Computer games have narratives. In a game from the authors point of view all the elements are motivated. Games do not follow database logic all the time but they are ruled by algorithms. The player has to execute the algorithms in order to win. Keeping this as the background the author gives a general principle of new media: the projection of the ontology of a computer onto culture itself. Computer programming encapsulates the world according to its own logic. Then the author points to the symbiotic relationship between algorithms and data structures - the more complex the structure of a computer program, the simpler the algorithm needs to be and vice versa. 3. Database and Narrative In this section the author discusses the opposition between database and narrative. Database as a cultural form represents the world as a list of items and it refuses to order this list. Narrative creates a cause and effect trajectory. An interactive narrative is a sum of the of multiple trajectories through a database. So a narrative and a database do not have the same status in computer culture. 4. Semiotics of Database The author uses the theory of syntagm and paradigm to understand the way in which computer culture redistributes weight in between narrative and database.Elements in syntagmatic dimension are related in Preaesentia - REAL. Elements in paradigmatic dimension are related in Absentia - IMAGINED. New Media reverses this relationship: Database the paradigm is given material existence - REAL. Narrative the syntagm is de materialized - VIRTUAL. 5. A Database Complex Here the author argues that CD storage is not a database but a cinema as a database. He then states that; two competing imaginations, two basic creative impulses, two essential responses to the world are the database and narrative. Modern media is the new battlefield for the competition between database and narrative. Photography privileges catalogs, film privileges narrative: almost all fictional films are narratives with few exceptions. At this point the author establishes the central thought of this paper - Database is more popular than ever and is the cultural form most characteristic of a computer.