claim ownership of commodities. They demonstrate the choice by an individual of a single artistic emblem to indicate him or herself. The most frequently depicted image in Achaemenid art (both monumental and small-scale) is the figure of a hero, often to be identified as a king, mastering beasts. In individual as well as official imperial art the image of the king exerting control over nefarious forces to maintain a balanced, symmetrical whole, was widely favoured. Art had therefore become a 78 role traditionally attributed to deities was repeated time and time again, in many different contexts throughout the empire. Drawing from different local traditions, the king is depicted as godhead on architectural and free-standing sculptures, on seal-stones and coins and on embossed metal vessels. Imperial texts make it clear that the kings saw themselves as in direct communication with the deity Ahuramazda, holding their positions because of divine favour. It is a recurrent theme both on imperial architectural sculpture and on Achaemenid seal-stones. stone and brick, glazed bricks, wall paintings on wood and stone and plaster, rock reliefs and free-standing sculpture in stone and metal. On a smaller scale, there are seals (preserved both as stone artefacts and also as impressions left on the documents they ratified), coins, jewellery, weapons, horse trappings, vessels of stone and glass and metal, personal effects such as mirrors, ornamental wood and ivory carvings and textiles. These artistic remains complement the Greek and Near Eastern texts to provide a complex image of the empire. THE ART OF KINGSHIP The concept of a harmonious world order is the central theme of the entire programme of 1 THE ACHAEMENID PERSIAN EMPIRE (c.550–330), founded by Cyrus II, centred on southwest Iran and lower Mesopotamia. Under Darius I (521–486) it reached its greatest extent, stretching from the Aegean Sea to the Indus River, from Egypt to the modern Central Asian republics. When Alexander of Macedon conquered the empire in 331, he retained much of the Persian administrative system and made use of many pre-existing artistic channels to propagate his new ideology of empire. 20˚ 30˚ 40˚ 50˚ 60˚ 70˚ 80˚ 40˚ 30˚ Ss Ss Ss Ss Ss Ss Ss Ss Ss Ss Ss Gordium Halicarnassus Kelaenae Güre Meydancikkâle Deve Hüyük Taxila Tyre Jerusalem Tarsus Damascus Samaria Sidon Jericho Ascalon Lachish Sais Bubastis Pazarlı Erzincan Aleppo Thapsacus Mari Nimrud Nineveh Kharga Oasis Ur Uruk Ashur Hasanlu Al Mina Ctesiphon Bisitun Godin Tepe Baba Jan Anshan Carchemish Altıntepe Byblos Kerkenes Dagı ˇ Bactra (Balkh) Merv Peshawar Multan Cyropolis Kabul Ai-Khanoum Samarkand Rhagae Gaza Miletus Thebes Sogdian Rock Susa Babylon Seleucia Sardis Ecbatana Persepolis Elephantine Ain Manawir Pasargadae Dascylium Larisa am Hermos Elmalı Limyra Xanthus Hacımusalar Afyon Labraunda Pasa Tepe ¸ Erzurum Köskerbaba Höyük ¸ Sinop Panticapaeum (Kerch) Memphis Priene Bayindir Magnesia ad Maeandrum Ephesus Abusir Alexandria ad Issum Alexandria Charax Alexandria (in Carmania) Alexandria Margiana Alexandria Areion Alexandria Prophthasia Alexandria Arachoton (Kandahar) Alexandria Oreiton Alexandria (south of Kabul) Alexandria ad Caucasum Alexandria Eschate Alexandria Oxiana Nicaea Bucephala 326BC Alexandria ad Indum Alexandria (in Egypt) Tigris N ile In dus Za radros (Sutlej) Acesines Hydaspes (Jhelum) (C henab) O xus (Syr Dar ya) A raxes Cy rus (Kura) Euphr ate s Red Sea Canal J axartes (A m u Darya) B L A C K S E A C A S P I A N S E A M E D I T E R R A N E A N S E A RED SEA PER S IA N G U LF ARAL SEA A R A B I A N S E A AEGEAN SEA C A U C A S U S HIN DU KU SH ZAGROS MTS T H A R D E S E R T I R A N I A N P L A T E A U PERSIS SATTAG YDIA HYRCANI A ASSYRIA CAPPADOCIA PHRYGIA PAPHLAGONIA PISIDIA LYCIA CARIA LYDIA CYPRUS BITHYNIA DRANGIANA CILICIA SOGDIANA PHOENICIA NUBIA MAKA SCYTHIA A N A T O L I A A R A B I A I N D I A L I B YA E G Y P T S I N D GEDROSIA ARACHOSIA GANDARA BACTRIA MARGIANA PARTHIA MEDIA ELAM BEYOND THE RIVER ARMENIA COLCHIS CARMANIA CHORASMIA S A K A SEISTAN ARIA ancient coastline Sagalassus 333BC Issus 333BC Gaugamela 331BC Granicus 334BC N 0 0 300 miles 400 kms 1 The Achaemenid Empire extent of the Achaemenid Empire, c.500 BC administrative centre extent of Alexander’s Empire, 323 BC Alexander’s route Alexander’s commanders’ routes major battle siege cities founded by Alexander fortifications architecture inscriptions sculpture ceramics metalwork tablets sealstones stone vessels Ss glass painting coins papyrus N--%-$ P,-($%&$!*(B?+1("$::T6:5:$;<=$ !*(B?+1("$1(&(?#(1$#'($!/'?(@(+,1$I("-,?+-$,+$:::$;<=$?#$#'($;?O*($%&$N--%-9$