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Archer Season 11 Episode 6

633e5ea3fef24778d674a1e618e5f15b?s=47 Arielle Kim
February 15, 2021

Archer Season 11 Episode 6

Storyboards for Archer Season 11 Episode 6

633e5ea3fef24778d674a1e618e5f15b?s=128

Arielle Kim

February 15, 2021
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Transcript

  1. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  2. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  3. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  4. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  5. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  6. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  7. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  8. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  9. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  10. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  11. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  12. Action Notes ACT TWO EXT. MIDTOWN MANHATTAN STREET - NIGHT

    - ESTABLISHING It?s rush hour gridlock nightmare. Archer?s car is trapped in a mess of other cars, just behind Cherenenko?s cab.
  13. Action Notes INT. ARCHER?S CAR - NIGHT The gang is

    as we left them.
  14. Dialog MALORY (re: traffic) This is what happens when you

    give bicyclists their own lane. What?s next? A lane for vegetarians?
  15. Dialog MALORY (re: traffic) This is what happens when you

    give bicyclists their own lane. What?s next? A lane for vegetarians?
  16. Dialog MALORY (re: traffic) This is what happens when you

    give bicyclists their own lane. What?s next? A lane for vegetarians?
  17. Dialog ARCHER Sorry, Gabrielle. It?s usually a little chasier than

    this.
  18. Dialog GABRIELLE Oh, don?t apologize, this is a great opportunity

    for us all to get to know each other better!
  19. Dialog GABRIELLE Oh, don?t apologize, this is a great opportunity

    for us all to get to know each other better!
  20. Dialog ARCHER For sure. Like um, ok this question is

    for anyone: what?s the best date you?ve set up over the body of your child?s father.
  21. Dialog ARCHER For sure. Like um, ok this question is

    for anyone: what?s the best date you?ve set up over the body of your child?s father.
  22. Dialog ARCHER For sure. Like um, ok this question is

    for anyone: what?s the best date you?ve set up over the body of your child?s father.
  23. Dialog LANA Oh, my God. This again?!

  24. Dialog ARCHER This again, what?

  25. Dialog ARCHER This again, what?

  26. Dialog LANA Okay. You got shot by a murder suspect

    you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
  27. Dialog LANA Okay. You got shot by a murder suspect

    you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
  28. Dialog LANA Okay. You got shot by a murder suspect

    you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
  29. Dialog LANA Okay. You got shot by a murder suspect

    you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
  30. Dialog LANA Okay. You got shot by a murder suspect

    you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
  31. Dialog LANA Okay. You got shot by a murder suspect

    you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
  32. Dialog LANA Okay. You got shot by a murder suspect

    you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
  33. Dialog LANA Okay. You got shot by a murder suspect

    you were supposed to be investigating but instead were having sex with who -- by the way -- after shooting you GOT AWAY!
  34. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  35. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  36. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  37. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  38. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  39. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  40. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  41. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  42. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  43. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  44. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  45. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  46. Action Notes Silence. Then, Robert takes Lana?s and Gabrielle?s hands.

  47. Dialog ROBERT Hey, look what we?ve got going on back

    here, the three of us. I feel like the cream inside of an Ore--
  48. Dialog ROBERT Hey, look what we?ve got going on back

    here, the three of us. I feel like the cream inside of an Ore--
  49. Dialog ROBERT Hey, look what we?ve got going on back

    here, the three of us. I feel like the cream inside of an Ore--
  50. Dialog LANA Shut the fuck up, Robert.

  51. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  52. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  53. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  54. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  55. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  56. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  57. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  58. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  59. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  60. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  61. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  62. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  63. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT Back at the table, Cyril is finishing the last of the food on the table, crying as he does so. He SOBS a little, then stops. He pours some butter into a MARROW BONE and drinks it.
  64. Dialog CYRIL [cries, eats, slurps marrow]

  65. Action Notes Just then, Kyle approaches the table.

  66. Action Notes Just then, Kyle approaches the table.

  67. Dialog CYRIL (CONT'D) Hey, Kyle. Would you mind parking the

    dessert cart over here? And you might want to throw the emergency brake on, I have a feeling things could go sideways pretty fast.
  68. Dialog CYRIL (CONT'D) Hey, Kyle. Would you mind parking the

    dessert cart over here? And you might want to throw the emergency brake on, I have a feeling things could go sideways pretty fast.
  69. Dialog CYRIL (CONT'D) Hey, Kyle. Would you mind parking the

    dessert cart over here? And you might want to throw the emergency brake on, I have a feeling things could go sideways pretty fast.
  70. Dialog CYRIL (CONT'D) Hey, Kyle. Would you mind parking the

    dessert cart over here? And you might want to throw the emergency brake on, I have a feeling things could go sideways pretty fast.
  71. Dialog KYLE Actually, sir, some diners have been complaining that

    your constant crying and chewing is bumming them out. If you wouldn?t mind...
  72. Dialog KYLE Actually, sir, some diners have been complaining that

    your constant crying and chewing is bumming them out. If you wouldn?t mind...
  73. Dialog KYLE Actually, sir, some diners have been complaining that

    your constant crying and chewing is bumming them out. If you wouldn?t mind...
  74. Dialog KYLE Actually, sir, some diners have been complaining that

    your constant crying and chewing is bumming them out. If you wouldn?t mind...
  75. Dialog KYLE Actually, sir, some diners have been complaining that

    your constant crying and chewing is bumming them out. If you wouldn?t mind...
  76. Dialog CYRIL They didn?t leave a credit card?

  77. Action Notes Cyril opens the check-jacket and his eyes go

    wide.
  78. Action Notes Cyril opens the check-jacket and his eyes go

    wide.
  79. Action Notes Cyril opens the check-jacket and his eyes go

    wide.
  80. Dialog CYRIL (CONT?D) Jesus! I had a serving of bone

    marrow, not bone marrow transplant.
  81. Dialog CYRIL (CONT?D) Jesus! I had a serving of bone

    marrow, not bone marrow transplant.
  82. Dialog CYRIL (CONT?D) Jesus! I had a serving of bone

    marrow, not bone marrow transplant.
  83. Action Notes Cyril shakes his head.

  84. Action Notes Cyril shakes his head.

  85. Action Notes Cyril shakes his head.

  86. Action Notes Cyril shakes his head.

  87. Dialog CYRIL (CONT?D) Alright, I--

  88. Dialog CYRIL (CONT?D) Alright, I--

  89. Dialog CYRIL (CONT?D) Alright, I--

  90. Action Notes He pats his pockets. Then his shirt pockets.

    Then reaches behind him on the chair for his jacket.
  91. Action Notes He pats his pockets. Then his shirt pockets.

    Then reaches behind him on the chair for his jacket.
  92. Action Notes He pats his pockets. Then his shirt pockets.

    Then reaches behind him on the chair for his jacket.
  93. Action Notes He pats his pockets. Then his shirt pockets.

    Then reaches behind him on the chair for his jacket.
  94. Action Notes He pats his pockets. Then his shirt pockets.

    Then reaches behind him on the chair for his jacket.
  95. Action Notes He pats his pockets. Then his shirt pockets.

    Then reaches behind him on the chair for his jacket.
  96. Action Notes He pats his pockets. Then his shirt pockets.

    Then reaches behind him on the chair for his jacket.
  97. Action Notes He pats his pockets. Then his shirt pockets.

    Then reaches behind him on the chair for his jacket.
  98. Dialog CYRIL (CONT?D) Hey! My jacket?s gone! (to Kyle) Listen,

    my wallet was in my jacket and it appears my friends must?ve grabbed it. So I?m going to have--
  99. Dialog CYRIL (CONT?D) Hey! My jacket?s gone! (to Kyle) Listen,

    my wallet was in my jacket and it appears my friends must?ve grabbed it. So I?m going to have--
  100. Dialog CYRIL (CONT?D) Hey! My jacket?s gone! (to Kyle) Listen,

    my wallet was in my jacket and it appears my friends must?ve grabbed it. So I?m going to have--
  101. Action Notes Kyle has run out of patience with this

    table. Other WAIT STAFFERS have gathered nearby, looking menacing.
  102. Action Notes Kyle has run out of patience with this

    table. Other WAIT STAFFERS have gathered nearby, looking menacing.
  103. Action Notes Kyle has run out of patience with this

    table. Other WAIT STAFFERS have gathered nearby, looking menacing.
  104. Action Notes Kyle has run out of patience with this

    table. Other WAIT STAFFERS have gathered nearby, looking menacing.
  105. Action Notes Kyle has run out of patience with this

    table. Other WAIT STAFFERS have gathered nearby, looking menacing.
  106. Dialog CYRIL (CONT?D) --to have someone come down and meet

    me here with a credit card.
  107. Dialog CYRIL (CONT?D) --to have someone come down and meet

    me here with a credit card.
  108. Dialog CYRIL (CONT?D) --to have someone come down and meet

    me here with a credit card.
  109. Dialog CYRIL (CONT?D) --to have someone come down and meet

    me here with a credit card.
  110. Dialog CYRIL (CONT?D) --to have someone come down and meet

    me here with a credit card.
  111. Dialog CYRIL (CONT?D) --to have someone come down and meet

    me here with a credit card.
  112. Dialog CYRIL (CONT?D) --to have someone come down and meet

    me here with a credit card.
  113. Dialog KYLE There you go.

  114. Dialog KYLE There you go.

  115. Action Notes Kyle and the staff disperse. One BUSBOY stays

    nearby to watch Cyril. He chews on a toothpick, looking threatening.
  116. Dialog Action Notes Kyle and the staff disperse. One BUSBOY

    stays nearby to watch Cyril. He chews on a toothpick, looking threatening.
  117. Action Notes Kyle and the staff disperse. One BUSBOY stays

    nearby to watch Cyril. He chews on a toothpick, looking threatening.
  118. Action Notes Kyle and the staff disperse. One BUSBOY stays

    nearby to watch Cyril. He chews on a toothpick, looking threatening.
  119. Action Notes Kyle and the staff disperse. One BUSBOY stays

    nearby to watch Cyril. He chews on a toothpick, looking threatening.
  120. Action Notes Kyle and the staff disperse. One BUSBOY stays

    nearby to watch Cyril. He chews on a toothpick, looking threatening.
  121. Action Notes Kyle and the staff disperse. One BUSBOY stays

    nearby to watch Cyril. He chews on a toothpick, looking threatening.
  122. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT

    A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
  123. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT

    A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
  124. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT

    A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
  125. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT

    A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
  126. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT

    A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
  127. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT

    A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
  128. Action Notes INT. ARCHER?S CAR - MOMENTS LATER - NIGHT

    A SQUEEGIE GUY approaches Archer?s windshield, squirts cleaner on it and begins to wipe it with a rag.
  129. Dialog MALORY Don?t spray that urine on my son?s window.

    If you want a dollar for doing nothing, walk to Canada.
  130. Dialog MALORY Don?t spray that urine on my son?s window.

    If you want a dollar for doing nothing, walk to Canada.
  131. Dialog MALORY Don?t spray that urine on my son?s window.

    If you want a dollar for doing nothing, walk to Canada.
  132. Dialog MALORY Don?t spray that urine on my son?s window.

    If you want a dollar for doing nothing, walk to Canada.
  133. Dialog LANA Malory, what are you even doing on this

    mission to begin with?
  134. Dialog LANA Malory, what are you even doing on this

    mission to begin with?
  135. Dialog LANA Malory, what are you even doing on this

    mission to begin with?
  136. Dialog MALORY Cyril needed me. It would?ve looked weird for

    him to be sitting at that restaurant alone.
  137. Dialog MALORY Cyril needed me. It would?ve looked weird for

    him to be sitting at that restaurant alone.
  138. Dialog ARCHER Who were you supposed to be?

  139. Dialog MALORY His date, obviously.

  140. Dialog MALORY His date, obviously.

  141. Dialog MALORY His date, obviously.

  142. Action Notes A beat, then Archer and Lana EXPLODE WITH

    LAUGHTER.
  143. Action Notes A beat, then Archer and Lana EXPLODE WITH

    LAUGHTER.
  144. Action Notes A beat, then Archer and Lana EXPLODE WITH

    LAUGHTER.
  145. Action Notes A beat, then Archer and Lana EXPLODE WITH

    LAUGHTER.
  146. Action Notes A beat, then Archer and Lana EXPLODE WITH

    LAUGHTER.
  147. Dialog LANA His... his date? You thought you two could

    blend in as a couple?
  148. Dialog LANA His... his date? You thought you two could

    blend in as a couple?
  149. Dialog LANA His... his date? You thought you two could

    blend in as a couple?
  150. Dialog LANA His... his date? You thought you two could

    blend in as a couple?
  151. Dialog ARCHER Yeah, nothing more normal than a woman out

    for a romantic evening with her male Hospice nurse.
  152. Dialog ARCHER Yeah, nothing more normal than a woman out

    for a romantic evening with her male Hospice nurse.
  153. Dialog LANA His... his date? You thought you two could

    blend in as a couple?
  154. Dialog ARCHER Yeah, nothing more normal than a woman out

    for a romantic evening with her male Hospice nurse.
  155. Action Notes More laughter. Now, even Gabrielle has joined in.

  156. Action Notes More laughter. Now, even Gabrielle has joined in.

  157. Action Notes More laughter. Now, even Gabrielle has joined in.

  158. Action Notes More laughter. Now, even Gabrielle has joined in.

  159. Action Notes More laughter. Now, even Gabrielle has joined in.

  160. Action Notes More laughter. Now, even Gabrielle has joined in.

  161. Action Notes More laughter. Now, even Gabrielle has joined in.

  162. Dialog ROBERT What?s so funny? It?s not crazy at all

    that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
  163. Dialog ROBERT What?s so funny? It?s not crazy at all

    that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
  164. Dialog ROBERT What?s so funny? It?s not crazy at all

    that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
  165. Dialog ROBERT What?s so funny? It?s not crazy at all

    that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
  166. Dialog ROBERT What?s so funny? It?s not crazy at all

    that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
  167. Dialog ROBERT What?s so funny? It?s not crazy at all

    that those two would be together, they?re not much further apart in age than Lana and I are. Action Notes
  168. Dialog ARCHER Self-burn.

  169. Dialog ARCHER Self-burn.

  170. Dialog ROBERT Plus, she?s beautiful and successful. You know who

    you remind me of, Malory? My ex-wife.
  171. Dialog ROBERT Plus, she?s beautiful and successful. You know who

    you remind me of, Malory? My ex-wife.
  172. Dialog ROBERT Plus, she?s beautiful and successful. You know who

    you remind me of, Malory? My ex-wife.
  173. Dialog ROBERT Plus, she?s beautiful and successful. You know who

    you remind me of, Malory? My ex-wife.
  174. Dialog ROBERT Plus, she?s beautiful and successful. You know who

    you remind me of, Malory? My ex-wife.
  175. Dialog ROBERT Plus, she?s beautiful and successful. You know who

    you remind me of, Malory? My ex-wife.
  176. Dialog LANA Malory reminds you of Linda? The supermodel?

  177. Dialog LANA Malory reminds you of Linda? The supermodel?

  178. Dialog ROBERT No, no, I?m talking about Zelda, my first

    ex-wife. Linda was my third ex-wife.
  179. Dialog ROBERT No, no, I?m talking about Zelda, my first

    ex-wife. Linda was my third ex-wife.
  180. Dialog ROBERT No, no, I?m talking about Zelda, my first

    ex-wife. Linda was my third ex-wife.
  181. Dialog ROBERT No, no, I?m talking about Zelda, my first

    ex-wife. Linda was my third ex-wife.
  182. Dialog LANA Your what?

  183. Action Notes Robert freezes, having accidentally slipped up.

  184. Dialog ARCHER Ohhh Bobby Bobby Bobby -- I think the

    phrase you?re looking for is ?gulp.?
  185. Dialog ARCHER Ohhh Bobby Bobby Bobby -- I think the

    phrase you?re looking for is ?gulp.?
  186. Dialog ARCHER Ohhh Bobby Bobby Bobby -- I think the

    phrase you?re looking for is ?gulp.?
  187. Dialog ARCHER Ohhh Bobby Bobby Bobby -- I think the

    phrase you?re looking for is ?gulp.?
  188. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are

    having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
  189. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are

    having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
  190. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are

    having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
  191. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are

    having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
  192. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are

    having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
  193. Dialog PAM/CHERYL/CAROL [laughing]

  194. Dialog PAM/CHERYL/CAROL [laughing]

  195. Dialog CHERYL/CAROL Ew. What?s wrong with your face, Krieger?

  196. Dialog CHERYL/CAROL Ew. What?s wrong with your face, Krieger?

  197. Dialog CHERYL/CAROL Ew. What?s wrong with your face, Krieger?

  198. Dialog PAM Yeah. You build a time machine and travel

    into the past and punch yourself in the balls?
  199. Dialog PAM Yeah. You build a time machine and travel

    into the past and punch yourself in the balls?
  200. Dialog PAM Yeah. You build a time machine and travel

    into the past and punch yourself in the balls?
  201. Dialog PAM/CHERYL/CAROL [laughing]

  202. Dialog PAM/CHERYL/CAROL [laughing]

  203. Action Notes INT. AGENCY - NIGHT PAM and CHERYL are

    having some end-of-the-day drinks when KRIEGER enters, looking downtrodden.
  204. Dialog PAM/CHERYL/CAROL [laughing]

  205. Dialog PAM/CHERYL/CAROL [laughing]

  206. Dialog PAM/CHERYL/CAROL [laughing]

  207. Dialog KREIGER Mitsuko and I got into an argument. Said

    she thinks maybe her feelings are changing about us.
  208. Dialog KREIGER Mitsuko and I got into an argument. Said

    she thinks maybe her feelings are changing about us.
  209. Dialog KREIGER Mitsuko and I got into an argument. Said

    she thinks maybe her feelings are changing about us.
  210. Dialog KREIGER Mitsuko and I got into an argument. Said

    she thinks maybe her feelings are changing about us.
  211. Dialog KREIGER Mitsuko and I got into an argument. Said

    she thinks maybe her feelings are changing about us.
  212. Dialog KREIGER Mitsuko and I got into an argument. Said

    she thinks maybe her feelings are changing about us.
  213. Dialog KREIGER Mitsuko and I got into an argument. Said

    she thinks maybe her feelings are changing about us.
  214. Dialog KREIGER Mitsuko and I got into an argument. Said

    she thinks maybe her feelings are changing about us.
  215. Dialog PAM Buddy, lemme tell you something everyone hears at

    some point in their lives: that anime hologram?s just not that into you.
  216. Dialog PAM Buddy, lemme tell you something everyone hears at

    some point in their lives: that anime hologram?s just not that into you.
  217. Dialog PAM Buddy, lemme tell you something everyone hears at

    some point in their lives: that anime hologram?s just not that into you.
  218. Dialog PAM Buddy, lemme tell you something everyone hears at

    some point in their lives: that anime hologram?s just not that into you.
  219. Dialog KREIGER No! It?s probably just a phase. I?m sure

    she?ll feel differently after the next software update.
  220. Dialog KREIGER No! It?s probably just a phase. I?m sure

    she?ll feel differently after the next software update.
  221. Dialog KREIGER No! It?s probably just a phase. I?m sure

    she?ll feel differently after the next software update.
  222. Action Notes The phone rings. Pam picks it up.

  223. Action Notes The phone rings. Pam picks it up.

  224. None
  225. Dialog PAM (into phone) Yello?

  226. Action Notes INT. FANCY MIDTOWN RESTAURANT - SAME TIME -

    NIGHT - INTERCUT Cyril is on a pay phone near the bathroom. The menacing bus- boy stands nearby.
  227. Dialog CYRIL (into phone) Pam! Listen! I need you to

    come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
  228. Dialog CYRIL (into phone) Pam! Listen! I need you to

    come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
  229. Dialog CYRIL (into phone) Pam! Listen! I need you to

    come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
  230. Dialog CYRIL (into phone) Pam! Listen! I need you to

    come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
  231. Dialog CYRIL (into phone) Pam! Listen! I need you to

    come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
  232. Dialog CYRIL (into phone) Pam! Listen! I need you to

    come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
  233. Dialog CYRIL (into phone) Pam! Listen! I need you to

    come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
  234. Dialog CYRIL (into phone) Pam! Listen! I need you to

    come to L?Orange on 53rd and 5th. Archer stuck me with a huge tab then left with my coat which had my wallet in it and there?s a a menacing busboy who won?t stop staring at me!
  235. Dialog PAM So you want me to come over there

    and blow a busboy just so he?ll forget about your dinner tab?!
  236. Dialog PAM So you want me to come over there

    and blow a busboy just so he?ll forget about your dinner tab?!
  237. Dialog CYRIL What? No, come with money to pay the

    tab?
  238. Dialog PAM Oh. Lame.

  239. Dialog PAM Oh. Lame.