Relatively undifferentiated audience. Ads as a relief against the anxiety of modernism. Be like the others. 50s – Late 1900: Post Fordism. Narrowcast media. Cable television. Fragmentation of the mass audience into differentiated groups identified by socio-demographic variables Late 1900 - Today: Marketing through immaterial labor of consumers. Viral ads, user generated contents. HISTORY OF PRODUCTION AND CONSUMER CULTURE In 5 minutes. Source: Banet-Weiser, S. (2012). Branding Consumer Citizen and the Emergence of Brand Culture. 01 220
the bourgeois social norms: the cowboy, the artist, the rebel, the minorities • Outside urbanization, in Nature WHERE TO LOOK FOR AUTHENTICITY? According to Goldman and Papson 01 220
occupy a figurative and literal, ideological and geographical, affective tangible devout American Middle. A non-target too déclassé to merit the attention of targeted network. WHERE DOES PAX TV IDENTIFY AUTHENTICITY? Goldman and Papson 01 220
Pastoral, site of time bound values of expressed belief in God, pioneering, self sufficiency, Knowable community and heterosexual nuclear familiar ideas. PAX tv, by targeting the non-targetable, create a new target. A more authentic one, because not built (reified) through targeting. It’s the restoration of the modern in the postmodern. WHERE DOES PAX TV IDENTIFY AUTHENTICITY? Goldman and Papson 01 220
Advertisement: Local and regional. Low quality. Real. https://www.youtube.com/watch?v=9Q8F3t5c8lY Programs: No hip hits such as ER of Friends but rather “not so chic programs” such as Touched by an angel CODES OF AUTHENTICITY BEYOND THE SCREEN McLeod, Kembrew 01 220
Short/Term paper with me , send an email asking to schedule an appointment during office hours. You can find me in Room K-8661 on Monday, from 13,30 to 14.20 OFFICE HOURS 01 220