Midterm Review 2600

Transcript

1. Midterm  Exam  Review   Exam  Format     Sec3on  I:

    Slide  IDs  (10)    Ar#st/Architect    Title    Culture/Stylis#c  Period    Cultural  Significance     Sec3on  II:  Chronology    (3)    Place  Slides  in  Proper    Chronological  Order.     Sec3on  III:  Essays  (2)    Study  your  major    themes   Good  to  Know…     Exam  Date:  Thursday  March   21,  2013  from  8:00-­‐9:15.     The  Midterm  is  worth  25%   of  your  final  grade.     Full  study  guide  is  on   Blackboard  under  “Study   Guides  and  Handouts”    

2. Slide  IDs   Ar3st:   Title:   Stylis3c  Period:  

   Significance:  

3. Chronology   (a)   (b)   (c)  

4. (a)   (b)   (c)   (d)  

5. !"#$%&'%() *+$"#$%&'%() ,-.///01,.///)234) ,5//016//)234) 1) ,)

6. !"#$%&'() **++,-.++)/01) 233'4&'() --.5,--67) /01) 6) -) 8$9,!"#$%&'() *) -+:+)/01)

   ;<4)/'=><9(&'() 6?:-,6?.+)/01) 5) 2@@>%&'() 8$9,/'=><9(&'() .A) B) ?) 7?.,?+B)/01) C$%@&'() BDE)0$(D"%>) .67,5B+)/01)

7. !"#$%&'%(")*+& ,$-&./(0-12& 3/--$4&./(0-12& 546&./(0-12& 789:;79<9&=>!& 79<9;7?79&=>!& @8?A;@<9B&=>!& @C<?;@@8:&=>!& @& 7&

   ?& C&

8. !"#$%&'#( )'*+%*( )"#,*%,%*( -.//0-1//(2!3( 45//0416/(2!3( 4.//044//(2!3(

9. !"#$"%&'() *&'"+%,-'.'+/) 0&(1,'() 2,&-3)4-,55'(,-) 6'/1)4-,55'(,-) 7,%")4-,55'(,-) 6"--"+'58() 9) :) ;)

   <) =) >) ?)

10. !"#$%&'() *+,'()!,-.#/) *+,'()*/-$01.&) 2) 3) 4)

11. !""#$%&'()*+(,*"% •  -,".*/%01*%2'*"34,5%%6*/(4'"+$7% •  8*%"'/*%04%94++4.%01*%:/4;:0%*<#=0+$>% #,".*/(,?%*@*/$%:#/05% •  A1*,%#"B*)%94/%*<#;:+*">%?(@*%":*=(C=% *<#;:+*"%49%#/0.4/B5%%% • 

    D1*%;4/*%)*0#(+%01*%E*F*/5% •  G4/*%)*0#(+"%#,)%#,#+$"("%.(++%*#/,%#%E*F*/% ?/#)*5%

12. Framing  Devices   Ideas:   -­‐Teachers/Professors   -­‐Assump3ons  that  are

     made  based   individual  cultural  bias.   -­‐   Images:   -­‐”Venuses”   -­‐  Cleaning  Marbles   -­‐  “Mask  of  Agamemnon”   -­‐  Roman  Copies    

13. Menorah   Trumpets   !"#$%&'()*+(,"-'./0(1&2.3&4( 5/46786#/4(

14. !"#$%&'()*+(,"-'./0(1&2.3&4( !&#5%&( 67( 89:(

15. !"#$%&'()*+(,"-'./0(1&2.3&4( 5&6.-(

16. !"#$%&'()*+(!&,-.(,/0(1,%%&2.( 3#4,//( 3#,546'(( 76/-&%',//( 86#"96#(( 1,.,"6( 7#"0:( ;<&&=>( ?#"2@4#"#.(

17. !"#$%&'()*+(,&-.&"/-0( 12/3( 45.(6#.(12/3(

18. !"#$%&'()*+(,-%.(#/(.0&(1"23.( 1"23.( 1".( 45&6&"( ,#7.&8.(

19. !"#$%&'()*+(,-%.(#/(.0&(1"23.( 1"23.( 1".( 45&6&"( ,#7.&8.( 1"23.( 1".( 45&6&"( ,#7.&8.(

20. !"#$%"&'() •  *+),-.%,/#)"0)1"$-)'"$-,+'2) •  *+)/3/-+)"0)/-4)5.'4"-16')5.'4"-12) •  7,8&"3#+9:+)45+);-+'+&,+)"0)0-/<.&:)9+=.,+'2) •  !4/-4)3.45)45+).</:+2) )

    !!"#$%&%'()*+%'%),-).#)*'/%)-#0/1#.!!)

21. !"#$"%&'"(%"()%*+#,)% -.  /)%#01)%"2%3)45$'0)%&(#"%627%4))%'8%627$%2&8% &2$34.% 9.  :2$+%627$%2&8%'8")$;$)"#<28%2=%#8%'+#,).% >.  ?)#3%2"()$%427$5)4@%&)',('8,%"()+%#,#'84"% 627$%'8'<#1%'8")$;$)"#<28.% A. 

    :2$+%#82"()$%'8")$;$)"#<28%5284'3)$'8,% B#55);<8,%2$%3'4+'44'8,C%"()%'3)#4%627%(#D)% )85278")$)3.%

22. !"#$%&'()*+,$-.,( •  /0&1(&"+(2"&3#.4(5+6#%+,7(8-9(5-(10+:( #3;&%1(-*"(*.5+",1&.5#.4(-2(&.%#+.1(&"17( •  8-9(5-+,(10+("-'+,(-2(&"$,1,(#.(10+(&.%#+.1( 9-"'5(5#<+"(2"-3(10+("-'+,(-2(&"$,1(#.(10+( 3-5+".(9-"'57( •  8-9(#,(3&1+"#&'(#3;-"1&.1(1-(10+(3+&.#.4(-2(

    &.(-=>+%17( •  8-9(#,(10+(1"#&.4'+(5#&4"&3(?&"$,1(!(&"1(!( 6#+9+"@(;"-='+3&$%7(

23. !"#$%&'((#))*)$!#+,-#.$/0$1"#$23145"/)1'5/)6"#)$ 74)#4+$/0$8/#0039$ !"#$%8#04).$$/0$"#5$%1#+,-#.$

24. !"#$%&'()*%+,*,-' .' /012'345"%'6()*%+,-7' 8945'3$::*%;4982'<+,=9$"2' >?'@A2BBB'CDE?' F"54+,')*%+,'G*H$>I4%,2'D"J"%*:'6K4H72'K$I"%' 6C4L4572'M9"N$=*:*,'6:*O7?'

25. Film still. Fantastic Mr. Fox. 2009. Directed by Wes Anderson.

    Twentieth Century Fox Film Corporation. !"#$%&'#$()'#)*#+$),*%()-$()$./0111$2#&3456$783(9:*#+$*,$;(<&44,$ !73*$=,3$73*>4$?&@#6$

26. !"#$%&'()$%*)+&",$-.&/"0)&1"*2324+& •  56%.&7$%&6%.8+& 9":);&<1*="++$>& •  9?@A".()3=&!"4*=& <9"B$@$2&C)*2"=(D6,,)& E)2%*&F%)-*B>& •  9?@,$B*=&9?+.)@+&<62G%)&

    H)%$*IJ$-%("2>& •  /%$++I/(%$2$B$4*="B& /$@A"%*+$2&<KLJL&M%"N)%&O& P"0*G&H)Q*+IR*BB*"@+>& •  S)-%$A+?=($B$4*="B& !$G)B& 5/"0)&TA)2*24&6%.;&'()&S)Q&U$%:)%& !"%=(&VWX&VYYY&

27. María, daughter of Marcelino Sanz de Sautuola, who participated in

    discovery of paintings at Altamira in November 1879.

28. !"#$%&!'("))%*&+,$$-&./"01)&234222*&56789& & :+')%;<&%=&>,=%(?)*&>$/"@'="*&.A"';*&5B*8CC& +DE& :>F1=&>$/"@'="*&"$$&')&G1("G1;(19<&

29. !"#$%#&'(#$)*+,-$ ./",#"0'$!0'1"/2+,,$

30. !"#$%&"'(%)#"*$'+%,'-.%/$'-0+%1*2#"342+%2"5% 678896:88%;1<5% =02"'%>?4@$%!A02"'$##"+%,-'.$'% 2A'"@-'%,-'%@?$%!$@+%'$2$B@#*%2#"4.$3% @?40%CDA'4B$%"%,-'D$'*5%

31. !"#$%&#'#()*&#+,$-.(/0112-#3(4,$1(5.( 6787968:((

32. !"#$%&'(($")&!"#$%&%&'()*+,&)&*+,*-&

33. !"#$%&'()#'"*+,$('-+.%'(/%#"+$0+'-"+1/2/#"+/'+3%$&&$&4+ .5/%&+*6("#'"*+'-"+("#$%&'()#7$%+ $0+'-"+8/2/#"+/&+/+#)2')(/2+-"(6'/9"+ &6'"4+ :2'"(%/'"+56";+

34. !"#$%&'$()*$+,-./00*1$23/+4$,5$6"/7*78,89$:;/<*$=)/>$?'$ :;/<*$@A;.0*$6'$3B.*8/*'$:;**.*'$3B.*8/*/8'$CDEE-C&&E$F@G$

35. !"#"$%&'(%)*'+%,-"'./%0$"'12'+%,-"3'45',67'52' 8&0"6,"2'+%""0"2'09':;<='."6<>%&'?.@9'

36. !"#"$%&'(%)*'+%,-"'./%0$"'12'+%,-"3'45',67'52' 8&0"6,"2'+%""0"2'09':;<='."6<>%&'?.@9'

37. !"#$%%&$'$()*$+,$-./01.$23$'."4)(,$'05(4(,$67..8.,$94:5$()*$ 94:52;:$7.82)<:7;8:.*$0(4):,$8#$=>>?@A>$+BC$

38. Art  and  Power   Ideas   •  Images  are  o]en

     made  for  people  in   power.   •  Or  for  people  with  wealth.   •  Communicate  or  augment  their   power  using  symbols.   •  Material   •  Size   •  Divinity   Images   •  Lion  hun3ng  scenes  – Assyrian.   •  Hammurabi’s  stele   (laws,  associa3on  with   divinity,  size)   •  Egypt:  false  beard,   crowns,  headdresses,   kilt.  

39. !"#$%&'()%*+%,--().(/%012'3$%4./'5'6%78191/:.-;$%<3(=% ,--().(/$%!>?@"!AB@%CDE%

40. !"#$%&'()(%*+%,-.-/%&01$%&022-.$% 3.-4$%566-70-1$%!!89"!!#:%;<=%

41. !"#$%&'()'%*#( ( )"+#(,(-./0$1%2'#(

42. !"#$%&'()*'+#),$-.)/'+-.'()01&2)344+&$+%2) 5667859:7);!<) 5892)*-'#')1=)>+(+?)*$%2)*$@@+(2) A(+B2)344+&$+%2)55:78559C);!<)

43. !"#$%&'%()$%*#+,)&-.#-%/0)"1% 23&44.+),%!#5501#+.67%()$% *#+,)&-.#-7%89::;8<::%*=>%% !"#$%&'%?@@#$.#-%/0)"17% ?@@#$.#-7%ABC:;A8D:%*=>%

44. !"#$%&'#()(*#&+,-#&.(/,(%-&0(1$& #(/&23405664&6337$/&583%&)$&9&)$&#,*& 0(:3.,-$&*#$8#$./;&<())5.(=,>-3& 1(5*$&25*?1$&-3&8.$:(,6&,%&-#$&6(%/;&-3& /$*-.34&-#$&+,17$/&(%/&$:,6&-#(-&-#$& *-.3%@&),@#-&%3-&388.$**&-#$&+$(7AB&& C@A&DE;&'-$6$&30&<())5.(=,;& F6/&G(=463%,(%;&&HIJKLHIMN& GOP&

45. !"##$%&'()*+,-.(/)*%)0%,1'%23,45'6%4*5%7464('%2)896':%)0%;4-<)*%,1'%==$% >.-%;14--.?3*$%@++A-34*$%B!C"BCD%E2F% !"#$%&% '()*+$%,**-% ./0% 1$+#2&345% Plan of the Anu

    Ziggurat and White Temple. Uruk, Iraq. c. 3300-3000 BCE.

46. !"#!$%&'('))*%+,-*./)%0.1(%2'3/%4%10%35/%6,3'7/8%10%9'.-1:%;;$% <*.%95'..*=,:%>?51.)'@'7A$%;.'B$%,:%),3*$%C!#"CDE%F6GH%

47. !"#"$$%&'()%*+$&",&-",+&.&/0&,1+&2(,"3+4&/0&5"*)/6&778&9:;<9;=& >2?@&

48. !"#"$$%&'()%*+&",&-",+&.&/0&,1+& 2(,"3+4&/0&5"*)/6&778&9:;<9;=&>2?& 5,+4+&/0&@"*"#&5(68&.AA"3("68& ::=B<::CD&>2?&

49. !""#$%&'()*+,%-$"(.*$/0$%'1(/2-()*+,%-$"(*3(4&52%526( 7&+&5-(*3()-''&52-$%86(9%'-:-26(5;(<==>?@A(BCD;(

50. !""#$%&'()*+,%-$"(.*$/0$%'1(/2-()*+,%-$"(*3(4&52%526( 7&+&5-(*3()-''&52-$%86(9%'-:-26(5;(<==>?@A(BCD;( EF(G&#-,(&"(H&'#('*8+-"(&"(2&,($-8-++-,(&1&%'"/(H-( I&',J(,$&K-,(/2-%$("L%'"(*:-$(/2-(K%+-(I*3(5*$K"-"JM( "*H-(F("K$-&,(*0/(N%/2%'(/2-(K%+-6("*H-(F(-$-5/-,( *'("/&L-"(0K*'(/2-(K%+-(;;;(F(G&#-,(H&'#($%12/( /2$*012(H#(+&',(I&',J(,$&K-,(/2-%$("L%'"(*:-$(/2-( N&++";O(>>!"20$'&"%$K&+(

51. !"#$%#$&'()*%+,-&.+%/0& %12")+*3&4")"#+&(5& '+//"#$+,%.3&6%/+7+$3& #8&9::;<=>&?@A8& BC&#"2DE,+*&-()*%+,-&")%7+&F"/*G& +,+#D+*&FD$+1G&(/&-D"H+-&.+5(,+& D$+%,&#%I+-8J&K'$")1"/+-+,&CCC&

52. !"#$%&'(()*+,(-*.,/&00&1-//-+2&3-4+(%&56*4+7&8449&4:& ;67&<,/,=7&4:&'((6)*+,(-*.,/&00%&1,/6)&>?-9*)@A%&0*,B%& '((C*-,+%&DEF"DG$&HIJK& '(6)*+,(-*.,/&L&&M'(6)*&2),*@(&;67&67-*N&

53. !"#$%&'$()*+,*-$./0--,)"$12*$(342/51*-$10$(-654*$7--8/,5)$ 7/62*/-'$9/0+$12*$!5:56*$09$7--3/)5-,/45:$;;'$<5:23$=>,+/3?@'$ ;/5A'$BCDEBFG$H.(#$

54. !"#$#%#&'(&)#*+,-&#%$&./*0/-1&!23#/4/%+$&5/*-+#%1&6789:;<&=>?&

55. !"#$%&'()*#+#,#'()-.#/0/,$+(1/%&$#,'(2345678(9:;(

56. !"#$%&'()*+,&(-.&/0)10,&2030*4*-5&6)*7+80%&.08(*9&:);<& 8=0&>?(.(-(%&@0),0?;9*,%&A)(-%&&>3=(0<0-*.&@0),*(-%& BC#"B$D&EFGH&

57. None

58. !"#$%&'( )*&+(,-.&'( /0"1%+(2&*.(3.".&+(45+."6*7(

59. None

60. !"#$%&'(

61. !"#$#%& !"#$%"&' !"#$%"&' '#"()*&+)",-.)*& Arch of Constantine (south side). Rome.

    312-315 CE. /01-.#&

62. Art  and  Religion   Ideas   Images  

63. !"!#$%&'$()**'+,-$,&.$/0)-1$213451#$6+'7#$8+,9#$:+;-;5)-1+,-1$ <'31+),&$==>>"=>>>$?@A$

64. !"#$%&'()*+%,*--*.%/0'(1'%,'-*2$%3(41$%5('6$%7(8.8.9:*(':*%;4<*(9'=$% ##>>"#>>>%?&@A% 0':*($%7.'=:-%'=+%B=9<'.-A%

65. !"#$%&'(%$)*'+),-.%/01,23%2*'.%/01,2*'45' 676'.895'':;))'<-=6>'

66. 3-18, Temple of Amun, Aerial View, Karnak, Egypt, 20th century

    BCE (begun).

67. 5-31, Iktinos and Kallikrates. The Parthenon (seen from northwest). Acropolis,

    Athens, 447-438 BCE.

68. Idealism  and  Art   Ideas     Images    

69. !"#$%&'$(#)*+&,*-./0123* 4&'5*6)*781*-./0123*

70. !"#$%&$'$"(%)*%+,'*-(.%/#0%+1230)4.%5657859:6%;!<%

71. None
72. None

73. !"#$%&'())*+)%&,+-./&*.&012&32(&+4&5*(62%&70(89%&:()89&;8(33*6(8%&<$="<!=& >;:&

74. !"#$%&'('&)'*+$',$%"-.-/+$

75. !""#$%&'"!"("!")*(+,"

76. !"#$#%&'()%**#+,%-.&'(%/$( 0+1/2&'(3,2/-%*(4#.5(26( -".(!%,-"./2/'(7".( 82*$./(9.:-%/;*.'( <:,2=2*#&(<-"./&'( >>?@>AB(CDE((

77. !"#$#%&'()%**#+,%-.&'(%/$(0+1/2&'(3,2/-%*(4#.5(26(-".(!%,-"./2/'( 78,292*#&(7-"./&'(::;<:=>(?@A((

78. !"#$%&'()*)+,%&-+..)/0+12,%&+3*&4/536,%&70631+.&8)29&6:&1(2&'+01(2363%& ;<06=6.),&;1(23,%&>>?">#@&ABC&&

79. !" #$!%" !"#$%&'())*&+(,-&).&+,*/01-)-%&2-/1*3)*&).&/01&+,*/01-)-&34&,&5)(61-& 718/,-9(1:&

80. !"#$%#&'()'*#%+,-.(.'/"+,'-0#$$-%#+-1'23%4-5'

81. !"#$#%&'!()*)(+)&,'%&$'-".'/01%&'2)(1'

82. !"#$%&'(!)*+,-"$.("/(0#+.+&1'(2+3#(45&11+6&5'(67( 8"#(6$%"-*9(4:(

83. !"#$%&'(!)*+,-"$.("/(0#+.+&1'( 2+3#(45&11+6&5'(67(8"#(6$%"-*9( 4:(

84. !"#$%&'()*&+*,*(-&./&0*1-2,& 34-5.26*7(58.29%&:,7*1-2.2%& 057.;.)<6%&0*1-26%&5=&>>$&?'@&

85. !" #" $%&'(")*+,"-,!,*."/0"1,2.3!" 45.6/37,8*69/3:(";!8,2.3/3("168/</+=7(" 1,2.37("6>"??'"@)A" -,!,*.B."/0",2."1,2.3!"C=D/<2/8/7("</77=#+."5/E!3" 6/<F"/0",2.";!8,2.3/3"6*+,"7,!,*.("G7,"6.3,*8F")A>"

86. !"#$!"#$#$%&$'%()*(#+,%-$ './$0123$'%()*(#+,%-3$4%5)6"%5%-$786#95$:#95#5;3$<%=9>$?%6)$ &5%=$@5##*$A5+.+>9(3$B+."$?(9--+C9($C/$D,"$?#>,E5)$?F$

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

    $*&%$1&'3.&%+$.&54)%$*&%=',0,?%B0%$*&,)%'55%2*+50.02*&1.% ',/%/07$01.%'77&2$%$*'$%"&'#$(%1&.+/&.%+,%$*&%/#&% 21020130,%04%$*&%2'1$.%04%$*&%"0/(?C%
88. None
89. None
90. None

91. !"#$%&''"($") *+$,&-"%.&#)/&01.)"2)3''"(4$.() ) )54#4$. )) ) )6#7#4$.) )388 ) ))

    )9:.#) )3#. ) ) );&#+) )<4-,$ )) ) )=.>) )<.($ ) ) );"?"#) )@$%&4-,$ ) )!%""A.8) )=4-,$ ) ) )B&%A#.(() )C""8 ) ) )9:41) )@DE&%.) ) )301"#-)