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Wharton Discussion

nichsara
October 18, 2013

Wharton Discussion

nichsara

October 18, 2013
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  1. The  Construc-on  of  the  “Holy  Land”:    
    Past  and  Present    
    Annabel  Wharton,  “Spectacularized  
    Jerusalem”  from  Selling  Jerusalem,  
    pp.  189-­‐233.      

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  2. Your Experience…
    Have you ever been to Jerusalem or The Holy Land Experience?




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  3.  
    What  are  some  dis-nc-ons  between  
    theme  parks  and  shrines  or  pilgrims  
    and  tourists?  
     

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  4. The  Holy  Land  Experience,  Orlando,  FL  

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  5. What  quali-es  of  shrines,  theme  
    parks,  pilgrims,  or  tourists  do  you  see  
    in  the  Holy  Land  Experience?  

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  6. What is Spectacle?
    Scenes from The Holy Land Experience, Orlando, FL
    “Spectacle  is  a  performance  that  demands  aSen-on,  but  refuses  reciprocity;  it  is  a  
    display  that  avoids  local  content,  but  produces  a  local  effect.    Spectacle  is  poli-cs  or  
    ideology  that  pretends  to  be  entertainment;  t  is  the  theatrical  figura-on  of  capital  
    and  an  expression  of  its  excesses.    When  spectacle  seems  safe,  it  is  probably  
    dangerous;  when  spectacle  seems  dangerous,  it  certainly  is.”  (190)  

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  7. Authenticity…
    What is it? Why is it important? How is something judged authentic?  

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  8. Rev.  William  M.  Thompson:  “Jerusalem,  as  I  
    see  it  this  morning,  is  all  I  could  desire,  and,  if  a  
    nearer  acquaintance  is  going  to  disappoint  and  
    disgust,  let  me  not  enter,  but  depart  from  this  
    ‘Mount  of  Ascension’  carrying  away  the  picture  
    already  imprinted  on  my  heart.”    [Viewing  
    from  a  distance  but  not  close  up]  
    William  Mason  Turner:  “On  account  of  this  
    ubiquity  of  holy  objects  and  curiosi-es,  the  
    whole  church  and  its  wonders  necessarily  
    appear  as  a  sham,  and  the  high  religious  aw  
    with  which  we  should  view  these  wonders,  
    subsides  into  a  stoical,  indifferent  credulity,  
    which  plainly  express  our  opinion  of  everything  
    shown  us,  as  humbug.”  
    How  do  these  viewpoints  complicate  the  no-on  of  authen-city?    

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  9. Photographic  Panorama  of  Jerusalem,  
    early  20th  century  

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  10. Panoramic  Engraving  of  Jerusalem,  Scanned  from  reprint  of  1841/1852  
    edi-ons  of  "Extraordinary  Popular  Delusions  and  the  Madness  of  
    Crowds"  by  Charles  Mackay.  

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  11. Holy  Land  Experience,  Map.  

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  12. Jerusalem  Model  (“Jerusalem  69  AD”),  The  
    Holy  Land  Experience,  Orlando,  FL  

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